Clasped hands

Today’s journal prompt from Suleika Jaouad’s The Book of Alchemy is from poet Marie Howe, who urges readers to clear their desk, set a timer for several minutes, then write a journal entry using their nondominant hand.

Believe me: I tried to fulfill this prompt. I have a short paragraph–two sentences–written in barely legible print: the best I could do with my right hand. After producing this proof of concept, I switched to my left hand to write the rest of today’s entry.

The goal of writing with one’s nondominant hand, Howe suggests, is to slow down your sentences so you can unlock a hidden side of your creativity. But for me, if I’m struggling over every letter, I am not tapping into creativity: instead, I’m putting an obstacle in front of it.

My goal in my journal pages is to write quickly: that’s why I write in cursive rather than printing. I can’t write at the speed of thought–my brain always outpaces my hand–but I want to exercise my hand so it becomes almost as nimble as my mind.

If I slow my hand down, that simply gives me time to fret over every word. Instead of fretting, I want to train my mind to think through my hand just as naturally as it thinks through my mouth. Slowing my hand down simply defeats the purpose.

Crossed contrails

One early exercise in Suleika Jaouad’s The Book Of Alchemy comes from photographer and writer Ash Parsons Story, who prompts journal-keepers to list ten images from the past 24 hours.

Most of us move through the world with pocket-sized cameras (aka phones) at perpetual arm’s reach. Some of us make a practice of snapping and sharing at least one photo a day. But even those of us who take lots of pictures on our phone sometimes don’t. Instead, we sometimes make mental note of things we don’t stop to record. Story’s prompt urges journal-keepers to make a quick list of those images.

Here, in no given order, are ten images from my past 24 hours:

  1. A crisscross of contrails against blue sky, fringed by maples in full leaf
  2. Morning light trickling through the dining room windows, illuminating the vase of LEGO magnolia branches I set on the window sill last night
  3. A hydrangea bush studded with flower buds clustered as tightly as broccoli florets
  4. A Lycra-clad cyclist pedaling intervals down a nearby street: slow, fast, slow
  5. A Jeep with Texas license plates turning onto that same street, then pulling to the curb, then moving on
  6. Viburnum petals on the sidewalk of a busy street
  7. Sun glinting on the big red X sign on the condemned house down the street
  8. Blooming lupines in a neighbor’s garden
  9. Tightly budded peonies in that same neighbor’s garden
  10. Sunlight trickling through Japanese maple leaves

As a blogger who regularly illustrates my posts with photos, I’m mindful of how taking and sharing photos can be a shortcut: instead of describing a thing and asking you to picture it, I can share a photo. Making a written list of ten images from the past day is a good way to exercise writerly (and readerly) skills that might otherwise atrophy.

Budding peony on rainy day

Today I started reading The Book of Alchemy: A Creative Practice for an Inspired Life, a book about journaling by Suleika Jaouad. It’s a book that has sat on my shelf since September, when I first heard about it, and I thought summer would be as good a season as any to read a book that might refresh my long-established journaling practice.

Euphorbia (?) on rainy day

Both The Book of Alchemy and Between Two Kingdoms (a memoir of Jaouad’s diagnosis with and treatment for leukemia) reference the practice of a 100 Day Project: an intentional practice of doing some small creative thing every day for one hundred days. In Between Two Kingdoms, Jaouad pursues two different 100 Day Projects: one is a journal-keeping project she did while undergoing treatment, and the second is a cross-country road trip she takes after entering remission.

Dogwood on rainy day

Today is Memorial Day, the unofficial start of summer, and I’ve been wondering what I should do over my academic break. Usually, I resist filling my break with More Things To Do, but Jaouad’s mention of a 100 Day Project made me realize I have roughly 100 Days before my Fall semester classes start at the end of August: a perfect opportunity to do some small, creative thing during my time off.

Cushion spurge on rainy day

I already keep a journal, but when I realized The Book of Alchemy has essays and journal prompts from 100 writers, I realized writing my way through the book would be a perfect summer project. Usually, I bridle against the enforced creativity of journal prompts: instead, I make a habit of filling four pages a day with whatever thoughts are rattling around my head. For the next 100 days, though, I’m going to experiment with the prompts in Jaouad’s book: not something new, exactly, but a chance to revisit an established practice anew.

