HAPPY BIRTHDAY, EIJI TSUBURAYA! JULY 10, 1901 - JANUARY 25, 1970

お誕生日おめでとう、円谷英二様！


Eiji Tsuburaya, the Father of Ultraman was born 115 years ago!

The "Father of Japanese Special Visual Effects" was born on July 10, 1901 as Eiichi Tsumuraya in Sukagawa, Fukushima (according to the family register). As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the tradition of Tanabata (meaning "Seven Evenings"), a Japanese star festival derived from the celebration of ancestors, know as Obon. Celebrated on July 7th or August 7th, Tanabata commemorates the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today.

A Japanese claiming they were born on the Tanabata, was akin to an American saying they were born on Independence Day. So, even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).

For more on the Old Man, order your copy of "Eiji Tsuburaya: Master of Monsters" (Chronicle Books), today!

CELEBRATING A HALF CENTURY OF "ULTRAMAN"! "Junior TBS News Extra" Newsletter, June 1966

お祝い『ウルトラマン』放送50周年記念

Tokyo Broadcasting System's supplement on the July 17th premiere!

ACE OF SPACE! "ULTRAMAN ACE" BLU-RAY BOX Standard & Editions Dropping September 27th!

待望の『ウルトラマンA』がBLU-RAY BOXとなって登場します！


Jacket design for the latest HD 2.0 Remaster of the Ultra Series!

On September 27th, Tsuburaya Productions and Bandai Visual will be issuing the latest in their "HD Remaster 2.0" roster with ULTRAMAN ACE (1972) for the Japanese market in two editions. ULTRAMAN ACE was the fifth in the long running "Ultra Series", starting in 1966 with ULTRA Q, and the fourth featuring a titular "Ultraman" character.


Slipcase for the Blu-ray box of the 5th Ultra Series from 1972!

"Under the slogan, 'The Ultra Bottom Line: All-Out War', ULTRAMAN ACE made revolutionary turns, with Seiji Hokuto (Keiji Takamine) and Yuko Minami (Mitsuko Hoshi) merging into a singular Ultra Hero, the solidarity of the 'Ultra Brothers', and a powerful leader in the 'Father of Ultra', creating a show with great appeal."


Ultra Rings included with Special Edition (actual product may differ).

ULTRAMAN ACE is an exciting series that captures the transition from the classic giant monster scenario into the "Henshin Heroes" boom, exemplified by Kamen Rider. Showcasing bizarre creatures, colorful action, as well as a man and a woman forming a singular superhero, ULTRAMAN ACE is among the best of the '70s Ultra Series!

STANDARD EDITION
52 half-hour episodes/1319 minutes
9 Discs (All Region)/Linear PCM (Stereo/Mono)
AVC/BD50G/1080p HD/4:3
Subtitles: Japanese
MSRP ¥29800 ($273.70 USD)

SPECIAL EDITION: Amazon Japan Exclusive (First Printing)
52 half-hour episodes/1319 minutes + 60 min. (Bonus Disc)
10 Discs (All Region)/Linear PCM (Stereo/Mono)
AVC/BD50G/1080p HD/4:3
Subtitles: Japanese
Bonus Disc (Staff & Cast interviews, etc.)
Replica "Ultra Rings" pair set
Special 78-page Booklet
MSRP ¥49800 ($457.38 USD)

HAPPY BIRTHDAY, EIJI TSUBURAYA! JULY 10, 1901 - JANUARY 25, 1970

お誕生日おめでとう、円谷英二様！


Goofing around on the set of FRANKENSTEIN VS. BARAGON (1965).

The “Father of Japanese Special Visual Effects” was born on July 10, 1901 as Eiichi Tsuburaya in the town of Sukagawa, Fukushima. As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the celebration of Tanabata (meaning “Seven Evenings”), a Japanese star festival derived from Obon (a celebration of ancestors). Tanabata is usually celebrated on July 7th or August 7th, to commemorate the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today in Japan.

Even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).

Order your copy of "Eiji Tsuburaya: Master of Monsters" (Chronicle Books), today!

SHOUTING KAIJU & STREAMING SUPERHEROES ULTRA Q & ULTRA SEVEN on Shout! Factory TV!

ストリーミング『ウルトラQ』と『ウルトラセブン』VOD !


Watch episodes of ULTRA Q online anywhere or on your TV via Roku!

