CA Now Has Two Black LGBT State Supreme Court Justices!

Martin Jenkins

Kelli Evans

LGBT History was made this week with the retention election of California State Supreme Court justice Martin Jenkins on November 8 and the approval of Kelli Evans to join the state's highest court by the Committee on Judicial Appointments on November 10. Jenkins, 69, was nominated to the California Supreme Court in October 2020 by Governor Gavin Newsom. Evans, 54, was nominated to the court by Newson in August 2022. The California State Supreme Court now has seven members and is amazingly diverse:

• Carol Corrigan, 74, white female
• Kelli Evans, 54, African-American lesbian woman
• Joshua Groban, 49, white mam
• Patricia Guerrero, 50 Latina/Hispanic woman
• Martin Jenkins, 69, African-American gay man
• Leondra Kruger, 46, African-American woman
• Goodwin Liu, 52, Chinese-American man

The court is majority women, majority people of color (one-third Black) and two-sevenths LGBT!

Guerrero is the brand-new Chief Justice of the State of California. Guerrero, Jenkins, Groban and Liu were all successfully retained in the November 8 election.

FILM REVIEW: The Woman King

It's been quite awhile since I saw a movie in the theaters, but last weekend I saw two of them! The husband and I intended to see Bros opening weekend with another gay couple but when it turned out they couldn't see it until Sunday we decided to go see The Woman King on Saturday, since it had stellar reviews and was only available in theaters. I'm glad we did!

The Woman King is a star vehicle for Viola Davis, the most Oscar-nominated Black actress of all time (and winner of the 2016 Best Supporting Actress for Fences). However, it is also a rarity among studio films, with a predominantly Black female cast. The movie is about the legendary Agojie, the "virgin African Amazons" who were an all-female army in the West African kingdom of Dahomey during the slave era. The film features John Boyega (The Force Awakens, Small Axe), Thuso Mbedu (The Underground Railroad), Lashana Lynch, Sheila Atim, Jordan Bolger and Hero Fiennes Tiffin. The last actor plays Santo Fereirra, the main white character in the film, a slaver from Brazil who is working with the enemies of the Dahomey to buy and ship captured Africans into slavery in the Americas. He arrives with his interracial friend Malik played by the pulchritudinous Jordan Bolger, who is the son of a Dahomey mother and white father.

Of course any film about slavery is effused with violence, but in this case the violence is mainly done by the Black female characters in the film (the Agojie).  The film is set in 1823 and makes clear that both the Dahomey and the Oyo participated in the slave trade, by selling captured African combatants to the slavers. However in the movie, Davis' character, Nanisca, the head of the Agojie decries the practice to King Ghezo (played by Boyega) and argues the Dahomey could and should trade palm oil with the white man instead. The primary conflict in The Woman King is between the Kingdom of Dahomey and the Oyo Empire, who are much larger and to whom the Dahomey pay tribute to. Dahomey refuses to pay tribute and the two nations go to war, with the smaller Agojie army using the superior tactical and strategic prowess of Davis' General Nanisca to eventually become victorious. However, during the main Oyo-Dahomey battle in the movie some of the main Agojie characters we have been following (played by Lynch and Mbedu) are captured and taken to be sold into slavery. Mbedu's character (Nawi) is bought by Bolger's character (Malik) in order to rescue her. (The two had their "meet-cute" moment earlier in the film when Nawi finds Malik bathing in a nearby waterfall and takes his clothes which for me was a highlight of the movie because Malik is phyne!!)

Although being told explicitly by her king not to go and rescue her captured Agojie soldiers, Nanisca goes anyway and along with her most loyal supporters basically destroys the town/port where slaves were being bought and sold and then transported across the Atlantic.

Overall, The Woman King is a well-done, action film (I think I saw someone call it a "a Black female Gladiator or Braveheart") with exceptional performances by Davis and Mbedu. It is exceedingly violent, almost graphically so, since almost all the combat is hand-to-hand with sharp, bladed weapons, a few primitive  guns and some gunpowder-based explosions. Despite the action genre, there is real emotional relationships depicted between many characters, like Nawi and Malik, Nawi and Nanisca, and Nanisca and Amenza (played by Atim). It's one of the best times I have had at the movies in years!

Title: The Woman King.
Director: Gina Price-Bythewood.
Running Time: 2 hours, 15 minutes.
MPAA Rating: Rated PG-13 for sequences of strong violence, some disturbing material, thematic content, brief language and partial nudity.
Release Date: September 16, 2022.
Viewing Date: October 2, 2022.

Writing: A-.
Acting: A.
Visuals: A.
Impact: A+.

Overall Grade: A (4.0/4.0).

Star Rating:  ★★★★½☆  (4.5/5.0).

BOOK REVIEW: Blacktop Wasteland by S.A. Cosby

Blacktop Wasteland is the second  book by this author that I have read; I first read and enjoyed his Razorblade Tears. Blacktop Wasteland is the more celebrated of the two, having won a slew  of awards (Los Angeles Times, Anthony, Macavity, Barry). After enjoying Razorblade Tears so much I wanted to see if Blacktop Wasteland lived up to the hype. The answer is: yes and no.

Both books are in the same genre of “action-packed crime thrillers set in the rural South.” But that’s the end of the similarities between Razorblade Tears and Blacktop Wasteland. Razorblade Tears is basically a story about two very different fathers who reluctantly are working together to find out and get revenge on whoever shot and killed their gay sons at point blank range. Blacktop Wasteland has one central main character, Beauregard “Bug” Montage that the plot hinges on, with the central narrative tension being fueled by the answer to the question of whether Bug is a “good guy who sometimes commits criminal acts” or “a criminal who sometimes does good things.” By the end of the book I don’t think the reader has a definitive answer to this question besides “it’s complicated.”

