You see, everything is influenced by everything else: this is what we mean by the mysterious word Zeitgeist. The ‘Zeitgeist’ is a powerful image, the ghost or spirit of the age – but if you applied a different image to the concept you might find something like this creepy satellite dish manned by cats; or a bag, into which is thrown everything that makes makes up a part of the web of influence. It operates along lines of place as well as those of time. The Zeitgeist is almost like a secret mirror world in which everything that’s granted a place is extra bright, colour-saturated and hyper-significant. We expend a lot of energy looking for Meaning, and that mirrorball world is where it resides.
One of the most delightful corners of the poetry world I occupy – and its mirror world – is the one occupied by the sixties Beat legend Michael Horovitz. (I refer you to my previous blog post in support of his bid for Oxford Professor of Poetry, which links to some other great material.) I say delightful, because this is a corner where the business of poetry is to give pleasure and delight, in the most serious or silly way possible – where the serious and silly intermingle, as they should. It’s the same part of the sack where Blake jumbles, and where Keats’ Nightingale warbles – unlikely as it might seem that the Horovitz Anglo-Saxophone (more like a kazoo, really) is in any way related to that bird. (But it is.)
Of course, I can talk about the Zeitgeist, but that sixties spirit isn’t really in it, is it. It’s all about getting ahead, getting your MFA, building your career as a Poet – what Horovitz calls the Enter-Prize culture – and of course, on the quotidian level, trying to hang on to some kind of work, an income, a chance to be allowed to use your skills. We have no time to write poetry any more; we’re too busy establishing our brand on LinkedIn. It seems there’s no such thing now as the freedom just to exist.
Michael Horovitz is now in his 70s, existing, and still apparently (as Blake did) working harder than most people in their 30s: gigging, selling his books, playing his Anglo-Saxophone with an amazing verve and most unseasonable joy. He goes around the place with the openness and interest of a person less than half his age, the lack of pretension of a person who never heard of an MFA; he rests on no laurels; he claims no entitlements; and he is still deeper, smarter and funnier than just about everybody else.
He’s been sending versions of this message round to his mailing list for the past month or so, and I am now sharing it with you. If anyone has any ideas or can offer to help, please do share them. And if you’d like to be on his mailing list – the first part of this email was all about upcoming events and appearances – just email me, and I’ll make sure your details get forwarded.
Michael Horovitz writes:
I’m reluctantly appealing to any of you who might lead to my finding STORAGE &/or WORKSPACE, ideally within a few miles of Portobello Road, because all three of the local places I’ve been renting have this week given me notice to evacuate them within another two months maximum. (n.b,the beginning of July).
There is a mass of irreplaceable archive materials along with more than 50 years’ accumulated culturally invaluable items, including artworks by a number of remarkable artists, audio & visual recordings featuring both celebrated & unjustly neglected spoken word, song, musical & multimedic performers, and much else.
It has long been my hope to get quite a lot of these materials published/issued on CD/DVD – but unfortunately as the number of worthwhile tasks I’d like to fulfill increases daily, my capacities & resources to get them sorted decreases.
As well as any suggestions of low rental or even free premises to move these materials into, I would be equally grateful if any of you might lead to – or might yourselves consider – giving a hand or two on some of the daily biz of catching up on the most essential/dated of New Departures/Poetry Olympics jobs.
The most constant urgency, now that UK postal services have been so effectively dismantled by the seemingly unstoppable ruthless greed of The New Philistia, is for anyone who might have time to offer operating the iMac computer I blew impossible money on replacing its clapped-out predecessor with about a year ago.
I myself can’t wield the mouse or begin to understand webworlds at all, but would be unable to earn £1 a day were it not for the long-suffering helpmates who have been mega-generous over the years since cyberforces took over most official communications.
Courtesy of some much appreciated gastronomic patronage there is nearly always some pleasant food & drink at my abode, & also largeish quantities of some of the New Departures CD/print backlist, abundant supplies of which will be available to anyone who might visit with a view to auditioning for some part-time assistance (– there are many areas apart from computerland, including various kinds of shlepping, around which my dwindling powers could use reinforcements). Another possible bonus for anyone who likes playing table tennis would be that I’ve access to a spaciously installed table over the road foe selected hours on most days.









