Posts Tagged ‘ second life model ’

What’s Your Strength?

What is Your Strength?

by Eliza Mint

 

I truly do not believe being an SL model is something anyone is “born” with.  It’s not RL where we are born beautiful with perfect bone structure and skin, etc, etc.  Here in SL, we all have the possibility to become excellent models.  Does everyone have what it takes?  Of course not.  We’ve all met a couple people along our modeling travels that just simply do not “get it”.  They simply do not take the time to scrutinize themselves or take advice well or simply are not professional enough to do well in the SL modeling world.  Could they change and improve?  Sure, with some work.

Some people are “natural” SL models.  Perhaps they were serious gamers in a previous life and can strut along the runway just as easily as they can walk on their own two RL feet.  I, personally, was never a gamer and as a noob, I could barely walk up staircases.  One good friend used to be so kind as to teleport me to tops of stairs, I was so challenged.  I’m still impressed by models who can glide up and down complicated runway structures, stopping on a dime.  Over my 2.5 years in SL, I’ve gotten better.  Other people were builders in SL before coming to modeling.  They know their way around prims.  I’m proud to say that I once ran a clothing shop and while I truly kind of stunk at designing, it taught me a lot.  I can make simple pieces to finish a styled outfit or edit jewelry to get it just how I need it.  This is not something that comes naturally to me, but the more I work at it, the better I get.  Some people are fashionistas in RL and it translates well into SL.  They can make any outfit “flow”.

 

There is a saying, “Fake it until you make it” and it certainly holds true in SL modeling.  What’s your strength?  We all have one.  Maybe you are great at picking poses; being a little daring to get just the right pose to rock that outfit on the runway.  Maybe you have a great attention to detail and have the patience to cam around yourself a million times, editing and rotating those clothing pieces until they are perfect.  Maybe you’re a brand new model and all you have is some Lindens and your personality.  🙂  Well, that works too.  Then be the professional and sparkling personality you know you have and work it!  We’re all not perfect.  Not in RL and not in SL.  Most of us are still learning, day by day.

 

I haven’t been modeling very long.  I started my first class in January.  I’ve taken two courses so far and I’ve been friendly enough to make a good number of friends I can count on.  I think they have been my greatest asset in the modeling world.  People I can say, “Where can I get a light purple ponytail hair with sparkles?” and they give me some clues or LMs.  Friends I can brainstorm outfits with.  It’s only from each other that we learn.  We learn of new styling products, new modeling tools, and new techniques.  A friend that can give us a final look over and remind us that we forgot to shrink our ass!

You have a strength…and you’re not perfect.  How can you use the skills you currently have to grow as a model?  What strengths can make you stand out?  Only you can answer that.  So the next casting you have or class you attend, go in thinking positively about the ONE skills you have that no one can take from you.  Even if it’s “I’m friendly enough to make one friend today in class,” or “I know every prim on my avatar is perfectly placed”, then do it!

Manual Posing the Ins and Outs.

Posing Manually

As with many occassions in a modeling career you come across a show that is super laggy and many show coordinators and agency instructors warn you to have manual animations ready in case your HUD or zhao fail. Walk replaces and zhaos as well as posing HUD’s are scripted objects and in SL these scripts get a lower priority when it comes to the draw on the sim’s resources. These objects in lag don’t work well and you end up being up able to function or walk. In worse cases you end up noob bobbing your head or standing with legs apart – not a good look for any model.

Playing an animation manually from your invt and inworld is still liable to have lag but is much more reliable.

To manual pose you need a walk, a default starting pose and a number of regular poses. The default pose is the one you revert back to just before and after you walk. All these animations should be the same priority – preferably priority 4. Most of the runway animations you buy these days are priority 4 and in some cases designers of poses will say if they are in the description part of the properties. It is important to remember as animations of a higher priority over ride those of a lower priority. The main thing to also remember is animations that are started later will override those that were started earlier.

Some animations , particularly walks, dont control every part of the avi. THe head in a walking one often left to move freely and controlled by earlier or lower priority animations. So you may be playing a walk animation and still see parts of an earlier or lower priority animation still playing through. This will have an effect in the order that we play the animations for our routines. Generally you should not have any other poses playing while the walk is active. To prevent the pose from bleeding through the walk.

