Showing posts with label Short Story Collection. Show all posts
Showing posts with label Short Story Collection. Show all posts

May 08, 2018

2♦sdays@the treehouse: Challenge Five: May

Welcome back to our monthly Second Tuesday writing challenge!

From January - June, every second Tuesday of the month, we're going to post an image here on Wonderland of a Creative Commons licensed Flickr picture to which you can respond - with poetic, prose, or whatever kind of writing - and hopefully, you'll share a link in the comments below, so that we can visit your site, read your work and respond. No genre or style limit - just come and join the fun!

Welcome to May!


I think we're over it with the May showers, but we're just getting started with Asian Pacific Heritage Month, and Mental Health Awareness Month. This month, it's time to celebrate National Salad Month, which, likely, features women laughing. Alone. With Salad. As they so often do. Additionally, May is National Bike and Barbecue Month as well, and extra points if you can celebrate these holidays simultaneously. This month's image comes from Flickr user Stefano Arteconi of Bologna, Italy:

Untitled>

I have... so many questions, don't you? Just leave your link in the comments below, and we look forward to reveling in your inspiration! Happy writing!

April 10, 2018

2♦sdays@the treehouse: Challenge the Fourth: April

Welcome back to our monthly Second Tuesday writing challenge!

From January - June, every second Tuesday of the month, we're going to post an image here on Wonderland of a Creative Commons licensed Flickr picture to which you can respond - with poetic, prose, or whatever kind of writing - and hopefully, you'll share a link in the comments below, so that we can visit your site, read your work and respond. No genre or style limit - just come and join the fun!

Welcome to April!


April brings with it, famously, showers and May flowers, but also National Poetry Month, as well as the National Welding Month celebration, which, I'm sure, is all the rage wherever it is. Additionally, there's National Pecan Month to celebrate as well. This month's image comes from Flickr user Claus Rebler of Korneuburg, Austria:

Untitled

I've already got stories simmering, don't you? Just leave your link in the comments below, and we look forward to reveling in your inspiration! Happy writing!

February 27, 2018

Turning Pages Reads: THE RADICAL ELEMENT, edited by JESSICA SPOTSWOOD

Welcome to another session of Turning Pages!

Synopsis: Women who persist aren't a recent innovation. A history of intolerance, which led to insistent female resistance is not an uniquely American story, but one which nonetheless has heralded seismic shifts within our national history. After the success of A TYRANNY OF PETTICOATS, editor Jessica Spotswood brings together twelve new tales of women who were upstarts and outsiders. From the 1830's through the 1980's, these stories, some based on actual events, others fictionalized accounts of historical periods, regale readers with young women who stood up and out as radically different, and in doing so, changed the way the world related to them. Contributors to this collection include young adult authors Jessica Spotswood, who also edited; Dahlia Adler, Mackenzi Lee, Erin Bowman, Megan Shepherd, Anne-Marie McLemore, Marieke Nijkamp, Dhonielle Clayton, Sarvenaz Tash, Stacey Lee, Meg Medina, and Sara Farizan.

Observations: Claiming an identity -- stepping outside of the role and voice assigned -- can be uncomfortable and awkward, intimidating, to downright dangerous and life-threatening. Without a clear idea of how things will end, each of the young women depicted in these stories sets out on a personal journey -- whether its to use her brown hands in the service of her country, when only paler hands are sought, or to make her escape from abuse, or to take her chances in a traditionally masculine world, playing a man's role. Readers will pause thoughtfully to discover these nuanced angles of history -- taking readers out of the realm of mere nostalgia into the realities of the difficulties and challenges of history through the voices of the traditionally excluded and silenced.

The women's outsider status is significant, as most of these voices are from women in the margins, due to issues of race, religion, sexuality, disability, gender, or professional desire. I appreciated the voices from early in our national history into more recent times. Some of my favorites were the story of the young Jewess, longs to study the Torah, and the Mormon girl who tries to find ties between her new country, and her faith. A Latina drains herself of pigment with the family's magic to bleach herself into the faded shades acceptable for silent films, while brilliant and neurodivergent young woman keenly watches court proceedings to determine the reproductive rights of the mentally unfit. Elsewhere, a half-Japanese girl braves 1950's xenophobia to compete to be the next Miss Sugar, while a young Cuban dons her first pair of go-go boots. The perspectives are fresh, the stories are original, and the anthology is a joy to read.

Conclusion: If you're not a short story aficionado, I think there's still plenty in this novel which will appeal. There's room to read and hop around, and then return to longer stories from time periods which you may not believe will hold your interest. You will be surprised!

In the editor's note, Spotswood outlines the purpose of this collection, and her wish that readers will be able to find themselves within these pages. Even as not a particularly radical individual, I found myself in the bravery and dauntlessness of these heroines, and I believe this book will work well for older middle graders, young adults, and adult readers.



I received my copy of this book courtesy of NetGalley. After March 13, 2018, you'll find THE RADICAL ELEMENT edited by Jessica Spotswood at an online e-tailer, or at a real life, independent bookstore near you!

February 13, 2018

2♦days@the treehouse: Challenge February

Welcome back to our monthly Second Tuesday writing challenge!

From January - June, every second Tuesday of the month, we're going to post an image here on Wonderland of a Creative Commons licensed Flickr picture to which you can respond - with poetic, prose, or whatever kind of writing - and hopefully, you'll share a link in the comments below, so that we can visit your site, read your work and respond. No genre or style limit - just come and join the fun!


Welcome back, it's February, which brings with it, famously, Black History Month, Groundhog Day, that Presidential birthday weekend which translates to "Monday off," and, of course, who can forget Valentine's Day... or, less memorably, National Grapefruit Month, and I am here for THAT, despite myself. This month's image comes from Flickr user Left Hand Rotation of Madrid, Spain, presenting us with Los hombres de Musgo de Béjar. I'm intrigued by the stories which will come from this image, so without further ado:

MOSS MEDIA (Acción Urbana)

I'm not going to bother with Inlinkz this month; just leave your link in the comments below, and we look forward to reveling in your inspiration! Happy writing!

August 16, 2017

In Tandem Reads: THE NEW VOICES OF FANTASY edited by PETER S. BEAGLE & JACOB WEISMAN

SFF is ...changing. Long the bastion of men, especially white men, the genre's stories and boundaries are at last making room for a greater variety of voices and points of view. 2017 has been a particular great year for that in our corner of the woods with FIYAH Lit Magazine, showcasing African American SFF; Comic Con this summer celebrated more diverse characters in comic books and films, including a superb Muslim crimefighter; the Star Trek TV series franchise is being resurrected with black and Asian female crew members, as well as the usual undefined aliens; and of course, everyone is still vibrating over the Star Wars beloved General Leia and the new strong female leads in that world. All of this means that when we had the opportunity to read the New Voices in Fantasy Anthology, we both jumped at the chance.

New Voices is not a YA anthology, although there are contributors who write for YA and MG lit included, but we wanted to look it over anyway, because we strongly support diverse voices in science fiction and fantasy. So, without further ado:

Welcome to another edition of In Tandem, the read-and-review blog series where both A.F. and I give on-the-spot commentary as we read and blog a book together. (Feel free to guess which of us is the yellow owl and which of us is purple ...who's driving this bike??)
We are...
Two writers,
     & Two readers,
            Exploring one book...

In Tandem.




