
Almost tempted to do another MopMan treatment today but the word balloons aren’t big enough and tbh, it’s the artwork that lets the dialogue down more so than the other way around.
The first panel starts out innocently enough, even with the overused Barney Pub exterior shot. Merrill has had plenty of time to fix the spelling error; why hasn’t she? Oh, yeah, just doing her part as one half of the DOGE of the comics pages. The Cami/Beth banter seems plausible enough…
…until you get to panel two. A stern-faced Cami – oops, she’s still in her work uniform so make that Coach Ochoa – has the gall to make possibly one of the most tone-deaf, biased and misinformed statements I’ve ever read in this strip. The “Milford royalty” part? Okay, maybe we’ll give her that. Milford has always been a tank town so putting its high-school-sports-coaching spouses on a pedestal is par for the course. But “the perfect couple”?
How do you define “the perfect couple,” Cami? A couple in which one partner is a closeted homosexual and the other is clueless about it until the closeted one comes out and initiates divorce proceedings? A couple in which the clueless one flirts with the bartender who would become his future fiancee while still married to the closeted homosexual? A couple in which the closeted one can’t remain cordial post-divorce for the sake of their kids – or show any concern for the kids, period, except to blame the clueless one for their shortcomings? This says more about Cami than it does about Gil and Mimi. Remember she was first introduced to we gentle readers late in the Rubin Era as a super soph promoted from jayvee who lit a fire under the Lady Mudlarks. Then Barajas aged her, had her join the Milford coaching staff (where she still lit fires), and made her canonically (yet another) lesbian. Maybe that explains why she saw the Thorps as “the perfect couple.”
It’s almost as if she’s blaming Beth for breaking them up, which would explain why her looks don’t match her words in panel three. (Actually it’s because Merrill couldn’t be bothered to change more than one element in the panel. This has been a running gag for her lately; two of three panels identical save for changing an arm or a facial expression, the third original artwork. We don’t even get that today. Again, the DOGE of the comics pages.) What isn’t an almost is that Cami qualifies her acceptance of Beth as conditional upon Gil’s acceptance of Beth.
Though she puts on a smile, it finally dawns on Beth that everything in Milford revolves around her husband-to-be. Milford is a jockocracy, and Gil is the head jock. His name is even spelled out in little picture frames on the walls of Barney’s Pub. (Granted, she might’ve done that, but still.) Her little elbow at Cami is just a subtle gesture acknowledging that sports are king and queen of Milford. Well that, or a subtle dig at Cami’s hockey coaching ability.











