• Reclaiming African Identity Through the Performing Arts


    The School of Performing Arts stands as a vital institution that brings together three major disciplines: dance, theatre, and music. These are not merely academic courses; they are powerful expressions of African identity, culture, and heritage. Through these art forms, the stories, values, and lived experiences of African people are preserved and communicated across generations.
    Dance serves as a medium through which African communities express their history and traditions through movement. Every gesture and rhythm carries meaning, reflecting the beliefs and practices of the people. Theatre provides a platform for dramatizing these stories, allowing society to reflect on its realities and communicate important messages. Music, on the other hand, gives voice to the people—it captures emotions, narrates experiences, and strengthens cultural bonds. Together, these three disciplines form a unified system that defines and sustains African identity.
    It is therefore concerning when the School of Performing Arts is perceived as a lesser or insignificant field of study. Such a perception undermines the very foundation of African culture. As Ghanaians, and as Africans, it is important to recognize that these disciplines are not optional; they are fundamental to who we are. They define our identity, preserve our history, and communicate our values to the world. To disregard them is to overlook the essence of African life.
    The influence of colonialism has played a major role in shaping negative perceptions about African culture and artistic expression. Over time, foreign systems and values were introduced, often leading to the neglect of indigenous practices. This has affected how some people view African dance, theatre, and music today. However, institutions like the School of Performing Arts provide an opportunity to correct these misconceptions and reclaim the value of our cultural heritage.
    In recent times, there has been a strong attraction to foreign styles of dance and music, especially among the youth. While cultural exchange is important and should be encouraged, it should not come at the expense of our own traditions. It is not wrong to learn from other cultures, but it is essential to first appreciate and understand what belongs to us. One cannot fully value another culture without first valuing their own.
    African dance, music, and theatre are deeply rooted in storytelling. The movements we perform, the songs we sing, and the dramas we act all reflect the realities of our daily lives. They tell stories of joy, struggle, history, and identity. Wherever one goes across the African continent, it becomes clear that our stories are consistently expressed through these art forms.
    In conclusion, the School of Performing Arts must be respected and valued as a cornerstone of African identity. Dance, theatre, and music are not secondary disciplines; they are essential elements that define who we are as a people. As individuals, institutions, and as a nation, there is a responsibility to preserve, promote, and take pride in these art forms. By doing so, we ensure that the identity of Africa remains strong, visible, and appreciated for generations to come.

  • LET THE LIGHT OF JESUS’ TRANSFIGURED FACE SHINE UPON THE DARK MOMENTS OF YOUR LIFE

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    The Transfiguration is a hope booster for us. When we are weighed down by life’s troubles, let us not despair nor give up. There is light at the end of the tunnel. It will not end in pain, suffering, and death. After the Good Friday, will come an Easter Sunday. Let us continue to listen to Jesus and do his will. This Jubilee Year of Hope, let us continue to hope in God, and the light of the Transfigured Jesus will dispel the darkness of our lives.

    YouTube Link: https://youtu.be/gI0wkfuI6s4
    Fr. Blessed Ambang Njume

  • Today I want to remind us of something simple, yet powerful: Change doesn’t start with big speeches. It starts with small actions.Every time we drop a plastic bottle, burn our waste, or ignore a dirty gutter, we are contributing to the problem. But every time we pick up a piece of trash, recycle a sachet bag, or educate someone about sanitation, we are becoming the solution.We keep saying “Ghana is dirty.” But Ghana is not some separate place — Ghana is us. Our homes, our schools, our marketplaces. If we clean where we live and act responsibly, Ghana will be clean.That’s why today, I’ve taken a step: I cleaned a small corner. Not for attention — but to lead by example.So my challenge to you today is this: do one thing to clean your space. Even one plastic bag matters.I am an ECOREFORMER. Are you?

  • Dance Carnival 2026

    What makes you nervous?

