Can’t Get You Out of My Head

Adam Curtis

Can’t Get You out of My Head: An Emotional History of the Modern World (2021) is a six-part documentary series by British filmmaker Adam Curtis. It explores the challenges and adaptions of power structures from 1945 to the present day with a focus on Britain, the USA, Russia and China. Through extensive archival footage and a haunting soundtrack, Curtis explores how corruption, finance, conspiracy theories and behavioural psychology twist and defy individualism to uphold the interests of the powerful. 

There are six episodes:

  1. Bloodshed on Wolf Mountain – covers growing frustration with the old power structures in the 1950s.
  2. Shooting and Fucking are the Same Thing – examines the failure of 1960s revolutionary movements like the Black Panthers and the Red Army Faction.
  3. Money Changes Everything – the effects of dropping the gold standard, and how money replaced the idealism of the 60s.
  4. But What if People Are Stupid – the alliance between business and politics in the West, China’s abandonment of communism and the collapse of the Soviet Union.
  5. The Lordly Ones – how Britain made mythologies to obfuscate their bloody past.
  6. Are We Pigeon or Are We Dancer? – computers, technocracy and the creation of the world today.
Can't Get You Out Of My Head TV review: Adam Curtis's ...

Curtis presents a gloomy worldview. Idealists might seek to change the world, but power always wins in the end. Eerie sound production – reminiscent of 1980s science fiction and often bizarre or juxtaposed music conjures an unsettling atmosphere – the modern world is a dystopia where our leaders have no ideals or vision of the future and the masses shuffle about in a dull and meaningless existence.

Putin’s nationalism is a façade to shroud the corruption that defines post-Soviet Russia. What the CIA attempted in the West through MK Ultra is realised through the social programming of the internet. China abandoned Marxism in the 1980s and built a totalitarian state based on money, control and little else. As they instil helplessness and suspicion, conspiracy theories ultimately serve the interests of the powerful.

Can’t Get You out of My Head presents its ‘emotional history’ through intertwining narratives of individuals who tried, and often failed, to challenge the status quo. These include both politicians like Jiang Qing – wife to Mao Zedong, and lesser-known, but no less significant figures such as Michael X, Afeni Shakur, Abu Zubayda and Eduard Limonov. A key theme is the struggle of individualism against collective authority and how, in the end, the latter always wins.

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It’s a lot to take in. But, despite everything, Curtis ends on an optimistic note. If we can get ourselves into this mess, we can get ourselves out. What we need is new ideas. The documentary’s strength lies in explaining the way the world is, through an untold narrative that is both unique and compelling. It is not, however, an easy viewing.

Links:

Deeyah Khan

AND THE NOMINEES FOR THE 15th ASIAN ACHIEVERS AWARDS ARE ...Deeyah Khan (1977-) is a Norwegian- born Emmy-award winning filmmaker, musician and human rights activist based in the UK. Her documentaries seek to understand people on the political extremes and explore the issues of feminism, toxic masculinity, racism, islamaphobia and Islamist extremism.

As of May 2019 she has five films:

  • Banaz A Love Story (2012): about a British Kurdish woman, who was a victim of an ‘honour killing’ ordained by her own family.
  • Jihad: A Story of Others (2015): about Jihadi radicalisation in the UK
  • Islam’s Non-Believers (2016): about ex-Muslim atheists
  • White Right: Meeting the Enemy (2017): about white supremacists in the USA

Deeyah Khan was born in Oslo to an Afghan mother and Pakistani father. She grew up in a secular household where talks of art, politics and philosophy were common.  As a girl, her father lectured her that sport and the arts were the only fields someone like her could transcend prejudice. He consequently enrolled Deeyah in keyboard and singing lessons with a world class Pakistani musician. By seven she was performing on Norwegian TV.

As a teen pop star and ‘mascot for multicultural Norway’, Deeyah Khan was targeted by both racist Norwegians and conservative Muslims who deemed music ‘an immoral and dishonorable profession’ for women.  At 17 she fled to London after being attacked on stage. Khan released her last album in 2007 and began teaching herself filmography.

In Jihad, Khan speaks to former and current Islamist extremists in Britain. According to Abu Muntasir, the ‘godfather’ of British Jihad and a veteran of Afghanistan, Kashmir and Burma, recruiters specifically target vulnerable young men to radicalise. For young western Muslims caught between two worlds and struggling with self-confidence, loneliness and identity, the brotherhood and purpose offered by Jihad, not to mention the promise of eternity in paradise, is an alluring prospect.  ‘My gun’ a former Jihadi states, ‘is more or less just a penis extension’.

