Cold Water and Doing the Hard Thing

kayak bc wp

I couldn’t breathe. I had reached the surface, but I still couldn’t breathe. People who name such things call this “mammalian diving reflex,” and it’s a result of having one’s face immersed in cold water. Regardless, my awareness perceived only an inability to draw in soon-to-be-essential oxygen.

Instinct is a strange thing to the conscious mind, and that’s probably the reason behind much ritual aversion to so many pleasant behaviors. Food, physical expression, social dominance, sex — these are among the ghosts in the machinery of thought, materializing into the substance of consciousness merely to interfere with our rational plans. Their short-term influences bear upon the ability to make correct long-term decisions, and this can cause us to fear them. But fear can also give those apparitions power over our own lives.

The crest of a swell revealed a seemingly vast tract of open water, and a sudden recollection that tides could move across the strait at five-knots evoked a brief vision of being swept out to sea. Fear presented the usual human choices: to freeze, or to focus on the familiar. The thin layer of cold water in my wet-suit top began to warm with the first labored gasps, and thoughts turned toward the Japanese garden at the university.  The knowledge that we had timed our crossing for an incoming current gradually returned to tame the rising tide of emotion.

Just as with our more pleasant instincts, fear can be beneficial. In the words of the Japanese humanitarian and author, Inazō Nitobe, “…it is true courage to live when it is right to live, and to die only when it is right to die.” His words implied that courage is not defined by a mere willingness to perish, and certainly not without purpose. In fact, the Japanese have an expression for this, “inujini” (犬死に), meaning a dog’s death — a term that conveys a tragic sense of waste. A healthy fear of an inevitable demise sends an appropriate preventative message to discourage foolishness in the same way that hunger spares us unnecessary starvation.

A “PFD” (life-jacket) kept my head bobbing just above the water, so there wasn’t much chance of drowning. But the sea was impossibly cold. A first attempt at moving to recover the boat took an inordinate mental effort. And looking back at the overturned kayak brought a sudden stab of panic that it was drifting away, even though it was leashed to the paddle still in my hands. Towing the lazily floating hull to my side, I hoisted myself across its midsection and during another cresting swell surveyed the horizon for my partners. A tinge of ire colored the relief that neither had yet noticed my situation.

There is an inscribed stone in the Nitobe Memorial Garden at the University of British Columbia. It reads (translated from Japanese), “A wish that I become a bridge across the Pacific.” It is a tribute to Inazō Nitobe’s account of the Japanese culture of “Bushido,” written in English in 1900. I Nitobe Gardenfocused on the calm I felt when sitting at the dead-end of the garden’s “Way of Teenage Rebellion.” It was not lost to me the irony of having no desire to bridge the Pacific.

There is a process to righting and re-entering a sea-kayak after a “wet-exit.”   And though it felt like much longer, it had probably taken mere seconds to commit to starting the task. It wasn’t just that the icy water threatened to quickly sap the strength necessary, but I didn’t wish to compromise my partners. Rational or otherwise, my own fear was far colder than the Canadian sea. But this moment was not the right time to freeze, and so my friends would never know of my two-minute swim in the middle of Vancouver’s Outer Burrard Inlet.

Contrary to the common conventions of film-makers, particularly those of the action genre, the concept of “courage” in Bushido (勇 “yū”) is less about fearlessness than a pursuit of focus in those moments when instincts threaten to cloud judgment. Whether pleasant or fearful, it doesn’t mean that emotions are somehow ignored or made to disappear, only that they are not permitted to interfere with the knowledge and the objectivity needed for correct physical and ethical decisions. Sometimes described as, “Doing the hard thing,” courage may apply as much to knowing when to stop, to bow, or to walk away, as to the confrontation of a mortal danger. Bushido’s ideal of courage is merely a resolve to seek clarity by daring to pass through the ghosts arising in our own minds.

– – –

Post Script: I originally wrote this several years ago at another writing site, while I was still working in Vancouver, Canada. This brief event happened while traveling with two friends across the “Outer Burrard Inlet” that separates West Vancouver from the English Bay area to the south.  We had already crossed the shipping lanes when I was caught off-guard from behind by a sudden wake swell from a freighter that had passed earlier. Though we were still about a mile from the nearest emergency landfall at Stanley Park, I was never in any real danger. I was back in my boat and pumping out water, probably within two-minutes.

I don’t consider myself a particularly fearful person. However, for reasons I don’t understand, I have two phobias which I seemed to have developed as an adult — confined spaces, and deep water. Crawling under my house or enduring an MRI requires a great deal of self-discipline. But having grown up near the ocean, being a good swimmer and surfing since my early teens, my fear of deep water is a complete mystery to me. Still, I greatly enjoy paddling in the deep, clear water around my present day home — though I try to stay in my boat, and I don’t often look down.

The garden I mentioned is located on the grounds of the University of Vancouver. It’s an extraordinarily beautiful and peaceful venue, frequently used as a backdrop for wedding photography. It was a good location to be alone during those times when my cell-phone was turned off, and its memory has always served as a calm place for thoughts to dwell.