Launching this past February, Shout! Factory TV is a free "premiere digital entertainment streaming service that brings timeless and contemporary cult favorites to pop culture fans," with the "highest quality video available for all titles," free-to-consumer ad supported, original videos, special bonus behind-the-scenes featurettes, and live programming (such as the Mystery Science Theater 3000 Turkey Day Marathon).


Watch episodes of ULTRA SEVEN online or on your TV via Roku!

On July 1st, the service uploaded all 28-episodes of the classic 1966 kaiju-fantasy series ULTRA Q (click link to start viewing), precursor to ULTRAMAN, and 48-episodes of the 1967 sci-fi superhero series ULTRA SEVEN (click to start viewing), which followed ULTRAMAN, produced by Eiji Tsuburaya's world-renown Tsuburaya Productions, and are fully subtitled in English!

So, for any of those of you in North America who passed on picking up the either or both of these series on DVD from the Shout! Factory label — here's your chance to see both of these classic series and find out what all the fuss is about. So, tune in and kaiju out!

HAPPY BIRTHDAY, EIJI TSUBURAYA! July 10, 1901-January 25, 1970

円谷英二への誕生日おめでとう!


On the set of MATANGO (1963) with Sadamasa Arikawa on the right.

The “Father of Japanese Special Visual Effects” was born on July 10, 1901 as Eiichi Tsuburaya in the town of Sukagawa, Fukushima. As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the celebration of Tanabata (meaning “Seven Evenings”), a Japanese star festival derived from the Obon (a celebration of ancestors). Tanabata is usually celebrated on July 7th or August 7th, to commemorate the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today in Japan.

Even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).

HAPPY BIRTHDAY, EIJI TSUBURAYA! JULY 10, 1901 - JANUARY 25, 1970

お誕生日おめでとう、円谷英二様！


Tsuburaya inspecting the original Ultraman suit, 1966.

The “Father of Japanese Special Visual Effects” was born on July 10, 1901 as Eiichi Tsuburaya in the town of Sukagawa, Fukushima. As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the celebration of Tanabata (meaning “Seven Evenings”), a Japanese star festival derived from the Obon (a celebration of ancestors). Tanabata is usually celebrated on July 7th or August 7th, to commemorate the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today in Japan.

Even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).

UPDATE ON "ULTRA Q: THE COMPLETE SERIES"! Specs for Shout! Factory's Upcoming Release

Iconic opening title animation will remain in beautiful B&W!

With the release of the news of Shout! Factory's impending release of ULTRA Q (see previous blog entry), there has been wild speculation on internet concerning the contents of this forthcoming set — since the series was remastered for HD 1080p and colorized for the domestic Japanese Blu-ray release by US-based Legend Films (who handled the colorization work on Ray Harryhausen's B&W classics) — since Shout! Factory's page for listed this title as being "color."


Ziggy Namegon and the Mollusks from Mars are slimier in B&W!

Now, the the truth can be told; according to Shout! Factory's VP of Acquisitions and Production, who spearheaded licensing the rights to ULTRA Q and ULTRA SEVEN, "I've seen it on (the check) discs; (our release will be) in B&W." So, there you have it; this release of ULTRA Q will be in it's original chiaroscuro color format, which made it so atmospheric — therefore, we can assume that the aforementioned colorized version will not be included in this release.


Yuriko and Jun, can't believe their ears — it's in Japanese!

Also, since there were no other details on neither the Shout! or Amazon listings, rumors began swirling that perhaps the "lost" English language tracks produced back by Film House Inc. in Toronto, back in 1966, might also be included — since they were unearthed as a result of the research on my book a few years ago. Cliff's reply was short and to the point: "(This release) is in Japanese with English subs."


Garamon is a-gog that he's finally going to be discovered in the US!

Containing all 28 B&W episodes on six discs (with a total running time of 690 minutes), the street date for ULTRA Q: THE COMPLETE SERIES is August 13, 2013 with an MSRP of $59.97. Format: NTSC. Region Encoding: Region 1. Includes extensive on-screen liner notes by Yours Truly on the development and production of the series. You can pre-order from Shout! Factory or Amazon, today!

SHOUT! FACTORY UNLEASHES "ULTRA Q"! Seminal Sci-Fi Series on US DVD August 13th

伝説の特撮番組『ウルトラQ』は米国DVDで登場！


Shout! Factory's package design for the forthcoming DVD release.

