Puppet Master (1989)

Director (and co-writer): David Schmoeller
Cast: Paul Le Mat, William Hickey, Irene Miracle, Jimmie F. Skaggs, Robin Frates, Matt Roe, Kathryn O’Reilly, Mews Small, Barbara Crampton, David Boyd
Psychics find themselves plotted against by a former colleague, who committed suicide after discovering animated, murderous puppets. – IMDB
The Puppet Master film series is one that I’ve only recently heard about and since puppets (and not dolls) are actually fairly slim pickings as I’ve covered a few of the bigger ones, here we are watching the first film released in 1989 which goes on for another fourteen more films with the latest released in 2022. I’m not going to cover all the films consecutively this time around but its definitely peaked an interest to seek out the films gradually.
The film starts in the past as we watch a puppet maker craft his latest creation while his previous creations are animated around him and on the lookout for impending threat for his capability. This past scene acts as the introduction to set up both the story and the location of the present setting. As the group reunites together, the story does have its fun moments but the general plot is fairly predictable. Some of the spooks don’t land too well especially with the dead friend’s body moving around constantly. Even the kills feel more entertaining to watch than horrific especially since the more gruesome deaths are showed off-screen.
While the acting is a little over the top at times, there is some good elements for the character structure. They all have their own unique capabilities that we gradually learn from their actions like Dana, who we see in the opening as a fortune teller telling the fortune to a young Barbara Crampton which is a lovely cameo especially watching it now as she’s been part of many notable horror films in much more prominent roles, but at the hotel does a few more psychic things which give an idea of her abilities. However, the main character in this film is not her but the university professor who can see the future in his dreams.
The strength of The Puppet Master not surprisingly are the puppets. Not only do they expand the “villain” pool since its a group of them killing together but they all have their own abilities that make them distinctive like strength or leeches or knives. Also, their parts are stop-animated which makes it really neat and fun to watch especially since the camera likes to go into their perspective to film to keep the puppets a mystery before they are revealed. While there are definite technology differences which shows the age of the film, the sequences are well-executed. Plus, the puppets themselves have a nice mischievous personality which adds to these characters.
The Puppet Master sets a good foundation for the film. While the plot itself isn’t too exciting and at times, feels little awkward, the introduction of the puppet villains do add to the film a lot. Its not exactly a scary film, but it does hit a lot of the campy 80s horror entertainment elements. While I’m not a fan of horror films adding in the open endings suggesting something else is at work, cliffhangers and such, I was pretty satisfied with how this one chose to end which hopefully is a nice stepping stone to the next film. Fingers crossed.