Right for placement on your screen fin what works best for you but placing the walk and default standing pose next to each other leaving some space between each of them. Line up your other poses in a row or column in the order that they are to be played.

Click on the play in world button of your walking animation when the button is turned on it will have a coloured boarder. The window containing the animation is active and has the focus. If you try to use the arrow forward key while this window has focus you wont walk. To walk you need to make sure the focus is on the screen we do this by clicking on the screen anywhere. So just below the animation.

Now this is where you have to become really good with your left hand control your arrow keys and right to control the mouse. Strangely enough for me as i use a laptop that will mean crossing over so I have to work out if that is better or using the hands the other way around.

So to practice the walking for now. Start the walking and immediately click below the animation to start moving forward and press forward arrow key so that you avoid moon walking or gliding in place.

Now to walk to a particular spot – same as you have probably learnt to walk with alt click on the spot you want to aim for. Although this time to walk on you need to click the animation then quickly the screen and arrow forward as per normal.

Right to start adding in your default pose. Now when your walking manual as above as soon as you stop click on your default pose you do not need to turn off the walk as it was started later it should over ride the walk. If at all possible and you need to check with your poses its possible if all the poses override the walk completely then to keep the walking on and just use the poses on and off. But this will depend on the walk and making sure none of the walk shows through any of your poses.

When you ready to walk ahead just stop your default poses and it should resume. So you never turn off your walk and you control the walking and default pose by turning the default pose on and off. YOu must make sure in this situation that one of your poses is on at all times as the walk will just start up all over again.

Some suggest to keep the basic pose on while walking and others do not . In some situations it can make you lock your head and look like a zombie and in other situations with no basic pose on you heard might have minimal control but look more natural ..

When adding your other poses in its fine to keep your default pose on and these newer poses should kick in over the top. As you start a new pose stop the one played previously after starting the new one. The point is when your done your posing you want to revert back to the default pose. For this to work all others have to be turned off or stopped.

The one area to watch for is that none of your pose snap back into a pose like a static pose. Especially the basic one. If this happens this means you need to turn it off while playing other poses and put it on again last. If it doesn’t it can remain in the background playing. After playing your poses and reverted back to the default with none of your other poses playing except the default. Now during this time along with everything else you need to set your camera up for your walk. When your ready to walk stop your default pose and click on screen and use arrow forward to go.

Phew that seems so much but if all else fails its possible to still walk using your walking pose and manual poses. Now many people use a modified version of this using a walk replacer which controls the walks and manual poses. But the full monty is very difficult and something that needs to be practiced again and again to get the smooth transitions.

May the force of Manual Posing be with you !

Keeley xxx

Male Models Career Opportunity

Bre Coba, The Brilliant mind behind the mens couture lines, ‘BCBC Couture’ and ‘Maisan Bre Coba’, is looking for, “the most passionate male models here in Second Life, who are dedicated and looking to succeed in the modeling industry.”

If you feel you have that special something, read the attached!

Thank you for your interest in the BCBC COUTURE Scholarship Program!
The main goal of the BCBC COUTURE Scholarship Program is to provide scholarships to male models to help them further their education. We do this by taking a percentage from our yearly earnings from our shops and allocating it to the program, 20% of all sales go towards our scholarship fund. Scholarships are distributed directly to a model’s school of their choice.

Frequently Asked Questions

How does this all work?
The scholarship is distributed to models based on the applications we receive. We do not teach or provide training at our shops but rather give any model who applies the opportunity to choose what school they would like to attend. On average, each model receives a one- time scholarship of 2500L to a school of their choice.

How do we choose who to give scholarships to?
-Anyone who applies will be taken into consideration for a scholarship. However we choose based on the replies that models give us to the questions asked in our application. We only select the most passionate and dedicated models.

Where does the money go?
-All lindens are directly sent to a model’s school of choice in the model’s name. At no time will a model receive actual lindens toward their education; this is how we avoid having our program being scammed.

If you are a Model..

We are only looking for the most passionate male models here in Second Life, who are dedicated and looking to succeed in the modeling industry. If you are a model interested in getting assistance with your education please fill out the following application.