What would you do if a tornado wanted you to be its Valentine? Or if a haunted spacesuit banged on your door? When is the ideal time to turn into a tiger? Would you post a supernatural portal on Craigslist? In these nineteen stories, the enfants terribles of fantasy have entered the building—in this case, a love-starved, ambulatory skyscraper. The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years, including Sofia Samatar, Maria Dahvana Headley, Max Gladstone, Alyssa Wong, Usman T. Malik, Brooke Bolander, E. Lily Yu, Ben Loory, Ursula Vernon, and more. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic). So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

“This anthology represents some of the most exciting and interesting work in the fantasy field today, and anyone interested in the genre should read it immediately.” —Booklist ♦ “...a valuable snapshot of SF/F’s newest generation of writers.” —Publishers Weekly ♦ “A stellar anthology that proves not only that fantasy is alive and well, but that it will be for years to come.” —Kirkus
We received copies of this book courtesy of the publishing company, via NetGalley. You can find THE NEW VOICES OF FANTASY edited by Peter S. Beagle & Jacob Weisman at an online e-tailer, or at a real life, independent bookstore near you!
 



tanita: I don't know why, but I love, love, love anthologies. Maybe it's the little snippets of someone's work, which gives me a jumping-off point to getting to know them as a writer. Maybe it's the reality that sometimes, I don't have mental bandwidth for a long novel, but there's always time for a story. Maybe it's just that I have attention deficits. I enjoy how some stories turn out to be favorites, and others, not so much, which is always my experience - which makes even reading something I'm not sure I like A Good Thing. You were remarking the other day how hard it is to read them sometimes, though. I agree... this was both fun, and really hard!

sarah: I guess any "new voices" type of thing is going to be highly varied. It's hard for me to do more than a few stories a day... Is it weird that I find short stories require more stamina in a way than novels?
tanita: No, no - not at all. I had to put this down and come back to it repeatedly. For me, the issue with anthologies, where there are rich, fully realized stories is that I can't change lanes that fast. The finned Chevy of my imagination is hurtling down the dark freeway, weird sights blurring as I fly by... and then the story ...ends. I have to find where the car went and turn it around before I can start something new.

The stories featured in this collection were were fully realized, fully populated little worlds we spent time in. Which one was your favorite? Or, which two, probably, that you're having a hard time picking between?
sarah: I have to admit, I'm kind of a sucker for selkie stories--for anything based on myth, really--and so I think my favorite of the bunch is Sofia Samatar's "Selkie Stories Are for Losers." It also is a YA-friendly story, and was nominated for several awards. It does such an amazing job of doing what myths do best--they teach us something about ourselves, show us what already exists in our all-too-human hearts that has existed through history and across time. In the same way, the selkie has both a literal and a metaphorical role in Samatar's story.
tanita: Funny - for the selfsame reason, I kind of hate selkie stories; I find them tragically sad, which is why I loved the Samatar's story -- because her character, too, came from a place of where the story of selkies and sentient sea creatures IS traditionally tragic, and so she decided to reject those stories, in a show of bravado, despite that story being HER story. Similar in themes of loss of wildness and freedom was the story of the anarchist bees - and well done to that person for being able to portray a hivemind in a story - and of course, the Jackalope Wives... I am SO here for any Vernon story, anytime. While I had read this particular story before (which kind of detracts from the "new" voices in the title), I'm glad to see her non-kid work find a larger audience.
sarah: I also liked Ursula Vernon's "Jackalope Wives"--not surprisingly. I'm already a fan of her work for young readers (e.g. the Dragonbreath graphic novels). 

Other stories I enjoyed were "Tornado's Siren" by Brooke Bolander for sheer uniqueness of concept; "Left the Century to Sit Unmoved" by Sarah Pinsker for being YA-friendly, very literary, and leaving the reader with intriguing questions; and "Here Be Dragons" by Chris Tarry for having an interesting new take on dragons and dragonslayers.
tanita: There were echoes, in "The One They Took Before," by Kelly Sandoval, of Seanan McGuire's EVERY HEART A DOORWAY trilogy that was really haunting, in combination with the weirdness of Craigslist. But, my favorite of the new-to-me pieces was Max Gladstone's "A Kiss With Teeth," which started off with me feeling pretty unsure of things... In a novel filled with pieces which will appeal to adults and teens alike, this is definitely an adult story. Parents looking back at their lives before becoming part of the Upright Citizens Brigade and remembering when once they were vampire and vampire hunter, when the night was filled with menace and promise and dangerous, obsessive romance... I adored it. I love that story because it's about maturing - and maturity is something you just don't read a whole lot about in speculative fiction, despite the thousand-year-lived vampires and the like that you get in urban fantasy. More often, you get the angst and drama of what happens when people live nearly forever and don't mature, but just... roll into later adulthood, still acting a fool. It was partly side-eyeing those types of stories, and partially celebrating settled, selfless, mature relationships. Which is super rare. Having read that, I'm very much open to finding Gladstone's other work for adults, in a way I wasn't prior to now (although, not going to lie - I have been struck by the wonderful representation on the covers of his books. I mean, look at this!).


sarah: Yes, I enjoyed the "but what happens AFTER?" approach of Gladstone's story--that was something I liked about "Here Be Dragons," too. There are so many tropes in fantasy, and that's not inherently bad, but fantastical creatures like dragons and vampires and werebeasts and whatnot have been done in the same way so many times (hence the trope, I suppose). Bringing a new approach to existing tropes is something that was well done in this anthology as a whole.

tanita: What else stood out to you about this collection in terms of theme or stylistic choices, or anything, really?
sarah: I wanted to just mention how much I enjoyed the variety and risk-taking in terms of form and storytelling approach--there were surprises at every turn, from unusual characters like bees, buildings, and ducks, to unique conceits of form like the how-to guide, Craigslist ad, and anthropological study. I really enjoyed "The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik for its sweeping, epic, multigenerational look at jinn mythology--great to see something that's not from the well-used Western mold. I'm already a fan of Rushdie, who similarly draws on the history and myth of the Indian Subcontinent, and I'm glad to see more writing in that vein.
tanita: Oh, yes! My main interest in choosing this anthology is that it is aimed at "new voices;" the overarching meaning, in this particular, is not solely stories I haven't yet read from "new" to the field authors, but additionally, nonwhite voices in fantasy, which brings that new vibe to the entire genre. Usman T. Malik allowed us to glimpse both old Lahore, new, busy Lahore, and the mental and physical and spiritual space in between, bridged by the character's life in the West. It was enchanting, in part because the story was about family stories, and how they stretch the truth and what we understand of truth through time. Wouldn't it be lovely, if an aging relative could remember themselves in another time, in their dementia -- and it would all be real? That... in a way would redeem old age and remakes it into something beautiful.

And, in a way, that's what the whole anthology does. Familiar bits of ephemera from our imaginations, from our urban myths and legends, from our cultures and our worlds have been transmuted into something both less familiar and more knowable, both more off-puttingly gross and horrible (and there are some prime bits of horror in this collection - eek), and more charmingly disturbing. This collection runs a good gamut. It's meaty stuff, and could easily be taken along to ease the pain of airports and train rides. It's absorbing and invites the reader to a feast of a thousand different senses. It's not our usual fare here at the Treehouse, but I'm glad we read it.


sarah: Me, too! It definitely fulfills our goal to read widely and diversely, something that we both try to do as much as possible--just not usually at the same time...  In this case, though, a tandem review seemed like a good way to survey the gamut of stories in the anthology--we each responded to different ones, and as a result, hopefully, we were able to do it justice as a collection...and tempt you into picking it up, perhaps.

Thanks for joining us on our latest tandem review journey!

September 30, 2015

TURNING PAGES: EDGE: COLLECTED STORIES by M.E. KERR

I remember M.E. Kerr. My sister had a book called DINKEY HOCKER SHOOTS SMACK, and I was in grade school and thought the title sounded awful. Who'd name their kid Dinky?

With books, though, curiosity traps me every time, and the fact that Dinky was a girl was even more enticing. Though the book was slightly dated and Dinky wasn't someone I entirely understood, there was something about her voice that seemed very real, and, being me, I simply read through the whole shelf of M.E. Kerr books in the library. Thematically, this collection of short stories -- and really, all of the work of M.E. Kerr -- is about identity and the teen protagonist. Teens are in the process of becoming, and Kerr celebrates that becoming in myriad books.

