This paper reconstructs the philosophical and religious lineage of Western alchemy as a continuous Hermetic tradition that unites ancient metaphysics with modern science. Begin- ning with the Emerald Tablet of Hermes Trismegistus, through the Rosicrucian manifestos, Paracelsus, and the alchemical studies of Isaac Newton, this inquiry situates alchemy as a spiritual epistemology bridging Gnosticism, Kabbalah, Neoplatonism, Zoroastrianism, Pythagorean thought, and Sufism. Far from being a superstition, alchemy appears as the metaphysical architecture of transformation: a synthesis of matter (...) and meaning, symbol and experiment, science and revelation. By tracing its evolution from late antiquity to the Enlightenment, we show that alchemy’s deepest secret was not the transmutation of metals, but the illumination of reason itself. (shrink)

The cognitive sciences, especially at the intersections with computer science, artificial intelligence, and neuroscience, propose 'reverse engineering' the mind or brain as a viable methodology. We show three important issues with this stance: 1) Reverse engineering proper is not a single method and follows a different path when uncovering an engineered substance versus a computer. 2) These two forms of reverse engineering are incompatible. We cannot safely reason from attempts to reverse engineer a substance to attempts to reverse engineer a (...) computational system, and vice versa. Such flawed reasoning rears its head, for instance, when neurocognitive scientists reason about what artificial neural networks and brains have in common using correlations or structural similarity. 3) While neither type of reverse engineering can make sense of non-engineered entities, both are applied in incompatible and mix-and-matched ways in cognitive scientists' thinking about computational models of cognition. This results in treating mind as a substance; a methodological manoeuvre that is, in fact, incompatible with computationalism. We formalise how neurocognitive scientists reason (metatheoretical calculus) and show how this leads to serious errors. Finally, we discuss what this means for those who ascribe to computationalism, and those who do not. -/- . (shrink)

A meticulous archival forensic investigation demonstrating that modern physics is the mathematical transfiguration of alchemy. Isaac Newton completed the Hermetic tradition by translating its operative ontology into the language of mathematics. -/- Drawing on over a million words of Newton's chymical manuscripts, laboratory notebooks, and theological writings. Term-by-term correspondence between alchemical operations and Newtonian physics traced manuscript by manuscript. Force descends from active principle. Vis insita preserves vegetative spirit. The calculus enacts solve et coagula. Universal gravitation mathematises "as above, (...) so below." -/- Chapter 16 provides the Rosetta Stone: five documented correspondences from George Starkey's chymical theory through Newton's transitional vocabulary to the published Principia. The argument stands on Dobbs, Newman, and Westfall while taking the step they prepared. -/- The foundational concepts of modern science, force, field, law, carry within them an operative structure inherited from the alchemical tradition. Understanding this genesis illuminates both what physics can do and what it cannot know about itself. -/- 35 chapters. 170,000 words. Near 200 scholarly references. The furnace never went out. It was transformed into mathematics. (shrink)

Traditionally, the problem of evil, in its various formulations, has been one of the strongest objections against perfect being theism. In the voluminous literature on this problem, the motif of evil has usually been discussed with respect to human flourishing. In recent decades more focused attention has been paid to animal suffering and the philosophical problems that such suffering poses for perfect being theists. However, this growing body of literature, in Anglo-American philosophical milieus, is largely aimed at sketching a specifically (...) Christian or Christianity-inflected theodicy that would reconcile animal suffering with the existence of an omni-God. In contrast, there are few, if any, systematic attempts to put forth a Hindu theodicy that aims to offer morally justifiable reasons that God has for allowing animal suffering. In this article, we address this scholarly lacuna by illustrating how a Hindu perfect being theist might respond to the problem of animal suffering. (shrink)