Ambiguity or the fusion of positive and negative, or dark and light elements is a recurring theme of both Razorblade Tears and Blacktop Wasteland, with it playing an even larger role in the latter. Bug is a talented getaway driver just like his decades-absent father. He is a car whisperer with the automotive equivalent of what a “green thumb” is for gardeners. He used his ill-gotten gains from his participation in a previous heist to open his own auto repair shop in his very small town in southern Virginia and business is Not Good.

Bug has three kids, two boys  with the woman he lives with in a trailer and a daughter he fathered as a teenager more than two decades ago. His cancer-ridden mother is in an expensive assisted-living facility. Bug has a number of financial obligations and not many legitimate sources of income as an ex-con. So when some former criminal associates approach him for a “slam dunk heist” he is not really in a position to resist the siren call of easy money.  

Blacktop Wasteland is a more cerebral book than one would generally expect from an entry in the crime thriller genre. This may explain the broadness of its appeal and the level of hype it has received. A central element is its depiction of the moral/philosophical dilemma of its protagonist, with the author asking the reader in Blacktop Wasteland “What would you do if you were in Bug’s circumstances, with his past and talents and debts?” Bug basically has two choices: work with some sketchy (probably racist) good old boys to drive a getaway car from a jewelry heist OR try to make a sizable dent on reducing his debts by selling his pride and joy: his father Ant Montage’s car, called the Duster, which he has maintained in perfect condition for decades. Blacktop Wasteland begins with Bug winning a street race in the Duster (and then being part of a scam which results in him not actually bringing any money home that night) and it’s clear the Duster is more than just a car to Bug, it’s the last connection he has to the father he idolizes.

So the primary narrative tension of Blacktop Wasteland is sourced in the decision Bug will make about how he will earn money. But it’s clear that the scales are not evenly weighted on the sides of good and evil. It’s not easy for a Black man who has spent time in jail to earn enough money to support himself and others using only legitimate and above board means, especially when his skills and experience are so useful to successful criminal activity. So, it’s not really a surprise when Bug makes the choice he does. What is surprising are the twists and turns that the plot takes afterwards. There are serious and permanent consequences for lots of the people Bug comes into contact with during the story.

In the end, although I was glad I read Blacktop Wasteland and am also convinced it will make an excellent movie when Hollywood inevitably adapts it for the big screen, it didn’t leave as strong an impression on me as Razorblade Tears did. I think it’s because the two books have very different messages in the end. Frankly, I’m not exactly sure what message Cosby was trying to send with Blacktop Wasteland while the message in Razorblade Tears is very clear (accept your children as they are, don’t try to mold them into something you think they should be!) and one I agree with.

Title: Blacktop Wasteland.

Author: S.A. Cosby.
Format: Kindle.
Length: 305 pages.
Publisher: Flatiron Books.
Date Published: July 14, 2020.
Date Read: April 9, 2022.

GOODREADS RATING: ★★★★½☆  (4.5/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A.
IMAGERY: A.
IMPACT: A-.
WRITING: A.

BOOK REVIEW: Razorblade Tears by S.A. Cosby

Razorblade Tears is the first book by this author that I have read; it is his first book after his wildly successful Blacktop Wasteland which won a bucketful of genre awards (Los Angeles Times, Anthony, Macavity, Barry ). The reason I started with Razorblade Tears instead is because it was on sale for $2.99 on Kindle and also because of the intriguing blurb describing the plot.

The first thing that strikes you as you read Razorblade Tears is the superior quality of the prose; Cosby is a master of metaphor and is unafraid to dazzle the reader with the brilliance of his writing. There were several times in the first few chapters that I highlighted sentences and turns of phrases. Eventually one becomes accustomed to instead of entranced by the poetry of the text and the breakneck forward momentum of the plot demands one’s full attention.

The story in Razorblade Tears is incredibly fast-paced and action-packed. After the two dads Buddy Lee and Ike team up as an avenging odd couple trying to find (out) who killed their gay sons, they start poking around and unearth a hornet’s nest of violent gang members, racist bikers, corrupt rap moguls and drug kingpins who are connected to a conspiracy to keep an explosive secret out of public view. Unfortunately for them, they are up against two guys who have suffered the incredibly painful loss of their only sons and fueled by their grief at the violent deaths and their own shame at their own homophobia that warped their relationship with them when they were alive, Buddy Lee and Ike are ready and willing to go as far as it takes (and beyond) to find and punish the people who have brought them such pain by killing their sons. The body count rises rapidly and by the end of the book vengeance has been meted out but at a price which is significant and life-altering to the survivors.

Overall, I was extremely impressed with this first encounter with the work of S.A. Cosby and I intend to read his other work. That said, I wouldn’t call Razorblade Tears a nuanced or complex book. It’s not trying to occupy the niche of the cerebral, densely-plotted mystery that unspools with increasing suspense and narrative tension. Razorblade Tears is more like a full barrel of bourbon rolling down a steep hill with a burning Confederate flag stuck in its side into a large hole that’s leaking profusely: it’s a combustible, compelling spectacle.

Razorblade Tears story moves so quickly that at first you don’t realize how simplistic the plot is. (It’s very easy to figure out who the person behind the boys murders and other crimes is.) But this flaw is outweighed by the overall message that parents should accept their LGBT children for who they are and not try to “change” or disown them because of some heteronormative vision they had of their (and their children’s) lives.

