Anniversary Movie Review: The Big Sleep (1946)


All throughout this year I will be reviewing movies celebrating an anniversary year.  Happy 80th birthday to The Big Sleep!

Title: The Big Sleep
Release Date: August 31, 1946
Director: Howard Hawks
Production Company: Warner Bros. Pictures
Main Cast:

  • Humphrey Bogart as Philip Marlowe
  • Lauren Bacall as Vivian Sternwood Rutledge
  • John Ridgely as Eddie Mars
  • Martha Vickers as Carmen Sternwood
  • Sonia Darrin as Agnes Lowzier
  • Dorothy Malone as Acme Bookstore proprietress
  • Regis Toomey as Chief Inspector Bernie Ohls
  • Peggy Knudsen as Mona Mars
  • Charles Waldron as General Sternwood
  • Charles D. Brown as Norris
  • Bob Steele as Lash Canino
  • Elisha Cook Jr. as Harry Jones
  • Louis Jean Heydt as Joe Brody

Synopsis (via Letterboxd):

Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love

My Thoughts:

Raymond Chandler’s private detective Philip Marlowe makes his most iconic film appearance as portrayed by Humphrey Bogart.  Hired by a tycoon to investigate his flighty younger daughters debts, Marlowe uncovers a network of interconnected mob rings, blackmail, and murder.  Seemingly drawn to pick at the scab of Los Angeles, Marlowe keeps investigating even after his client no longer needs him.  Lauren Bacall plays Vivian, the older daughter who is tied up in all the mystery, and soon becomes a love interest.

The first time I saw this movie was right after reading the book and all I could notice was how it had been sanitized.  But now that it’s been so long I can’t remember the book I can appreciate the movie for what it is.  Plotwise, it doesn’t make much sense when you think about it, but each scene is written and played well enough that the overarching story is negligible.  Also, Dorothy Malone and Martha Vickers bring a lot of code-evading naughtiness to their parts.  One other thing I never noticed before is how young Bacall was when she made this movie.  I’ve never been a good judge of age, but now that I’m in my 50s I’m suddenly noticing that people in their 20s look like kids.

Rating: ****

Anniversary Movie Review: Shoeshine (1946)


All throughout this year I will be reviewing movies celebrating an anniversary year.  Happy 80th birthday to Shoeshine

Title: Shoeshine 
Release Date: April 27, 1946
Director: Vittorio De Sica
Production Company: ENIC
Main Cast:

  • Franco Interlenghi as Pasquale Maggi
  • Rinaldo Smordoni as Giuseppe Filippucci
  • Annielo Mele as Raffaele
  • Bruno Ortenzi as Arcangeli
  • Emilio Cigoli as Staffera
  • Maria Campi as Palmist

Synopsis (via Letterboxd):

Two shoeshine boys in postwar Rome, Italy save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison; the experience take a devastating toll on their friendship.

My Thoughts:

After surviving two decades of fascism and the conquest and occupation by the Allied Forces, Italians faced the challenges of survival in poverty.  Vittorio De Sica documented these times in the neorealist styley in heartbreaking films like Bicycle Thieves and Umberto D.  In this film, two friends Pasquale and Giuseppe make money through shining shoes and other odd jobs. They hope to save up enough money to buy a horse. Giuseppe’s adult brother is a gangster and gets them involved in a plot to sell stolen American blankets.  This is actually part of a larger con that ends up with Pasquale and Giuseppe arrested for theft and held in a miserable and overcrowded juvenile prison.  It’s a grim story and it kills me that a movie that’s so painful is so good.

Rating: ****

Movie Review: Wake Up Dead Man (2025)


Title: Wake Up Dead Man
Release Date: November 26, 2025
Director: Rian Johnson
Production Company:
Main Cast:

  • Daniel Craig as Benoit Blanc
  • Josh O’Connor as Jud Duplenticy
  • Glenn Close as Martha Delacroix
  • Josh Brolin as Jefferson Wicks
  • Mila Kunis as Geraldine Scott
  • Jeremy Renner as Nat Sharp
  • Kerry Washington as Vera Draven
  • Andrew Scott as Lee Ross
  • Cailee Spaeny as Simone Vivane
  • Daryl McCormack as Cy Draven
  • Thomas Haden Church as Samson Holt
  • Jeffrey Wright as Langstrom
  • Annie Hamilton as Grace Wicks
  • James Faulkner as Prentice Wicks
  • Bridget Everett as Louise
  • Noah Segan as Nikolai
  • Joseph Gordon-Levitt as a baseball announcer

Synopsis (via Letterboxd):

When young priest Jud Duplenticy is sent to assist charismatic firebrand Monsignor Jefferson Wicks, it’s clear that all is not well in the pews. After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic.

