The Green Fuse

The Green Fuse, acrylic on paper, 14 x 22 cm, 2021

What a perfect phrase to express the life force that pours through the veins of all living things. The title of this post was conjured by Dylan Thomas, of course, in his poem The Force that Through the Green Fuse Drives the Flower. His words were on my mind today as I cycled up to the studio with sparkling spring sunshine bouncing around the streets and glowing on the tips of plants and trees growing by the roadside.

I arrived in the studio at the start of a new week with a feeling that I wanted to work in colour again, and in particular, green. Still very small scale monoprints, but adding some spring and summer colour to the mix now.

Looking at the weather forecast for the next ten days or so, I can see that the green fuse is about to go off with a bang, big time. It’s very welcome. Whilst Germany is mulling over tightening Covid restrictions, i’m glad that the growing things around us are getting on with it regardless, they cheer me up!

Heatwave!

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Rivière de Sorède, acrylic on panel, 50 x 50cm, 2020

We’re having a heck of a heatwave here at the moment and our main relief is to get out to one of the lakes in and around Berlin and have a swim. So this week I’ve been painting images of cool woodland streams, bubbling over smooth stones in dappled shade; it’s what I’m craving right now!

This image is not local, though, but set in France; the river Sorède, that runs through a little valley with the wonderful name of Valley of the Tortoises, near the Spanish border. The water in these rivers runs off the foothills of the Pyranees and can be surprisingly fresh, but that would be very welcome right now! We’ve been on holiday to this region several times and it’s always delightful.

Oh, the other thing that brings relief in the heat of course is ice cream, and i’m eating gallons of it at the moment 🙂

 

 

Out of the woods?

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The Undiscovered, acrylic on panel, 50 x 50 cm, 2020

Life has become a whole lot smaller over the last few months so I’m really looking forward to being able to travel further afield again later this year. Even though we’ve been fortunate in Berlin, where the lockdown has been fairly relaxed, I miss the stimulation of exploring new places and making new discoveries.

But I have lots of memories and lots of photos for source material to work on at the moment. This painting is based on a  walk I took a couple of years ago when I was living in Whitstable. You can walk out of the town and follow the path of an old railway line through wooded hills, all the way to Canterbury.

It was late summer and I remember one particular path was overhung with long trails of climbing plants that gave it a strange atmosphere. The world is feeling very fractured and strained at the moment, which might explain the ambiguous nature of the painting. I notice I’ve obscured any kind of view to the distance, so you don’t know where you’d end up if you pushed past that old tree; it could be somewhere sunny and delightful, or it could be a witch’s cottage!

 

 

Tiny trees

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White Tree Copse, mixed media model, digital photograph, 2020

I’ve made model trees for a table top forest before and I’ve returned to the idea recently as a starting point for making some new paintings.

Over the last few years I’ve made various model trees; 2D trees, 3D trees made from wire and clay, as well as carved wooden trees that I bought from a shop and painted. Sometimes they were for a specific purpose, such as the touring production of Hansel and Gretel I worked on in 2018 (Goldfield Productions, Directed by Clive Hicks-Jenkins) Words by Simon Armitage, Music by Matthew Kaner, puppets by Jan Zalud). And sometimes I just made them for the fun of it; I find there’s something particularly satisfying about making these tiny worlds. There’s definitely a nostalgic tang of childhood fantasy about it, remembering those hours, that seemed endless back then, of creating alien worlds, castles, moon cities, underwater kingdoms, magical realms; places that could be anything I imagined and that could exist outside all the established laws of the mundane world. In a word, I suppose it could be called ‘play’.

Even now, as a 55 year old man, I still get a thrill out of creating these places, and play seems as important as ever in these increasingly fractured, strained and anxious times.

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Mixed medial model, digital photograph, 2016

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Preparatory work for a touring stage production of Hansel and Gretel, mixed media, digital photograph, 2017

The trees I’ve made this week are 2D, painted in gouache onto thick paper, cut out and arranged in a 3D space with a sky painted onto card placed behind them. The trees and the photos are quite rough and ready as I’m using them to sketch out ideas for paintings but I do like them as objects in their own right too and I really enjoy seeing how they can transform during the process of lighting and photographing them. I use some simple photo-editing apps to adjust the photos but no sophisticated Photoshop stuff (I don’t know how) .

This time around i’m planning to use the resulting photos as jumping off points for some new paintings. I’ve not really done this to any extent before so i’m curious to see what happens. I want to try and avoid simply transferring the photographs into a painted image, I hope I can take things a step and create something more interesting by moving things into a different medium – we’ll see!

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The Dark Copse, mixed media model, digital photograph, 2020