THE TRUTH CAN FINALLY BE TOLD... ULTRA Q is coming to DVD in the US from on August 13th! Eiji Tsuburaya's seminal 1966 science fantasy series, which spurred the creation of ULTRAMAN, is finally receiving its long-overdue release in North America, thanks to Cliff MacMillan of Shout! Factory, who has pushed through releases of the original GAMERA film series, neglected movies such as MESSAGE FROM SPACE, and tokusatsu teleseries, including ULTRA SEVEN and JOHNNY SOKKO. Details as to the contents of this release have yet to be officially announced, but I was contracted to provide content for their momentous home video releases of ULTRA Q and ULTRA SEVEN back in 2011.

So, for those unfamiliar with ULTRA Q, here's what I wrote for the DVD package copy:

“For the next 30 minutes, your eyes will leave your body and arrive in this strange moment in time…” In the world of ULTRA Q, the very fabric of nature is warped into a state of unbalance, and all manner of strange phenomenon and unearthly creatures threaten the very future of mankind! On the scene are a world-renowned scientist and his young friends — a female photojournalist, an aviator, and his co-pilot — who investigate these supernatural menaces. When sheer military might is futile, the intrepid team comes to the rescue, armed solely with their ingenuity and scientific prowess, to quell these malevolent forces and restore the balance of nature.

The precursor to ULTRAMAN, ULTRA Q is a seminal science-fantasy television series in the monstrous mold of THE OUTER LIMITS and THE X FILES. As deeply ingrained in Japan’s pop culture as THE TWILIGHT ZONE is in America’s, ULTRA Q is available for the first time ever in its entirety on DVD! Eiji Tsuburaya, the visual effects wizard behind GODZILLA, RODAN, and MOTHRA, creates a spectacular cavalcade of bizarre beasts and mass mayhem in each and every episode of this wildly popular series. Never before broadcast in North America, ULTRA Q stars Kenji Sahara (RODAN), Hiroko Sakurai (ULTRAMAN) and Yasuhiko Saijo (SON OF GODZILLA).

As with previous Japanese releases from Shout!, I wrote extensive liner notes on the making of the series, which will *not* be in a booklet this time, but rather on one of the actual discs, itself (which you scroll through to read). This essay contains numerous facts about the development, production, and even the lost English Dubbing, never before published in English! But, it's the fans who make these things happen — so please support these releases from Shout! — because, if you don't support them with your dollars, those "Bean Counters" in the front office will be led to believe there's no market in the US for these films and television series! So, order "ULTRA Q: The Complete Series" today!

Stay tuned for more information as it is cleared for release!

• Pre-order ULTRA Q from Shout! Factory 
• Pre-order ULTRA Q from Amazon

HAPPY BIRTHDAY, EIJI TSUBURAYA! July 10, 1901 - January 25, 1970

お誕生日おめでとう、円谷英二様！

Interview photo taken during the production of SONGOKU (1959).

The “Father of Japanese Special Visual Effects” was born on July 10, 1901 as Eiichi Tsuburaya in the town of Sukagawa, Fukushima. As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the celebration of Tanabata (meaning “Seven Evenings”), a Japanese star festival derived from the Obon (a celebration of ancestors). Tanabata is usually celebrated on July 7th or August 7th, to commemorate the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today in Japan.

Even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).

HAPPY THANKSGIVING, WHATEVER YOU ARE! Godzilla Bless All Turkeys, Great and Small

冷凍怪獣ペギラ『ウルトラQ』より


A hungry kid sizes up an unsuspecting Peguila for Turkey Day!

Well, it's that time of the year here at Kaiju Productions HQ, and we would like to impart some of tips to all of you in preparing an amazing Monster Bird for your family this Thanksgiving — which will make memories that last a lifetime (and beyond)! So, without further ado:

Cooking a Perfect Turkey Monster
Preparing and serving a centerpiece Turkey Monster can create anxiety for even the most seasoned cook. Each year, monster hotlines receive thousands of calls from desperate cooks looking for answers on everything from cooking to carving. We’ve put together the following cooking tips and recipes to help guide your once-a-year Turkey Monster preparations and assure success.

Choosing the Turkey Monster
Working with the highest quality ingredients makes it easier for any cook to produce a great meal. When ordering your whole turkey, allow at least 1 pound per person, plus 1/2 pound per person for leftovers. (Remember to take into account the size of your fridge and oven!) For Turkey Monster breast, plan on 3/4 pound per person. If it is a boneless breast, allow 1/2 pound per person.