My Thoughts:

You’re right. It’s storytelling. The rites and the rituals. Costumes, all of it. It’s storytelling. I guess the question is, do these stories convince us of a lie? Or do they resonate with something deep inside us that’s profoundly true, that we can’t express any other way except storytelling?

The third in the series of Benoit Blanc mysteries is a vast improvement on the second installment in the series and stylistically different from both of its predecessors.  Father Jud, a young and idealistic priest with a troubled past is sent to a small town parish in upstate New York.  There he is supposed to assist the eccentric Monsignor Wicks who has become a demagogue determined to condemn a sinful world.  His dwindling congregation includes a small circle of locals who have formed a cult of personality around Wicks.

When Wicks is murdered in a classic closed room mystery during the Good Friday service, Jud becomes the primary suspect.  But Benoit Blanc arrives and is convinced of Jud’s innocence and the investigate the crime together, uncovering darker truths of the congregation and its parishioners.  Like all the “Knives Out” movies the heart of the story is social commentary.  Wicks and his followers are a not at all subtle representation of right wing hucksters like Donald Trump and the conspiracy theorists who are drawn to follow him.  The movie also has a lot to say about religion with the push and pull between the faithful Jud and the atheistic Blanc.  Ultimately, the movie reveals the positive aspects of faith, religion, and ministry, most strongly in a heartwarming scene where consoles a construction worker who has had a falling out with her elderly mother.

One of the big changes from the preceding films is that Josh O’Connor is clearly the heart of this film rather than Daniel Craig.  In fact, Benoit Blanc doesn’t even appear in the movie until 45 minutes in.  He’s a strong actor who does a good job of presenting Jud’s anxieties and idealism.  The all-star cast includes great performances by Glenn Close (as the woman who really runs the parish, true of all churches), Mila Kunis, Andrew Scott, and Thomas Haden Church among others.

I have some thoughts about how this film depicts Catholicism but they include spoilers so I’m going to post them below the trailer.

Rating: ****

Okay so although the story is set in a Catholic Church, it really feels like it’s a story inspired by a more evangelical Protestant church but uses Catholicism for the aesthetics (Rian Johnson has pretty much admitted).  Now this did not in any way ruin my enjoyment of the film which like many movies takes liberties to get to it’s thematic points and dramatic beats.  But here’s how it doesn’t fit Catholicism.

First of all we have Jefferson Wicks basically inheriting the parish from his grandfather.  The explanation that Prentice Wicks was a widowed father who then became a priest is accurate, but I can’t believe that either of the Wicks would control the parish for their entire careers, much less both of them.  In a hierarchical church, diocesan priests are moved around frequently throughout their careers, partly to prevent them from forming their own personal fiefdoms.  It’s much more likely that an evangelical church would remain under the leadership of a single family.

Second, after the murder occurs, it’s implausible that the bishop wouldn’t send a team from the diocese – including the Church’s lawyers – to participate in the investigation.  Dramatically this would’ve just cluttered the movie, but I don’t think a real priest who is also considered the primary suspect would basically be left on his own.

Finally, Cailee Spaeny’s character donates lots of money to Wicks in hopes of getting a miracle cure to her chronic pain.  While “faith healing” is not completely unknown in the Catholic Church, it’s definitely more of an evangelical.

Anyhow, just wanted to get that off my chest as someone who grew up Catholic.

100 Years of Movie Musicals: The Threepenny Opera (1931)


Next year marks the 100th anniversary of the movie musical, and to celebrate I’m embarking on a two-year project to watch 100 movie musicals from 1927 to the present!

