Q&A With David Brown

David Brown is a comic book writer whose upcoming collaborative project The Wisdom of Fools: A Graphic Novel Horror Anthology is currently being Kickstarted, you can check it out here. David wrote the short comic The Magician, which I reviewed recently. The Magician will feature in The Wisdom of Fools alongside 9 other stories and can be read on the Kickstarter page.

How long have you been making comics?

I’ve been making comics since I was about eight years old or so. Granted, they weren’t very good but I was making them! I continued making them through high school and it’s just something that has never left me. No matter what’s going on in my life, I’m either thinking about story ideas or actually writing…I’m addicted!

What do you enjoy most about making comics?

I’d say what I enjoy most about making comics is bringing things to life that otherwise would have never existed. The comics medium is so unique in that you can literally do anything without fear constraints. If you can dream it, you can put it in a comic book. I love the endless possibilities.

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What is the hardest part of making comics?

The hardest part of making comics for me is knowing when a script is finished. I’m constantly going over scripts and re-writing, editing, moving stuff around, playing with dialogue, etc. At some point you have to just put it down and convince yourself that it is complete. Then you hand it to an artist and they move stuff around anyway so really it’s futile. So yes, I’d saying being satisfied with a script is the hardest part for me.

Where do you get your inspiration from?

My inspiration is sporadic. Sometimes I’m void of inspiration for weeks and then i’ll see something out in the world that will inspire me in the strangest ways. I’ll give you an example. I was in the grocery store shopping for cereal (because that’s the most important food) and this little old frail man comes roaring down the aisle, hunched over his cart. He’s grabbing items from the shelves with surgical precision without slowing down. And the best part, he’s muttering to himself the whole time. I went straight home and wrote ‘The Magician’! Just taking that situation and running it through my brain’s filter provided one of my favorite stories.

Is there anyone that you admire in the comic book industry?

Yes, there are several people in the business that I admire the hell out of. Alan Moore for his Swamp Thing work, Greg Capullo for his attitude and Batman of course, Terry Moore for his flawless story telling, Matt Kindt for his willingness to step well outside mainstream style to deliver the stories he wants to tell and George Perez because he’s George Perez! There are lots more creators I look up to but those guys I mentioned are tops on my list.

What is your favourite story in ‘The Wisdom of Fools’?

I get asked this a lot and the answer changes regularly. Right now it’s a tie between ‘The Magician’ and ‘Sweat’. ‘The Magician’ is special to me because it’s the first tale I wrote under the 5d Comics banner. ‘Sweat’ is a really cool tale that actually occurred to me in a nightmare. I was having a very lucid, horrible dream and I kept telling myself to write about this when I wake up. Basically I kept waking up from one nightmare into another nightmare and the idea of being caught inside a world made of nightmares stuck with me for weeks afterwards!

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How long did it take to put this project together?

Well, the seed of the idea has been with me for years but specifically, it’s been a solid couple years in the making. The art and production part of it has been happening for the last year or so. It’s really satisfying to see something you’ve worked on for so long finally come to fruition! I feel like I’ve watched my child grow into a man!

Why did you choose to Kickstart this project?

A couple reasons for Kickstarter. Firstly, we simply could not afford to publish the book on our own. Off set printing is very expensive and crowd funding was really the only option. Secondly, there seems to be a lot of comics fans hungry for independent work right now, mostly due to the big two becoming a little stale. Kickstarter is the place most people think off to find some quality indie projects so that’s where we wanted to be!

What can readers expect from ‘The Wisdom of Fools’? 

Readers can expect ten quality stories, incredible art, and a book that is completely packed from cover to cover with professional level content. We poured our hearts and souls into this book and I know you guys will love it! Thank you so much!

Q&A With Stephen McGee

It’s been a while since I posted a Q&A so I feel like it’s about time I got back to it. Here’s a Q&A with Stephen McGee, creator of the webcomic Rain Dogs. Stephen can be found on Twitter @raindogcomic.

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How long have you been making comics?