Title: Razorblade Tears.
Author: S.A Crosby.
Format: Kindle.
Length: 336 pages.
Publisher: Headline .
Date Published: July 6, 2021.
Date Read: March 8, 2022.

GOODREADS RATING: ★★★★★ (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: B+.
IMAGERY: A-.
IMPACT: A.
WRITING: A+.

BOOK REVIEW: The Fires of Vengeance (Burning, #2) by Evan Winters

The Fires of Vengeance by Evan Winter is the sequel to the author’s debut novel The Rage of Dragons. These books are firmly in the category of epic fantasy: they are both chockfull of dragons, swords, metaphysical powers, gods and warfare. The books are set in something resembling a Bronze Era civilization, with a strict caste-based society that appears to modeled on an ancient African culture. Winter is one of the very few African-American writers working in this genre and he makes it very clear that the characters in his books are primarily what we could call “people of color” with skin tones of various hues from very light brown (tea with lots and lots of milk) to the darkest black (fire-scorched wood).

The main character in the series is Tau Solarin, who in The Rage of Dragons had a fairly familiar plot of the lowly outsider underdog who eventually becomes a celebrated champion after overcoming multiple trials and tribulations. In The Fires of Vengeance, Tau’s developing relationship with his Queen, Tsiora Omehia, becomes one of the primary threads of the complicated plot. In addition to this romantic intrigue plot line, the story in the second book also includes political intrigue between Tsiora and her sister Esi who has claimed she is the rightful claimant to the throne and the intercultural intrigue of the ongoing disintegration of the Omehi caste system. However, all of these other threads are overshadowed by the imminent battle between the Omehi people and the more populous indigenous inhabitants of the Xidda continent. And in addition to the struggles between different factions of the Omehi and the future struggle between the Omehi and Xiddans , there’s a non-negligible threat from the Cull, the near-omniscient murderous beings who drove the Omehi from their ancestral land of Osonte, decimating them in the process. It was that fabled escape from Osonte, dozens of generations before the events told in The Burning books that caused the Omehi to arrive to Xiddan and displace the indigenous folks on the peninsula, who unsurprisingly view them as colonizing marauders who should be exterminated.The Omehi feel like the Xiddan pensinsula is overrun by godless, murderous heathens who don't deserve to occupy the land their forefathers fought and died for so the stage is set for genocidal war.  Because its been so long, many Omehi don’t even think The Cull are real (which is a dead giveaway that at some point these Big Baddies are gonna show up at some point!)

A key feature of the books is the existence and prominence of Isihogo, the Underworld, where time runs faster than the real world and where the power of gods and demons manifest themselves. Generally, only priestesses with a rare ability and years of training are able to enter Isohogo but Tau has been using it as a means to hone his fighting skills to the point where he is the best fighter the Omehi have seen in generations, perhaps ever. (When you get killed by Demons in the spirit world it doesn’t physically harm you and you wake up back in the real world with the memory of what happened; many people can become susceptible to emotional and mental damage from the experience. Because Tau is fueled by a volcanic level of rage and vengeance he thinks that the costs, such as the hallucinations he regularly suffers, are worth the enhanced fighting prowess and imperviousness to pain he gains.)

As I mentioned, Omehi society is strictly caste-based, with two primary groups, Nobles and Lessers. The author is somewhat vague about whether the castes are actually biologically distinct, or whether, like race, the caste divisions in Omehi society are socially constructed identities reified by cultural norms and historical tradition. Nobles are generally larger, faster and stronger than Lessers, but a key point we learn in the first book is that the two groups can procreate with each other (although of course this is strongly discouraged). There are various strata in both of the two primary castes, with the absolute lowest being “Drudges” who are basically outcasts from Lesser society and the highest are the Royal Nobles, which includes Tsiora. In both books, one of the central fights Tau has to take on is the assumption that as a Lesser he has no chance of besting a Noble (of any level) in combat. This of course turns out to be spectacularly untrue and is the primary plot device of The Rage of Dragons. However, we do learn in The Fires of Vengeance that Nobles have stronger connections Isihogo which may account for their advantages (and also would tend to lend credence to the idea that the caste divisions are “real”). However, like race, just because one group of people who are racialized into a particular group tend to have more or less of a particular trait or tendency does not mean that race is not a fiction. The clever and conspicuous depiction and deployment of race is one of the most attractive features of the series for me, especially since any depiction of difference from a white heteronormative ideal is so rare in most fantasy and science fiction.

Although the two books share numerous similarities (depiction of multiple battles and one-on-one skirmishes, political and romantic intrigues, cultural/ethnic stereotyping and demons, dragons and disasters, oh my!) The Fires of Vengeance improves on The Rage of Dragons by de-centering Tau slightly and making it clear that two of the most important characters from the first book are both gay (and a couple!). Of course, Tau in his single-minded focus on getting revenge for the deprivations he suffered in the first book is one of the last to figure out the situation but he takes it completely in stride. As a gay reader of the books, the complete absence of homosexuality in the all-male military settings of the first book was a curious and problematic defect that I’m very happy was corrected in the second book.

I suppose one of the (slight) quibbles one could have with The Fires of Vengeance is that it doesn’t resolve most of the larger tensions in the plot and ends with the inclusion of a huge, paradigm-shifting twist. That said, there’s a lot that does happen in the second book of The Burning, with multiple significant characters dying and/or having life-altering consequences due to the action. Winter is not one to provide his characters with plot armor, which is a refreshing change.  Apparently the series may become a quartet instead of the expected trilogy, which is fine by me, because The Burning is fast becoming one of my favorite epic fantasy series. For people who like the work of Brent Weeks (Lightbringer series, Night Angel trilogy) and Peter Brett (Demon Cycle) I’m confident you will also enjoy these action-packed, engaging books by Evan Winter!

