The Vines Interview

The Vines don’t need an introduction. After taking the world by storm with 2002’s Highly Evolved the band went into a meltdown. Nine years, four albums and an asperger’s diagnosis later, The Vines are back with their fifth album Future Primitive. I was lucky enough to speak to frontman Craig Nicholls before they headed out on their current Australian tour.

How did recording Future Primitive differ from previous albums?

It’s the fastest one we’ve done and we did it live. All of the instruments were done live. It was just quick and we had a good time.

So how long did it take you to record?

It took about three and a half weeks.

Did working with producer Chris Colonna change the sound of the album?

He knew a lot about electronic music and equipment so he could help us with some of that stuff that we wanted to add. Yeah, it was good.

What’s behind the album’s title?

Well, we just started out with the song Future Primitive and then we kind of thought after doing the album that it was a cool title. It kind of describes the futuristic, kind of electronic sounds, mixed with our more rock and roll sound. There was some kind of really stripped back moments there as well.

I’ve read that you don’t particularly like technology. Do you feel like you are living in the wrong era?

Yes. I don’t know where I should be living but I know this doesn’t feel right. But maybe in the next life I’ll get it right.

Why have you recorded so many versions of Autumn Shade?

I don’t know, it just started out as the one we did on our first album and then we had one on our second album as well. And then it just got out of control. I think I just like it because it’s acoustic minor chords and they all have a similar kind of feeling to them but they’re all their own songs. It’s just kind of interesting to do that with some songs.

Do you have a favourite version?

Umm…The second one. I really like that one a lot. I mean I like all of them, but if I had a hypothetical gun to my head I’d probably say the second one is my favourite. But, ah, I’ll check with my manager.

I know there’s talk of another album in the works. Are you planning to record Autumn Shade Again?

Not for the next one. But maybe on the one after that, for the seventh album. We’ve already started recording the 6th one. We’ve done ten songs so far.

What can we expect from the 6th album? Or will it be a surprise?

It’s going to be a big surprise for you and for me because I don’t know what it’s going to be like. The ten songs, they’re like these epic ballads with strings and trumpets and piano and they’ve really got a lot going on. But then we want to go and record some more upbeat so that might change. But yeah, there’s going to be some epic ballads on there, at this point.

So it’s going to be quite different from what we’re used to hearing from you?

Yeah, it’s going to be more of an easy listening album I think.

Did financing the recording yourself create more pressure to succeed?

No, it’s all the same. When you always want to do well, and I always want to do well, you go into the studio and do everything you can to make it good. It’s just the same.

People often talk about Highly Evolved as being your best work. Do you feel like there’s a lot of pressure to live up to it?

I don’t really feel any pressure. I enjoy writing and making albums and we get to do what we want so we just try and do the best we can and have a good time.

Who did the album’s cover art?

A guy called Wayne who did Tame Impala’s artwork. I feel really bad, I forget his last name but he’s a really cool guy.

Who came up with the Scott Pilgrim vs the World influenced video for Gimme Love?

A guy called Tom Spark. We’d done another video with him before that. He mentioned this movie which I really liked.

What can we expect from this tour?

A mixture of songs from all throughout our existence, especially a lot of Future Primitive Songs.

Is it true you’re going to South America after this?

Yeah it’s true. We’re going to a lot of different places, it should be interesting. And then we’re going to Japan as well. We get petitions from people who would like to see us but I’m not too sure what the place is like.

Do you have any crazy fan stories? I’d imagine some people are quite dedicated.

There’s one girl who had a tattoo. Like a I signed her arm and then she got a tattoo. She gave me a lot of cool art and drawings that she did. But mostly people are just really nice and they like our music.

What bands are you currently listening to?

The Kaiser Chiefs, The Arctic Monkeys and Richard Ashcroft’s new band.

Do you find that style of British music as influenced your style a lot?

It always has, since the late 90s, bands like Supergrass and Blur. Now there’s a whole new generation. There’s a whole lot of great bands from England.

Thanks for that, and good luck with the upcoming tour.

Thanks. Bye.

September
1 – Wollongong Uni Bar, Wollongong

2 – The Cambridge Hotel, Newcastle

3 – The Hi-Fi, Melbourne

9 – The Gov, Adelaide

10 – Capitol, Perth

Epic Video Post

There seems to be heaps of quality new videos out at the moment. Here are some of them.

