On The Sanctity of Western Democracy

Those who tell the stories rule societyPlato

Cleisthenes

Cleisthenes

Winston Churchill bastardised this advice; an observation that questions the historical role of governmental process following the end of the World War Two through contemporary times. It is proudly that history, in good conscience, vilifies Nazi Fascism and Russian Communism [sic]. The bias, though, declines to admit that during the life of theseevil regimes there was, of course, similar policy at play in the Worldatlarge. That which channeled through Eurocentrism begot by subjugation of foreign nations, resources, and power structures. Domestic policies in the US and Australia (of thecivilisednations) were geared toward social segregation; not to mention the ‘endemic racial & civil persecution of the citizenry in South Africa, East Asia and South America. Political opponents surveilled and apprehended. Deplorable conditions incorrectionalfacilities. Heterogenous cultural dogma.
And in this way we might visit Modernist political thought with relevance to the appreciation in policy reform that applies a high standard of personal empowerment in the legislatures of purportedly liberaldemocracies‘.
Because it is true that those of us in the West have stronger legal apparatus available and can therefore afford to mount challenges to the state. In utilising these means we might imagine revisiting some of the political conventions of the Modern era such as Fascism, Communism, Socialism, Anarchism and Capitalismall through the lense of a society where the multilateral termdemocracy is bandied about like some form of patriotism.

High Hopes

Director Mike Leigh is renowned for his bittersweet films; some of which include largescale productions such as Topsy Turvy, the adorable HappyGoLucky, and the recently released Another Year. His strongest film though, in my view, is High Hopes. Id rented out the DVD, thinking naively that it was a fairly recent release (say, from the last decade). So whilst enjoying the film I was warily critical of the retro set design, streetscapes and historical relativity. My critical perspective reached a climax when the Lloyds Building appeared in frame; as Id thought the building was a recent construction. It was only at the conclusion of the film, though, that I realised it was actually made in 1988. I felt ashamed of myself and overly critical of what was an excellent film in earnest.
High Hopes follows a couple (Cyril & Shirley) living in Londons Kings Cross. We watch fondly as they grapple with societal changes and the gentrification of Londons inner and traditionally workingclass neighbourhoods. Cyril is something of a jaded, conjectural Socialist while his mellow partner Shirley is fielding maternal impulses. Amidst the relaxed turmoil of Thatcherite UK, these characters prove endearing and ultimately hilarious when we follow them through circumstances surrounding Cyrils manic family. A lovely, heartfelt drama that also explores the predicament of Socialism in contemporary Capitalist society.