He found Molly in the upstairs bedroom she had transformed into something she grandly called a “studio”. She spent most of her time in there these days making weird little clay figures and oil paintings of mountains with big holes in them and cornfields with razor-sharp talons for tassels that blood dripped from the end of. He wasn’t terrible fond of that room. Just this moment she was bent over the table working on the clay figure of an enormously fat woman with conical breasts twice the size of its head.
“What the hell is that?”
“What?” she asked without lifting her head from her work.
“That…thing…you’re messing with.”
“Fertility goddess,” she said, cutting a nipple into one of the cones with her Exacto knife. “Mayan.”
“Little late for a thing like that to do you any good, ain’t it?”
“Very funny. Did you want something, Amos, or did you just come up here to make what little is left of my life as miserable as possible?”
“They’re down there.”
“Who’s down where?” She was working on the vulva with intense concentration, her knife making little curvy cuts between the figure’s legs. He had to look away.
“Them surveyors from the State. I think they’re measuring the boundary between our land and the State Forest. They’re going to build that goddamn road, Molly, that’s what they’re going to do, and I think we ought to put up a fight.”


