Snow White is a German fairy tale known across much of Europe, the most popular version of which was published in 1812 by the Brothers Grimm in the first edition of their collection Grimms’ Fairy Tales. Following the release of Walt Disney’s Snow White and the Seven Dwarfs animated feature in 1937, the tale took on a whole new level of popularity and is today one of the most famous fairy tales worldwide. While the majority of people today regard it as nothing more than a story for children, with magic, romance and cute dwarfs, the older versions of the story, including that of the Grimms’, with its themes of sexual jealousy, revenge and murder, was incredibly dark and certainly not written with children in mind – except as a warning. These deeper themes in the story have given rise to a significant body of ‘Snow White scholarship’, which seeks to explore the hidden meanings in the fairy tale and place them in some sort of context. Michelle Abate has explored the fact and fantasy of filicide in Snow White, Shuli Barzilai has considered the fairy tale in terms of its being a mother’s story, Vanessa Joosen has highlighted the retellings of Snow White between magic and realism and Steven Jones has given broad consideration to the inherent pitfalls in Snow White scholarship. Perhaps most interesting of all, however, is Neil Gaiman’s famous revisionist re-telling of the story, Snow, Glass, Apples, which completely reconceives the fairy tale in a manner more disturbing even than the Grimm version that is best known today.
Snow, Glass, Apples
12 Jul
- Comments 5 Comments
- Categories Fairy tale, Folklore, Horror, Legend, Mythology
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Tolkien
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