Title: The Threepenny Opera
Release Date: February 19, 1931
Director: G. W. Pabst
Production Company:Gemeinschaft mit Tobis | Warner Bros. Pictures GmbH
Main Cast:

  • Rudolf Forster as Mackie Messer
  • Carola Neher as Polly Peachum
  • Reinhold Schünzel as Tiger Brown
  • Fritz Rasp as Peachum
  • Valeska Gert as Mrs Peachum
  • Lotte Lenya as Jenny
  • Hermann Thimig as the pastor
  • Ernst Busch as the street singer
  • Vladimir Sokoloff as jailer
  • Paul Kemp as member of gang
  • Gustav Püttjer as member of gang
  • Oscar Höcker as member of gang
  • Krafft Raschig as member of gang
  • Herbert Grünbaum as Filch

Synopsis (via Letterboxd)

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising ‘king of the beggars’.

My Thoughts:

On New Year’s Eve, I went out for karaoke with friends, and someone selected “Mack the Knife” for all the men to sing together.  Now, “Mack the Knife” is song that’s practically in the ether of modern life, but I never really considered the lyrics before seeing them project on a screen.  The words are quite strange and even violent.  “Mack the Knife,” of course, originated as the signature song of The Threepenny Opera, itself a very curious story.

In 1928, Bertolt Brecht adapted The Threepenny Opera from 18th-century English work The Beggar’s Opera, itself a key composition in the evolution of musical theater.  Brecht set his work in Victorian London but with German lyrics and music inspired by German dance music and jazz composed by Kurt Weill, and made it a socialist critique of capitalism.  G. W. Pabst directed this film adaptation while simultaneously creating a version in French, but abandoning an English version.

“Mack the Knife” appears early in the film performed by a busker who lists the crimes of the ruthless gangster Macheath, who turns out to be in the crowd listening to the song.  Macheath marries Polly Peachum in a comical ceremony held in an abandoned warehouse.  Polly’s father Jonathan Jeremiah Peachum – the boss of all of London’s beggars – is outraged that his daughter is marrying a “criminal” and tries to have Macheath arrested, but the Chief of Police Jackie “Tiger” Brown is a friend of Macheath from their army days.  Peachum threatens to have the beggars march during the Queen’s coronation, successfully convincing Brown to arrest Macheath.  Polly takes charge of the gang and in the funniest bit of satire has them “go legit” by taking over a bank.  “What is the robbing of a bank compared to the founding of a bank?”

From what I’ve read, the film is not a faithful adaptation of the stage musical and doesn’t include all the songs.  The pacing is also a bit slow.  Nevertheless, I found it to be quite funny and Pabst brings an interesting touch to the the musical numbers and crowd scenes.

Rating: ***1/2

 

Movie Review: Miss Congeniality (2000)


Title: Miss Congeniality
Release Date: December 22, 2000
Director: Donald Petrie
Production Company: Castle Rock Entertainment | Village Roadshow Pictures | Fortis Films
Main Cast:

  • Sandra Bullock as FBI Special Agent Gracie Hart/Gracie Lou Freebush
    • Mary Ashleigh Green as Gracie (age 10)
  • Michael Caine as Victor Melling
  • Benjamin Bratt as FBI Agent Eric Matthews
  • Candice Bergen as Kathy Morningside
  • William Shatner as Stan Fields
  • Ernie Hudson as FBI Assistant Director Harry McDonald
  • John DiResta as Agent Clonsky
  • Heather Burns as Cheryl Frasier (Miss Rhode Island)
  • Melissa De Sousa as Karen Krantz (Miss New York)
  • Steve Monroe as Frank Tobin
  • Deirdre Quinn as Mary Jo Wright (Miss Texas)
  • Wendy Raquel Robinson as Leslie Davis (Miss California)
  • Asia De Marcos as Alana Krewson (Miss Hawaii)

Synopsis (via Letterboxd):

When the local FBI office receives a letter from a terrorist known only as ‘The Citizen’, it’s quickly determined that he’s planning his next act at the Miss America beauty pageant. Because tough-as-nails Gracie Hart is the only female Agent at the office, she’s chosen to go undercover as the contestant from New Jersey.