The Decemberists always have fantastic videos and their latest, Calamity Song is no exception. Based heavily on the novel Infinite Jest by David Foster Wallace it shows the band watching a game of tennis turn into a thermonuclear disaster. While it could have turned out horribly wrong, The Decemberists have enough charm and humour to make it compelling viewing.

src=”http://www.npr.org/v2/?i=139033489&m=139700917&t=video” height=”386″ wmode=”opaque” type=”application/x-shockwave-flash” allowFullScreen=”true” width=”400″ base=”http://www.npr.org”>

From war tennis to meteors.

I dare you to watch Ball Park Music’s clip for It’s Nice To Be Alive and not smile. It’s impossible.

It’s a universally acknowledged fact that Bon Iver is amazing. It is also well-known that Iceland has some of the prettiest scenery ever.Put them together and you get the video for Holocene.

The Rescue Ships are Brian Campeau and Elana Stone. Both are accomplished musicians in their own right with multiple albums and years of experience between them but put them together and you get something wonderful.

I saw these guys a few months ago and their live show is something special. They have a winning combination of hilarious banter and engaging music.

They’ve released a video for their single Up In The Air which was recently made Rage’s Indie of the Week. Brian broke his leg filming and both band members filmed videos about filming the video which are also recommended viewing.

<iframe width=”640″ height=”390″ src=”http://www.youtube.com/embed/Usdkj-kWL5o&#8221; frameborder=”0″ allowfullscreen>

<iframe width=”640″ height=”390″ src=”http://www.youtube.com/embed/fjsfU4kdMto&#8221; frameborder=”0″ allowfullscreen>


A Couple of Covers

Pulp frontman and total DILF Jarvis Cocker has recorded a cover of Leonard Cohen’s Avalanche with Boyz Noize and Erol Alkan. The lyrics are taken straight from Cohen’s song and no one does spoken word quite like Jarvis, however the electronic beats get a bit repetitive. I can see die-hard Leonard Cohen fans hating this one with a passion.

Although I was born in the 90s, I missed out on most of the great music. So instead Pavement and Nirvana, I got Hanson and the Spice Girls. On of the other tracks I was heavily into was Blue (Da Ba Dee) by Eiffel 65. Please tell me I wasn’t the only one who aruged about whether the lyrics were “If I was green I  would die.”

Yellow Ostrich have done an excellent cover of this song and have turned the trashy Europop into Animal Collective style indie. A bit of a novelty cover, sure, but it’s very well executed.

Monday Music Round-Up 15/08/11

 

The big music news story of the week was the cancellation of the Soundwave Revolution festival that was due to happen in October. Promoted by AJ Maddah who’s also behind Soundwave and the upcoming Harvest festivals, it was meant to include bands such as Van Halen and Alice Cooper.

Speculation about the event’s cancellation began when Steel Panther, one of the festivals acts, tweeted about its cancellation. The tweets were deleted and after a whole bunch of delay and no word on the official website, AJ appeared on Nova to discuss the cancellation before finally making an offical statement.

Festival cancellations are not uncommon in such a oversaturated market, but the way they went about it was pretty poor. Apparently there will be a series of mini-festivals instead but so far the only info we have is an annoucement of an upcoming announcement.

And really, I couldn’t imagine a band who refuses to have brown m&ms back stage performing somewhere like Melton.

In Other AJ Maddah news, the drip-feed line-up for Soundwave 2012 has started early with Trivium, CKY, Forever The Sickest Kids, Shadows Fall and The Smoking Hearts.

Remember when people couldn’t stop talking about The Dirty Three playing during an electrical storm at Meredith? Well, it’s been announced that they’re going to up the ante next year with a total lunar eclipse happening not long after Grinderman’s set. If that isn’t awesome I don’t know what is.

Gotye’s upcoming album Making Mirrors was played in full on Triple J last night and as expected it was completely awesome. While it may not be quite as attention-grabbing as Like Drawing Blood on first listen, the man sure as hell knows how to craft a tune.

His duet with Kimbra, Somebody That I Used To Know has gone platinum and he’s had to add even more tour dates because they keep selling out so fast. It’s nice to see a talented Australian getting attention for once.

His album is streaming over at the Triple J website. So if you’re up for a bit of swooning, be sure to check out before it gets taken down in a week’s time.

Finally, I have some music to share from Typhoon. I was sorting through all the music on my laptop, when I came across this EP. I don’t know I acquired it, but I’ve been enjoying it for the last few days.

They describe themselves as indie orchestra from Portland. Kind of like a less pretentious Arcade Fire.You can download their EP for $3.50 and it’s an investment you should definitely make.

