My Movie Nominations

Accompanying some friends to the recent film, “Bohemian Rhapsody,” it occurred to me that it had been the first time I’d gone to an actual theater in at least a couple of years.  So unsurprisingly, I wasn’t all that familiar with too many of the films discussed during the trip home, especially those of the “romantic” genres.

Not being much for passive-entertainment in general, most of my familiarity with movies is as a result of distracting myself during long flights. However, I’ll also admit to occasionally parking myself on the sofa with a husband and something combustible, and absorbing (or falling asleep) to a streaming service.

So in considering recent film awards nominations, here’s my own (unsolicited) list of a dozen films that over a life-time as a pretty much non-movie-viewer have impressed me enough to remember:

2001: A Space Odyssey (1968 American, filmed primarily in England) – The classic. Released two-years before I was even born, I still love this film for its stark, technical beauty. A visual meditation on the interface between humans and our technology, it was probably what first raised an awareness during my youth of how we evolve ourselves through the act of disciplined creation.  As an artwork, it’s even more impressive when considering its having been produced with such extraordinary quality in the years before CGI. Read Arthur C. Clarke’s “The Sentinel,” for some background to its underlying premise.

50th Anniversary Re-Release Clip

Blade Runner (1982 American)– Somewhat screwed by its editing, this was admittedly a film likely too geeky and filled with symbolisms for most audiences who reveled merely in its extraordinary visuals, music and action sequences. And the story from which it was drawn, Philip K. Dick’s, “Do Androids Dream of Electric Sheep,” was among the more challenging reads of my high-school years. Still, it had something to say… even if it was removed from the original theatrical ending. Thankfully, Rutger Hauer’s completely unscripted last words to a young Harrison Ford’s character were left in the film.

Rutger Hauer and a young Harrison Ford, “Tears in Rain”

Ghost in the Shell (1995 Japanese anime) – A dive into the existential question… Yeah, it was made with young male audiences in mind. But it’s nevertheless a beautiful and thought-provoking film, addressing the inevitable convergence of humanity with its machines. Its characters exist along a sliding-scale from “human” to “machine” within the backdrop of a fully fleshed-out future. Twenty-plus years later, it’s still relevant. Sadly, a recent American, live-action/CGI remake (while perhaps visually stimulating) traded the original’s thought-provoking perspective for a considerably more shallow presentation.

The Flooded City

Cloud Atlas (2012 German) – It has been said that if Dostoevsky could have made a film, this would have been it… Flawed and controversial, it’s a three-hour long epic that follows six, seemingly unrelated stories over a five-hundred year time span. You’ll either love it, or hate it for completely wasting three hours of your life. Admittedly, I first saw it while captive to an eleven-hour flight. Regardless, I ended up spending another half-hour watching the character trailer, and I consider it to be among the very best films I’ve ever seen.

We are bound to others.

Apocalypse Now (1979 American, filmed in Thailand) and Apocalypto (2006 American, filmed in Mexico and Guatemala)Aside from the similarities in their titles, both films are dark ruminations on the inevitable demise of civilizations that expend themselves in the contradictions of violence. In that regard, Apocalypse Now as Joseph Conrad’s, Heart of Darkness, retold in the context of the Vietnam War, becomes the source of idioms to describe the absurdities in modern societies attempting to achieve their goals through warfare. Likewise, Apocalypto considers the implication of applying fear to the maintenance of civilization. Both films might be justly criticized for variously inaccurate, if not uncomfortable portrayals of history, but their messages are nevertheless poignant and well-conveyed.

The Smell of Napalm in the Morning

Fear

Grave of the Fireflies and Spirited Away (Japan)– These are classically ethical Japanese films, both animated by Studio Ghibli. Isao Takahata’s 1988, “Grave of the Fireflies,” was long screened at Japanese public schools, and is among the reasons that Japanese don’t leave rice grains after a meal. Roundly criticized by some Westerners for its one-sided depiction of the results of war, I think many perhaps miss its point as an uncompromising anti-war film. There was a live-action TV-drama remake in 2005 which I have never seen. Hayao Miyazaki’s 2001, “Spirited Away,” is meanwhile a coming-of-age story that conversely criticizes the over-consumption of a modernizing Japan within the backdrop of a traditional Shinto and Buddhist spirit-world. Both films are iconic introductions to Japanese culture through anime.

