He

It wasn’t the sort of day that required her to do anything, so she lazed about drinking cups of black coffee with lemon-slice shaped ice floating at the top. She picked up a book and flicked listlessly through the pages. She read a sentence about microbes and then another about tapeworm, and she frowned, shutting the book and looking at the front cover. A magnified rendered image of a virus splattered glossily over the front flap, glaring at her menacingly.

When her heart started beating fast she marked it up to her fourth cup of strong black coffee, and made her mind up to stop drinking it. The sun filtered through her window, cutting through the thin white curtains that billowed lazily in the cooling breeze that sailed down the mountains and created a crosswind through the house. Beautiful, beautiful house, she thought, glancing over her shoulder. Scenic photographs of the surrounding lanscape, enlarged and framed, hung on nearly every inch of the cream walls. In between hung little relics of a life well-travelled. Hand-woven rug, coarse yet soft under her calloused feet. The doorframes were painted green, and the window frames white against the dull cream on the walls but you couldn’t notice that because the photography – his photography, hugged every corner of the house and encroached the space.

Encroached? Shrouded?

Embraced.

His presence was everywhere. She breathed and his smell lingered yet. A perfume of warm smells. Tobacco – she took a deep breath. Coffee. Of course coffee. Lemon? No, grass. Freshly mown grass. A little tobacco maybe, a husky sort of smell, and wood. The wood was everywhere though. Hand-carved oak table, carved maple figurines on the mantlepiece, and the mantle itself he had cut and sanded. He loved the smell of pine, he told her, it made him feel at home.

She didn’t feel anything anymore. She could touch what he touched. Without grief or fear of plague. She could sleep on his pillow, and wear his clothes. She wanted to be reminded, now. After so long, she wanted to remember.

When she pushed the curtains away from the window, and the mountain cascaded downwards before her before rising up towards the sunset, she breathed and it was his scent the wind carried. She let it fill her lungs, caress her hair gently around her face. The pines in the valley hugged the foot of the mountain and the lombardy poplars on the slope were silhouettes to the sunset, with the sunrises casting a glorious glow about them. They became alive. Full of character. The sky was vibrant with life. Clouds scudding across the horizon and as the day crept towards night, they began to take on the magnificent hue of the retreating sun, reflecting it back onto earth.

I see you.

The earth was alive in this place. She felt its blood running through her veins.

She saw what he saw, now. His thoughts were hers.

The Girl on the Hill by Alan Lakin

This was Day Three of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

O’Henry, also known as William Sydney Porter, said of the short story writing process: “Write stories that please yourself. There is no Rule 2.” That is what I shall do.

Stories

One thing my husband likes to say to me about my family is that ‘they always like repeating stories! I’ve heard the same story fifty thousand times and yet they still repeat it! They LOVE repeating stories!’

He says it like it’s a negative thing, and I used to see his point of view and started to think it was negative too. But then I stopped short.

HOLD UP.

I remember I ENJOYED those repetitive stories.

Mum, tell us about that time Uncle Nigel flooded a hotel party!’, or ‘Mum, tell us again that story about you and Kitty riding your tricycles to the police station when you were three’, or ‘Let’s hear that tale of when Dad broke his back when I was born.’

My mum would tell us all the family stories instead of bedtime stories before we fell asleep. She would tell us of the scrapes she and her cousins got up to when they were younger and turn them into episodes and we would listen avidly, despite knowing what came next. It was her voice and inflections and the way she built the suspense. Her voice rose and fell and lulled us to a space of serene security. If I close my eyes I can still hear how she would tell her stories.

Now we are too old for bedtime stories, she tells us of things her mother used to do and say, and what she saw and did when she was younger. She tells us things she experiences now, turning them into little stories and ‘morals’ and ‘lessons’.  And yes, I may have heard those stories hundreds of times, but before somebody who doesn’t appreciate them pointed out that the repetition is annoying, I never noticed or cared that she was repeating herself.

And I love them! My husband’s family don’t like to tell and re-tell stories like that. They just allude to things but don’t elaborate on them and make them events in and of themselves like my family do. They are more reserved, you see, whereas my family is a little more ‘out there’, letting emotions out as and when they arrive.

Our families are different and that is ok. But I have realised a very important fact. And that is that stories are very important to me. I myself repeat stories often, I catch myself doing it, and my husband rolling his eyes at me, but I can’t help it. I like doing it. I think I am doing it more for myself than for those listening to me. Also there are those who like my stories too!

I elaborate on them and add flourishes and, like my parents, I do the voices and gestures and act it out.

Maybe my son will appreciate my stories and will be a storyteller too, but he may also find the stories annoying and resort to retelling experiences with a wry smile and not do the accents. Either way. It is ok. We are who we are and we are born of the stories that shaped us.

Also, whether you tell stories with a flourish or not, you will still tell stories. Stories are just the narratives of our lives, and we choose how to tell them, be it with flamboyancy or reserved calm.

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