Title: The Fires of Vengeance (The Burning, #2).
Author: Evan Winter.
Format: Kindle.
Length: 528 pages.
Publisher: Orbit Books.
Date Published: November 10, 2020.
Date Read: May 2, 2021.

GOODREADS RATING: ★★★★★  (4.0/5.0).

OVERALL GRADE: A- (3.67/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

BOOK REVIEW: Bluebird, Bluebird (Highway 59, #1) by Attica Locke

Bluebird, Bluebird is the first book by Attica Locke that I have read. It’s a police procedural, murder mystery novel based in Texas. The main character, Darren Matthews, is one of the very few Black Texas Rangers. I wasn’t aware before reading this book that the Rangers are sort of like a State-based version of the FBI. In other words they have the ability to make a “state” case out of crimes that can supersede local jurisdiction. Matthews is one of the very few Black people in a predominantly white organization and this reality and how he (and his colleagues) deal with race animates a significant portion of the book. And  this story is taking place in Texas, with an infamously racist past and unambiguously racist present.

As with most interesting protagonists of mystery novels, Matthews is a complicated character. He has problems at work and at home. His wife has basically kicked him out, because she doesn’t approve of his job as a Ranger when he just needs one more year of law school to be an upstanding attorney like she is. (Matthews left University of Chicago Law School and returned home to East Texas where he was raised by his twin uncles after the grotesque hate-infused murder of James Byrd made headlines and inspired federal hate crimes legislation.) He’s basically been suspended from his job as a Ranger due to his improperly close relationship with an elderly Black man who the police view as a suspect in the suspicious shooting of a racist redneck who before he died had been harassing the suspect’s granddaughter.

So we aren’t surprised at the beginning of Bluebird, Bluebird when Matthews agrees to do a favor for a (white) friend of his who is also a federal agent to (unofficially) and drive up Highway 59 from the Big City to take a look at the appearance of a Black male body that has recently washed up in Lark, a backwater town in East Texas, population 187. Matthews soon finds out the deceased is Michael Wright, a lawyer from Chicago but. The situation becomes even more complicated than it first appeared when soon after the first body appeared, a second body shows up, and this time it’s a white girl, a local waitress named Missy Dale known for her predilection for spending time in the company of Black men. Surely the two must be related, and there’s no way that the linked deaths of a Black man and white woman won’t be a dangerous powder keg in a hick town like Lark which is known for its long history with the Klan. Are the deaths some kind of hate crime? But the conceit of the book is that the bodies showed up in reverse order. Wouldn't you think it would be the white girl who would be killed first, and then the Black guy she cavorted with killed by the Klan afterwards?

Soon after Matthews arrives in Lark, so does the widow of the Black man, her name is Randie and she’s trying to find out what happened to her estranged husband. The parallels with Matthews and his personal situation are obvious. The relationship between Randie and Darren is complicated. She’s not from “around here” (and Matthews is) so he takes it on himself to show her around and promises himself to try and see she gets justice by solving the mystery of her husband's killing. But, as a knight in shining armor, Darren is more than a little tarnished. He’s got a drinking problem and he’s a little too fond of telling little white lies to people in order to get his way. As a Black Ranger with a badge in a town full of meth-heads, rednecks and extreme poverty he’s got a lot going against him in order to fulfill the ill-advised promise he made to the grieving widow.

The story in Bluebird, Bluebird is interesting because of the complex connections the author, Attica Locke, weaves between the characters (and suspects) in this little town where everyone knows everyone, and secrets have and stories have festered for decades. Both bodies  washed up within walking distance of a roadside hole-in-the-wall restaurant right off Highway 59 run by an elderly Black woman named Geneva Sweet who admits to seeing both Missy and Michael within several hours of their deaths. Geneva also has a complicated history. Her husband and son, both named Joe Sweet, are dead from violence within the last ten years, about 2 years apart. That's a lot of suspicious death in a town this small. Another important character is Wallace Jefferson III, an old white guy who literally owns all the land in town, lives a stone’s throw away from Geneva’s Sweets and clearly once (and maybe still) has had an impossible attraction to Geneva, who a long time ago used to be the hired help in the Jefferson Southern Gothic mansion.

Overall, Bluebird, Bluebird is an interesting, atmospheric novel which poses thoughtful and thought-provoking questions about race, family and the ties that bind people together, both emotional and obligatory. As a mystery novel it’s less successful and I’m not sure Darren Matthews is someone I really want to spend much more time with, but I am willing to spend more time with Locke’s spare, evocative prose and look forward to reading the next entry in the series Heaven, My Home.

Title: Bluebird, Bluebird.
Author: Attica Locke.
Format: Kindle.
Length: 320 pages.
Publisher: Mullholland Books.
Date Published: September 10, 2017.
Date Read: February 20, 2021.

GOODREADS RATING: ★★★★☆  (4.0/5.0).

OVERALL GRADE: A- (3.67/4.0).