Marijane Meaker - the real surname from whence came M.E. Kerr - had other pseudonyms and wrote bestselling mysteries and suspense, articles for the Ladies Home Journal, and more. Her young adult books, though, remain the jewels in her crown.

"Strangers take a long time to be acquainted, particularly when they are from the same family." - We Might As Well Be Strangers, by M.E. Kerr

Summary: If you enjoy family stories as much as I do, you'll enjoy this book of shorts, set largely in the 1970 in New York and environs. M.E. Kerr writes about the teen as separate from the family through choice, interest, and the mere act of becoming a young adult. Themes of identity and being true to that emerging self beat strongly throughout. These fifteen short stories are drawn from various magazines and anthologies, published from the eighties through the early 2000's. Much of the time, it's not as clear that the stories are that old, but the descriptions of teens intent on marrying after high school, of having no ambition for after college but to be "college educated," and of them going to the hairdresser (!) or worrying about sitting by the phone (rather than carrying it with them) date a few of the stories, but only a little.

There aren't all happy endings - as a matter of fact, most of the stories meet the reader's regard in a way that is deeply enigmatic, not painted in distinct shades of happiness or unhappiness. One of the strengths of M.E. Kerr's writings is her ability to let ambiguity simply... sit there. Modern readers may be unused to the moment of discomfort when a story ends not with a jarring, abrupt note, severing you cleanly, but with a dying away that lingers in the mind. Kerr's stories stick with you.

Of the happier stories, "Sunny Days and Sunny Nights" was one of my favorites, as a girl learns to identify what she wants out of the man she loves, and to ignore what her father wants in a husband for her. My all-time favorite "Grace," is about a self-conscious minister's son who loves his boring old father, though his father embarrasses him by existing - until he doesn't. "Son of a One Eye" is a poignant story about a boy who never fits in with the fraternity he didn't want to join - but finds a world for himself in his imagination. Readers will be glad to see "We Might As Well Be Strangers" which was included in the 1995 AM I BLUE? anthology. In every story, the voice remains so very constant - there is a steady, singular I which informs, even from the third person, about alienation, outsider status, the Other, and being outside of the circle, looking in.

Conclusion: Before there was e.lockhart or Rachel Cohn or the surreal landscapes of A.S. King, there was M.E. Kerr, watching, recording the inner world, telling the true, and playing it back for us to hear.



I received my copy of this book courtesy of Open Road Media. You can find EDGE: COLLECTED STORIES by M.E. Kerr at Open Road or another online e-tailer near you!

March 16, 2015

Cybils Finalist Review: THROUGH THE WOODS by Emily Carroll

Summary: Horror fans take note: if you're a fan of, say, Holly Black, Neil Gaiman, Edgar Allan Poe--you will not want to miss this graphic novel compilation of spooky tales by webcomic artist Emily Carroll. It's beautiful, and frightening, and difficult to describe. It's as if you took all the scariest folk tales--like Bluebeard, like the Armless Maiden--and put them all together in a striking, can't-look-away visual format. But these aren't any tales you've already heard, though they have echoes you might recognize. And they aren't going to posit any implausible happily-ever-afters; these stories will introduce you to the wolf lurking in the dark forest, the unknown monsters that disguise themselves all around us. Bring a night light, and prepare to be chilled.

click to embiggen
Peaks: For teens into dark and gothic literature, or fantasy, or retold fairy tales, this one is fantastic, in terms of both artwork and writing and overall style. The tales are well-written and creepy, echoing existing stories without feeling in any way derivative. The art and text were wonderfully integrated and just right for this set of stories: striking and evocative and perfectly interwoven. I loved the hand-painted look of the images and text, and the atmospheric feel of the pages that utilized blank space to great visual advantage. It really looks unlike anything I've seen before.

click to embiggen
Valleys: Other than being a bit scary for some readers (I wouldn't hand it to younger kids; this is definitely a YA title), I wouldn't say there are any valleys here. Not all of the stories provide a tidy explanation; this one rewards readers who are comfortable with ambiguity and want to read and re-read and ponder what is being said between the lines and in the empty spaces.

Conclusion: This was a title that got a lot of rave reviews and positive comments and oohs and aahs from the Cybils graphic novel panel in Round 2. Take a gander at the sample images here and you'll quickly see why. It's just so well done, and immerses the reader immediately into a world of darkness and danger and unease. Gorgeous and frightening.


I received my copy of this book courtesy of my library. You can find THROUGH THE WOODS by Emily Carroll at an online e-tailer, or at a real life, independent bookstore near you!

April 02, 2014

New Ventures: Inscription Magazine

It started last November with an Indiegogo campaign - raise five grand to produce and fund (for a year - the goal is for it to carry its own weight at some point, I would assume) a free ezine for teens containing diverse speculative fiction stories. A laudable goal, and the campaign raised in excess of its five grand. They had enough to hire illustrators, and web builders, and logo designers -- and authors -- and pay them a professional rate (which, according to the Science Fiction Writers of America guild is at minimum, $.05/word).

If you've been on Tor.com or a few others sites this week, you know that the first story is up! While probably not everything is finished or perfect, this site looks shiny, and has powerful goodwill and hope behind it. Submissions are open, so writers of short stories and readers of awesome will want to hop over.

Want to do more to support the ideals and goals of diverse children's lit than move your mouth and read endless articles in various journals and newspapers? Want to relive the brief kidlit glory days of THE EDGE OF THE FOREST or TBR TALLBOY (I KNOW! Remember them???) Find out how you can be involved. There have been too many "great ideas" and "great starts" in ezines that haven't ever had a chance to find their feet. Read, submit, talk!

P.S. - TALK ABOUT A SMALL, SERENDIPITOUS WORLD: Kelly Herold, editor-in-chief of the currently shuttered EDGE OF THE FOREST... was INSCRIPTION editor-in-chief Rachel Halpern's professor at Grinnell College in Iowa... and together they ran a YA reading group her Senior year. You've gotta love the kidlitosphere, people. ♥

March 11, 2014

TURNING PAGES: Grim, An Anthology edited by Christine Johnson

Oh, happy day! It's anthology time! This one from Harlequin Teen just last month, and the list of authors is shiny, award-winning, and long: Ellen Hopkins, Amanda Hocking, Julie Kagawa, Claudia Gray, Rachel Hawkins, Kimberly Derting, Myra McEntire, Malinda Lo, Sarah Rees-Brennan, Jackson Pearce, Christine Johnson, Jeri Smith Ready, Shaun David Hutchinson, Saundra Mitchell, Sonia Gensler, Tessa Gratton, and Jon Skrovan. Based on the classic fairy tales from the bros Grimm, these are re-imagined and in most ways, reinvigorated with new life. Some you'll have seen before -- if you were a Merry Sisters of Fate fan, you'll have seen an earlier incarnation of Tessa Gratton's story BEAST/BEAST, and a few stories are merely retellings, but for the most part, this is a strong collection that will make you want to go back to your old fairy tales and see those familiar stories with fresh eyes. The cover isn't anything to get excited about, but it does the job - brings to mind both a family tree, and a family crest - and gives the cover a "you already know these guys" familiarity vibe.