I’ve been making my webcomic, Rain Dogs since 2010, however, I didn’t launch it until 2012 due to the amount of prep work I wanted to do beforehand. I had always casually drawn since I was 10 but I never really had the courage to do anything with it. I would try to emulate Todd MacFarlanes work A LOT, but it would take close to a month for me to finish just one of his covers. Over time, I realized that the only thing holding me back from turning this into anything was self-doubt…that horrible, utterly merciless beast that artists battle with on a daily basis.

What made you want to make comics?

The catalyst to starting a webcomic came when someone introduced me to the Perry Bible Fellowship. I had never seen anything like it. I wasn’t even sure what a webcomic was at that point. I was immediately hooked, and soon afterwards, I had roughly 30-40 bookmarked sites that I followed religiously including Space Avalanche, Loading Artist, Fatawesome, Channelate, and many others. Then during a lunch break one day I started sketching in a 3-year old notebook with 4 drawings in it, that I never had the time for. I filled it in 3 months.

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What do you enjoy most about making comics?

My favorite part of making comics is that fleeting moment when you realize you’ve just done something new that works. It’s brief, but when it’s there, it’s enough to convince you that maybe you can actually make this happen.

What is the hardest part of making comics?

Writing. Webcomics are often updated anywhere from daily to weekly, so the constant demand of material can stretch one thin creatively. With Rain Dogs updating 3 times a week, I am constantly on a mission to outdo myself or make an idea funnier or more clever. I probably aimed high coming into the scene with no experience and such a rigorous update schedule, but it’s forced me to go beyond my comfort zone as an artist.

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Where do you get your inspiration from?

Most inspiration comes from visiting record stores or going to shows when possible. A lot of the time I bounce ideas off of my wife to gauge her reaction. Other artists are a large part of that too. Twitter has been a huge source of inspiration and camaraderie for me. The webcomic community there is so understanding and supportive. I’ve met so many wonderful people through there that have become true friends whom I respect for their talent and determination.

What was your first comic book?

I’m not sure if this was the first or not, but one of the most memorable was “The Comet” by Impact Comics in the early 90s. My family was at the beach and my dad took me and my brother to pick up some reading material from the bait shop. My brother grabbed a copy of the “The Fly”. The shop was carrying a bunch of origin stories from the “The Crusaders” heroes of Impact Comics. We loved them so much that we made paper cutout toys of them and made our own adventures.

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Is there anyone that you admire in the comic book industry?

1) Christopher Grady of Lunarbaboon.com. He’s one of the first artists I reached out to in the webcomic community. At the time, we were expecting our first child, and I instantly became a huge fan of his strip about fatherhood. His artwork and writing style are so clever and relatable. He’s the next Bill Waterson.
2) Kenneth Rocafort. Kenneth Rocaforts style is absolutely fascinating. His linework is so beautiful, and he has such a mastery of color and style. I’ve been religiously following his Mitografia tumblr series in sheer amazement.
3) Dave McKean. Dave McKean’s work has shown me that the bounds of art can always be broken through and reinvented. His collaborative work on Signal-To-Noise was such an inspiration for my secret mission of wanting to learn more about anatomy and pastel work.

What’s your favourite comic book right now?

Most of what I read stays in the Graphic Novel realm, and I’m always reading 3 or 4 at the same time. My current favorite has been Power Nap, an online graphic novel by Maritza Campos (powernapcomic.com). I just finished Asterios Polyp by David Mazzuchelli, which I fully recommend. It’s so intelligent and well-written. Also, new Sandman this year, so that’s extremely exciting.

Q&A: Darryl Banks, Daron Kappauff & Chris Delliaconno

This Q&A is a little different than usual, you may have noticed three names in the title. Darryl, Daron and Chris are just 3 of the guys behind upcoming project Horizon’s End. However, this is a project that still needs funding so take a look at the Q&A and then head on over to the Kickstarter and if you like the look of it, why not back it?

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How long have you been making comics?

Darryl Banks: I began drawing comics in 1989. My first published comic book was “Cyberpunk” from Innovation.
Daron Kappauff: Horizon’s End marks my first foray into full on comic writing. I wrote a four-issue back up story for Image’s Small Gods some years back, but unfortunately the book was cancelled before my issues saw print. Besides comics, though, I’ve been writing for years and have been publishing short fiction and poetry in various literary magazines.
Chris Delliaconno: If you count published projects, this would be my first. I’ve been developing ideas on my own or with others for at least ten years. We have worked with artists, editors, and other writers. Published material has yet to come out of those experiences, but they provided invaluable experience.