 

Drawn From Bees Q&A

Brisbane band Drawn From Bees often get labelled as an art-rock band. However rather than being overly pretentious and inaccessible, their music is electic enough to require multiple listens and catchy enough to be completely enjoyable. They have a habit of releasing albums in quick succession and their new single Of Walls and Teeth is a great sign of things to come. I did a quick Q&A with the band about their upcoming album and recent American tour.

You guys often get tagged with the Art Rock label. How would you describe your music? 

If Bowie and John Fogarty, played cards on a Friday night with Neil Young at Roger Waters’ and Dave Gilmor’s house, while listening to Queen on the wireless, then you’d have a pretty good idea of where we come from.

You guys went to America last year. What was that like?

America was great.  Our schedule ended up being 20 performances in 17 days.  It was hectic, but had the time of our lives.  To experience something on the scale of SXSW was an absolute thrill.  To have all 4 members end up in 4 different parts of New York after a night out after our Bowery Ballroom showcase, was also an event.  One of which we’d all love to remember.

Did you see any impressive bands a SXSW?

We didn’t see these guys at SXSW, but the BAR BROTHERS were by far the stand-out band of the trip. We spent most of our time in SXSW supporting, and sharing a few beverages, with the Australian bands who made the trek.

You seem to leave very short gaps in-between releases. Do you plan to release albums to close together or does it just happen that way?

It had started as a challenge a couple of years ago when the band was conceived.  We had decided to make song writing the key component of the band, and attempt to do a release every 6 months within the first 2 years, with the aim of making a box set at the end.  Since then, we’ve actually held back, and just focused on writing.  We’re currently half way through an album recording, and just decided to release a single, which may, or may not be on the album.  Keep posted for the new release in 2012.


Can you tell us a bit about your latest single Of Walls and Teeth
?

Dan actually came into the studio one day with a demo of the song already recorded.  It immediately resonated with all of us.  Essentially, we heard the demo, went into the studio, jammed it out for a bit, and then went straight in a started tracking.  Dan layered some vocals, and came up with some really hooky guitar lines.  As to the meaning of the song, I have my ideas, but I won’t be sharing those on here.

What can we expect from your next album The May King and His Paper Crown?

I think the key word for the next album is ‘DIVERSE’.  Starting very much at rock, and then going into rockabilly alt country, then ending up at dabbling in issues beyond the grave.  Sounds like every other Drawn From Bees release really…

What’s next for you guys?

For the rest of 2011, single launch, east coast, in October, then hulled up, back in the studio, ready for an album release early 2012.  Hopefully then, and full Australian Tour, and a trip back to the states in March/April, home to say hello to the family, then back in the studio to write our double album LP Opus.

You can stream Of Walls and Teeth on the band’s Bandcamp page.

Monday Music Round-Up 08/08/11

It’s been awhile since Jens Lekman released new  music and this week he posted his latest track An Argument With Myself for free download on his blog. The Graceland style arrangement is tad cheesy and would fall flat had anyone else tried it. However everything Jens touches turns to gold and his description of Melbourne’s streets is spot on. The track is from the upcoming Argument With Myself EP which will feature live favourites including Song For Kirsten Dunst. He will also have an album out in the near future.

To say there was a fair amount of pressure of Washington to produce a decent second album is something of an understatement. After the massive success of I Believe You Liar, selling out The Corner five times and playing every single music festival in Australia, we have been given the first glimpse of her follow-up album.

Holy Moses is markedly different from her previous sound. While it’s still a little on the quirky side, the production is much fuller and I can see  commercial radio lapping it up. Still, aside from a kazoo solo it doesn’t really warrant a huge amount of listens. And the vide is just puzzling. It looks very inspired by the likes of Lady Gaga and doesn’t seem to fit her at all. Production wise however, it’s quite impressive.

Speaking of new videos, The Panda Band have one for 51 Swimsuits, from their upcoming album Charisma Weapon. It’s well worth a look, and not just because of the bikini-clad women.

Meat Loaf Australian Tour

As far as tour announcements go, it doesn’t get much bigger than Meat Loaf who will be playing shows in Australia during October.

He will be touring in support of his upcoming album Hell In A Handbasket and will be playing at the Day on the Green events as well are arena shows. On top of this he’ll also join the likes of Lionel Richie and er… Angry Anderson by playing at the ALF Grand Final on October 1.