Your Name:

Are you currently in modeling school or planning to attend one? If so where?

Why should the program give you a scholarship? (Please put some thought into this, as this is what you will be judged on.)

Please include one head shot and one full body shot of your preference.

Please return completed application Bre Coba.

Script writing the in’s and out’s.

Let me first say, show scripting many times is fairly well executed, but still a very much an overlooked trade in Second Life. It is fast becoming a dying trade as more and more agencies require models to contribute in many aspects of a show. It is one of the most important aspects to putting a show together. It is what is actually said as models parade down around or through the steps of the runway. In the worst case descriptions are often scribbled up in the last hours before a show, and sometimes altered “in the heat of the battle” as the Presenter /Announcer is correcting spelling errors, or simply trying to catch up with the walk order as models crash.
These days in the world of modeling to avoid the last minute rush by the script writer agencies are requesting models to submit a script of their outfits prior to the event and the scriptwriter is pulling the whole package together. This can present a few problems firstly that the scripter has no idea what outfits the models are wearing less they attend dress rehearsals and or have a list of the outfits and visit the designers. The second problem is that some models find it difficult to write a description and as such you end up with a variety of descriptions and a script that does not necessarily flow.

So with this in mind I thought it would be best to encourage all models new and old to think carefully about the way in which they write their descriptions. Thus making the scripting process easier for their agencies. Here are my top tips in no particular order….

#1. Don’t describe the model, describe the clothes. It’s a fashion show correct? The description should about the clothes. The models are of course worth mentioning, but they are there to make the best of the garments being shown. The secret here is to concentrate on the outfit, after having told the model’s name, the outfits name and its designer, unless its a “single designer show” when the latter is obvious after the initial presentation. Point out oddities, interesting detail, together with a general description for the benefit of those who never saw it rezz..This need not and should not be lengthy.

#2. Keep the sentences short and sweet an exciting – A good rule of thumb is that you want at least six well formed sentences to allow the announcer to pace your moving around the runway.

#3. Avoid consistently over used terms. Try to be imaginative, don’t repeat yourself. If you can’t find words, use the simplest possible, a direct description, or a thesaurus.

#4. Personality is good but try not to be opinionated. It is best to be factual, analytical, and not florid.

#5. You are making a mini story so make sure you use descriptive language to describe the type of material and or feel of the outfit as well as where this might be worn. Do not mention other designers names unless its part of the show.

#6. If you are wearing other things you can describe what it is good to go with i.e. Works well with gold earrings and necklace in a circular pattern. But do not mention what jewelery unless its part of the things your showing.

#7. Research the designers’ styles and tastes. Don’t guess at it. Read up about them and visit their stores. Names of the outfits can also be a good clue to what they have in mind (not always though) and give ideas how to describe. You get a feel for what the designer is trying to create when visiting the store.

#8. Lastly always spell check your description – never rely on another person to do it unless they are proof reading it for you. A script writer should always do this but as we know sometimes things are over looked and not done. If they announce the descriptions are done by the models the show then reflects on you.

The following examples are from shows previously done by MPI and give you an insight into how some models write their descriptions. The designer names have been removed as to the names of the models. They are considered to be of a good quality.

Stepping onto the runway in a flourish of deep golds, reds, pinks and blues, XXXX sparkles in Cxxx Cxxx Cosmo, a magnificent creation showcasing a brilliant gradient that may be reminiscent to some of the aurora borealis. Cosmo fits like a glove, accentuating the silhouette of the wearer with its deep, plunging neckline, low-cut back, and daring peeks of flesh on the sides. The form-fitting fabric is finely embroidered with hundreds of sequins from the delicate band encircling the neck to the short modified handkerchief hemlines that draws attention to your legs as you dance the night away. Adding further charm to this stunning cocktail dress is the beaded fringe of gold and blue topaz that graces the décolletage and the open back. Cosmo is a true feast for the eye and is the ideal selection for the bold and daring spirit in you. Thank you XXXXXX.