What made you want to make comics?

DB: I grew up as a serious Marvel Comics fan!
DK: I think it’s the limitless potential inherent to comics. If you can imagine it, you can do it in comics and present it in a definitive way for others to see. Sure it’s fun to use your imagination when you’re reading a book or a story, but it’s more exciting to see imagination brought to life.
CD: I love television shows, movies, and video games, but there’s something truly special about comic storytelling. The written word and the illustrations take on the job of director, writer, actor, cinematographer, foley person, and so many other aspects. The comic book lends the creator the opportunity to go as far as the imagination will allow.

What do you enjoy most about making comics?

DB: Creating memorable moments. I’ve enjoyed reading so many great moments in comics that I love adding more of them. I will never forget when Steve Rogers first lifted Thor’s hammer and when Hank Pym revealed that he was the brain pattern for Ultron. The wedding of Reed and Sue Richards and the death of Jean Grey (the first one).
DK: Definitely seeing my ideas and words interpreted by an artist and then brought life. There’s a kind of magic that happens when your words are transformed into images on the page. There’s no other way to describe it.
CD: The collaboration is one of the best parts. It’s so fulfilling working with talented folks like Daron, Darryl, Moose, Troy, or Stephane. The end result of that collaboration is truly special. When you see the words you write coalesce into Darryl or Stephane’s pencils, I’m not going to lie,  it’s a wow moment each time. Then when Moose adds the colour art…sometimes words can escape you. 

What is the hardest part of making comics?

DB: It’s hard to say what the absolute hardest thing is.  Deadlines can be a challenge or waiting to get paid when you really need the money for bills.
DK: Not making comics. Once I get into it and start writing scripts, it’s hard to do focus on anything else. I enjoy writing a lot of different things, but there’s nothing like working on a comic script, not for me anyway.
CD: It’s very difficult to find artists that have the time to commit to your project. Without eye catching art you have a near impossible task getting published.

Where do you get your inspiration from?

DB: Other great artists past and present and desiring to also be an influence on new artists.
DK: It would probably be easier to say what doesn’t inspire me. But keeping it to modern influences, directors/screenwriters Christopher Nolan & Shane Black and novelists Cormac McCarthy and the late Stieg Larsson have inspired me more in recent years than most of my formative years combined. These guys are vastly creative in such different ways that it’s forced me to look at my own work and see what I can do differently, and more importantly, better.
CD: I’m inspired by the things I love. Movies like Star Wars, comics like The Warlord, or a book like The Adventures of Huckleberry Finn have all had indelible impact on my life. They’re part of who I am and what I aspire to be creatively. I also enjoy traveling. The weird locales and odd situations I’ve found myself, both in the US and abroad, have opened my door of inspiration.

What was your first comic book?

DB: I don’t remember.  Archie or something like that when I was very young.  Years later my first superhero comics were Marvel Spectacular #6 (reprint of The Mighty Thor #135) and King-Size Amazing Spider-Man #9 which was also a reprint.
DK: I know I had a few comics when I was younger, but I didn’t really get into them until junior high. The first comic I clearly remember buying was Jim Lee & Chris Claremont’s X-Men #1. I’m pretty sure I still have all the various covers for that one boxed up somewhere.
CD: My first comic was Star Wars #18 back in 1978. Interestingly it’s titled “The Empire Strikes” and was written by Archie Goodwin, penciled by Carmine Infantino, with Gene Day inks. What a team of legends for your first comic! I’ll tell you, that team had me terrified Luke was going to die! I was only four, so don’t think I’m easily entertained. I still have that comic, and it looks bad from being read about a million times. As bad as it looks, that’s probably the comic that means the most in my collection.

Is there anyone that you admire in the comic book industry?

