Celebrating Poetry: My Heartland Review Experience

Thank you to The Heartland Review for publishing two of my poems in their latest 2026 publication. It’s sometimes months before you hear back from a journal, and this time they all got back to me about the same time. So it’s been fun to get the journals in the mail. This journal is well done, and it includes poetry, art, short stories and nonfiction articles, so there’s a lot of variety. Nice communication with the editor too!

Kindness, 1986

It is 3 a.m. in an emptied Iowa airport.
Our plane has ricocheted across the Midwest
in attempts to find safe passage
around lightning strikes, hail and never-
                    ending tempests.

The balding farmer picks up my bag
“You’re coming home with us,” he says.
His wife, who reaches to lift my daughter
from my arms, adds,
                    “Of course you are.”

I have already called nearby hotels—
every room is taken for a baseball tournament.
But these two, who sat next to us on the plane,
know I have come home to surprise my dad
                    for his sixtieth birthday.

So, despite my protests, despite gut fears
spinning inside me, despite distance
that took root in city life on the East Coast,
I follow the couple like a cow with her calf.
                    It is another hour to their farm.

I awake in late morning in bed with my daughter
to find coffee, pancakes and bacon in the kitchen.
From the porch, I see the woman picking tomatoes
in her garden. The man, now in overalls,
                    carries a basket of sweet corn.

This is when the dry knot in my throat lets go.
I know this life—both making do and doing for others.
I call out the door to say I will call my dad.
The man says, “No, we’ll drive you home.”
                    “You want to surprise him,” she says.

Today, I am older than my father who met us
outside a farmhouse that fell in on itself years ago.
My daughter is a mother. Kindness still keeps me whole.
And the couple is buried in a country cemetery,
                where the wind blows and blows. 

Geography Lesson

In the dead of winter, our teacher assigned
my fifth-grade class to memorize
the fifty state capitals in alphabetical order.

Every Friday we lined up next to our desks 
as each of us recited faraway cities,
from Montgomery, Alabama,

to Cheyenne, Wyoming,
labeled on the map in our geography books.
Mrs. Wright marked our mistakes

on a chart with big red checks
as we rooted for our friends
and feared our fallible memories.

By late February the brightest
chanted all fifty and sat down.
In early March four rows of students

had stars after their names,
while a handful still struggled
to get past Providence, Rhode Island.

By late April only shy Eloise Borden
stood alone as she confused Columbus, Ohio,
and Columbia, South Carolina.

We watched Mrs. Wright slash another X
after Eloise’s name and learned to remain silent,
to look away when Eloise stood up.

I don’t remember if the girl ever recited
all fifty state capitals, but I do recall
waitressing with Eloise at the town cafe

my senior year, and how I never saw her
except at work, where we played cards
and fed the jukebox on quiet afternoons.

How Mrs. Wright came in and sat alone
at the counter after her husband died.
And how Eloise memorized her order:

coffee with two sugars, a well-done hamburger
on a toasted bun with sour pickle chips,
and cherry pie with vanilla ice cream.

How Mrs. Wright looked away
whenever Eloise warmed her coffee,
while I pretended to be busy in the kitchen.

And how Eloise took off
when she turned eighteen, headed to a far-off city
marked with a gold star on the map in her car.


Thank you for visiting. I hope you’ll share your poetry with me!

Best,

Julia

Exploring Connecticut Through Poetry

I’ve lived in Connecticut for a little over eight years now, after having lived more than 30 years in Rhode Island and exploring almost every inch of that tiny, quirky state. Today, I still have no clue where most cities are located in Connecticut, and I have to GPS them all the time only to realize I’m more than two hours away from a good chunk of them.

With that said, I love living where I do — still close enough to Rhode Island, close to the beaches, right off I-95, and close to my grandchildren. I recently had a poem selected for an anthology of poems about Connecticut, and it just came in the mail this weekend! The Nutmeg Anthology: Contemporary Poems of Connecticut, edited by Ginny Lowe Connors, includes 78 poems that look at the state from all different angles: from special memories of the past, historical figures and places, and the ever-present land, water, and weather.

My poem, “For Those Who Must” is dedicated to the staff at the Lyman Allyn Art Museum, where I worked part-time for five years. I remember wanting to work part-time in a bookstore or an art museum when I retired, so I got my wish! I enjoyed working at the front desk, where I talked to visitors two days a week because everyone who walked in the door wanted to be there — and I learned so much about art and artists.

My thanks to Ginny Connors and Grayson Books for including my poem. The cover art is beautiful, and I’ve enjoyed the variety of poems and learning more about my adopted state.

For Those Who Must
For the staff at the Ly man Allyn Art Museum, New London, CT

I have watched an artist hang her canvases
with breathless care—unswaddling her work
like infants from family quilts—but who attended
her own opening with reluctant dread.

I have listened to daughters tell stories
of their artist mother, whose paintings once hung
in their childhood home, and how they cried
upon seeing her art on a gallery wall for the first time.

I have gazed through a magnifying glass
to focus on ink strokes as fine as cilia
in miniatures painted by eighteenth century sisters,
one of whom went blind after years of plying her trade.

I have interrogated a roomful of abstracts
that smash and trash and rehash
boxed conventions of beauty and truth
while standing in awe of countless hues of blue. 

I have searched newsclips about a 22-year-old artist
who jumped off a train in New London,
where she gave drawing lessons to the city’s children
and collected their coins to feed her passion.

I, too, have tasted an artist’s need to create—
it is the dark pit that sprouts into tender vines
despite row upon row of infertile fields.
is the must that burdens us—and unburdens us.