My Thoughts:

A serial terrorist’s coded message indicates his next target is the Miss United States pageant in San Antonio.  As the only woman agent on the team, the tomboyish and disheveled Gracie Hart has to go undercover as the contestant from New Jersey.  This is the type of comedy that people say isn’t made anymore. While I mourn the loss of mainstream comedy movies, I also would hope that if this movie was made today they would avoid making most of the jokes be about FBI agents behaving like horny frat bros, the pageant contestants being ditzy and vain, and the ludicrous idea that we’re supposed to consider Sandra Bullock to be “ugly.”  There’s also a romantic subplot that feels tacked on with agent Eric Matthews being kind of a drip.  That being said the movie overcomes it’s weak material with some terrific comic performances by Bullock, Michael Caine, William Shatner, and Heather Burns as the sweet and clever Miss Rhode Island.

Rating: ***

Halloween Horror Movie Review: Tigers Are Not Afraid (2017)


Title: Tigers Are Not Afraid
Release Date: November 2, 2017
Director: Issa López
Production Company:Peligrosa | Filmadora | Nacional Videocine
Main Cast:

  • Paola Lara as Estrella
  • Juan Ramón López as El Shine
  • Ianis Guerrero as Caco
  • Rodrigo Cortés as Pop
  • Hanssel Casillas as Tucsi
  • Nery Arredondo as Maxwell “Morrito” Vázquez
  • Tenoch Huerta as El Chino
  • Cuauhlti Jiménez as Jerry
  • Mauricio Osorio as Tio
  • Mónica del Carmen as Estrella’s teacher
  • Benny Emmanuel as Brayan
  • Viviana Amaya as Estrella’s mother

Synopsis (via Letterboxd):

A dark fairy tale about a gang of five children trying to survive the horrific violence of the cartels and the ghosts created every day by the drug war.

My Thoughts:

This bleak film is set in Mexico where the drug wars and human trafficking have left orphaned children behind on the city streets.  Estrella, a girl around 12-years-old, comes home from school to find her mother missing.  Growing hungry she finds a group of boys, some of whom are very young, lead by Shine.  They are reluctant to admit a girl to their group but Estrella persists and proves her value.  Soon the children find that not only are they struggling to survive without protective adults, but that the local crime boss is after them.  Horrible violence and tragedy ensue.  The sensitive portrayal of children in extraordinary situations blended with horror and fantasy elements reminds me of Pan’s Labyrinth (Guillermo del Toro is a fan).  But the real horror is that children throughout the world live like this every day.

Rating: ****

Halloween Horror Movie Review: House of Wax (1953)


Title: House of Wax
Release Date: April 10, 1953
Director: Andre de Toth
Production Company: Warner Bros. Pictures
Main Cast:

  • Vincent Price as Professor Henry Jarrod
  • Phyllis Kirk as Sue Allen
  • Carolyn Jones as Cathy Gray
  • Paul Picerni as Scott Andrews
  • Frank Lovejoy as Detective Lieutenant Tom Brennan
  • Roy Roberts as Matthew Burke
  • Angela Clarke as Scott’s unnamed mother
  • Paul Cavanagh as Sidney Wallace
  • Dabbs Greer as Sergeant Jim Shane
  • Charles Bronson (credited as Charles Buchinsky) as Igor
  • Reggie Rymal as a paddle ball-utilizing barker for the grand opening of the House of Wax

Synopsis (via Letterboxd):

A sculptor opens a wax museum to showcase the likenesses of famous historical figures, but quickly runs into trouble when his business partner demands the exhibits become more extreme in order to increase profit

My Thoughts:

I expected that House of Wax would be an entertaining but schlocky b-movie, especially since it was originally released in 3-D.  But it turns out that it’s also a compelling thriller and mystery (although more of a “howsolveit” than “whodunit”).  In New York City in the early 20th century, Professor Henry Jarrod is a talented if eccentric artist who creates waxworks of historical figures.  His business partner Matthew Burke burns down the museum in an insurance fraud scam.  But Jarrod survives disfigured by the fire, and murders Burke in revenge.  Jarrod uses Burke’s body and others he killed to make waxworks for a new museum.  But some of the guests find the faces look awfully familiar.  For added fun, the 3-D effects are tested in a fourth wall breaking seen by a barker with a paddle ball.  And there are early film appearances by Charles Bronson and Carolyn Jones (later Morticia on The Addams Family).