PLOT: B+.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

BOOK REVIEW: Real LIfe by Brandon Taylor

Real Life by Brandon Taylor seems like it is a book that was designed in a lab to appeal to me. It’s a fictional account of a Black gay graduate student who likes to play tennis and is working on getting his Ph.D. in a STEM discipline at a predominantly white institution in a small town somewhere in the northeast. 30 years ago I was a black gay graduate student who liked to watch tennis and was working on getting his Ph.D. in a STEM discipline (applied mathematics) at a predominantly white institution (Rensselaer Polytechnic Institute) in a small town in the northeast (Troy, NY).

However, Wallace, the protagonist of Real Life, is very different from the person I was then, and since the book is set in a contemporary context, his experience is very different from my graduate days. That said, the situations that Wallace experiences as well as the descriptions of some of the characters he interacts with seem very familiar. Wallace is a graduate student in biochemistry and has a cadre of white friends, most of whom are also graduate students (in various fields). The group contains a gay couple named Cole and Vincent, another named Lukas and Nathan, and a gay international couple named Klaus and Roman, a straight couple named Emma and Thom, two “straight” guys named Yngve and Miller and then there’s Wallace. Almost all of Real Life is told through Wallace’s eyes as he observes how his friends interact with him, as the only black guy in a group of white people. Wallace is from the South, and we learn he is the first in his family to have ever gone to graduate school, and perhaps the first to go to college. His life experience is very different from the people he hangs out with when he’s not working in the lab and he is also very different from the people he works with in the lab as well. Later we learn that he was basically abandoned by his father and that his parents apparently blamed him for the fact that a family friend molested the tween-aged Wallace. The key material of the book is sourced in the tension caused by the ways Wallace’s identity and temperament distort and disrupt his experience of everyday social interactions with those around him, especially the ways these are frequently leavened with micro-aggressions and not-so-micro aggressions. And that’s when he’s with his “friends”!

Relatively early in Real Life, Miller and Wallace hook up sexually, a somewhat surprising event initiated by the putatively heterosexual Miller. Both Miller and Wallace have some warped ideas about sexuality, to my somewhat prudish sensibilities. Suffice it to say, even though their sexual activities are consensual, afterwards one or both of them are sore or bruised. (Not exactly my idea of a good time, but “different strokes for different folks.”) Near the end of the book I wasn’t completely convinced both of them would survive its conclusion. The sexual fluidity of Wallace’s coterie of friends is an interesting feature of the books, and is another example of unspoken tension that animates some of the peculiar social dynamics in the group. For example, even though Yngve is straight, it is a commonly understood fact in the group that Yngve and Lukas are often together, hanging out publicly. Lukas' boyfriend Nathan doesn't seem to be bothered by this situation, since Yngve is "straight." However one of the other gay guy, Roman, is a troublemaker. He says something explicitly racist to Wallace, and he causes tension among the other gay couples by remarking on how happy he is that he is in an open relationship with Klaus. (Or as he puts it, "Nothing is better than f***ing someone while my boyfriend watches.") This completely sets Cole off, who is a bit strait-laced and prone to jealousy about his relationship with Vincent, who seems fascinated by the idea of something other than a monogamous relationship, while Cole seems to be a gay Republican in training. Cole is probably the gay guy Wallace is closest to. There's a very fun scene where there is a very detailed description of a tennis match the two play together which appears as if it could lead to something else, and definitely reveals the evanescent sexual tension that can arise in non-sexual interactions between gay men who are friends. In some instances Wallace deliberately chooses to exacerbate not ameliorate the conflicts that arise from these tensions. To me it seems clear that Taylor is portraying Wallace as a masochist, both sexually and emotionally. There are several examples in the book where painful things happen to Wallace and even when he could try to take action or respond to reduce the pain, he doesn’t, instead he “simply takes it,” as if he deserves (or enjoys?) being victimized.

Overall, Real Life is a quick, compelling and insightful read. The writing sometimes tends to the florid, and there's not much of a plot. (The central question is, "(How long) Can Wallace survive interacting with these people?") Wallace is in a bad situation, made worse by the cluelessness and casual racism of his “friends” as well as the precarious and disempowered nature of graduate education. I was hoping for a happy ending, but this is really not that kind of book. I’m somewhat surprised at the level of acclaim Real Life has received (such as being shortlisted for the Booker Prize) but I would definitely recommend the book to people, especially well-meaning white people who think the reason for underrepresentation of racial and ethnic minorities and women in STEM academic circles is a “pipeline” problem. Taylor provides real insight that rings true for me about what it’s like being “the only one” in certain academic settings as well as the complicated nature of gay male friendships. Since this is his debut novel, I look forward to reading future books by him.

Title: Real Life.
Author: Brandon Taylor.
Format: Kindle.
Length: 335 pages.
Publisher: Mullholland Books.
Date Published: February 18, 2020.
Date Read: March 3, 2021.

GOODREADS RATING: ★★★★☆  (4.0/5.0).

OVERALL GRADE: A-/B+ (3.5/4.0).

PLOT: B+.
IMAGERY: A-.
IMPACT: B+.
WRITING: A-.

BOOK REVIEW: The Rage of Dragons (The Burning, #1) by Evan Winter

The Rage of Dragons is the debut novel by Evan Winter, one of the few African-American authors working in the epic fantasy genre. This 2019 work made quite a splash, and when I read it in February 2021 it had well over 16,000 ratings with a very impressive 4.37 average on Goodreads’ 5-point scale. I had made the decision to try and read as many Black authors as I could during Black History Month and selecting Winter’s well-regarded fantasy novel from my burgeoning Kindle TBR pile seemed like a no-brainer.

Most of my reading these days is in genre fiction, but typically I would say I spend more time reading crime fiction, then science fiction and rarely fantasy. However I was impressed very early on by Winter’s characterization of the protagonist of The Rage of Dragons, Tau Solarin. I was even more impressed by the world-building in the novel.