Burning bush berry

Today I read an article about a recent trend among young people to keep junk journals: books crammed full of collaged tickets, receipts, stamps, and other ephemera. Old-timers like me call these scrapbooks, a term that evokes grandmas with blue hair or suburban housewives with asymmetrical bobs. In the age of social media, everything old is new again, at least if popular young influencers rebrand old hobbies in trendy ways.

Berries of the Valley

I’ve never kept a junk journal, but I am a long-time proponent of writing by hand in a paper journal, and I routinely cover the endpapers of my journals with a montage of stickers and stamps, turning blank surfaces into Something Pretty. Years ago, when I religiously used Moleskine notebooks for my daily journal pages, I’d stash ticket stubs, foreign currency, and expired membership cards in the rear pocket, turning my journals into something akin to a scrapbook.

Dogwood berries

I stopped using Moleskine notebooks in March 2020, right when the world shut down and I shifted from the regularity of lined black notebooks to journals with colorful, unlined pages: a little bit of color during dark days. Those notebooks didn’t have pockets in the back, which was no problem: during lockdown I didn’t have any ticket stubs from nonexistent events to save.

Turning

Once lockdown ended and I started going out again, many venues issued digital tickets instead of paper ones, so I can understand why young people are flocking to the analog simplicity of paper journals filled with tangible mementos. Scrolling through my Google Wallet archive doesn’t evoke the same nostalgia as opening an old book and finding a paper receipt or ticket stub inside. In an increasingly online world, anything tangible is precious, even if it’s just a scrap of paper.

Pretty palettes

Sometimes when I’m bored, I dip into the diary my mom kept from 2003 until 2007. My mom was a long-time keeper of minutiae, so it’s strangely comforting to read her slanting script as she chronicles what she did on any given day.

Pastoral palette

May 19, 2003: Worked 2 ½ hours & got my hair cut & went to Krogers & then to Giant Eagle for Super Double Coupon. Did real well.

Years ago, one of my students complained about how repetitive her routine had become. Every day I wake up, she said, work out, go to class, do homework, then I do it again the next day. I remember chuckling and letting her in on the secret: repeating the same routines over and over is pretty much what adult existence is about.

Flamingo palette

May 19, 2004: Worked 10:30 – 2:45. Dropped off 3 buckets of paper at Christ the King & stopped at Walgreens. Joe cut the grass.

On days when I feel like I haven’t accomplished much beyond checking off the usual chores and to-do’s, it’s reassuring to realize my mom had similar days, yet she found these chores and to-do’s worth recording for her Future Self.

Palette pals

May 19, 2005: Worked 10:45 – 4:15. I worked on an advertising mailing & took it over to the post office. Rainy & blah. Mailed out 143 pieces.

I don’t know what my mom would make of the fact that I have one of her diaries: she kept others, but my sisters and I couldn’t find them. Would my mom be embarrassed to have me reading (and blogging!) the routine details of her days, or would she be happy that I continue to be interested in her daily life, even after she is gone?

Monochromatic fisheye palette

May 19, 2006: Worked 2 ½ hours & made deposit at Huntington (Pay Day). Stopped at Krogers & got a large Lasagna. Lori got here at 1:00. We took a walk at Wolfe Park & saw the nesting Yellow Crowns & one at the bridge. We had pizza for dinner & Lori & I took a long walk around the neighborhood in the Eve.

On this day in 2006, I visited my parents, but I didn’t write or blog anything about that trip. All I have now is my mom’s handwritten account of the birds we saw and the food we ate.

Painter's palette

May 19, 2007: I went to Krogers & then did wash. We went to 4:00 Mass & checked on the Herons. Saw 1 adult at the nest.

I didn’t take any photos during that 2006 visit, but I did take a handful of photos in downtown Bennington, VT on my drive home. I don’t have daughters who will sift through my belongings when I’m gone; there’s nobody who will go back to read the details of my days. This blog in this online ether is the closest to immortality I’ll ever get.

Ivy

Today is gray and chilly: the temperature is above freezing, but it feels colder. J and I drove to Framingham for lunch, then we walked laps around the town green, as we did several times last summer. Saturdays are laundry day, so I’m folding one load while the other is in the dryer, after putting away yesterday’s line-drying.