DB: Alan Davis because he’s one of my biggest style influences plus he also writes.  George Perez because he’s a legendary superstar yet he’s not egotistical in the least.
DK: Man, there are so many great writers and artist I admire it’s hard not to list them all. If I have to name one, though, it would have to be Mark Waid. Because of his run on Flash, I connected with a character in a way I never had before. Then of course there’s Kingdom Come, which in my mind, changed the scope of what comics could be. And then there’s Daredevil. If you’re reading it, you don’t need me to tell you how amazing it is. If you’re not reading it, well, you really ought to be.
CD: There are so many people I admire in the comic industry, but Mike Grell has been my “favourite” for as long as I can remember. His writing is enthralling and the sequential pages he produces are mesmerising. He’s one of the finest storytellers to ever work in this medium. Grell almost always has a deeper meaning in his work, but he’s never beating you over the head with his point. He’s a legend and the creator I most admire. On top of that, he’s a part of the sketch rewards program on Horizon’s End. Having Grell involved in that small way is thrilling for this Jersey boy.

What’s your favourite comic book right now?

DB: I don’t currently collect any modern titles.  Lately I’ve been re-reading classic Avengers from the 1970’s and 1980’s.
DK: Saga, hands down. Brian K. Vaughan and Fiona Staples have flipped the sci-fi world on its head by taking the genre back to its roots. This book is telling socially relevant (and irreverent) stories, while delivering amazing science fiction adventures in exotic settings. The book constantly reinforces the idea that the brilliance of comic books are only limited by their creator’s imaginations.
CD:
If I had to pick one it would be Hawkeye. Something fantastic occurs when Matt Fraction & David Aja work together. They did fantastic things on Immortal Iron Fist, but are exceeding that level with Hawkeye. Fraction’s stories are densely packed with action and characterization, plus the book is funny. Aja’s art is dynamic with interesting panel layouts and expressive facial features. The book looks and reads better than anything else on the market. If you wanted to round out my top 5, the I would add: Saga, Daredevil, Thor: God of Thunder, and Harbinger. Each is a truly exceptional comic worth reading again and again.

Q&A With Stu Perrins

Stu Perrins is a comic book writer from Birmingham. You may remember I reviewed his FREE comic Harvey Spig in The Dead Of Night. Here’s my Q&A with him, enjoy!

How long have you been making comics?

Don’t know if I could really put a length of time on it, but I’ve been more active in terms of writing for the past few years. In 2011 I self published (along with the artist Matt White) a superhero Sci-Fi thingy called ‘Mercury’. After that I had strips included in the first issue of US magazine ‘The Black Cross Presents’ and also a strip included in Silverhand Comics ‘Ashcan Oddities’ anthology. Recently the first Harvey Spig story ‘The Dead of Night’ saw the light of day and if things go to plan me and the king of crazy and all round awesome dude Nick Gonzo should be unleashing some more Spig insanity into the world for a little while longer yet. I’m also working on a capes and capers epic with an amazing Spanish artist called Israel Huertas, the stuff he’s coming out with for that is crazy. Also keep an eye out for the ‘Tales from a Lonely Planet’ anthology which I’ve put together with all profits going to Cancer Research UK. And as well as all that I’m writing a series for Red Leaf comics and should have a strip in a forthcoming issue of ‘FutureQuake’.

What made you want to make comics?

I can clearly remember writing and drawing my own comics when i was about 8 or 9, which I’d then get my Mum to photocopy at work which I’d give out to kids in my street. So I guess its fair to say that comics are something that I’ve always had a love for and to be honest i can’t really remember not loving them and wanting to make them.

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What do you enjoy most about making comics?

I really can’t name ‘the’ most enjoyable part, but for me its lots of little pockets of excitement bubbling away while working on projects. But if you held a gun to my head and asked me that, I’d have to say seeing the finished strip. There is something very ‘little kid on Christmas morning’ about that.

What is the hardest part of making comics?

To be honest the hardest part is finding like minded people to work on projects with. Having said that, I’m lucky enough to have worked, and to be working with some quite frankly fantastic and talented artists.

Where do you get your inspiration from?

I think inspiration comes from everywhere. I remember reading an interview with Keith Richards where he was asked where he gets song ideas from, apparently they ‘fall out of the sky’. I guess the same applies to me with comics. But if you want a less cryptic answer, people like Douglas Adams, Terry Pratchett and Terry Gilliam are massively inspirational to me.