The Nutmeg Anthology: Contemporary Poems of Connecticut, Grayson Books, 2026

Celebrating Adventure: A Poem About Fearlessness

I wrote this poem a few years ago based on a prompt for a exhibition of Saturday Evening Post covers by Norman Rockwell at the Mystic Museum of Art (CT). I chose a cover of an old woman sitting in an airline seat in 1938, when flights across country were just beginning. I loved the excitement on her face and her fearless energy to experience something new. It reminded me to keep on checking off items on my bucket list as long as I can. 🙂

The poem is not a memory of mine, other than the fact that the library in my small Iowa town was named after to a rich woman named Gund who set aside money for a library. I also remember going down to to the city hall basement on Main Street to take out books. Oh, and my grandma had a sister who lived in California named Esther. Otherwise, the woman is totally made up — it was fun to do.

The poem found a home in the winter/spring 2026 issue of the Naugatuck River Review. Although it didn’t take a top place in the contest, the poem was a finalist — and I am quite grateful for that. I’ve had a few other poems published recently, but it’s been several years since I’ve regularly sent out poems for publication. I’m also so grateful for my Sunday evening poetry workshop organized by the Connecticut Poetry Society. I’ve received some solid feedback and enjoyed commenting on and learning from other poets’ work. I’ve shared the poem and a crop of the cover below.

“After midnight, the moon set, and I was alone with the stars.”
—Amelia Earhart

The Tale of Our Town Librarian

Grandma liked to retell this story
whenever she took us to the M.E. Gund Library in town.
About how, back in 1938, the librarian tacked a map
of North America to the adult fiction stacks
housed in the musty city hall basement.

And how Miss Lizzy,
who never spoke above a whisper, plotted the course
of her 18-hour Transcontinental & Western flight
from Boston to Los Angeles with three stops
in between, come June.

The spinster’s journey would begin
in our New Hampshire village and roll to a stop
under palm trees in Pasadena, California,
where her sister Esther worked as a hairdresser
to the Hollywood stars.

The town was in a tizzy. What had gotten into Miss Lizzy?
Not even our banker and his wife had flown
on a commercial aircraft. Why, the search for Amelia Earhart
was still front-page news. And, honestly,
how could a town employee afford a roundtrip ticket?

Miss Lizzy was never one to chitchat.
She simply crossed out each day on her 1938 calendar
until she reached June 5. Then she passed her leather valise
to a Greyhound bus driver and ascended the first flight
of steps that winged her cross-country.

Six months later,
after Miss Earhart had been declared lost at sea,
our mayor received a letter from Esther,
who said Miss Lizzy had died while gazing at the stars.
She had gifted her bungalow and all it contained to our town.

When our council members unlocked
Miss Lizzy’s front door, they found news clippings
about Miss Amelia and Lindbergh. Her prim bedroom
was papered with maps marked with shiny stars next to exotic locales
like Athens, Bangkok, Calcutta, and Baghdad.

On to her nightstand, they found a note in flowing cursive:
If you are reading this, it means I am gone.
Know I feared nothing except the thought of dying
without ever touching the stars.
If you are reading this, it means I did just that.

P.S. Please use my family inheritance
to build our town a real library where my home now stands.
Her looping signature—Mary Elizabeth Gund—
circled and soared
across the bottom of the check.

Thank you for stopping by! Let me know you were here!

When death enters

IMG_7859 (2)

We have no words of welcome for you here.

Did you take a wrong turn, forget the address?

What purpose in taking this woman, this mother, this wife?

What twist of fate have you tapped into?

Why slip in to take this life without a whisper?

We’re left to make sense of your choices.

To find purpose in a life without.

To recreate faith and hope.

That’s what humans do

after you leave.

 

 

Weekly photo challenge: Signs

Image

Weekly photo challenge: Signs

A sign in the Boston Museum of Art that spoke to me.

And it made me think of this poem. The title refers to a story told at a poetry workshop — about, well, taking the plunge and jumping naked off a barge.

Naked Barge Jumping

Let’s make it mid-July
by a shimmering poem
without mosquitoes.
We leap open-mouthed
from a rickety barge
into cool cedar odes.
Our cleansed forms
rise to metaphor
as assonance resounds
through hidden verse.
Let’s jump off again
and again and again,
with just as much fear
and joy as the first rhyme.

Published in The Rhode Island Writers Circle Anthology, 2008

3 more poem finds homes!

Dear Julia:

Thank you for submitting your work to The Midwest Writing Center’s Mississippi Valley Poetry Contest.  We are pleased to announce that our preliminary judges have chosen the top 25 poems in each of our two categories (national and regional) for publication in the 2011 edition of Off Channel.

We are also very pleased to inform you that your poems “Here right here is where” and “Learning How to Paint Light” have been selected as part of the qualifying group of national finalists.

From these 25 poems in each category (your work included), our final judges will soon select the winners, who will be notified by July 15, 2011.

Please inform us immediately upon receipt of this letter if you need to withdraw your work from consideration / publication due to acceptance elsewhere.

Visit our website, www.midwestwritingcenter.org, periodically for contest updates or to order copies of Off Channel.

Best wishes,

Kristin Abraham
Coordinator, Mississippi Valley Poetry Contest
Midwest Writing Center
225 E. Second Street, Suite 303
Davenport, IA  52801
563-324-1410

And!!!!

Dear Julia,

We are delighted to accept your poem “Sleepless on Manning Drive” for publication in Naugatuck River Review’s Summer 2011 issue. Thank you so much for submitting!

All the Best,

Lori Desrosiers
Publisher
Naugatuck River Review

I haven’t been writing much poetry lately, so these latest acceptances are poking me in the side to get back to work. Glad to hear these three found homes. There are a few others that I need to brush off and get back out circulating too. I’ll post these as soon as I hear about their fate in July.