DJ Rob Swift: Q&A + Documentary

Mother Hubbard presents DJ Rob Swift: Live! The Documented Movement. This hiphop documentary offers an unparalleled exploration into the contemporary hiphop and breaks scene. Held at Cinema Nova on Saturday 17th September, this special screening features an appearance by Rob Swift himself –there to answer any questions about the doco.

The documentary traces the advent of Robs 4th studio album The Architect. The film pays tribute to Robs past as a member of the now legendary XMen, through to his development as turntablistcomposerThe film charts his work in the groundbreaking turntablist crew XEcutioners (Roc Raida, Total Eclipse, and Mista Sinista) and collaborations with artists such as Herbie Hancock, Dan The Automator and Cypress Hill. It also documents his appearance on Mike Pattons Peeping Tom; with new album The Architect released on Pattons Ipecac label.

Hurry and book your tickets from http://www.trybooking.com/TZU as they are selling fast!

 [From: Mother Hubbard]

Videocracy

Fortunate in that between the 60s-era ‘changeover’ cinematic operation we have on the flagship MIFF site, the Forum; I was able to to catch Erik Gandini‘s documentary in near entirety.
This curiously Swedish film is presented by Lars Von Trier’s Zentropa -the production company that vyed for arthouse supremacy in the early 90s and has since made a resurgence with such titles as The Idiots, the Dogville trilogy and Wilbur Wants To Kill Himself.
Having an awareness of the manic that is politica Italiano, I found myself engaged in this perspective of Silvio Berlusconi‘s grasp of Italian media outlets. The film opens with a summary of erotic cinema; Ron Jeremy at the fore amidst shots of scantily-clad women in both popular ‘underground’ video and shopping malls on the continent, alike.
The film is at times tedious in its depiction of billionaire girls and television production impresarios: namely in its pursuit of t.v. ‘turncoat’ Fabrizio Corona but ultimately frames Berlusconi‘s hard hand on a post-modern propaganda machine that is both daunting and amazing; a description I use without any flattery.

This is a film perhaps best viewed on video but au contraire worth a visit to your supposedly ‘local’ or ‘independent’ cinema.

-Rock The Boat