The story in The Rage of Dragons is set in a satisfyingly complex society which has two primary castes: Lessers and Nobles. The two are physically distinctive, although it is clear that both groups would be racialized as “Black” in our contemporary society. Almost all Nobles are taller, faster, stronger than most Lessers. Both are part of the Chosen people or Omehei. Omehei society appears to have a level of technological advancement equivalent to the Bronze Age on Earth. In addition to a society chock full of complicated moral questions Winters adds dragons and a spiritual realm that allows certain Gifted Omehei to practice powerful, specific magical effects such as Enraging (making someone physically bigger and stronger), Enervating (stripping someone of their will and ability to act on their own), Edifying (communicating information over long distances) and Entreating (taking over conscious control of another living thing’s body). Winter situates his story in a historical context where the Omehei have spent 200 “cycles” (presumably solar years) trying to keep control over land on the Xiddan Peninsula that they think they should get to keep because it’s where they landed after they were hunted and nearly exterminated in a land called Osonte located far across the sea by creatures they call The Cull. Omehei believe they were "Chosen" by the Goddess to survive the Cull and their faith in her is why some have been "gifted" with powers and why they survived the rough sea passage from Osonte and also believe they have a right to claim Xiddan as their own.  Unfortunately, it was already occupied by another group of humans, who (rightly, IMO) view the Omehei as invaders and colonizers and have been fighting for generations to expel or exterminate the Omehei. The Omehei also seem to be able to convince dragons to fight on their side fairly regularly and this behavior is viewed as further evidence the Omehei are "chosen by the Goddess."

The Rage of Dragons is an intricate, multi-layered story with several fascinating creations combined together to produce a compelling setting for what is at its heart a fairly traditional plot ("Local boy makes good"). These layers include class (there’s a very explicit and strongly enforced caste system among the Omehei AND a Royal sovereign!); race (almost all the Omehei are described as having skins of various hues ranging from tan to pitch-black); religion (belief in a spiritual world called Isihogo, the realm of demons, as well as an omnipotent, omnipresent, invisible "Goddess."); magic (the previously mentioned Gifted abilities); and war (the Omehei are in a generations-long battle with the original inhabitants of the Xiddan peninsula whom they call “hedeni” who they think are over abundant, light-skinned heathens and savages).

The main character Tau is an 18-year-old Lesser whose best friend Jabari is a Petty Noble and Winter does an excellent job of depicting the unequal opportunities and futures Lessers and Nobles have in Omehei society. Through an unfortunate interaction with a less open-minded Noble than Jabari, Tau’s father is killed early in the book in order to assuage a Noble ego and Tau vows revenge on three specific Noblemen who he sees as ultimately responsible for his father’s thoughtless murder.

The primary animating force of Tau's actions in The Rage of Dragons is revenge against his “betters” and he sets off to prove that he will literally do whatever it takes, no matter how painful or difficult, in order to have an opportunity to strike back at the men who destroyed his family. This makes Tau a sympathetic but also problematic figure. There’s an entire arc of the story which is about how Tau becomes a great warrior, not through some innate or genetic or magical ability but through intense, obsessive hard work, day-in and day-out. This is a nice choice by the author, because although Winter is duplicating a common trope of epic fantasies (the downtrodden orphan who grows up to become more powerful than anyone or he could ever have dreamed) he also subverts the trope by making it clear Tau is NOT the biggest, smartest or “most special” character in the book. Tau makes mistakes and wrong choices, more than once, but these humanize him and greatly strengthened my interest and connection with the character.

I only have a few quibbles with The Rage of Dragons (obviously, since I gave it the highest possible rating of five out of five stars on Goodreads). First of these quibbles are the too-frequent, detailed descriptions of hand-to-hand combat and fight scenes. In some sense it follows because Tau is in military training for more than half the book, but I think the number of paragraphs describing precisely how, who and with what Tau is fighting could have been reduced by half (or more!) with very little reduction in my enjoyment of the book. My second quibble is with the ending and the author’s penchant of raising the stakes by literally killing off multiple major characters in the last 5% of the book; some of the characters killed had been around since the first 5% of the book. This is incredibly gutsy, I guess, and I understand the dilemma the author is in. If he puts all of the characters in peril (or at the very least the vast majority of the ones we care about) and never kills off any, then the peril isn’t real, and the reader may feel cheated. But if he kills off major characters that we have known for the vast majority of the book in a shocking denouement towards its conclusion then it feels overwhelming and the reader feels somewhat cheated for investing in certain relationships that had built up as the story progressed. Winter made the latter choice in The Rage of Dragons and it definitely increased the emotional wallop the book delivers, so maybe he made the "right" choice in this case. I’m not sure there really exists an optimal choice for an author here.

Overall, The Rage of Dragons is an incredibly well-written and powerful debut novel. As I said at the beginning, epic fantasy is not particularly one of my favorite genres but I was thoroughly entertained and entranced by this book and look forward to reading The Fires of Vengeance as soon as the price for the Kindle edition goes on sale!

Title: The Rage of Dragons (The Burning, #1).
Author: Evan Winter.
Format: Kindle.
Length: 544 pages.
Publisher: Orbit.
Date Published: July 16, 2019.
Date Read: February 16, 2021.

GOODREADS RATING: ★★★★★ (5.0/5.0).

OVERALL GRADE: A (4.0/4.0).

PLOT: A-.
IMAGERY: A.
IMPACT: A+.
WRITING: A.