Rating: ***1/2

365 Movies in 365 Days: The Tell-Tale Heart (1953)


This year I’m trying to watch one movie every day of the year, with the provision that the movie be no longer than 36.5 minutes long. I’ll be selecting movies randomly from this list that’s already way too long, but I still welcome suggestions for short films.

Title: The Tell-Tale Heart
Release Date: December 17, 1953
Director: Ted Parmelee
Production Company:United Productions of America | Columbia Pictures
Main Cast:

  • James Mason – Narrator

Synopsis (via Letterboxd):

One of the most discussed and imaginative cartoons of any era. It tells the famous Edgar Allan Poe story of the deranged boarder who had to kill his landlord, not for greed, but because he possessed an “evil eye.” The killer is never seen but his presence is felt by the use light-and-shadow to give the impression of impending disaster.

My Thoughts:

Edgar Allan Poe’s classic psychological thriller comes to life in stunning animation reminiscent of Salvador Dali’s art.  Appropriately it is narrated by James Mason in his always-creepy voice.  The only thing that felt off is that the resolution seemed rushed compared with how the tension builds in the written story.

Rating:  ****


Book Review: Death and the Penguin by Andrey Kurkov


Around the World for a Good Book selection for Ukraine.

Author: Andrey Kurkov
Title: Death and the Penguin
Translator: George Bird
Publication Info:  Melville House, 2011 [originally published in 1996, first English publication in 2001]
Summary/Review:

In post-Soviet Ukraine, aspiring writer Viktor Alekseyevich Zolotaryov takes a job writing extravagant obituaries – referred to as obelisks by the chief editor – for a local newspaper.  Viktor soon learns that his obituaries are for living people who end up dead shortly afterwards, and that he’s actually involved with a shady political/mafia organization carrying out his on rivals.

The title of the book refers to Misha, a king penguin that Viktor adopted when the local zoo could no longer care for its animals.  For the isolated Viktor, Misha is his deepest emotional connection.  Misha also becomes a source of income when Viktor brings him to the funerals of the people he’s writing obituaries for.

This is a strange and surreal book, and I’m not sure what I was supposed to take at face value.  Was Viktor really just an innocent writer or was this all his cover as an agent of the mob?  Are the woman and child who live him as a surrogate family his actual family?  Does he really have a pet penguin?  I’m pretty sure that he really has a penguin, but I’ll never be 100% sure.

Favorite Passages:

‘What do you mean for nothing?’ interrupted Misha-non-penguin. ‘You – like so many in the good old Soviet days – are writing for the drawer. With the difference that you sooner or later, are going to be published … That I guarantee.’ – p. 37

“Well, that’s it,’ said Sergey, reaching for his flass. ‘We all of us deserve better fish, but eat what we’ve got … So, here’s to friendship!’ – p. 43

All was well, or appeared so. To every time, it’s own normality.  The once terrible was now commonplace, meaning that people accepted it as the norm and went on living, instead of getting needlessly agitated. For them, as for Viktor, the main thing, after all, was to live, come what might. – p. 153

Recommended books:
Rating: ***

365 Movies in 365 Days: Dumb-Hounded (1943)


This year I’m trying to watch one movie every day of the year, with the provision that the movie be no longer than 36.5 minutes long. I’ll be selecting movies randomly from this list that’s already way too long, but I still welcome suggestions for short films.

Title: Dumb-Hounded
Release Date: March 20, 1943
Director: Tex Avery
Production Company:  MGM Cartoons
Main Cast:

  • Bill Thompson as Droopy
  • Frank Graham as the Killer (Big Bad Wolf), Mayor

Synopsis (via Letterboxd):

The wolf escapes from prison but can’t get away from police dog Droopy no matter how hard he tries. This is the first cartoon starring Droopy.

My Thoughts:

Sometimes you can get away with just doing the same joke over and over for 8 minutes, if it’s a good joke.  Watching the Wolf go to extremes to escape the bloodhound only for Droopy to be there breaking the fourth wall in a deadpan style is endlessly hilarious.  Or at least, hilarious for 8 minutes.

Rating: ****