There's no really good way to do a review of the anthology as a whole - so, here's just a little story-talk highlighting my favorites:

We're INUNDATED with fairytale retellings - Malinda Lo's take on Cinderella, Jackson Pearce's twist on Little Red's wolves. Some of the least popular and most avoided tales are the ones which sparked my interest. I have a particular and appalling interest just now in Bluebeard, so I was thrilled - in a horrified fashion, like watching an accident - to read Saundra Mitchell's "Thinner Than Water," based on the Grimm story of Donkeyskin. This one is a DOOZY. There is the death of a mother, the asphyxiation of innocence, a delusional, crazy father, and a complicit counselor - and the sinister rejection of almost an entire kingdom. Almost. And then, the death of a horse, instead of a donkey, which just put the perfectly awful mafia shine on the whole thing. I haven't yet read any of Mitchell's VESPERTINE novels, but seeing this writing - bold-faced, inevitable horror, but with a razor-honed conclusion - not so inevitable, but deeply, chillingly satisfying - I want to.

Two phrases stick with me from this story, "You are not alone," and "There are worse things than death..." Indeed. But, even when your soul's been battered, there's nothing worth giving away your life for - so stand up, pick up your horse head, and take what belongs to you - in this case, revenge, and a kingdom. Long live the flippin' Queen.

Rachel Hawkins' "The Key" is a spooky little tidbit -- and could have been enlarged into a longer story. It is based, I believe, on the story of Bluebeard -- because in that tale, he gives all of his wives the key to his secret, and they none of them can stop themselves from using it -- and finding out everything they didn't want to know. I sometimes find myself dying to know What Happened Next when I read short stories -- and in a way, that's the nicest kind of wistfulness. In this case, the heroine's Mom is psychic - so we kinda know what happens, even if we don't know details. I can only hope this character reappears somewhere in Rachel's work -- and figures out how to handle her own psychic gifts. I like that she questions the shame she's feeling, and knows that shame hasn't any place in relationships which are supposed to be built on love.

"The Brothers Piggett" by Julie Kagawa is a funny one -- "The Three Little Pigs," re-imagined in a totally new way -- what if the pigs were all boys? And the wolf was a girl? As Sara Lewis Holmes will tell you, pigs are vicious - and they'll do anything for their fellow pigs. I want her to read this one very much.

"Sharper Than A Serpent's Tongue," by Christine Johnson was also a favorite - and the title spins off of the proverb, "Sharper than a serpent's tooth is a thankless child." In this story, there are two girls, one who is Upstanding And Good and the town favorite, well-placed to be smart enough to rise above her mother's drunkenness and poverty, and Dina, the Other Daughter who is a smart-mouthed artist who people agree is No Better Than She Should Be. The first daughter chooses to keep a secret that she should scream to the world -- and in return for her secret, is given something that ties her even more tightly to the worst things in her life. A really unusual - and disturbing - take on the Grimm tale, "Diamonds and Toads."

"The Twelfth Girl" by Malinda Lo was a tough read. I'm not a huge fan of the rich-boarding school-we-all-wanted-to-be-part-of-their-clique tale, because honestly? I would AVOIDAVOIDAVOID those people like they'd been sprayed with ebola and dog poop. However, the tough heroine in this novel doesn't PUT up with people telling her what to do. She's first told by a palmist to avoid these girls? Nope - she seeks them out. Then the girls finally take her in as one of the twelve who live in their swank dorm, and warn her not to ask questions, and to do what she's told -- nope. When she breaks the curse that binds them, she finds that -- nope. Nobody's grateful to her, either. This one is a disturbing little commentary on the teaspoon shallow pool of wealth and fame and partying.

Jeri Smith-Ready's "Figment" is a poignant sideways retelling of "Puss and Boots" which itself was a story intended to remind listeners of the importance of being grateful for the "little people" and the luck which got you where you ended up. It took me awhile to figure out which story this came from, because Puss - especially after the Shrek films - took on the same status as Puck, practically -- you expect scheming and tricks, but there weren't any. Not sure if I agree with the personality change, but this is a compelling story nonetheless.

Do we not always love Sarah Rees Brennan? YES, WE ALWAYS DO. Do we want to stand near her and bask in her greatness? WHY, YES, WE DO. Even though she made us snort-take with this story, "Beauty and The Chad."

I mentioned Tessa Gratton's Beast/Beast story -- where two creatures determined that they could live together, regardless of their beastliness, regardless of the height of the wall enclosing them, regardless of scars, uneven gaits, and ugliness. That's a better love story than most get, and as much of Gratton's work is, it is eerie and poignant and meaningful and beautiful. Meanwhile, Sarah's retelling is all those high and upstanding things, but also completely ridiculous -- and comes with added BroSpeak(TM). Here, the Beast has a name - Chad. And, Dude, it's hurtful not to use it. And, Chad feels like the witch overreacted, this whole Beast issue is his to solve, and he'd really rather the candlestick not do games or tricks with their fellow candlesticks -- he'd be much happier to be the castle's Guest if everything would stop moving around in such a creepy fashion.

Meanwhile, Beauty isn't really beautiful - and The Chad calls her Dude. This story contains heroism, but of the self-righteous kind, lectures, freakishly animate soup tureens, and a healthy dose of Not Taking Itself Seriously. Thank you, Sarah. Again.

Claudia Gray's "A Real Boy" is so Asimov it made me happy. It's Asimov with Mature Content, though. And ol' Isaac would have been pissed, as he wasn't a huge fan of women writing SFF anyway. Nevertheless, even though The Three Laws aren't quoted, this is AI up my alley, and I could see this being made into a whole book, which made me really happy, as I haven't read much Claudia Gray before now. Another author to discover!

There were only a few stories in this collection which I didn't finish at all, and there are more great tales unmentioned - Jackson Pearce's "Sell Out" is a bit sobering, but also intriguing. While everyone's taste in short fiction differs, for me, this book has enough good in it that I think it's one you'll want to pick up. A great tuck-in-the-bag book for waits between doctor visits and gym team try-outs, this book is like a little portal to a very odd world, and will keep you well entertained.



FTC: This book courtesy of Harlequin Teen, no money exchanged hands, nor were any bribes made for a review.

You can find GRIM: An Anthology edited by Christine Johnson online, or at an independent bookstore near you!

January 14, 2014

Calling All Speculative Fiction Fans...

(CLICK TO EMBIGGEN)

Oooooooh. Purty.

This is the cover of a new speculative fiction collection coming out this Spring.

From the website:

About Long Hidden


Most written chronicles of history, and most speculative stories, put rulers, conquerors, and invaders front and center. People with less power, money, or status—enslaved people, indigenous people, people of color, queer people, laborers, women, people with disabilities, the very young and very old, and religious minorities, among others—are relegated to the margins. Today, mainstream history continues to perpetuate one-sided versions of the past while mistelling or erasing the stories of the rest of the world.

There is a long and honorable legacy of literary resistance to erasure. This anthology partakes of that legacy. It will feature stories from the margins of speculative history, each taking place between 1400 and the early 1900s and putting a speculative twist—an element of science fiction, fantasy, horror, or the unclassifiably strange—on real past events.

Thanks to the success of our Kickstarter campaign, Long Hidden will include 27 stories, totaling about 154,000 words. The anthology will be released in trade paperback and DRM-free digital formats in May 2014, with launch parties in NYC and at Wiscon.

Today the Table of Contents for this collection went up. Included in this non-YA-but-cool-sounding anthology are works by Nnedi Okorafor as well as Victor LaValle, author-in-residence at Mills College when A.F. and I were there.

This just looks amazing.

August 14, 2013

WCOB Wednesday: Tortall and Other Lands: A Collection of Tales, by Tamora Pierce

We have very few of The Great female fantasy authors left. Most recently we lost both Anne McCaffrey and Dame DWJ. Years ago, we lost Madeleine L'Engle and Andre Norton, not to mention Marion Zimmer Bradley. Ursula K. LeGuin is still writing, but at eighty-three, she is one of the last and precious few of her formidable cadre of writers. Thank goodness we still have Tamora Pierce, going strong.