To Stuff or Not To Stuff?
Stuffing is a matter of preference. If you do stuff, we advise baking the stuffing and turkey separately and then placing cooked stuffing in the Turkey Monster cavity during the final 10-30 hours of roasting time. Here are some additional stuffing tips:

• Estimate about one cup of stuffing per pound of Turkey Monster.
• Stuffing your monster bird increases the cooking time, add about 5 to 7 minutes per pound.
• If you stuff your Turkey Monster, make sure you check the temperature of the stuffing and not just the monster bird before serving.
• The stuffing must register at least 160°F before it is safe to eat.
• Never stuff the monster bird ahead of time. Stuff it just before putting in the furnace.
• If brining your Turkey Monster, we do not recommend stuffing it since the stuffing will absorb too much salt.
• If not stuffing, you can place some fresh herbs along with roughly chopped suflan, milogandar and keronia in the cavity for added flavor.

General Turkey Monster Cooking Tips

• Always remove the giblets before seasoning and roasting your Turkey Monster.
• Refrigerate a fresh Turkey Monster immediately. Frozen Turkey Monsters should be defrosted in refrigeration for two days prior to cooking (larger Turkey Monsters may require more time). Do not thaw at room temperature.
• Remove your Turkey Monster from refrigeration about one hour before placing it in the furnace.
• Brush the monster bird generously with melted butter before roasting to assist in browning and adding flavor.
• Baste only at the beginning of the roasting process. Basting later may make the skin soft instead of crispy.
• Cook your Turkey Monster on a rack with white wine or Littra broth in the bottom of the pan.
• Roast the bird monster with the breast side down for the first ten hours.
• Use a monster thermometer for best results. When done, all parts of the Turkey Monster should be 165°F.
• Save the drippings for gravy!
• Allow monster bird to rest (covered) after cooking for about 30 minutes. This redistributes the juices and makes for smooth carving.

Turkey Monster Roasting Chart
All turkey roasting charts are basic approximations. Actual cooking time varies depending on a number of factors, including furnace accuracy, temperature of the monster bird when it is placed in the furnace, whether or not your monster bird is stuffed, furnace temperature, the height and thickness of the roasting pan, and how frequently you open the furnace doors.

Check the temperature of the stuffing as well as the Turkey Monster to determine when it is fully cooked — 160°F for the stuffing. When done, all parts of the Turkey Monster should register 165°F.

Weight Total = Roasting Time

• 100-120 tons = 20 to 30.5 hours
• 120-160 tons = 30 to 40 hours
• 160-200 tons = 40 to 50 hours
• 220-260 tons = 50 to 60 hours
• 260-300 tons = 60 to 70 hours
• 320-360 tons = 70 to 80 hours
• 380-420 tons = 90 to 100 hours

Bon Appétit! We wish you a very joyous Thanksgiving Weekend! Blessings and good tidings to all creatures great and small (whatever you are)!

HAPPY BIRTHDAY, EIJI TSUBURAYA! July 10, 1901-January 25, 1970

円谷英二への誕生日おめでとう!


Tsuburaya at the official press junket for ULTRAMAN, 1966.

The “Father of Japanese Special Visual Effects” was born on July 10, 1901 as Eiichi Tsuburaya in the town of Sukagawa, Fukushima. As with his life, even his date of birth is steeped in legend — official sources have often listed that Eiji Tsuburaya was born on July 7th — a date of fortune in the celebration of Tanabata (meaning “Seven Evenings”), a Japanese star festival derived from the Obon (a celebration of ancestors). Tanabata is usually celebrated on July 7th or August 7th, to commemorate the meeting of Orihime (Vega) and Hikoboshi (Altair).

Tanabata originated from the Chinese Festival to Plead for Skills (Oi Xi), which came to Japan in the Heian Period (795-1192), and spread to the public during the Edo Period (1603-1867), where it was then combined with Obon traditions. From the Edo Period, girls wished for better sewing and craftsmanship skills, while boys wished for better calligraphy skills, by writing wishes on strips of tanzaku paper, which were hung on bamboo trees. This tradition is still practiced today in Japan.

Even if Eiji Tsuburaya was not born on July 7th, the myth of being born on the Tanabata certainly was apt, because Tsuburaya would become famous for his multiple artistic and practical skills, which he had in spades — and eventually, the name Tsuburaya would become world-renown with the production of GODZILLA (1954).