What was your first comic book?

Like pretty much everyone my age the first comic I ever read obsessively was The Beano , but that all changed when one day after school my Mum brought a 10 year old me a copy of 2000AD on the way home and then in my teens I discovered stuff like  Watchmen and The Dark Knight Returns and the rest, as the cliche goes, was history.

Is there anyone that you admire in the comic book industry?

Mark Millar, Robert Kirkman, Grant Morrison, Alan Moore, and Mark Waid, amongst others.

What’s your favourite comic book right now?

Toss up between either Kick Ass 3, Indestructible Hulk or Invincible Universe.

Q&A With Jeremy Holt

Jeremy Holt is a comic book creator based in Vermont. His works include Cobble Hill, Southern Dog and more recently After Houdini. Jeremy can be found on Twitter @Jeremy_Holt or you can check out his blog.

How long have you been making comics?

I’ve been writing comics for just about five years now.

What made you want to make comics?

It was rather serendipitous. My oldest brother was an avid collector when we were younger, and I distinctly remember reading Jim Lee’s run on the X-Men, but I didn’t really invest much time into them.

About five years ago, I was hanging out with said brother and he suggested we hit up a local coffee shop and read some old comics. He then handed me Frank Miller’s The Dark Knight Returns. I read that book cover to cover and my love for comics was born.

However, it wasn’t until I read Brian K. Vaughan’s Y: The Last Man that I decided to start writing my own comics. It’s been an exciting adventure ever since.

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What do you enjoy most about making comics?

What I love most about making comics is a two-part answer. I love developing and writing stories. I went to an art school but even after four years, I didn’t find a creative outlet that felt more like a reflex than a conscious decision. For me, writing comics is very much instinctual and I couldn’t imagine creating any other type of art.

From there, the collaborative nature of creator-owned comics is what gets me up in the morning. When I’m working with an artist and we’re practically on the same wave length, seeing art come in is like Christmas every time. The icing on that cake is that more often than not, I’ve made a friend for life.

What is the hardest part of making comics?

The hardest part is keeping the momentum going when life gets in the way. Stealing a term from Steven Pressfield, this is known as Resistance. Every day is a new battle against Resistance, and some days you lose.

Where do you get your inspiration from?

My inspiration for stories comes from just living life. Going out and experiencing new things whenever possible. Half of my stories have been plucked straight from my nightmares, while others were conceived from a conversation I had/heard or a story in the local news.

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What was your first comic book?

Sadly, I don’t remember.

Is there anyone that you admire in the comic book industry?

As much as I’d love to list some of my comic creating idols, I’d have to say I admire the support team that I’ve built up over the years. Creators like Kurtis Wiebe, Ryan K. Lindsay, Riley Rossmo, TIm Daniel, Jay Faerber, Ed Brisson, Matthew Meylikhov, Justin Jordan, Tradd Moore, and Yale Stewart have all been there for me at one point in my career. Their encouragement and advice has truly helped shape my career thus far.

What’s your favourite comic book right now?

My favorite comic book right now would have to be…you guessed it: Brian K. Vaughan and Fiona Staples’ Saga. Everything about that series is just perfect, but I might be a little biased.

Q&A With Dino Caruso

Here’s a great Q&A with comic book writer, Dino Caruso. Dino’s work includes Dark Lies Darker Truths, Fisk S.U.B.S.T.I.T.U.T.E Hero and loads more. Check out his website or find him on Twitter @CarusoComics.

How long have you been making comics?

I started taking it seriously in 2006. Before that I had written a lot of stories and practiced making scripts, but I was a bit too nervous to dive in.

What made you want to make comics?

I’ve been a comics-reader for as long as I can remember, and it’s an amazing way to tell (and read) a story. When I was a kid reading Teen Titans and Firestorm, I always dreamed of one day being able to be a creator.

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What do you enjoy most about making comics?

I love the collaboration. Working with artists, letterers and editors is awesome. There’s this amazing feeling of excitement every time I see an email with an attachment in my inbox.