As I'm eagerly awaiting a newly released Pierce book this autumn, I thought I'd have a Tamora Pierce re-read. It's been fun...but, I also realized I'd missed some the first time around! It's a good thing I looked! Three Pierce books came out during the time I was in Scotland, and while they get there eventually, it was hard to find them when they first came out, and with one thing and another, I lost track. So, I was happy to find this collection of Tales, and can officially review it as a Wicked Cool Overlooked Book.

Reader Gut Reaction: I like a good anthology, and an anthology all written by the same author is super. Mostly written in the same world - well, those are my favorite of all, perhaps. Tamora Pierce's strength is in characterization and setting, and while I didn't expect her to necessarily be a deft short story writer, I'm delighted to note that she is that, too. Of course, all of her shorts I think could be turned into full length novels, or come from a world where the novel has already been written, so maybe it's easier for her to stop writing when it's time. Either way, this is a really full and exciting collection I could savor over and over again, because of the confident handling of the emotional scope of the young characters, and her acute understanding of the older ones.

Concerning Character: Two stories stand out in this collection for me. “Huntress” is set in modern day New York City, and it deals with runners - which I know will be attractive to CitySmartGirl and others who were into that scene in high school. A first-year runner gains a coveted group of friends by showing up the seniors with more age and less drive to go. Suddenly she's one of the charismatic and handsome Felix's "lionesses" - one of the best and brightest - if she can take the initiation. When it turns out she doesn't want what all being a Lioness means, she's left defenseless - or is she?

“Testing,” is another quirky story - it's not fantasy at all, at least, not in any sense that's expected. X-Ray, however, is the type of housemother who can see right through you. Her girls - try though they might - can't shake her, break her, or get her to go away. Maybe she's a keeper, then? Pierce based this on her own experiences working in group homes, and I found this one to be especially endearing - she gets into the heads of some of her charges with amusing accuracy.

I loved the Shang Warriors from the Alanna books, and was delighted to meet one again in “Student of Ostriches.” You've gotta love a young girl who not only takes to a boring job she's stuck with, but does her best to become her very best at it. She see her family and friends as people who could use her help, be helpful, and make a difference. “Hidden Girl” is a story I wish a lot of people could read... It's about a girl who wears a veil - and is OKAY WITH IT. Rather than take the Western assumption that a woman's individuality and beauty is considered a problem when her culture embraces women in veils, it shows the flipside. VERY cool, indeed. Probably my second favorite story is “Nawat” - the story of the crow-man we meet in Pierce's TRICKSTER'S QUEEN. I always wondered, after they married, and lived-happily-ever-after how that would work. Crows are ... loud, harrying, chaotic, and rude. Also too smart, and fond of sparkly things for their own good. What is normal in a bird would be DEEPLY annoying in a human being, and Ally didn't seem insane... This story is about their children. Crows are faithful parents, but they're definitely not human. Humanity, it turns out, is a choice. My very favorite story in this collection is “Lost,” and not only because it has a brilliant female mathematician or two, and Darklings. Like Diana Wynne Jones, Tamora Pierce is very good at taking the side of the wronged child, and making sure they can leave a bad situation. Sometimes the comeuppance of those involved is immediate, sometimes it takes time, but in the realm of Tortall, even if your particular wrong isn't righted, if you survive, you pay it forward. There's a fierce, good feeling, in reading stories like those.

Recommended for Fans Of...: Diana Wynne Jones, Mercedes Lackey's THE FIVE HUNDRED KINGDOMS series, as well as the fairy-retelling, THE BLACK SWAN; Gail Carson Levine's EVER, ELLA ENCHANTED, etc.; and THE SQUIRE, THE KNIGHT & HIS LADY, by Gerald Morris. None of these are anthologies, but these are general recommendations for fantasy books that are like hers.

Cover Chatter: I like. Simple, classic, clean; no character on the cover, just the rampant lioness shown on the flags of Tortall. It's awesome, and why wouldn't it be, since it is the standard of Alanna, the Lionness we all knew and loved from the long-ago 1983 kick-off to the whole thing? It works as it should, showcases Tortall, and reminds the reader where it all started.

Etc. Asides: While this book is based in Tortall, the new Pierce book is set in Emelan, along the Circle Sea. So, while this doesn't help prep me for the new book, reading MELTING STONES will - but that's another review...



I picked up my copy of this book from the library. You can find TORTALL AND OTHER LANDS: A COLLECTION OF TALES by Tamora Pierce online, or at an independent bookstore near you!

August 05, 2013

TURNING PAGES: PIRATE APPRENTICES: UNDER A BLOOD RED MOON, by Lu Sylvan

I might have to come up with a different picture for these sorts of posts... can we really call it "turning pages" if no pages are ever involved? Never mind - you can use your imaginations and flip with me through these highly addictive, roundly-written pirate tales for kids. They're bite sized dramas - completely episodic - and leave you wanting more.

Reader Gut Reaction: These books are part of Lu Sylvan's "Book Bites" series, which means that they are short, easily "digestible" and fun, in an introductory sort of way, to readers who are often confounded at the idea of an entire book. However, too many times when people talk about books for "reluctant readers," they default to books which are shallow on characterization and overloaded on action. I'm pleased to say that this is not an issue with UNDER A BLOOD RED MOON and its piratical sequels. There's action - surely. There's quick thinking, there are lies and counter-lies, betrayal, bewilderment and a near drowning, all within the first few chapters. But, the characters are distinguishable, specific, and come from varying backgrounds. They each have a secret desire, and each have their own reasons for being where they are ... and this, not the length, is what is going to hook the elusive "reluctant reader."

Concerning Character: It isn't that Blossom has set out to be a royal pain - she hasn't. Not really. She's just the middle child OF middle children - there are tons of sisters above her, and tons below, and her parents have daughters coming out of their ears. She isn't needed at home. She isn't needed right now at all. She's going to make sure she's useful and ready to be used... when she is needed. So, she's just going to go off to sea and learn to be the greatest pilot the world has known. Right?

It would be all right, if Pym didn't feel he had to go with her. She's royal, yes, not just a royal pain, and he's her devoted servant. He'll do anything he can, to keep her out of trouble, including blackening a few eyes...

Casimir knows he's just one more mouth to feed at home, so it's off with him, to the sea. He doesn't know enough to be a sailor - too many knots, too much knowledge. He can grow cabbages, yes, but not much else. So, he's pretty sure only the pirates will take him...

Rollo is big and loud, and that's his only advantage, it seems. Sure, sure, he comes from pirates, the fiercest, most awesome, most amazing pirate king and queen in the world! But, he's not entirely sure that everyone believes it... not even him...

Four disparate voices, four different reasons, four competing secrets, and four sailors, apprenticed on for four years to do their best to learn their craft. Four characters for readers to identify with, cheer for, groan over, and observe on their hero's quest - because there's a lot of that in here. The first episodic novel "bite" ends with a decision: the players are in place, and they're going to do their best to do their jobs - learn what they can - and get out alive.

Did you think that melodramatic? Well, there's a distinct chance that not all four characters will make it. One has already nearly drowned, two have blackened eyes, and one more has had a knife held to their throat. These are pirates yes? They're not the calmest bunch.

Recommended for Fans Of...: Johnny Depp in Pirates of the Caribbean, of course; Any of the Jacky Faber books, BLOODY JACK, etc., by L.A. Meyer; PIRATES! by Celia Rees; THE DUST OF 100 DOGS, by A.S. King; THE BIRD OF THE RIVER, Kage Baker; SASSINAK, by Elizabeth Moon; and, technically, SHIP BREAKER, by Paolo Bacigalupi

Authorial Asides: Lu Sylvan is a pseudonym. In her real life, while still an author, Lu Sylvan publishes in the traditional way, on paper, with ink, for Holt BYR and Harcourt, and she writes MG and YA fantasy and historicals.