Japanese Trailer for “Grave of the Fireflies”

The Japanese Trailer for “Spirited Away”

Idiocracy (2006 American) – Yep… a cheesy comedy.  An ordinary guy wakes up 500-years in the future, to a world where the human population is the result of centuries of socially influenced, unnatural-selection.  In a sort of self-reinforcing Dunning-Kruger effect, Americans have become too stupid to know how stupid they actually are.  Ridiculous and cheesy, the film nevertheless hides a serious theme beneath its superficial exterior.   I’ve almost come to the conclusion that it should be mandatory viewing for Americans.

President Camacho’s State of the Union Address

Dark Waters (2002 Japan) – Subtle, psychological horror in the form of an unusual, but very Japanese Buddhist, “hungry ghost.” Watching the film carefully, every image has some deep meaning for all of its main characters, each of whom is fundamentally motivated by nothing more or less than a search for love and belonging. This is the only time I’ve ever seen a film where I could empathize so deeply with every character, including the story’s terrifying antagonist. The purposeful message that we must always endeavor to be there for one another is communicated right up the film’s very last seconds. Not usually a fan of the genre, I sincerely liked this film.

Original Japanese Trailer for “From the Bottom of Dark Water”

Crouching Tiger, Hidden Dragon (2000 Chinese) – The new millennium’s Asian epic. Someone once explained to me that in much of China, a family may be able to afford travel to a city and seeing a movie once-a-year. Consequently, big Chinese films will be everything… drama, comedy, action, love-story, morality-play, fantasy… And that pretty much describes this film. One thing I found particularly refreshing were the film’s powerful female characters. However, as with most Asian films, viewers shouldn’t expect to be spoon-fed an ending.

The Tiger and the Dragon

Samsara (2011 American Art Film) – Filmed over five-years in twenty-five countries, this is a beautifully cinematic, non-narrative “documentary” about the human condition. A follow-up to the 1985 “Chronos” and 1992 “Baraka”, Samsara is intended to convey the conceptual imagery of “impermanence” in the Buddhist sense of cycles of birth, death, and re-birth. With music by Michael Stearns, Lisa Gerrard, and Marcello De Francisci, it is sometimes beautiful, and sometimes a little disturbing, but always thought-provoking. This is one of those sofa moments.

The Thousand-Hand Guan Yin

The Limits of Compassion

If you live in a graveyard, you can’t weep for everyone.
Aleksandr I. Solzhenitsyn, The Gulag Archipelago, 1918-1956.

Yale professor of Psychology, Paul Bloom’s, words came to mind during one of last week’s morning coffee exchanges, that, “…empathy will have to yield to reason if humanity is to survive.

It’s an unpopular sentiment among many who take the moral perspective that it’s every human’s ethical responsibility to care for every other human.

Leaving the US for Southeast Asia at the end of the nineties revealed a world that was at once revitalizing, and yet utterly incomprehensible.  Superficially, the hollowness of “productivity” in a big-corporate American sense had been replaced with the more laid-back, “whatever works” attitude of northern Thai, Lanna, culture. But temperament tends to follow like overweight baggage… simply consigned to a later flight.

That baggage would arrive along with a long-term visa as a graduate student in a local university engineering-physics program. And about a year later, it would result in a trip to Phnom Penh, dutifully testing an ambitious idea for the mass-production of a durable knee joint for prosthetic legs.

The project was a summary failure… mostly due to ignorance of the magnitude of what was being addressed. More than forty-thousand survivors of Cambodia’s decades of domestic and cross-border wars were in need of artificial limbs. Meanwhile, the numbers continued to grow as three in every hundred newly-hospitalized were due to landmines or unexploded munitions. Just two-months into a six-month stay, I threw in the towel.

Still, I wanted to do some “good” before returning to Thailand. So following a lead from the French-Canadian director of a food-relief program led to a connection with a Japanese organization seeking to house and to school at least a few of the hundreds of orphaned, abandoned and runaway children then living on Phnom Penh’s largest dump. Eighteen-years on, and I’m still involved with the boarding school’s operations. But this wasn’t the only program to entangle my aspirations in those earlier, more idealistic years.

Another project aimed at getting easily exploited kids off the streets, and a third addressed impending AIDS orphans. Both, however, turned out to be like that graduate project. The street kids had some distinctly different attitudes and dysfunctions when compared to their counterparts from the dump. Many had drug issues or AIDS or hepatitis, and few seemed to have much sense of future. Eventually, the program resigned itself to best serving as a safe, if temporary shelter for when those kids felt the need to come in from the wilderness for awhile.