     About This Year’s Dance Carnival (2026)

    The Dance Carnival organized by the Department of Dance Studies at University of Ghana is a regular and highly anticipated event, and this year’s edition is scheduled for 28th and 29th April.

    Dr. Terry with his students

    It is a two-day festival that brings together students, performers, and audiences to celebrate dance as both art and cultural expression. 

    Modern Ghana +1

    What is Happening This Year (Activities Line-Up)

    This year’s carnival is not just performances—it is more interactive and diverse:

    Live Dance Performances

    Different groups and students present choreographed works—traditional, contemporary, and experimental styles.

    Workshops & Training Sessions

    There are practical sessions where participants learn movements, rhythm, and performance techniques. 

    threads.com

    Cultural Dance Displays

    Ghanaian dances are showcased to highlight identity, storytelling, and heritage.

    Creative Collaborations

    Students combine dance with music, drama, and even digital elements to create modern stage experiences.

    Audience Engagement Segments

    Some sessions allow interaction—teaching simple moves or involving the audience directly.

    Thematic Performances

    This year focuses on ideas like identity, creativity, and storytelling through dance. 

    Instagram

    Feedback on the Current Organization

    From what is being prepared, this year’s carnival is shaping up to be:

    More structured and expanded – The inclusion of workshops alongside performances makes it more educational, not just entertaining.

    More engaging – Audience participation and interactive sessions will make the experience lively and memorable.

    Stronger in concept – The focus on storytelling and identity gives the performances deeper meaning, not just movement.

    Good platform for students – It allows performers to express creativity and also gain confidence on stage.

     However, one thing that can make it even better is:

    Ensuring proper time management so all activities run smoothly

    Improving publicity and audience turnout

    Maintaining high coordination between performers and technical teams

     Simple Way to Conclude (for presentation)

    You can end like this:

    This year’s Dance Carnival at Legon is not just a performance event but a complete artistic experience. With a combination of performances, workshops, and cultural displays, it continues to grow as a platform for creativity, learning, and cultural expression.”

  • Jot down the first thing that comes to your mind.

  • What is your favorite restaurant?

    They serve both local and foreign food

  • Describe one positive change you have made in your life.

    It has been the most positive change in my life.

  • What part of your routine do you always try to skip if you can?

  • What are your favorite websites?

    🧹 Poem 11 — “When We Clean Together”

    By ECOREFORMERS

    One broom can start a rhythm,
    but many brooms make music.
    Streets hum with hope,
    when hands move as one.

    Children laugh beside elders,
    voices rise above the dust.
    Not a chore — a celebration,
    of care, of pride, of unity.

    When we clean together,
    the world remembers its color.

    And in that simple act of love,
    we become what the Earth
    has always dreamed —
    its https://whatsapp.com/channel/0029VbA6U9GICVfthMdWgX1a

  • Is there an age or year of your life you would re-live?

    🧤 Poem 10 — “Hands That Heal”

    By ECOREFORMERS

    These hands have built,
    these hands have broken.
    But today, they choose to clean.

    A broom becomes a prayer,
    a bin becomes a promise.
    Each sweep says, “We remember.”

    The Earth does not ask for much —
    just gentler hands, mindful hearts.

    Let us touch the world
    not to take,
    but to heal.

  • What historical event fascinates you the most?

    ♻️ Poem 9 — “The Plastic Age”

    By ECOREFORMERS

    We built a world of shiny things,
    forgetting that beauty can break.
    Plastic crowns on poisoned seas,
    comfort wrapped in decay.

    The waves no longer dance alone —
    they juggle bottles and broken dreams.
    The wind sighs through littered fields,
    whispering, “Was it worth it?”

    But still, the Earth forgives,
    waiting for our wiser hands.
    One act of care, one clean sweep —

    to get more tap on the link
    and life begins again.
    https://whatsapp.com/channel/0029VbA6U9GICVfthMdWgX1a

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