Each of Lu's "Book Bite" books is $.99 and is available from B&N, Amazon, and they were written to painlessly and interestingly fulfill the "your child should read fifteen to twenty minutes a day" dictum that many teachers - and educational experts - rightly believe. Kids should read, but for those who find it borrrrrring and painful, these episodic ebooks really are a good answer. There are nonfiction ebooks to partner with the fictional ones - a factual book on lady pirates, and "Animal Bites" that are entertainingly factual about alligators, mosquitoes, wolves, and more.



You can find UNDER A BLOOD RED MOON by Lu Sylvan at her website, or at ebook retailers!

July 19, 2013

TURNING PAGES: SHARDS AND ASHES, ed. Melissa Marr, Kelley Armstrong

Seeing a lineup of writers whose work I appreciate made it easy to pick this one up - in spite of the cover, and in spite of the title. "Shards and ashes?" I muttered to myself. Well, yes. The remnants of once great civilizations, once reasonably organized societies. All we have left, once everything goes 'kablooey.'

The point of this short story collection is to put our heads and hearts to the question: will we have anything left, once we no longer have the "all" that makes up the world we know? Will there be left anything of worth?

If you're a fan of the dystopia, then this is the book for you. Fast-paced, bittersweet, yet filled with a haunting effect that will last beyond the last page.

Reader Gut Reaction:It's helpful, at times, to revisit the definition of dystopia: a fictional community or a society in which there is an undesirable element, or a combination of elements, producing a negative effect on this community or society. Wikipedia adds, "Dystopias are often characterized by dehumanization,[1] totalitarian governments, environmental disaster,[2] or other characteristics associated with a cataclysmic decline in society." With this definition in mind, you might think that dystopia is always negative, in its darkness, but it is not. It is not "easy" reading, with readily seen, simply digested answers. There is beauty in the contrasts between light and darkness, and well-written dystopia has within it the power to transfix and compel, maybe not in as simple a fashion as a feel-good-unicorn-and-rainbows tale, but it has that ability just the same.

Concerning Character: My favorite stories in this collection are stories in which, in the face of the overwhelming dehumanization of a community, that people still matter. In HEARKEN, an alcoholic mother, dying of liver failure, reteaches her daughter about not only her history, but her future -- in the beauty of her death-song, which only a Hearkener can hear. DOGSBODY tells the story of the coldness of the K Level Kids, and how, through an accounting oversight, there were once too many of them... and then, there weren't. What can one K kid do, to level the playing field? Nancy Holder's PALE RIDER mingles dystopia and fantasy to create a whole new place readers will desperately want to explore. Beth Revis' addition is absolutely chilling, and Carrie Ryan's is both breathtaking and heartbreaking. As I said, every story in this collection shows the bright and dark places in life, perhaps more sharply realized against the backdrop of dystopia.

Recommended for Fans Of...: the work of Veronica Roth, Melissa Marr, Margaret Stohl, Kelley Armstrong, Beth Revis, Kami Garcia, Nancy Holder, Rachel Caine, and Carrie Ryan... sensing a theme, here? These are, indeed, the authors who contributed to this anthology. If you're a fan of anthologies like I am, there's another, edited by these two powerhouse authors - ENTHRALLED: PARANORMAL DIVERSIONS.

Cover Chatter: Cover theme colors of sepia, gray, and white with a hint of red worked beautifully for the mostly post-apocalyptic worlds found within. Snow - or ashes - cover the ground, and an eerily twiggy tree lurks skeletally in the background of cloud-choked gray sky.

Frankly, I would have stopped the imagery right there. World ending, drifts of ash, freakish tree: done. Instead, there's more... a white-haired girl in what appears to be a long leather dress and platform heels in the foreground... I have to admit, I don't know who she's meant to represent, or quite why she's there. No one in the book is rocking a long leather dress - when the world ends, leather dresses are amazingly hard to come by for the average person. And, her hair just hanging long and white - not looking dirty or knotted? In her dystopia, daily baths and brushing are mandatory, I guess. Ah, well, the girl makes less sense, but she seems mostly there for effect. I love the doubling effect of the title font, the corrosion appearing on the letters - it all works, and brings to mind the Frost poem, "Some say the world will end in fire, Some say in ice..." Even with the girl, this cover works. Dystopiatastic.



I found this book at the library. You can find SHARDS & ASHES edited by Kelley Armstrong and Melissa Marr online, or at an independent bookstore near you!

February 26, 2013

Wicked Cool/Turning Pages: Dragon Time & Other Stories, by Ruth Nestvold

Technically? This is a WCOB - one of those wicked cool, overlooked books. The technicality surfaces when you realize this anthology is made up of previously-published pieces by author Ruth Nestvold. Asimov’s Science Fiction mag, Realms of Fantasy, Sci Fiction, Strange Horizons -- the list goes on. She's kind of everywhere, and is a two-time contributor to the Year's Best Science Fiction collections. And writing isn't even her day job.

I just happened upon her book of shorts because it was a one-day Amazon special. I was gobamacked when I zipped through the stories and found one which included the famous Aphra Behn. Being a Mills-girl studying the English Restoration in grad school and being a reader on some restoration thesis projects, I got to learn all about this fascinating woman - the first professional female writer in the English language - and it was fun to see someone else celebrating Behn's awesome creativity with a bit of her own.

Each story bears a little bit of history - fictionalized, of course - but these little nibbles of fact and realism create lovely settings for the cast of unique, complex characters. Nestvold has a deft hand with even such limited word counts - I would love to see some longer pieces by this author (ooh - a short Google, and I found some). While this book isn't marketed specifically to young adults, any SFF loving teen will appreciate them. I'd love to see what she'd write specifically for YA; there's shades of Tamora Pierce here, people.

But - I digress. On with the stories!

Reader Gut Reaction: If you were asking basic questions, I guess you could say that Dragon Time and Other Stories is a 30,000 word short fiction collection, made up of four quirky, creative stories that are intentionally side-stepping tradition. They're supposed to be, kinda-sorta a touch on the romantic side. They're all about strong female characters, and ...they're about staying strong. Sometimes that means hanging onto who they are with all they've got. Other times it can mean holding their horses -- no, all of them. And everyone else's...

Concerning Character: Katja, grand-daughter of the finest clockmaker in Unterdrachenberg, would love to practice that craft. She knows that she knows how - her grandfather has let her have a little set of tools, and a workroom all her own, even if he won't let her actually do anything to fix time - not for real. But, then, her opportunity comes - the dragons, who gave Unterdrachenberg its time, have suddenly taken it back. Does life stop, if time stops? And, is it worth putting aside your fears to make sure that nothing ever stays the same?

Ai Kyarem is bold as brass - all tough sinew and tanned strength and a long horsetail braid. The Great Mare is her goddess, and she bows to no man. However, her days of freedom might soon be over... This story reminded me of the steppes of Russia, and the Cossacks. Great fun.

Brilliana sets the stage on fire - and has the eye of Bonnie Prince Charlie. She has everything to lose if she admits that she's a witch, but someone is plotting to kill The Age of Magic.

Priscilla is perfectly able to run the kingdom by herself - God knows she's been doing that just fine for most of her life, since her father, the King, is a well-meaning but perfect dolt. However, fairy godmothers are around to make sure that princesses marry - even when they don't want to. Epic battle of wills, film at eleven.

Sound intriguing, don't they?

Recommended for Fans Of...: Tamora Pierce, Robin McKinley, Shannon Hale, and Kristin Cashore.

