…of Glo too. Only, I hope to really work with the DP and editor crafting a truly dynamic shoot and edit. You can’t have fire and treat it like a match. The elements of this video, most especially the dubstep mix are exciting, but I feel the director/dp/editing team sort of didn’t do enough with the concept. It’s like this video is scared to drive over the cliff with the techniques it has in hand. And there’s a place and time to scale back.

But this wasn’t it.

Still much respect for this team, for assembling it. It just can’t be any kind of safe viewing, if you’re working with dubstep, drum & bass, anything like that. The music’s firing on all cylinders at full blast. It can’t be about snazzy software techniques, and a simply master shot.

I’m going to aim to add to the dance performances with the camera shots (unless it’s Ms. Easy). Then make certain the emotional charge of the story, arcs, and trajectory of the storyline makes sense, and is surprising.

Well it probably won’t be for you guys, after this.

Yeah. I probably shoulda watched this for what they created. Not for what I am, but that’s what happens when you’re craving your turn.