BOOK REVIEW: Heads of the Colored People by Nafissa Thompson-Spires

I was only supposed to read two stories, “Belles Lettres” and “The Necessary Changes Have Been Made” in order to decide which should be included in a collection of texts that address race, white supremacy and (mis)representation of Black people in the media. While both of these stories are good (and "Belles Lettres" is particularly trenchant) they imbricate race with so many other issues that I felt the primary point would’ve been lost or “diluted.” So I continued reading the collection and when I got to the title piece knew I had found what I was looking for. The first story “The Heads of Colored People: Four Fancy Sketches, Two Chalk Outlines, and No Apology” also weaves in other issues (police shooting, intraracial dynamics, Blerd culture) with multiple depictions of Black masculinity that I found quite compelling. The only other story which I felt could have satisfied my requirements is “Fatima The Biloquist.” I love that we get to see multiple depictions of Fatima in various stories in the collection. I connected with this  particular story because it does such a clever job of discussing racial representation in the context of class, phenotype and language. However, the standout stories in this collection (for me), apart from the aforementioned “Heads of the Colored People” and “Fatima The Biloquist” were “Suicide, Watch” and “Not Today, Marjorie.” When I reached the last paragraph of “Suicide, Watch” I burst out laughing so loudly my husband laying next to me said “What happened?” Even when I recounted the story I couldn’t stop giggling at the brilliant premise and payoff of that story. "Suicide, Watch" is worth the price of the entire collection. Many of the stories are about unlikable people or people in uncomfortable situations and not every story is great or memorable. (But one of the joys of short story collections is that if you don’t like what you’re currently reading, it will be over pretty soon.) Some of the more memorable stories may be ones I didn’t particularly like, such as “This Todd” and “The Subject of Consumption.” Overall, I would definitely recommend the collection as a whole and I know I am going to be anticipating reading what Nafissa Thompson-Spires writes in the future. Title: Heads of the Colored People. Author: Nafissa Thompson-Spires. Paperback: 203 pages. Publisher: 37 INK/ Atria. Date Published: April 10, 2018. Date Read: April 21, 2019. GOODREADS RATING: ★★★★½☆  (4.5/5.0). OVERALL GRADE: A/A- (3.83/4.0). PLOT: A-. IMAGERY: A. IMPACT: A-. WRITING: A.

UPDATE: Michael Johnson (Black, Gay ,HIV+ Man) Released From Prison Early!

Michael Johnson (left) with Dr. Steve Thrasher

There's an exciting update in the ongoing saga of Michael Johnson (also known as "Tiger Mandingo"), a Black gay man with HIV who at the age of 23 in 2015 was sentenced to 30-years in prison for knowingly exposing several gay men to HIV (some of whom subsequently tested positive for HIV later). Johnson's case was a textbook case of HIV stigma combined with racial animus leading to a problematic criminal justice result. Happily, this conviction was overturned in 2016 and last year Johnson agreed to a 10-year Alford plea deal with the last 3 years converted to parole.

One of the key journalists and activists who raised the media profile of the Johnson case was Steve Thrasher (@thrasherxy) (seen pictured with Johnson above the day he was released from prison on July 9, 2019).

A New York Times report on Johnson's release said:

In theory, H.I.V. exposure laws are meant to encourage H.I.V.-positive individuals to disclose their status before having sex, and to practice safer sex, with the ultimate goal of preventing the spread of the virus.
But there is no evidence that these laws have reduced risky behavior or encouraged disclosure, said Catherine Hanssens, the executive director of the Center for H.I.V. Law and Policy, which provided legal support for Mr. Johnson’s case.
In the eyes of the law, an H.I.V. diagnosis is conflated with malice, she added.
“These laws effectively treat an H.I.V. diagnosis itself as evidence that the person acted with bad intentions when sex or other types of physical contact are involved in a crime,” she said.

Congratulations to everyone who worked on this case. Johnson will be moving to and living in Indiana with a friend and says he plans to continue his education and would like to share his story as part of advocacy for HIV prevention and treatment,

WATCH: Ta-Nehisi Coates' Opening Statement in Reparations Congressional Hearing

Lori Lightfoot Elected First Black Lesbian Mayor of Chicago

Lori Lightfoot is a 56-year-old former federal prosecutor and private attorney who just became the first Black lesbian to be elected mayor of Chicago. Lightfoot will become the highest ranking openly LGBT mayor in the country when she takes office and mayor of the largest city to be run by a Black woman, although not the only one. San Francisco (London Breed), Atlanta (Keisha Lance Bottoms), and Washington, D.C. (Muriel Bowser) are just a few.

Congratulations, Mayor Lightfoot!

Cory Booker Announces 2020 Presidential Run

Cory Booker announced on Friday February 1 (the beginning of Black History Month) that he is running for the Democratic nomination for President in 2020. The 49-year-old, vegan, bachelor junior U.S. senator from New Jersey joins the most diverse presidential aspirant field ever. It already features Kamala Harris (U.S. Senator from California), Kirsten Gillibrand (U.S. Senator from New York), Elizabeth Warren (U.S. Senator from Massachusetts) and Julian Castro (former secretary of Housing and Urban Development in the Obama administration).

CELEBRITY FRIDAY: Black AIDS Institute Names New Executive Director (Raniyah Copeland)

The new executive director of the Black AIDS Institute has been named as Raniyah Copeland. The president and chief executive officer of BAI has been Phil Wilson since its founding in 1999. The BAI is the nation's first  and only "national HIV/AIDS think tank focused on Black communities." Copeland, 34, has worked at The Institute for the last ten years. Wilson announced his retirement last year and the board conducted an extensive 10-month process to find a new leader for the organization.