Bat Out Of Hell still sells over 200,000 copies a year it’s more than appropriate they’ve named it the Guilty Pleasure Tour. Tickets go on sale July 4.

Tuesday 4th October – WIN Entertainment Centre, Wollongong
Thursday 6th October – Brisbane Entertainment Centre
Saturday 8th October – A Day On The Green – Bimbadgen Winery, Hunter Valley
Wednesday 12th October – Sydney Entertainment Centre, Sydney
Friday 14th October – Rod Laver Arena, Melbourne
Saturday 15th October – A Day On The Green, Rochford Wines, Yarra Valley
Wednesday 19th October – Adelaide Entertainment Centre, Adelaide
Saturday 22nd October – nib Stadium, Perth

Liam Finn Tour

It’s been a while since Liam Finn released his fantastic debut album I’ll Be Lightning and his follow-up record FOMO  it’s nothing short of brilliant if the reviews are to be belived. It’ll be released on June 17, although word is that it’s already leaked on the internet if you’re that way inclined.

To launch the album, he’ll be embarking on a six date tour along the East Coast. Tickets are already on sale and it’s best to get in quick, because they’re likely to sell out.

Friday 19th August – Corner Hotel, Melbourne
Saturday 20th August – Jive Bar, Adelaide
Wednesday 24th August – Cambridge Hotel, Newcastle
Thursday 25th August – ANU Bar, Canberra
Friday 26th August – Oxford Art Factory, Sydney
Saturday 27th August – The Zoo, Brisbane

 

Silverchair on ‘indefinate hibernation’

In a move makes them sound like woodland creatures, Silverchair have announced their ‘indefinite hibernation’ after almost 20 years together.

A statement released by the band today said:

We formed Silverchair nearly 20 years ago when we were just 12 years old. Today we stand by the same rules now as we did back then … if the band stops being fun and if it’s no longer fulfilling creatively, then we need to stop.

Therefore after much soul searching we wanted to let you know that we’re putting Silverchair into “indefinite hibernation” and we’ve decided to each do our own thing for the foreseeable future.

We assure you that this decision has not been taken lightly. In fact we’ve been struggling with it for quite a while now.

Back in 2009 we went into the studio to start work on a record. Initially things were going well and as a result we did some shows in 2010 to maintain creative momentum. However, over the months that followed in the studio it became clear to us that we were moving in different directions. Despite our best efforts over the last year or so, it’s become increasingly clear that the spark simply isn’t there between the three of us at the moment.

As a result we’ve decided to put the band into ‘a deep sleep’ while we all do other things that we find more inspiring right now. This means that Silverchair won’t be making music together or playing shows any time soon. It also means that the three of us won’t be working together unless and until it feels right again.

We understand some of you may be disappointed by this news but we really see it as a liberating and positive step for us at this point in our lives.

We also want to make it really clear that this decision has been made with the best possible intentions. We’ve always tried our hearts out to make the best music we could possibly make at the time – regardless of commercial consequences.

The three of us still truly care about each other. At the moment Ben’s busy in the studio recording his own music, Chris is working on various business, musical and charitable ventures while Daniel is creating a film soundtrack and working on other musical projects. We hope you’ll continue to take an interest in our individual work over the years ahead.

In closing we’d like to acknowledge all the people ‘behind the scenes’ who’ve helped us keep this train on the tracks since we first started playing in a garage. There are too many to name but they know who they are and we truly appreciate all their love and hard work.

Above all though we want to thank you for all your support in good times and bad. You’ve put up with our long breaks between albums, our constantly changing musical styles and lots more. The unbelievable loyalty we’ve been shown by you our audience, and our friends, has never gone unnoticed or unappreciated. That’s why we wanted to tell you first.

With Sincere Thanks For Your Understanding.

Sweet Dreams.

Daniel, Ben and Chris

While fans will probably be upset by the news, it’s almost surprising it didn’t happen earlier. With both Powderfinger and now Silverchair broken up (oops, I mean hibernating), it will be interesting to see how it affects festivals such as Homebake. In a way, it might see more support for lesser-known bands, which can only be a good thing.

Goodnight Owl name change


Name changes can always cause a bit if confusion, however for Melbourne band Goodnight Owl it signifies a change in direction.

From the 2nd of July they will be known as Love Migrate. With the electronic glitches of their EP replaced with a fuller sound, their newer tracks are catchier that anything they’ve ever released.

On July 2 the band will play their final show as Goodnight Owl and their First as Love Migrate at the Grace Darling Hotel in Melbourne.

You can buy tickets here.