Cover Chatter: Covers for self-pubbed books can go a variety of different ways. Heck, any covers can be a train wreck, thanks to the overuse of Photoshop, but there are times when self-published writers really do themselves no favors, and I wish they'd had some better advice. This cover I like, because it shows an appropriately immense and terrifying dragon, contrasted with the teeeeensy tiny silhouette of a person in a doorway far, far away. It makes one feel reasonably frightened for poor Katja. ☺

Authorial Asides: From her website: Her novella “Looking Through Lace” made the short list for the Tiptree award and was nominated for the Sturgeon award. In 2007, the Italian translation won the “Premio Italia” for best international SF novel. Her “Big Fat Arthurian Fantasy” Flamme und Harfe (“Flame and Harp”) appeared with Random House Germany in 2009, and has since been translated into Dutch and Italian as well. Ruth Nestvold, international woman of mystery... or something like that. I'm happy to find a new author short fiction appeals to me, and I think Tech Boy will like them, too.



FTC: This is an unsolicited review; all opinions are my own.

You can find DRAGON TIME AND OTHER STORIES by Ruth Nestvold @ online retailers. Look for her other works here, at Gardner Dozois’s Year’s Best Science Fiction, and in several other anthologies.

December 05, 2012

CYBILS F/SF: MM9, by Hiroshi Yamamoto

Dear Television,

I don't watch you anymore. You disappoint me constantly. You misspell Sci-Fi to something dumb like "Sy-Fy." You're unreliable and you cancel all the best shows -- seriously, there's just no excuse for that. When I actually want moving pictures and sound with my stories, I rely on my laptop like most people. NetFlix saves us the trouble of bothering with you. But. If you give Hiroshi Yamamoto an American TV show with lots of special effects and huge monsters, I will come back. Cross my heart. With my bowl full of popcorn, and my heart full of hope. I will come back.

You have my word.

Reader Gut Reaction: I have many quirks. One of them is my deep love for Kokopelli - well, mainly, my deep love for other people's hatred of Kokopelli. Another quirk is my love for my salon scissors, with which I'm going to hack off a fun six inches of Tech Boy's hair. The third is a deep and biased love for Japan. Three of my favorite people in the world were born there, and one of them draws me scribbly pictures of water dragons on my yearly Christmas card, now that he can sort of draw. And Totoro lives in Japan. ... so, when I saw that we had two books from VIZ Media/Haikasoru Publishing. I was eager to jump in, and I was right to be. This series of interlinked short stories has a serious mien, reminiscent of watching some of the very best b/w monster movies from the 60's, with the nearly apocryphal well-dressed scientists, sentimental loners, screaming, cigar-chomping chief, and sweating, terrified geek. And the really hilariously jerky monsters who rise up out of the sea and roar. A gently tongue-in-cheek mockery of the very best in monster movies from Japan.

Concerning Character: Hard-bitten, serious Chief Kumihama, analytical Yojiri, and soft-hearted Yuri - these are but a few of the stellar characters from MM9, upholding the thankless task of making Japan safe. These stalwarts work for the Monsterological Measures Department, or MMD, and stand alone against the Kaiju threat. What is a kaiju, you ask? Well, you've met Godzilla, right? Sometimes larger, sometimes smaller, sometimes überhuman looking, kaiju are monsters. Unless they're a threat to the lives and livelihood of the Japanese people, they are left strictly alone, as they are relics from an earlier time. But, sometimes, when they're tromping through downtown Tokyo... well. You've gotta do what you've gotta do.

Recommended for Fans Of...: Godzilla, Mothra, and other excellently cheesy movies, monster-killer movies and games.

Cover Chatter: Of them all, I think my favorite cover is the iTunes cover - the shadow of the dragon head on the highrise reminds me of a particularly scary shadow puppet show. My second favorite is the Japanese cover, with the perfectly round bite taking out of the building. I even have a soft-spot for the American one. The dark, murky scene of a busy metropolis viewed from above is relieved only by the faraway head of a monster, peering above a high rise. Each cover has something to offer, but the American one takes the mayhem with a serious, post-apocalyptic feel, whereas the other two covers seem more lighthearted. I always thought that in the monster movies, the Japanese populace certainly took the post-atomic mutant monsters better than American people took things like, say, giant ants.

Authorial Asides: Hiroshi Yamamoto allegedly came up with the the idea from this book after an amusing conversation as to who names the monsters he'd seen in a TV show. He came up with the idea that the meteorological agency had to have done it - as they were usually the ones in monster movies to report the phenomenon. Apparently inspiration struck, and he imagined an entire agency dedicated to doing nothing else -- seeing, naming, and neutralizing these monsters. After all, everyone always complains about the gigantic monster crushing cars in the city center, but how often does anyone DO anything about it?? Mr. Yamamoto does do something about it, and what he does with them is good fun.



FTC: Books courtesy of VIZ/Kaikasoru. Unsolicited review.

You can find THIS BOOK by Hiroshi Yamamoto from the iTunes store, or from Haikusora, or in ebook form. Hopefully more widely available in the U.S. soon.

October 30, 2012

CYBILS F/SF: THE CURIOSITIES, by the Merry Sisters of Fate

Just before we left for Scotland, I lost my short story writing group. We were the doughty Flickr Fiction Friday writers - able to spin tales of madness from a mere photographic prompt. We were writing without nets, slightly insane, and able to leap small puddles in a single bound -- and then Twitter happened. Most people stopped telling stories or communicating in sentences longer than forty characters. Too wordy for that, I refused to join the revolution, and was left behind.

At a loss, I started lurking at the newly launched The Merry Sisters of Fate blog. And was ...well, envious. Maybe because they started with fewer people, or with more deliberate intent, but these writers had a THING going - cohesive, inventive, and whatever other lyrical superlatives you might offer. They clicked, and their work was clearly going places.

The clever margin notes, doodles on the edges of the pages, and thematic sectioning pull this together in an organized fashion. There is as much here to charm as to kill; stories both dark and deadly are presented for your delight. Pick up a copy, and curl up with the leftover Halloween candy on All Soul's Night.

Reader Gut Reaction: This book is for writers. Be you a fully launched wordsmith or a fledgling chick, the margin notes these three writers have included are full of both in-jokes and teasing, as well as some genuine nuggets of good sense as well about characterization, tone, single-sentence worldbuilding, romance, magical limits, the works. In just a few sentences, they've put together a short How To on fantasy writing. This book is for teen readers. If you're attracted to dark faeries, guyliner, big boots, and mysterious pasts, this one is for you. The stories depicting high school as a dark stage on which vicious acts are wrought are very apt, indeed. This book is for adult readers. The themes are complicated, layered, nuanced -- and a sense of darkness and peril at every turn reflects the actual word and the inner world. There is nothing simple here. Nothing. And, nothing is as it seems...

Concerning Character: More than individual characters with names, these stories played with tropes and types. The Girl Who Was The Heroine/Victim - but turned that right upside down on its head, by out-maneuvering Evil. The Boy Who Was Hero/Victim -- I think especially of the dragon slayer kid (Does he survive his last battle, or not?) -- and how he falls, or stands and walks away from the fight. The Girl Who Invites Danger. The Boys Who Understand Sacrifice -- the minor characters from every fairytale you ever read live here, their lives of unexplored depth until uncovered by these writers.

While not every story was stupendously awesome - I especially wasn't sold on the section of Arthurian tales, simply because not even Marion Zimmer Bradley can make me unequivocally love Arthurian tales - they were all can't-look-away compelling, and especially with flash fiction, which in a collection can be so uneven, it's hard to ask for more.

I might just add that these stories were also brilliantly edited by Andrew Karre - and everyone knows a great editor makes a good thing its very best.

Recommended for Fans Of...: This was an unexpectedly literary collection, so I compare it to books written and edited by Kelly Link, Ellen Datlow, Ellen Kushner, Margo Lanagan, and Delia Sherman. Occasionally, there are some moments of Margaret Atwood in a few stories, and you know that means They Are Good. The words "slipstream fiction" come to mind - so it's not Zombies v. Unicorns, but deeper and broader than that; you get the feeling that these stories could go any direction.