If I were my Mom, grandmother, or great-grandmother, today’s journal entry would end there. Among the sentimental treasures I claimed from my Mom’s house last December were three diaries: a multi-year diary from my Mom, a similar volume from my great-grandmother, and a half-filled diary from my grandmother. In all three cases, my mother, grandmother, and great-grandmother were trained by the format of five-year diaries, limiting themselves to a few lines listing what they did on a particular day, not what they were thinking or feeling, even if the page gave them more space to fill.

I’ve been keeping a journal my entire adult life–long enough to recognize how my writer’s mind works. The first paragraph or so–most if not all of the first page of a smallish notebook–is devoted to minutiae: the weather, my to-do list, or what happened yesterday. The first few paragraphs or first full page, in other words, sounds remarkably akin to what my Mom, grandmother, and great-grandmother wrote, although the details of our days differ. (I’m amazed, for example, by the litany of chores my great-grandmother did as a farm-wife, with so many chickens to kill, pluck, and fry.)

But here’s the difference: whereas my diary-keeping foremothers wrote a few lines every day, I write a few pages. After exhausting the news of the day, I push on to the next paragraph then the next page, digging deeper to discuss how I’m doing, not just what I’m doing.

I’m immensely grateful to have these diaries from three generations of women in my family: proof that my proclivity to scribble the details of my days is not an accident, but something passed down to me. But I also wonder about the lines not written: that is, the blank spaces at the end of each page.

If my mother, grandmother, and great-grandmother had more time and energy–if there weren’t so many chores to do, and if they hadn’t been so frugal with ink and paper–what more might they have written?

Withered

Yesterday my five-year diary asked “What can’t you throw out,” and I answered “Journals.” My old journals fill several bookshelves, and recently I’ve also started stacking the slim notebooks I carry in my teaching bag and fill with five-minute in-class writing right alongside conference schedules and notes from phone calls. It’s the kind of random minutiae that once made me compare a writer’s notebook to a junk drawer filled with odds and ends.

My mind is like a racehorse occasionally let out to pasture. The academic year is my racing season, when my mind is full of logistical details that put my intellectual abilities through their paces. Can I juggle emails and class prep and teaching and grading while still finding the mental stamina to skim a student’s draft and give insightfully helpful feedback?

If summer is the season when my mind is let out to pasture to laze and graze, my journals and notebooks are my race-season paddock: a small enclosed space where I can rest from racing. It’s a place to either warm up or cool down, my intellectual legs needing to stay strong and supple ahead of another racing day.

My Mom's diary

Yesterday I drove from Massachusetts to Ohio to retrieve my Mom’s ashes from the funeral home and to spend the weekend sorting through her belongings.

One of things I asked my sisters to set aside for me as they started clearing out my Mom’s house was my mother’s diaries. When I was a kid, my Mom regularly wrote in a series of five-year diaries: the tiny kind with a clasp and sometimes even a lock and key. Every day, my Mom wrote one or two lines about the chores she’d done, the errands she’d run, or the birds she’d seen, and whenever a question of dates came up–when exactly did we see last year’s eagle, for example–my Mom would page though her diary to find the exact entry.

My sisters didn’t find any of those tiny, five-year diaries, but they did find a large daily diary that Mom used occasionally from 2003 to 2008, with each year’s entry following directly after the previous one. It is completely typical of my Mom that she would try to get the most usage out of each page, turning a full-page diary into a makeshift five-year one.

I am thrilled to inherit this diary: it alone is worth yesterday’s twelve-hour drive. Neither of my parents were remotely bookish, but I like to think that journaling is one thing my Mom and I had in common. I’m not sure why my Mom kept a diary–her entries are brief and boring, filled with mundane details nobody else would care about–but I am touched beyond words to have this piece of my Mom’s daily life–the things she decided were important enough to record–in her own hand, before her mind failed and her sphere of interest shrank even smaller.

In her memoir When Women Were Birds, Terry Tempest Williams describes inheriting her mother’s journals after her mother died. Bracing herself for the emotional minefield she expects to encounter within their covers, Williams is mystified to find all the carefully shelved volumes were blank.