Our next model is a cheeky devil and as such his wicked ways show in the outfit he has chosen. Please make welcome SSSSS TTTTT. When the weather starts to get chilly, the first thing that comes to mind is hot cocoa, fireplaces, holidays, and ways to keep warm. This comfortable set of white button-up Red Wilderness Longjohns by CCCCC is a great way to keep warm on those nights at home or away on vacation in relaxing mountain cabin. A Brown Fur Winter hat by AAA is the perfect thing for keeping your head and ears warm while relaxing on the couch or sitting on the rug in front of the fire. The Brown plaid Moose Slippers by LLLL keep your feet toasty when you walk to the kitchen for a cup of cocoa or a midnight snack…a little tobacco stuffed in a hand carved wood pipe by Agora adds a little more heat to those cold nights. Thank you SSSSSS.

Descriptions can really make or break the quality of a show. Written well they enhance the wonderful styling of the models,having worked their butts off to style the outfits to absolute precision. A bad description can make all the work done feel rushed and half hearted.
Make your description a priority.

Saturday: Fashion Show Featuring Designs By Miamai Fashion Creations

When: Saturday, September 19 @ 12 PM SLT Sharp  – “MPI Graduation show sponsored by MIAMAI, monica Outlander”

What: Celebrating the newest MPI graduates who have earned MPI Certified Model status featuring designs by Miamai Fashion Creations

Who: MPI Model Management Graduating Class of 09/19/2009

Where: MPI Model Management Campus Runway

Credits: Produced by redhairgenie Cabassoun; Coordinated by: Diconay Boa; Announcer: India Nadeau

We are sure you will be thoroughly wowed by the talent here. Not only that, it’s the perfect opportunity to network and be seen among the who’s who that have been invited. You never know who you might run into. Seat space will be limited so you’ll want to hurry to get the best view.  Seating is scripted so please turn off your AOs, scripted attachments and remove all bling upon arrival.

For more information on becoming a MPI Model Management model, visit : MPI Model Management

Our most recent show photos may be found at: http://wp.me/Pyh5c-bH

Best Regards,
Jason (Moore) Grant, CEO
MPI Model Management
My Bio: http://www.innovativeapplicationsgroup.com/JasonAMooreBio.pdf

Official Miss Refined International™ September 2009 Semi-Finalist Contestant Casting List

Official Miss Refined International™ September 2009 Semi-Finalist Contestant Casting List for September 2009.
[In Random Order]

Precious Mannonen
Slowly Bury
Tessa Madsen
Ipkiss Igaly
Aryana Allen
Keeley Cooperstone
Flora Fegte
Sookie Triellis
Darling Tomorrow
MARIENNA CORTES
Aevicen Destiny
CROWEFABULOUS SOMMERFE
Cody Woodhen
QueenBrat Bracken
Gamp Lane
Beauty Lourbridge
Diconay Boa
Emma Portilo
Inimioara32 Juneberry
Kay Fairey
Nakia Decosta
Raine McCellan
Saleena Hax
Sibilla Peccable
SWEETSMILING MERLIN
nena dreadlow

PLEASE NOTE: The semi-finalist castings will begin promptly at 2PM on Saturday and Sunday September 19 and 20 and last until approximately 4 PM on both days.

Applications for October’s casting may be picked up by going to the Official Miss Refined International™ Information Center.

Two Sides of the Fashion Coin (Part 4)

light and darkI have my thoughts to eliminate any problems between designers and models, or at least improve communication. One such solution would be to have that model take a picture of what they will be wearing and exactly how they will be wearing it in a show and the designer would say what they would like changed and what is okay. This eliminates any last minute problems and unnecessary situations or miscommunications that could be avoided at the last minute. Also, a model is paid to do a job. You may not get the perfect designer you would like to work with who has the greatest bed-side manner but you have to learn to deal with the different types of personalities that will be presented to you on a daily basis in this industry. We’re all adults and we should be able to deal with it without much drama.

Designers, if a model doesn’t wish to compromise to your vision and you are paying them good money for their services, terminate their contract. It’s as simple as that. Again, I know I may sound harsh but this is not a sugarplum fairy kind of industry where everyone is oh-so-nice and accommodating. It’s a business, so run it like one. Just say that it’s nothing personal but I’m looking for a flexible model to see my vision for my clothing realized. Ask for your product and payment back and if they refuse then you have a reason to get upset. This is also to the models- taking their merchandise and money for a job that you never did gives them ammo to smudge your reputation. It doesn’t matter if it’s not destroyed and people still work with you. There will be those that will listen and see that your work ethic is not up to their standards and you will find yourself lost out on a potential client/employer. That’s something you don’t want. Designers, if a model does this to you, then you have every right to complain to the agency that they are signed with for their behavior and lack of ethics in my opinion.

