No Book 7 spoilers here. I've been avoiding them like the plague (cliches are fun). But I do mention major plot stuff from book 6.It has been work (work I tell you!), to avoid finding out what happens in Harry Potter 7 before I read the book. You can't trust anyone. If you're a Potter fan, then you already know that
The New York Times released a review of the book this week that contains spoilers. Do I know this because I read it? NO, in my avoidance of all things spoilerific, I have taken to reading
Mugglenet first thing in the morning so I know where to avoid (for blogs I just end up holding my hand over parts of the screen that say Harry Potter or make a note to read that blog next week instead). Would you have thought of a fan site as being a safe zone? With every other book/movie that comes out, fan sites tend to be full of spoilers, and reviewers and the regular media tend to avoid discussing the important bits of the plot.
The New York Times defended their early review by saying that while the release-day phenomenon is a brilliant marketing strategy, they were under no obligation to keep it if they could legally obtain a copy of the book before that date. This is true. They haven't done anything legally wrong and really have no reason to justify or defend their review. However, if this wasn't HP7, they wouldn't have done it. When other highly anticipated books come out (is Stephen King still highly anticipated?), no one publishes important details in their reviews because they want to preserve the experience for the reader. Movie reviews often contains lines like "I won't tell you just what happens at the end, but it's spectacular or disgusting or whatever."
A friend was saying that the Scholastic and Bloomsbury taking legal action against spoilers was just part of their big marketing thing (true) and creates this idea that you only read a book once and that you'll never go back and reread it (not sure I buy this since much of the HP phenomenon is all about rereading) and that it focuses on one reading experience mattering more than all of the others (true). Despite her not having a problem with spoilers because she doesn't like the way the publishers are framing books and reading in their anti-spoiler/single-release-date antics, she is avoiding spoilers too. Because she wants what happens to be a surprise.
And here is where you should stop if you haven't read book 6.
Ok? You sure you want to keep reading?
Are you really sure?
Ok.I knew that Dumbledore was dead before I read book 6 because it was in the regular media. You know, the news articles that I read in the morning while drinking a cup of coffee. So when I got to that part in the book, well, I didn't have the reaction I could have. I was prepared. I was expecting it. And so, even though that was the most important character to die of date, it wasn't as big a deal as the previous books' deaths. Do I still enjoy the book? Will I keep reading it? Of course, on both accounts. This didn't "spoil" the book for me, but it did deprive me of an uniformed reading experience. If you know what happens, you read the book differently. You read in context of that knowledge. You may not be thinking "so how does this fit into the big D's death?" on every page, but you do, on some level, relate that information to what you know will happen.
As a grad student, I took a single-work class on
Sophie's Choice. On the first day, my professor (who has been nothing less than wonderful), in his excitement, gave us the "big scene," the scene that explains what Sophie's choice actually is, to discuss on the first day of class. Some of my classmates were pissed. Angry rants ensued when class was over because most of us hadn't read the book yet. The prof assumed we had, and, I imagine, thought that our love of the book was why were taking the class. Many of us were taking the class because the lit offerings that semester were piddling and that class looked more interesting than the other 2 or 3 (really unbalanced schedule that semester). But I digress (cause I'm good at it). Here we were studying the book for academia, completely deconstructing the thing and interrogating every possible interpretation, and yet, most of us still wanted to read it once, just for fun. But it's hard to do that when your reading has already been framed--what is significant about this choice? why does Dumbledore have to die?
My bookshelves are filed with books that only get better with each read. Shakespeare is better with every reading; Jane Austen just gets funnier. We return to books that we love because every reading brings something new. A truly good book gets better with age. A truly good book is one that we enjoy and want to reread. But even though I love certain books more now than when I first read them, I'm never so wrapped up in the plot as I was when I first read it. You have to put years, decades in between readings to try to recreate that experience.
Reviewers of books and movies tend to respect that. I usually disagree with most critics, and so have stopped reading a lot of reviews because Husband is tired of hearing me scream "but they missed the damn point," but I do read them for books and movies I'm not sure about. And I'm rarely ever told important plot points. What I am told is what the book is about, what the reading experience is like, and what the reviewer thought of the writing style. If the review is for a kids or YA book, sometimes you get a warning about violence or sex or whatever.
My understanding is that
The New York Times review does all of those things, but also gives away a couple a pieces of info that people have spent months speculating over. They don't announce who dies, or so I've read, and therefore claim to have not given away major news. I really have no problem with them reviewing the book before the release-date. I think the release-date marketing strategy is fun because it makes the excitement people usually feel individually a social experience (Who else is is anxiously awaiting
Jasper Fforde's new book? Just me? I thought so). But I have no problem with
The New York Times or anyone not being ensnared by the HP marketing. I do think, however, that it is only because of the marketing that spoilers (whether mild or major) get page-space and air-time. And that's it's difficult to claim that you're not treating the HP books differently than any other book, when you clearly are by voiding normal practices.
And so, I'm avoiding the internet until I've finished the book. No blogging for me this weekend.
And, as a side note, really a condesed version of a rant I chose not to publish on my blog afterall, but still HP themed...
I'm really sick of people saying that HP is boring and not "literature" to make themselves look smart. You don't have to like the books (plenty of charming people don't), but claiming that you don't like them doesn't make you look well-read and intelligent. And if you try to make the point that you're better than HP because it's basically (gasp) genre fiction, then you just look like an ass.