The process is also very rewarding. There are so many steps involved in creating a comic and each one feels like a victory in its own way.

What is the hardest part of making comics?

Well, the reality is that when you work in indie comics, the process can take a long time because everyone has their “real job” and family commitments to focus on. But that’s just the way it is, and it’s fine with me…and I’ve discovered that anthology editors are very understanding and usually give a nice long deadline in anticipation of this.

Where do you get your inspiration from?

Great storytellers, in any medium are very inspiring. For example, in the music biz…The Tragically Hip, Neil Young and Bruce Springsteen spin amazingly detailed yarns in their songs. How could you not be inspired by that?

What was your first comic book?

Honestly, I can’t remember the very first comic I read. But I do remember reading lots of Peanuts books from my school library. I also remember those little DC Digests with all the reprinted stories. And for some reason, I have this image of a tattered old copy of The Brave and Bold with Batman and Sgt. Rock.

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Is there anyone that you admire in the comic book industry?

Too many to mention, but some notable creators at the tip of my brain right now are Jeff Lemire, Garth Ennis (love Preacher!), Brian K. Vaughn, Greg Rucka and Ed Brubaker.

What’s your favourite comic book right now?

Umm…another toughie…but I think I’ll go with Saga. Honourable mention goes to Stumptown and The Black Beetle.

Q&A With Ibrahim Moustafa

If you know anything about me you’ll know that one of my favourite current comics is High Crimes and that Ibrahim Moustafa is one of my favourite artists. You can see Ibrahim’s work in IDW’s The Pound: Ghouls Night Out and of course in High Crimes. As well as making comics, he’s in school and has a part-time job and he still finds time to reply to tweets from pests like me.

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How long have you been illustrating?

I’ve been drawing since I was old enough to hold a pencil, and I always drew growing up, but it wasn’t until about 5 years ago that I began actively drawing sequential comic book art.

What made you want to work in comics?

I grew up loving Superman, and I had and read comics when I was much younger.  Even as a kid I was always interested in the more realistic renderings of characters.  When I was in the 10th grade, “Smallville” premiered, and it reignited my interest in Superman. Someone gave me the book “The Compete History of Superman” as a gift, and inside of it there were a few Alex Ross paintings.

I’d never seen Superman drawn to look like a real person in that way before, and I was absolutely captivated by it.  I wanted to draw and paint exactly like he did.  A little cursory digging led me to “Kingdom Come”, and it was down the rabbit hole from there.  I was reintroduced to the language of comics and visual storytelling and I really fell in love with the medium. And because I already loved to draw, becoming a comic book artist was a perfect fit.

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What do you enjoy most about making comics?

There’s something very satisfying about telling a story with illustration.  Panel to panel storytelling is probably the best part for me.  Even when I’m drawing a single image of a character for fun (like Superman, for example), I always try to tell a story with it, even if it’s subtle, rather than just drawing a character standing stoically in a pose.

What do you find most difficult about making comics?

The most difficult thing about making comics for me is having to balance the amount of time that it takes with everything else in life.

How long does it usually take to complete an issue?

At this point, it’s difficult for me to say, as I’ve yet to work in comics as my sole means of income, so my time at the drawing board is split amongst comics, school, and a part time job.  I’m also pencilling, inking, and coloring, which is typically handled by 2-3 people. In an ideal scenario, however, I can quite easily adhere to the industry standard of a book per month.

Is there anyone in the industry that you admire?

Absolutely. Probably too many to name, but I’ll give it a shot: I have *huge* admiration for Mark Waid.  Not only is he extremely versatile, but he’s managed to stay relevant in an industry where the major companies that afford creators to make their living can quickly forget their greatest contributors.

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What’s you’re favourite comic book at the moment?

Unfortunately, I don’t get to read comics because I’m too busy making them.  But, I will say that “Scalped” by Jason Aaron, RM Guerra, Julia Brusco (and various other artists that lent a hand on it) is my favorite comic book work of all time.

What was it that attracted you to High Crimes?

I LOVE crime comics, and had been looking to draw one.  When I met Chris and he gave me the pitch for High Crimes, it was unlike anything I’d ever heard of in comics, or otherwise.  I *had* to draw it.