Every side has their individual rights, designers and models alike. It’s only a question of where one ends and the other begins. What is your personal or professional boundary? Have a question or opinion to share on this thought provoking topic? Then please feel free to share. Just know that I have tried to be completely unbiased in my article and show both sides of the argument and industry as I hope you have seen and understood. [Smiles]

Two Sides of the Fashion Coin (Part 3)

light and darkNow, you may be wondering, “what if the designer takes it too far or are too rude for you to handle?” It’s a simple solution really- terminate your contract and return all money and products/merchandise to that designer. We all have to make tough calls in our life and we all have our limit on the type of personality we are willing to work with. It is your right. No one is forcing you to work with that person. You signed that contract yourself and you have the right to end it and return the items and money that was given to you in return for your services, which you could not provide because of the situation. If you’re thinking of keeping any of it, don’t. You may be saying, “Well they were complete assholes to me so I deserve this for pain and suffering.” Get over it and give it up. This may sound harsh but you do not want to have anything used against you and keeping merchandise and money for a job that you never finished or went through with doesn’t paint you in the prettiest of pictures.

So return the things, send a professionally written notecard detailing why you are terminating your services and wish that person well while keeping a copy of that on file for yourself as well. I would also note that you write the time, date, and your name in that notecard and make it no modify and no transfer when you give it to them. That way you are assured that they haven’t tampered with it. If you signed up through an agency for that job, tell your agency about the situation and give them a copy of that letter immediately for their files as well. You always want to make sure your bases are covered. [Smiles] Tell your agency or agencies and let it be the end of it. Dragging it out will only make it sound that much more ridiculous and it will soon get on everyone’s nerves. Also, if that particular designer wants to try to smear your name and reputation, not showing any reaction whatsoever to their attempts just makes it look worse for them, not you. It’s like a child throwing a tantrum- the more attention you give, the more they will act up.

Earn Money With The Miss Refined International Friends-For-Friends Referral Program

How It Works

1. You merely tell a friend about the Miss Refined International™ Contest or hand them an application

2. You earn $65L for each proper application received from any of your friends. For example, refer 3 friends, that’s $L195. 10 friends, $650 and so on (NO LIMIT on your possible earnings!)

Full and simple to follow instructions can be obtained by picking up an official application at the [Miss Refined Information Center]

Two Sides of the Fashion Coin (Part 2)

light and darkShould the designer have to ask and request this of their model nicely and sweetly? It’s a preferred situation, but it doesn’t mean that the designer has to explain their every action and thought to the model on their vision for their clothing. If it gets to the point that they are outright rude- when I say rude I don’t mean just abrupt, but insultingly rude- then that is certainly taking it past an acceptable professional boundary. But having to say, “Oh will you please do this and please do that?” seems a bit much sometimes especially if that model is working for the designer. It would be akin to a business owner asking his/her manager to please hire more staff, to please do his/her work in the allotted time. Does a manager ask why they have to do their job or follow a direction by their boss? I haven’t seen that happen overmuch in my experience.

Now there is certainly a sense of professional courtesy that everyone feels that they are owed and they would definitely prefer that. In a perfect world it would be such, but we don’t live in that perfect world. You will most likely have to deal with difficult personalities. There are some people that just may not be a people-person or have a lot of tact. Oh well, those are the breaks- especially in the fashion industry. Let me make this clear. We are talking about the FASHION INDUSTRY- a world filled with oversized egos, plenty of attitude, and an over abundance of confidence. You will run into a designer that thinks they are “the shit” and you will have to work with them. You will have to compromise and bite your tongue if they aren’t super nice to you with a cherry on top explaining their every thought process to you. It’s the way the world works. You have to do it in real and I have no idea why people thought it would be any different in second life. You have to bite your tongue when your employer tells you to do something or else you would lose your job. What’s the difference here?

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