Pinus cembroides, the Mexican Pinyon Pine is a small, bushy tree, quite often featuring a twisted trunk. It’s cultivated for its large, edible seeds, the piñones. My specimen is quite high on the cuteness scale, but to be honest, the weather has been so wet since I got it that I haven’t had time to take a really close look at it, to get ideas on how it might be developed. It’ll definitely stay compact.

Pinus cembroides
Japan is known for three Pine species. Pinus parviflora, the White Pine, is the high altitude specialist which I saw growing on Mount Fuji. Pinus thunbergii, the Black Pine, is the one which thrives at lower altitudes, as in the temple gardens of Kyoto, or the Imperial Palace grounds in Tokyo. In the middle, as it were, is the Red Pine, Pinus densiflora. Its needles are sometimes shaggy, but the ones on my specimen appear to have been trimmed. There are a few suspiciously long needles which have missed the scissors – you know what some barbers are like. I’ll need to wait for new growth to appear, to assess what I need to do with it, but I don’t like the thought of trimming needles. This one’s very high on the cuteness scale too.

Pinus densiflora
In 79 AD, Pliny the Elder described the initial eruption of Vesuvius which, sadly, killed him a few days later. He said that the eruptive column was like a pine tree which, to those of us familiar with the Scots Pine (Pinus sylvestris) might cause us to wonder what Pliny was talking about. The cloud looks nothing like a Scots Pine. However, the Stone Pine or Umbrella Pine, Pinus pinea, is a Mediterranean species Pliny would have known well, its distinctive mushroom head top not too dissimilar to the dreadful hot cloud above the mountain. Pliny ‘s name is commemorated in the name for very explosive volcanic eruptions – Plinian. My specimen’s a young one, with a dauntingly shaggy trunk. When it’s had time to develop side branches, I’m going to have to remove the needles from the trunk and proximal ends of branches, but that’s a few years ahead.

Pinus pinea
I’ve sown seed of Pinus mugo, the Dwarf Mountain Pine, and one seedling has germinated so far. That may be the only one I’ll get.
Pinus thunbergii, the Japanese Black Pine, is the ruffian of my new acquisitions, its trunk cloaked, like a green Highland coo, in long green needles. It definitely has character. I don’t want to force it into an unnatural habit, because that seems like verging on cruelty to trees, but I can see myself in a few years, as it loses old needles from the whippy trunk, wiring it up to make an S-bend, the archetypal ‘informal upright’ or moyogi style bonsai.

Pinus thunbergii
I already had some Japanese Black Pine in the garden, from seed sown many years ago. They’re growing in a container on the patio. From time to time I think about separating them. I’ll see what I feel like in a month or so. They’re also too tall, with too much growth concentrated near the top. A bit of judicious de-candling in early summer should encourage back-budding lower down.

In the meantime I’m held back, from my trees, from my seed trays, from my overwintering seedlings, from the garden generally, by four weeks of dark, cold, wet days. I can’t remember anything like this happening before. Is it the end of days? Is there really a sun somewhere? I’m really feeling the lack of sunshine. The thick cloud cover means there isn’t enough light coming in the front window to warm the seed trays on the windowsill, so germination is very poor. I’m using grow lights, which provide light of the right frequencies for the seedlings, but they can’t provide the soil with any warmth. It’s the same with the seed trays outside, in the mini-greenhouse. None of them have shown any sign of germination. I’m beginning to think about the effect of constant cloud cover on phytoplankton productivity in the North Sea. Will we have fewer fish later on? Skinnier fish?
I’m not good at tree photography, but I’m trying to improve my shots. I’m wondering if it’s best if I use a single camera for all my tree shots, and if so, which camera? Not the small Lumix, but maybe the bridge camera? I’ll try some shots. Or maybe the phone? And I need to take them against a neutral background, so I’ve ordered a plain grey noticeboard I can use. Fundamentally, they are to document the collection as it grows and develops.


