The announcement was made at BAI's signature event "Heroes in the Struggle" last Saturday December 1.

2018 EMMYS: My Predictions in Major Categories

Here is my predictions post for the 2018 Primetime Emmy awards for excellence in television. Last year, I predicted that This is Us would win Best Drama Series and Veep would win Best Comedy series. I was wrong about Drama (The Handmaid's Tale won instead) and correct about Comedy (Veep won for the third year in a row). This year, as Issa Rae says, "I'm rooting for everybody Black!"

Outstanding Drama Series
The Americans
The Crown
Game of Thrones
The Handmaid’s Tale
Stranger Things
This Is Us
Westworld

I think Game of Thrones is the best thing on television (it is easily the most popular show in the world) but I think the fact that this was the final season for The Americans will convince Emmy winners to finally reward it, although that has not been a convincing argument for past heavy hitters like Mad Men and Breaking Bad.
WILL WIN: The Americans
SHOULD WIN: Game of Thrones

Outstanding Lead Actor in a Drama Series
Jason Bateman, Ozark
Sterling K. Brown, This Is Us
Ed Harris, Westworld
Matthew Rhys, The Americans
Milo Ventimiglia, This Is Us
Jeffrey Wright, Westworld

Sterling Brown won this category last year and his work on the NBC powerhouse This Is Us has only grown more poignant, not less. But its his co-star (with whom he can never have any scenes with because they are in different time periods on the show) that is the heart of the show.
WILL WIN: Sterling K. Brown, This Is Us
SHOULD WIN: Milo Ventimiglia, This Is Us

Outstanding Lead Actress in a Drama Series
Claire Foy, The Crown
Elisabeth Moss, The Handmaid’s Tale
Sandra Oh, Killing Eve
Keri Russell, The Americans
Evan Rachel Wood, Westworld
Tatiana Maslany, Orphan Black

Last year Elizabeth Moss won this award and the year before that it was Tatiana Maslany. It's hard to root against Evan Rachel Wood's work as Dolores on Westworld but I thinkn Claire Foy is the main reason why The Crown works so well. I don't really understand all the love for Killing Eve. I think the show is deeply flawed but grudgingly agree that Sandra Oh is incredible on it. I've never seen a single episode of The Americans but I know LOTS of people love it, and this is Keri Russell's last shot.

WILL WIN: Sandra Oh, Killing Eve or Keri Russell, The Americans
SHOULD WIN: Claire Foy, The Crown

Outstanding Comedy Series
Atlanta
Barry
Black-ish
Curb Your Enthusiasm
Glow
The Marvelous Mrs. Maisel
The Unbreakable Kimmy Schmidt
Silicon Valley

It's pretty amazing there's only one network show in the bunch (Black-ish) while Modern Family is absent after winning continuously for 4 years in a row. The absence of Veep means other shows have a chance to shine and the Marvelous Mrs. Maisel from Amazon Prime has the biggest buzz. But if Atlanta doesn't win we should riot! (Kidding, sorta.)

WILL WIN: Atlanta.
SHOULD WIN: Atlanta.

Outstanding Lead Actor in a Comedy Series
Donald Glover, Atlanta
Bill Hader, Barry
Anthony Anderson, Black-ish
William H. Macy, Shameless
Ted Danson, The Good Place
Larry David, Curb Your Enthusiasm

Ted Danson is a revelation on The Good Place but Glover won this award last year and there's no good reason why he wouldn't win it again. Hader has a lot of buzz for HBO's Barry but does anyone watch that show?
WILL WIN: Donald Glover, Atlanta
SHOULD WIN: Ted Danson, The Good Place

Outstanding Lead Actress in a Comedy Series
Pamelon Adlon, Better Things
Rachel Brosnahan, The Marvelous Mrs. Maisel
Allison Janney, Mom
Issa Rae, Insecure
Tracee Ellis Ross, Black-ish
Lily Tomlin, Grace and Frankie

Pretty sure Allison Janneyw on this award last year (didn't she win all the awards last year?) but it would be amazing if either Tracee Ellis Ross or Issa Rae could win this award becoming just the second Black woman to  do so almost 40 years after Isabel Sandford for Good Times.
WILL WIN: Rachel Brosnahan, The Marvelous Mrs. Maisel
SHOULD WIN: Issa Rae, Insecure or Tracee Ellis Ross, Black-ish

2018 HUGOS: Jemisin Completes Historic Trifecta With 3rd Consecutive Best Novel Win

She did it! N.K. Jemisin won her third consecutive Hugo award for Best Novel, science fiction's most prestigious honor, for The Stone Sky, the third book in the Broken Earth trilogy. Jemisin became the first African-American woman to win the Hugo award for best novel in 2016 for The Fifth Season and after she repeated this feat in 2017 with The Obelisk Gate there was great suspense as to whether the Broken Earth trilogy would become the first science fiction trilogy where every entry won the Hugo award when nominations were announced earlier this year. Orson Scott Card (Ender's Game, Speaker for the Dead) and Vernor Vinge (A Deepness in the Sky, A Fire upon the Deep) each have won 2 Hugos for the first two entries in a series and Connie Willis and Lois McMaster Bujold have each won 3 Hugos for books in a series.

Here is her incredible acceptance speech


Amazing news!

SATURDAY POLITICS: Trump Approval Shows Disapproval By Everyone (Except Rural Voters)

Hat/tip Axios