Mormon women are encouraged if not expected to keep diaries, so Williams cannot understand why her otherwise devout Mom failed to meet this particular expectation. In my case, I’m mystified in an exactly opposite way. Without any social or religious expectation for her to do so, why did my otherwise non-bookish mother decide to chronicle her daily life?

It is unnatural to write without an audience, which is why so many diarists invent a persona for their notebooks: “Dear Diary.” It is easier to write–to speak your mind–if you have a specific audience in mind: your future self, your child or children, or posterity writ large.

This last one is the most elusive, and it is where journal-keeping and blogging overlap. There is more than a bit of arrogance to believe anyone other than you cares about your day, your thoughts, your feelings. For me, I’ve always had the irrational belief that the page itself cares–that if you take care of the page, that page will accept and guard over your innermost thoughts without judgment. Like a true friend, a diary is a keeper of secrets.

This is the mystery of my Mom’s missing diaries. If my Mom was writing for herself, she would have kept all of her diaries, not only the most recent one. My Mom kept everything, as my sisters and I are discovering as we sort through her belongings. The fact that my Mom kept the playing card collection she started when she was a teenager and multiple copies of every newspaper article that ever mentioned me is proof that she was an effective archivist: a hoarder of ordinaries before I ever thought to do the same. So either my Mom threw out her tiny five-year diaries by accident or on purpose, and now that my Mom is gone, I’ll never know.

This loss of words saddens me, even though the contents of my Mom’s diaries were not profound. Words keep our secrets, and we should guard them in return. My Mom was an archivist of all sorts of random junk, and I am an archivist of time. Now that she’s gone, I can’t stop wondering what happened to my Mom’s missing days.

October bouquet

It’s Tuesday morning with glints of sun. Yesterday was intermittently rainy, so the ground today is wet underfoot, with a smattering of sodden leaves: an olfactory delight for Roxy, and a neutral palette for me.

Yesterday during a discussion of genre with my Babson students, one of them said if you keep a daily journal, all you have to write about are the events of that day. He was basing this conclusion on his own in-class five-minute writing, in which he typically recounts the events of that day: the stereotypical recitation of what I had for breakfast or lunch, what I’m planning for dinner, and how the weather or work were.

And yes, I guess, that is what many diarists focus on–or diarists who are tired or uninspired, deep in the doldrums.

But in my experience, based on a history of keeping a journal for longer than my student has been alive, the mundane recitation of weather and mood–meteorology both inner and outer–is but a gateway. Yes, you start there, but if you aren’t in a hurry to go somewhere else, you pass through the gate of those daily particulars to enter the garden of your mind, where you can explore and describe anything: memories from last week, last month, or last year. Fears, hopes, disappointments, or dreams. A scrap of conversation that reminded you of an old friend, or an earworm that resurrects a younger self.

My student, I suspect, is too young to have amassed a deep enough compost for this. He’s still mucking through yesterday’s eggshells and sandwich wrappers. Only later will the ordinary detritus of today transform into the rich soil of inspiration.

Second round rhododendron

Last night I blogged the journal entry I’d written about George the cat. It wasn’t as long or thoughtful as I might have wanted, but it’s what came out when I set pen to page. I’ve been journaling and blogging long enough–my entire adult life for the former, and nearly 20 years for the latter–that my thinking automatically falls into a short-essay format: whatever I can fit into four handwritten journal pages.

What I’ve found over the years–what the page has taught me as I’ve scribbled my way across its surface–is that thinking expands incrementally and at its own pace, like a flower gradually but inevitably blooming. You might start by noting the weather–today is overcast and humid, with a threat of afternoon thunderstorms–but after the first paragraph or page of surface observation, your thinking deepens to explore the Real Topic at Hand.

Journaling is like having a conversation with yourself, so it’s not surprising, I suppose, that small talk proceeds deeper topics. As much as I’d like my mind-horse to explore deep topics at length, all these years of journaling have trained my mind to run a course that’s roughly four pages long. My brain greets the fourth page the same way a veteran racehorse leans into the backstretch. Now is the time to muster a reserve of energy for the final push.

Although “Write a Book” continues to be the biggest, most intimidating item on my intellectual bucket list, I can no more imagine writing a sustained, full-length narrative than I can imagine running a marathon. All I’ve practiced these many years is short form.