Running Perfect

I started running when I was 12-years old, after being assigned “anchor,” or the last runner in a phys-ed relay. I had taken the baton from the last boy to reach the waiting lines of runners, and charged-off with nothing to lose. But I had the self-discipline to endure, and I ran my quarter-mile with a commitment that none of the others could match. However, I wouldn’t hear my classmates’ cheers after collapsing just past the finish-line, briefly passed out from the exertion.

The weekend after my unexpected triumph, I ran several laps with my father around the lawn at a local park. He ran nearly every day after coming home from his work. A physician, it was his meditation, his transition from worrying about others’ lives to worrying about his own. I would hear his voice in the evening, “Tadaima!” (I’m home!), and a few minutes later, “Mata ne!” (See you later!). He must have run terribly slowly for me. I recall struggling to keep up with him for a mile, a long way for an awkward 12-year old. Afterward, I sat on a bench and watched him go on for what seemed to me an endless series of recurring loops, traveling into the distance, but always returning. “Mata ne.” I wanted to run like that.

Over time, I learned to pace myself to my father’s long stride. I would follow for as long as I could, imagining myself being pulled along by some invisible thread. Then, in middle school, I joined the girls’ cross-country team. Two-miles became a nearly every day ritual, lapping the school field each afternoon.

At school one afternoon, Mr. Hisatomi, the heavy-set, Japanese-American boys’ coach pointed at me as I walked past. “You guys could be pretty good if you ran your best every day — like her.” For the rest of the year, the boys out front watched me like an approaching barracuda. Through middle-school, and then into high school, the commitment never resulted in anything more than a “third” in meets. But for me, that was never the point.

Any serious runner will tell you that it’s an addiction. Some medical experts attempt to explain it by suggesting that the exertion causes a release of “endorphins,” the brain’s natural opiate and a literal explanation for a “runner’s high.” For runners, however, it becomes many things. For some, it’s simply a pleasant routine to start or end a day, while for others it’s a discipline. And then there are those for whom it becomes a competition, although the opponent might not be so clear as in other sports. Regardless, running is a lifestyle, and it changes a person.

– – –

About two miles into the run, we had already spread thin across the desert trail. The mutant mountain-runners who seemed to have been born with an extra lung had disappeared after the first few minutes, and most of the more competitive group followed not long after. The trail was smooth, slightly sandy, and easy to negotiate between the walls of sage and rabbit brush that lined its boundaries. Following in the footprints of those who had preceded, it was an easy task to settle into a steady pace and meditate on a place within the landscape.

The trail split at a marker, and I went left. It was the shortest route to the finish, a mere eleven miles. I knew that for some, the route wouldn’t even have justified a change of shoes. Those were the ultra-marathon runners, among them several who had completed the Badwater’s original 146-miles from Death Valley to the summit of Mount Whitney. They would already be far ahead, somewhere along the 50-mile route. A couple of nearby mid-distance runners also veered right, and gradually moved into the distance until I was alone.

The desert’s fierceness seemed to increase as the first of two water-bottles emptied, and the soil became rockier and less welcoming. Footprints disappeared. Searching across a seemingly endless expanse of wilderness between route-markers, I felt a slight color of doubt. Could I be on a wrong trail, pushing irretrievably deeper into a vast nothingness? Sweat rolled into my eyes, and the desert folded into the memory of following my father on a green field fresh with the smell of cut grass. Pulled on forward by the image, I continued in a reassuring rhythm.

It wasn’t much later that a shadow crossed the trail just in front of me — and another a little farther ahead. I glanced up as a red-tail hawk, one of three, passed low about fifty feet to my right. A pair of adults and an adolescent, they seemed to be desert_wescorting me through the desert, sometimes descending to only a few feet above the brush at my sides. Occasionally, the younger of the three would pass close in front of me, perhaps curious about the interloper. It took awhile to realize that they were using me to flush out prey, watching for any small animals that I might frighten from the underbrush.

Wings spiraled upward in the hot, rising air, and crossed the sun casting shadows across the trail, then slid downward on an invisible boundary to within feet of the earth. I sank deeper into a rhythm with the trail and my companions as we seemed to dance together through the desert to the slow beat of some unheard music.

The trail curved slowly around the base of a rocky hill, rising slightly onto the floodplain that extended from its lower reaches. The incline and the heat demanded more physical and mental effort to maintain a pace, and my thoughts began to drift inward, focusing on the pattern of each breath, each movement, each push, each impact. Somewhere along the way, my escorts departed unnoticed while the desert itself disappeared. There was only each motion — each step and everything in the cycle of making it happen. Entirely focused on an unfeeling rhythm of movement and breath — it became the sum of a consciousness.

The hill crested and the trail leveled, but there was no one there to notice. And then, with no further need for such focus, there was nothingness. The ground moved reflexively beneath feet, and a body moved over it. It was all the same, the same matter that made up the entire universe, the same energy that gave it life. Everything was perfect, as it should be, nothing out-of-place. Identity was a vibration on a ripple on a wave on a tide on a sea in an endless ocean. It all danced together in a perfect rhythm, for just one moment wholly unfettered by purpose or desire or ambition or ego — until I noticed. But the knowledge of that moment would remain.