When Deeyah Khan asks Abu Muntasir if he has forgiven himself for his violent past he breaks down into tears and eventually responds, ‘how do you answer that?’

White Right covers white nationalists in the modern USA. In 2017 Deeyah Khan shadowed Jeff Schoeb, leader of the National Socialist Movement (NSM), America’s largest neo-Nazi group, and accompanied him on a nine-hour car journey from Detroit to Charlottesvile. The men Deeyah meets, a startling proportion of whom are veterans, exhibit a combination of ‘big egos and low self-esteem’ like those in Jihad.

Deeyah does not berate the hateful men she feared all her life but catches them off guard with questions about their upbringing, hopes and dreams and finds common ground on topics beyond politics. Alt-right leaders Jared Taylor and Richard Spencer, however, who are wealthier, better spoken and more remorseless than their working class counterparts, seem immune to Deeyah’s empathetic approach.

Many of the subjects admit they had never met a Muslim before Deeyah and come to consider her a friend. She still corresponds with both Jeff Schoep and Abu Muntasir.

“All the work I do is about recognising ourselves in each other… to locate the humanity in someone else … As a woman of colour, as the long laundry list of things I consider myself to be, I know it feels like to be stereotyped, I know what it’s like to be dehumanised and because of that I refuse to do that to someone else, even if that means a Nazi.”

In January 2019, Schoep passed the NSM’s leadership to James Hart Stern, a black activist who is dismantling the group.

Sources: Associated Press, the Guardian, the Gentlewomen, Making Sense with Sam Harris Episode 144, Under the Skin with Russell Brand Episode 52.

See Also:

Wild Wild Country


Image result for wild wild country netflixWild Wild Country is a Netflix documentary series on the rise and fall of Rajneeshpuram
, a utopian experiment in rural Oregon by the followers of Indian mystic Osho.  The Duplass Brothers’ six part series was released in March 2018 and currently holds a 98% rating on Rotten Tomatoes. So strange and compelling is this ‘forgotten moment in American cultural history’, it’s hard to believe it really happened.

In 1981 followers of ‘Bhagwan Shree Rajneesh’, (later Osho) transform an isolated ranch into a self-sustaining commune based on meditation and free love. At its height, Rajneeshpuram is 7,000 strong and includes its own hospital, sewerage system and runway. Tensions with the local town and a terrorist incident lead to an SMG armed ‘Peace Force’. A prosecution effort escalates things further. Countless twists and turns follow, resulting in an incredible turn of events, federal investigation and nationwide scandal.

Image result for rajneeshpuram

Wild Wild Country uses archival footage from the 1980s and interviews from the present day. This includes the key players from both sides of the story, notably:

  • Rajneesh in Oregon: Netflix series Wild Wild Country ...Ma Anand Sheela: Bhagwan’s secretary and Rajneeshpuram’s de facto leader. Her  Machiavellian personality is central to the story. (Pictured).
  • Jane Stork (Ma Shanta B): Australian Rajneeshee and member of Sheela’s inner circle.
  • Philip Toelkes (Swami Prem Niren): Bhagwan’s personal attorney and devoted follower.
  • Jon Bowerman: local rancher and militant opponent of the Rajneeshees. Son of Nike founder Bill Bowerman.
  • Robert Weaver: Assistant to the US Attorney and a leader in the Rajneeshees’ prosecution.

Osho died before the documentary was filmed. Wild Wild Country doesn’t delve into his teachings, or life inside Rajneeshpuram, focusing instead on the characters and politics surrounding the commune. Though Osho does speak in the documentary, for most of Rajneeshpuram’s existence he kept a vow of silence.

Conversely the guru’s teachings are widely available today and under ‘Osho International’. You may have seen ‘spiritually aware’ friends share his quotes on social media. Osho International omits the Oregon chapter from its namesake’s official biography and criticised Wild Wild Country for ‘not giving a clear account of the story’.

Osho International claims:

“[the scandal surrounding Rajneeshpuram] was a U.S. government conspiracy, from the White House on down, aimed at thwarting Osho’s vision of a community based on conscious living.”

Image result for oshoWild Wild Country’s forte is its objectivity. It is hard to pick a side in the multifaceted controversy, where the story is being told from all angles and moral lines are blurred. Benevolent spiritual leader Osho may be, but he also boasts America’s biggest collection of Rolls-Royces. The conservative townsfolk who just want to be left alone also come across as intolerant stick-in-the-muds. For legal enthusiasts it is an excellent case study in land rights, bigotry and the separation of church and state.

A wealth of information is available online for those wishing to go down the rabbit hole after viewing. Wild Wild Country may only touch on part of the controversy, but does so with insight, tact and flair that Google can never match.