Out of your own work, do you have a favourite issue or piece?

High Crimes #3 is probably the thing I’m most proud of to date.  There’s also a piece I did for a charity auction a couple of years ago of Lois Lane and Superman sitting atop the Daily Planet Globe having a lunch interview that I’m particularly fond of (which you can find here).

 

Q&A With David Baillie

David Baillie is a freelance writer from Scotland. His work can be seen in 2000AD, Judge Dredd Megazine, Teenage Mutant Ninja Turtles and many more publications. Check out davidbaillie.net for more.

How long have you been making comics?

I think I made my first mini-comic in about 2001, but I drew lots before then. I didn’t take it seriously until I started printing, folding and stapling them myself. My first professional work was in 2008, for 2000AD.

What made you want to make comics?

I think I’ve wanted to make comics since I was old enough to understand what comics are. I’ve read comics for as long as I can remember, and always hoped that one day I’d get a go. When I was three or four I had stacks of mini jotters (because I thought they were the right sort of size) filled with stories – mostly Star Wars, since Empire Strikes Back had just come out. I was barely four so I’m sure the writing was of questionable quality. My drawing has hopefully improved since then, too.

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What do you enjoy most about making comics?

It’s in my DNA to tell stories and comics are my favourite story delivery mechanism.

I love when I get the first germ of an idea, I love breaking it down and turning it into a script, I love drawing it (if that’s my job – I don’t always draw my own stuff), and if I haven’t drawn it I love seeing the art for the first time, and reading it as if I hadn’t written it.

What is the hardest part of making comics?

The years of toil it takes to be any good at it.

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Where do you get your inspiration from?

I don’t know where my story ideas come from. I think my brain just runs a background process that grinds up my conscious thoughts throughout the day and passes me ore whenever it’s ready. I have notebooks full of Future Shock ideas, plot twists for stories I haven’t begun writing yet, character names… It’s probably a diagnosable symptom of some horrible mental illness.

But generally I’m inspired by almost anything creative. I love films, books, radio, theatre, stand-up and comics.

What was your first comic book?

This would definitely have been before my brain was developed enough to create memories. It might have been one of the early 80s Marvel UK reprints of Stan and Jack comics. My earliest memories are of already having a collection of X-Men, Thor and Spider-Man comics.

Is there anyone that you admire in the comic book industry?

At the moment I look at Eduardo Risso and Frank Quitely and wish that one day I can draw half as well as them. My comics writing heroes are people like Peter Milligan, Brian K. Vaughan, Mike Carey and Grant Morrison.

I love the work of Will Eisner, Craig Thompson, Chris Ware, Joel Priddy, Shintaro Kago and Alex Robinson. In film I can’t get enough of Charlie Kauffman and the Coen Brothers.

What’s your favourite comic book right now?

This changes quite a lot but today I’m torn between Habibi, which is a monumental piece of work – one of the few graphic novels that actually feels as narratively complex and weighty as a prose novel, and Pulpatoon Pilgrimage which tells the story of a robot, a minotaur and a plant man on a beautiful, surreal journey.

Q&A With Ryan K Lindsay

How long have you been making comics?

In my heart, a lifetime. In my office, probably closing in on seven years. Man, I’m not sure if that sounds longer or shorter than I want it to, ha. I spent a lot of that time writing for myself and trying my damnedest to hone my craft. I believe in the theory you need to get 10k worth of garbage pages out of your system. Mine are safely locked in my lead trunk buried someone secure.

What made you want to make comics?

I love writing. I always have and so I’ve always written. I dig comics because they’re an amazing medium for storytelling – plus I grew up reading them and once they’ve got you they never truly let go. The possibilities are endless and it’s a real jigsaw puzzle of a way to tell stories.

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What do you enjoy most about making comics?

Seeing the art roll in. Man, I will never tire of seeing someone with amazing talent bring to life the ideas and people i cook up in the briefest of sketch form and then suddenly they’re this amazing work of beauty. That intense collaboration you get with someone, or a whole team, as you assemble a story and make something from nothing. It’s a rush, man.