That night at the desert campsite, I would move silently away from the crowded bonfire, its embers disappearing into a star-filled sky. From the edge of the darkness, lightning flashed in the distance. A thunderstorm was touching the desert, and each dancing spark seemed add its energy to my own. There was nothing to fear. In that moment, I would decide to wander into the distance.  And nothing would ever be the same.

Desert_Lightning

Free Time, and Apologies

My father believed that regardless of resource or standing, one should always contribute more than she consumes in her life. Consequently, he instilled in me a strong work ethic — although apparently not that indelibly.Twenty_Five A friend followed me into my recently downsized office while I fished something out of my roll-top desk. And after looking around at all of the recreational articles laying on the floor, hanging off the door or the file cabinet, or lining one wall, she commented that I obviously have too much free time. I’m sure my father would have agreed.

I quit working about two years ago. At the time, my plan was to work for at least another year. But having lost interest in most of the more recent jobs to which others wanted to apply my energies, I found my motivation rapidly waning. Commuting to meetings in Vancouver, Canada had also become an issue when direct flights between it and the nearest large city ceased a couple of years earlier. Long layovers at SFO or SeaTac seemed to be consuming an inordinate amount of time.

So, over a period of several months, I made sure that everything I had been working on was well-documented and that others were ready to step into my place. Then I made one last trip to South Korea to meet with engineers from a now bankrupt ship-building company that had partially financed my last project. The trip ran a couple of days over while I made certain that every question had been answered, and that there wouldn’t be any excuses for “emergency” services.  Then, on the last day, I celebrated by treating my overworked, under-sexed, and overtly misogynistic South Korean colleagues to a soju-lubricated dinner of “sannakji.”

The next morning, I flew to Okinawa where my husband was waiting, and we spent the following two weeks working our way slowly back toward Tokyo. I was unofficially “retired.” Unfortunately, however, he was not. And after reaching Tokyo, he had to catch a flight back to the States. I would take a little longer… by about two-months, and via visits with some old friends in Southeast Asia.

LakeMy husband and I have always referred to our home in the eastern Sierra Nevada mountains as, “the half-way house.” Since he and I have worked in separated locales over most of the last decade, the place has served as somewhere to be together in moments of repose from “productivity.” Located in a beautiful, semi-rural environment, directly adjacent to year-round natural recreation, it’s effectively a tourist destination.  And nowadays, that seems appropriate.

I’ll admit to occasionally feeling a little guilt — very little. I just don’t have the time to worry about it much these days. When I first stopped working, I was concerned that I might not know what to do with all the extra time — that I might become bored, or lazy, or lose my self-discipline. So far, at least, that hasn’t been the case. Instead, I’ve managed to get myself into decent physical condition, especially considering the onset of middle-age. I also volunteer for a few things that seem worthwhile — working with some girls, occasionally teaching something at the local college (though they’re apparently obligated to pay me), or participating in trail-maintenance projects in the nearby mountains.

And between the intervals of absolvingly socially-responsible behavior, I play… a lot. I run the trails around our home almost daily, hike, and occasionally make it into the high-country wilderness. My mountain bike has acquiredSail a few more dings, my skis have more scratches, and my guitar-playing has improved (if only slightly).  And swims, paddling, and sometimes afternoons just lounging in the sun while drinking a cold beer on the hotel catamaran have resulted in an intimate relationship with the local water. Yes… nowadays, I’m a permanent tourist.

Sorry, Dad.

– – –

Featured image

You must have seen that there were no blank lines
between my fragments. You must have seen that
I fled without restraint among mine fields.
Unadorned, struck my feet against the ground
and dropped the image that conceals. Wished for
only a moment to be moved by the verse between
our distance.
 
Awakened under a dark sky covered in pleats of
falling silk. Abandoned of beauty or brightness –
draped in the soft violations of shadow. Dreams
employed to wrest me from my solitary calm.
Suddenly, I hear your voice and your name
in my own place.
 
I confess to falling away when the storied pages
were turning, in those vast moments etched into
the thin, thin paper’s edge when each flashing
blade revealed a rite-of-passage.
 
Not expecting to be touched while whirling in the
crowd, transfixed for just one heartbeat in the myth
that you were my beginning.
 
I confess to being made of broken bits of blue sky,
falling leaves, the form that moves a rolling ocean,
remorseless freedom and all manner of unwarranted
motion. I admit surrender to the Narrative who
names no archetype, in the moment between lines
when I am taking breath — the only place where I
exist completely.

–                                   –   –   –                                   –

I don’t write much poetry, and actually wrote this several
years back.  But the image depicting a female yabusame,
Japanese mounted-archer
(by Alexandra Khitrova) caused
me to revisit the text with one minor revision.  I’ll leave
interpretations to the reader.  However, the kanji in the title
is that for “Wind,” which is one of the five elements of
traditional Japanese iconography.