Cover Chatter - and Artwork in General: Everyone knows by now that Maggie Stiefvater was a commercial artist before her writing took off, so the doodles in the book are Quality Doodles - the sort of thing that makes you a little envious of what the pad next to the Stiefvater kitchen phone looks like. The cover is striking -- murkiness with a flash of contrast. It works well for the tone of the book, which is itself kind of mysterious and murky, with flashes of insight - which may hit you differently the second time you read the book.


I'm happy to note that, even as we speak, plans are afoot to reassemble our short story group. We are neither all American women, or women at all, or fantasy writers, so I don't expect our group to resemble this trio of writers - and who would wish for that anyway? We're excited to anticipate new stories - stay tuned for us to throw out a link every once in awhile. Who knows - maybe together we'll weave something as magical as these Fates. We would count ourselves lucky indeed.


FTC: Library book, unsolicted review.


You can find THE CURIOSITIES by Tess Gratton, Maggie Stiefvater, and Brenna Yovanoff at an independent bookstore near you!

October 19, 2012

TURNING PAGES: Diverse Energies/Two And Twenty Dark Tales

HAPPY WEEKEND! Wishing you time to sleep in, great autumn treats, and good books at your fingertips.

Let's face it: every year, there are a lot of books which should have been on the Cybils list and don't make it. Some are just under the line for time, and will either make it on next year, or others are simply lost in the shuffle of books which get a bigger, earlier buzz. That's one of the reasons we review here - not to just regurgitate jacket copy on the other books people are talking about, but to highlight something you may have missed. Today I'm highlighting two short fiction anthologies which are perfect for a gloomy autumn - for a wind-whistling, shutters banging All Soul's Night, or a foggy-weekend-morning-cup-of-tea-and-nest-of-blankets time.


“No one can doubt that the wave of the future is not the conquest of the world by a single dogmatic creed but the liberation of the diverse energies of free nations and free men. No one can doubt that cooperation in the pursuit of knowledge must lead to freedom of the mind and freedom of the soul.” —President John F. Kennedy, from a speech at University of California, March 23, 1962, emphasis mine

Reader Gut Reaction: DIVERSE ENERGIES is edited by the adorable Joe Monti, and Grenadian adult SF author Tobias Buckell who who lived on a boat when he was a kid. (I have been slightly envious of his life for a long while because of this.) Other contributors of the eleven include URSULA Awesome K. LEGUIN (EARTHSEA, POWERS series), Paolo Bacigalupi (SHIP BREAKER, DROWNED CITIES), and Malinda Lo (ASH, HUNTRESS, ADAPTATION). I expected something good coming to this anthology -- and I wasn't disappointed. Another TU BOOKS success!

Concerning Character(s): Though the quote from which this anthology takes its title is about "the wave of the future" and liberation, the stories aren't about the freewheeling new world of tomorrow. Nope, this is mostly literary dystopia - very polished, very precisely and beautifully worded, and wow, very GRIM sometimes. As always, there are stories I liked better than others, but these worked together as a whole fairly well. I think Daniel H. Wilson's “Freshee’s Frogurt” was the most upsetting of the lot - a robot runs amok, and it's ugly -- the sort of tragedy you might call senseless, except... it changes one man's life a tiny bit. In “Gods of Dimming Light” by Greg van Eekhout, we learn a definition of heroism that defined the entire book for me -- I think a whole novel could be built out of that short. “Uncertainty Principle” is by K. Tempest Bradford, and actually influenced my dreams -- I kept dreaming that everyone was changing, but me. I love weird timeskip stories like this one - and the ending is a bit sad. Every time the time changes, something is lost, after all. Malinda Lo somehow manages to give us bittersweet love amidst the lies and ruins of society with "Good Girl," while Cindy Pon follows with another glimpse of a future Taipei - where even girls who have everything wish for just a day beneath the sky. I also enjoyed “Pattern Recognition” by Ken Liu, because the sort of "kids playing video games" type of life is one of those nightmare scenarios which could really be true to live - and reminded me of a Margaret Haddix Peterson scenario. The final story, “Solitude”, by Dame Ursula, is a reprint from THE BIRTHDAY OF THE WORLD 2002, but it was nice to revisit one of those intensely detailed, slightly worrying Hainish sociology stories - this one about a society which had broken the bonds of community in favor of solitude, and how the child of a sociologist, ignored by her mother, eventually finds her new society's mores more reasonable than her own.

All of the stories in this anthology respect diversity of gender, sex, and ethnicity, which is the usual for TU. Whether set in Western or non-Western society, all of the stories in this anthology are about survival -- either surviving the moment, the situation that the character is in, or survival for the group. This is a very grown-up type of YA anthology - the world is dark, and yet, the human spirit is young, and stubborn, and prevails. The caliber of writing in this anthology suggests it as a great option to refresh high school reading lists.


Reader Gut Reaction: TWO AND TWENTY DARK TALES is contributed to by twenty YA authors, including Karen Mahoney (FALLING TO ASH, IRON WITCH), Lisa Mantchev (EYES LIKE STARS, Théâtre Illuminata series), Heidi R. Kling (SEA), and Francisco Stork (MARCELLO IN THE REAL WORLD, IRISES, etc.), and is edited by Gretchen McBride and Michelle Zink (PROPHESY OF THE SISTERS series). Though set in the darkness of fey and faerylands, many these stories have a grim ring of triumph as the characters outwit death and fate. This anthology takes Mother Goose rhymes and spins whole stories from them -- stories that cleave more closely to dangerous worlds of the old Grimm tales. Many of the rhymes are unfamiliar to most readers, but will still appeal to those who enjoy fairytale retellings.

My favorites were Sarwat Chadda (THE DEVIL'S KISS, DARK GODDESS, ASH MISTRY AND THE SAVAGE FORTRESS)'s “Sing a Song of Sixpence" with its human blackbird, reminiscent of Tamora Pierce's bird shifting characters. The King in his counting house, the maid in the garden - they're all there. “Clockwork," by Leah Cypress begins quietly - and then rolls forward like a snowball. The mouse ran up the clock - and came away changed. A delicious snippet of story with an unbelievably brave conclusion.

A couple of the spookiest are “Wee Willie Winkie” by Leigh Fallon, the story of a girl who lies about her age to get a job in a dead end city filled with oldesters. She gets the job easily - there seem to be no other young people applying for work. Unfortunately, she doesn't realize that having a job isn't the issue - it's lying about her age. All under-sixteens in this small Irish town must be in bed before eight... or receive a visit from their nightmares. In “Boys And Girls Come Out To Play” by Angie Frazier a less familiar rhyme tells the tale of being called out - but by witches. A father tries to protect his daughter, a daughter tries to protect her sister, and in the end... no one is safe.

A reversal of the Beauty and the Beast tale, Karen Mahoney's “One For Sorrow” features another birdman, this time in the guise of a victim - fortunately not for long. Perhaps my very favorite was Lisa Mantchev's “Those Who Whisper.” It's a story of retribution, told with her usual brilliant attention to voice and detail - and includes even more birds.

(What is it with Mother Goose and ...birds. Oh. Forget I asked...)

On balance, TWO AND TWENTY DARK TALES is much more uneven than DIVERSE ENERGIES. There is a lot of creativity in DIVERSE, and each story, though vastly different, seems to fit with each other into a whole. Regrettably, TWO AND TWENTY is a less cohesive mix with some well-spun tales and others comprised strictly of shallow drama and attempts to manipulate the reader with abrupt conclusions and incomprehensible plot twists. Still, both these collections contain their share of gems and are worth a look-see.



You can find DIVERSE ENERGIES edited by Tobias Buckell and Joe Monti and TWO AND TWENTY DARK TALES: Dark Retellings of Mother Goose Rhymes, edited by Georgia McBride, with online retailers, or at a brick and mortar independent bookstore near you!