The latter project merely tore my heart out as it inevitably descended into unsalvageable collapse. It was little more than a hopeless fight against a cultural disaster over which we had no control.  And even our best accomplishments still felt like bailing a sinking ship with a teacup.  But having empathetically attached myself to several individual narratives, it was as if being slowly drowned along with the victims of an insurmountably deeper pathology.

We’re a fairly diverse, but civil bunch of AM coffee pundits. Though in deference to full disclosure, there’s only one died-in-the-wool Trump supporter in our little caffeine-powered think-tank, and no one who might qualify as an over-the-edge liberal. Yet no one came apart at the seams when I once announced that I agreed with Ta-Nehisi Coates regarding reparations to the descendants of America’s African slaves (if for different reasons than his own). I just don’t think it likely to result in much long-term benefit given the realities of current American social convention.

Likewise examining our latest crop of alleged political leadership, there’s a resolute silence regarding the practical aspects of creating a more compassionate, or at least considerate society. Instead, a nation’s empathies have become fair targets for a collection of moral dog-whistles, each calling its pack into some well-marked corner. Narratives have taken the place of objective reality, even in supposedly balanced forums.  Stories of grief and suffering, injustice, or of utopian alternatives merely appeal to the fallacy of quick and simple solutions for complex problems.

Maybe we’re just hardwired to see the world in this way, natural-selection favoring those who can both easily understand the suffering of others closest to themselves, and vilify a perceived source to that suffering.  We empathize with and endeavor to protect others of our tribes.  But the idea of “community” has vague and flexible boundaries, lines where individual narratives can create a convincing sense of commonality… or of distance.  Regardless, the point at which empathy becomes the sole call to action almost guarantees failure in attempts to address large and complex issues.

The paradox is that when our desires for social compassion are overwhelmed by the sheer magnitude or complexity of a problem, we turn instead to stories with which we can relate at an emotional level.  We see this frequently in political confrontation, such as that which has left America paralyzed within our own complex reality.  Health care, jobs and wages, foreign relations, immigration and border security… all are large and complex issues that will require well thought-out solutions.  And yet they are fundamentally addressed, both by politicians and by media, through narratives.

Irrespective of best intentions, however, the most compassionate solutions to big problems aren’t to be found in individual stories.  Sixty-five million displaced and stateless people worldwide can’t be addressed one person at a time.  Nor can any other great social issue.  Individual narratives deny the realities of larger-scale needs and deeper, causal pathologies, distracting from long-term, wide-ranging humanitarian solutions.  And as difficult as it can be to admit, sometimes there simply are no complete, ideal, or even acceptable solutions.

Quoting Ta-Nehisi Coates, “Compassion–like all resources–has limits.” Cambodia left me with a powerful sense of those limits, of what even our best intentions can accomplish. More than anything else,  approaching great problems also demands a great deal of rational conversation. Every successful, long-term and productive relief program I’ve ever witnessed, whether providing artificial limbs for war victims, or food and basic health care or schooling for impoverished children, has had its foundation set firmly in the realities of genuine need, available resource, and feasibility.

This is what Paul Bloom is saying.  He’s not proposing that there’s something ethically or morally wrong with empathy, only that it can’t be applied to compassionate action on the kinds of scales needed to address large issues.  The most effective of such acts are instead founded in, “…conscious, deliberative reasoning…” Empathy, he argues, is appropriate only to the understanding of a single narrative. But this is a fatally flawed perspective from which to accurately assess broader needs as well as realistic possibilities.

To this day, I still grieve for those children who watched their last remaining parent wither before a force of nature they couldn’t comprehend. Nothing could have prepared me for those narratives…  a mere handful of more than ten-thousand that year alone.  It locked the last of my energies into a futile desperation to find some means with which to alter reality.  And that’s not a good way to express compassion — whether emotionally, or productively.


Images-
1: One of the first children transferred from the Steung Meanchey dump in 2002. Presently in her late twenties, she now holds an advanced degree in a science.
2: A group of boarding students at “CCH” in 2006, most from the dump.  Between CCH and another facility, the dump was eventually emptied of nearly all of its child population.
3: Kids at an open-air school near Siem Reap in Cambodia in 2006.
4: An impending AIDS orphan near Siem Reap, 2009.