Abstract

In The Rise of Modern Chinese Thought (2023), Wang Hui unfolds two interrelated threads to help us understand China’s historical transition from the pre-modern to modernity. The first thread reveals institutional change in the socio-political realm, tracing the transition from a society based on enfeoffment (fengjian zhi) in the pre-Qin period, to an empire characterized by centralized administration (junxian zhi) during the Tang–Song eras, and eventually to the modern society that began to emerge in the late Qing period. The second thread concerns the paradigm shift in the intellectual realm, with particular emphasis on moral (including social and political) philosophy—or "worldview" in Wang’s terms. This shift moves from the worldview of the rites and music (liyue), to the worldview of heavenly principle (tianli), and finally to the worldview of universal principle (gongli). This essay reframes Wang’s rich depiction of China’s intellectual history through the evolving relationship between the concepts of "principle" (li) and "things" (wu). Based on Wang’s work, it identifies three fundamental stances of Chinese moral philosophy and suggests the possibility of a fourth kind.