What is the hardest part of making comics?

Being patient. It’s easy to rush things and that endorphin kick of sharing and getting feedback is certainly grand but I always try to slow myself down. I try to hold onto things until they are right. I’m never happy with my first draft and the redrafting process for me involves pad and pen, a whiteboard, plenty more pixels to chew through, and time. The hardest part is being happy with something you’ve done but then kicking yourself up the ass to make it even better.

You also have to be patient because you might write in a flurry but then you need the rest of the creative team to have their turn. Then waiting on things to print and be announced is crazy because you just want to blast it into the stratosphere and watch it spiral back to land.

Comics actually has quite a quick turnaround, comparative to other media, but when you love a story and you want people to enjoy it those days and weeks can stretch like an eternity. Being patient is a skill – though I’ not saying I’m a master of it, ha.

Where do you get your inspiration from?

No one place. Becoming a father informs so much of my work. The radio is good to get hit by new music that slaps a new part of the brain awake. Rarely is my inspiration sparked from sitting at the keyboard, that’s just when I work and create. The inspiration is when I’m out in the world, when I’m least expecting it. Or when I’m dicking around with words.

Though I should say, I’ve never written as much or as well as when I met my wife. She’s one hell of a whip cracking muse.

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What was your first comic book?

It’s actually hard to pick out because I was thumbing them before hard memories were generated, it’s like pinpointing my first meal. But the one that picked me up by my collar was a VAULT OF HORROR #1 reprint that I read until I knew the words by heart. I love those EC horror/crime/sci fi books pretty damn hard. I just got my hands on the Jack Davis Artist’s Edition from IDW and it’s the best thing I’ve ever held in my life.

Is there anyone that you admire in the comic book industry?

Admiration is a hell of a word. That wraps up my love of their craft, of their being, and their path in the field. I’d have to say Ryan Ferrier is a dude who crests this list because his comics are rad but his ethic (both to work and just the comic life) is pretty damn superb. He’s also a hell of a gentleman. I’m also a big Paul Allor fan, mostly because he’s a cuddle machine. Hell, he’s the whole cuddle factory. I love watching this crazy network of creators that are breaking in right now and the good stuff they are putting out.

What’s your favourite comic book right now?

This one took me a while to answer. I’m not honestly sure I can pick just one at the top of the pile. I’m thinking about what I’m most excited to read each Wednesday and HAWKEYE and THE MASSIVE are right up on things I cannot wait to tear into every time an issue drops. LOCKE & KEY is just a masterclass, I’m loving the Snyder/Capullo BATMAN run, SAGA continues to be amazing, FIVE GHOSTS from Barbiere & Mooneyham scratches me right where I’m itching, and Joshua Williamson’s MASKS & MOBSTERS and HIGH CRIMES from Sebela/Moustafa are superb.

I know that’s a cheat answer, sorry, but it’s a good time to enjoy the funny pages.

Q&A With Neil Gibson

Neil Gibson is a comic book writer and creator whose work includes the likes Tabatha, Twisted Dark and Tortured Life, all published by T-Publications. You can find out more about Neil and the team at neilgibsoncomics.com and you can follow him on Twitter @neiljamesgibson.

How long have you been making comics?

I first started writing creatively in mid 2010 and the first comic came out in 2011.

What made you want to make comics?

I LOVE the medium! I think it is one of if not THE most efficient medium for communicating a story.

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What do you enjoy most about making comics?

Honestly, it is a bit weird. What makes me happiest is not when fans tell me they love my work, but rather when people tell me that they never read comics, but thanks to me they have now started reading comics and will tell their friends to give them a shot. THAT is the most rewarding experience that comes from working in comics.

What is the hardest part of making comics?

Dealing with creative types who don’t like deadlines/listening!  But then, if they weren’t creative they wouldn’t produce such fantastic work.

Where do you get your inspiration from?

Really tough to say. I just look at everyday things and wonder if I could twist them into an interesting story.

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What was your first comic book?

To read, Watchmen (awesome). That I made, Twisted Dark.

Is there anyone that you admire in the comic book industry?

Far far far too many to mention.

What’s your favourite comic book right now?

Locke and Key.