A Flood of Seascapes

Rain Passes, Sea Glitters, acrylic on panel, 30 x 30 cm, 2021

Or whatever the collective noun for seascapes is. Anyway, after having lived by the sea for quite a few years but never painted it, I’m now painting it obsessively, even though I live further from the sea than I’ve ever done. Perverse! Or perhaps it’s a bit easier to process now I’m not faced with the vast sublime spectacle of it every day.

Rain Clouds Passing, Early Evening, acrylic on panel, 35 x 40 cm, 2021

I guess it’s true of other things, that it’s easier to digest them and figure out what they mean to us some time after we were immediately confronted with them. Sometimes a thing is just too big, or too complex for us to get our heads round it, or it brings up difficult feelings that we’re just not ready to process at the time, or maybe we take it for granted and we don’t realise how special it is until it’s gone.

Storm Fading into the Twilight, Shingle Glimmering at my Feet, acrylic on panel, 50 x 60 cm, 2021

When I lived by the sea I never once took it for granted. Every single time I set eyes on it I thought ‘wow’, it never once lost it’s power to impress and delight me. And it is so big, so unfathomable, so alien, that it can act as a great receptacle for all our thoughts, feelings, ideas and all the other ‘stuff’ that goes on in our heads that we want to chuck at it. It can mean anything we want it to mean; it can be benevolent, healing, terrifying, vengeful, playful, sexy. We talk about it and treat it with the kind of reverence and mysticism that we talk about our gods.

Rain Clearing, Dusk Falling, acrylic on card, 20 x 30 cm, 2021

I was less than a minute’s walk from the beach when I lived in Ibiza and the same in Whitstable. At the end of each day I used to wander down and stand on the shore looking out at the dark surface of the water, sometimes glittering with the reflected light of a full moon, sometimes noisy with restless waves stirred by the wind and at other times utterly black and still and silent. I’d say my prayers to it, for want of a better term. I’m not a Christian, nor do I follow any other particular spiritual path, but I felt compelled to fling out a fragment of my self into the water, like a little pebble that went plop. I never knew if anything else heard or acknowledged my words; if it did, great, and if there is no God and we’re just an accident of freak chemical reactions, well, I’d feel compelled to do it anyway.

West Beach After Heavy Rain, acrylic on panel, 20 x 30 cm, 2021

The sound of waves breaking on a shingle beach

Storm Fading into the Twilight, Shingle Glimmering at my Feet, acrylic on panel, 50 x 60 cm, 2021

The therapeutic application of sound as a healing tool has a long history. In Germany there is a great , and to my English ears, hilarious word for it; Klangtherapie. Well, the sound of waves breaking onto a shingle beach is certainly Klangtherapie for me, i find it, at the same time, both relaxing and energising, it clears my mind of fluff and detritus somehow and I’m left feeling calmer and more centred.

I could almost hear the sound whilst I was painting this picture, based on some photos I took on Reeves Beach in Whitstable a few years ago. A storm has been lashing the coast all day , but it cleared as the light faded and I walked down to the shore to enjoy the delicate rain washed sky and the reflections across the water which turned into glowing molten metal as the surface took on the opalescent colours overhead.

The sea rolled the pebbles on the beach around and around, the sound a susurration of rumbling and hissing and swishing and slopping, it was hypnotic.

It’s no surprise to me that the sounds of the sea turn up so often on relaxation CDs or music to help with sleep. It must touch something very deep within us, from our earliest memories and, perhaps, from further back, recalling our most distant collective memory .