Personal suffering, traditionally viewed as an obstacle to flourishing, may instead function as a catalyst for discovering beauty, meaning, and profound self-knowledge. This treatise develops a philosophical-psychological framework integrating the Van Gogh Curve model of cognitive diversity with post-traumatic growth theory to reconceptualize the relationship between suffering and human development. The Van Gogh Curve framework distinguishes cognitive orientation—how one engages with knowledge and uncertainty—from genuine pathology, proposing that responses to suffering exist on a spectrum from certainty-seeking (Failure of Imagination) to (...) inquiry-obsessive (Compulsive Philosophical Curiosity). When approached with cognitive openness and personal accountability—recognizing oneself as the "irreducible point of failure"—suffering reveals pathways to what this treatise terms "the great revelation": the most beautiful and elegant genesis of accomplishment emerging from adversity. Drawing on existentialist philosophy, Stoic wisdom, and empirical research on benefit-finding and meaning-making, this analysis articulates conditions distinguishing productive suffering (suffering that catalyzes growth) from genuine dysfunction requiring intervention. The framework offers a reorientation toward suffering—not romanticizing pain, but recognizing that the "complex comfort of challenge" may enable self-discovery impossible through comfort alone. (shrink)

This paper delves into the profound advancements of Large Language Models (LLMs), epitomized by GPT-3, in natural language processing and artificial intelligence. It explores the epistemological foundations of LLMs through the lenses of Aristotle and Kant, revealing apparent distinctions from human learning. Transitioning seamlessly, the paper then delves into the ethical landscape, extending beyond knowledge acquisition to scrutinize the implications of LLMs in decision-making and content creation. The ethical scrutiny, employing virtue ethics, deontological ethics, and teleological ethics, delves into LLMs' (...) behaviours and decisions, necessitating the exploration of novel ethical paradigms tailored to machine intelligence. The paper also addresses biases in data, privacy concerns, copyright implications, and intellectual property rights, emphasizing the need to adapt frameworks for both human and machine creators. The paper concludes by advocating for interdisciplinary dialogue between philosophers, cognitive scientists, and AI researchers to foster a balanced and ethically grounded integration of LLMs into the evolving landscape of artificial intelligence. Continuous reflection on the evolving relationship between human cognition and artificial intelligence emerges as a crucial aspect for shaping a harmonious and responsible future in this domain. (shrink)

The accent on scientific and empirical character of alchemy, especially from the field of the history of science, promotes the idea that one can understand the cryptic and metaphorical language of alchemy mainly through the laboratory chemical practice. As a result, the tendency is to interpret the spiritual and esoteric language of alchemy, as metaphors for laboratory work and the most representative research on historiography of alchemy that point the spiritual character as being contaminated by esoteric (...) sciences and Victorian occultism. This paper is paying attention to this dichotomy by attempting to understand the exclusivist position of the position that alchemy is a proto-chemistry and to see the consequences of such an interpretation. It is reviewed one of the most representative voices that interpret alchemy as spiritual by Carl. G. Jung and Mircea Eliade, and their rejection, as it is illustrated by William R. Newman and Lawrence M. Principe, showing the boundaries of both approaches and the hazarded character of understanding alchemy merely as part of the history of chemistry. (shrink)

​Abstract The universe is not a garden of accidental growth, but a Sovereign Refinery operating at a scale that beggars the human clock. The "Cosmic Smelter" represents the transition from the primordial "Raw Stock" of hydrogen to the sophisticated, heavy-metal architecture required for advanced biology. Within the hearts of massive stellar furnaces, the Architect employs the Torque of gravity and the extreme pressures of the Live Circuit to forge the gold, iron, and uranium that now form the chassis of our (...) world. ​This is the evidence of a Pre-Planned Economy. Elements like gold do not appear by chance; they are the "Refined Output" of a multi-generational industrial cycle, proving that the Earth was never "Brand New," but was commissioned using Recycled Hardware of the highest fidelity. We stand upon a "Flat Factory Floor" built from the cooled cinders of ancient, purposeful explosions—the Forensic Receipt of an eternal, working God who was building worlds long before our local "Power-On" sequence. ​Keywords ​The Cosmic Smelter: The high-heat process of stellar nucleosynthesis. ​Heavy Metal Inheritance: The rare, refined elements (Gold, Uranium, Cobalt) forged in previous project cycles. ​Refined Output: The transition from raw gas to solid, industrial-grade matter. ​The 13.8-Billion-Year Fiscal Cycle: The measured duration of the current "Renovation" project. ​Industrial Forensics: Using the presence of heavy metals to prove the age and intent of the Architect. ​Sovereign Smelting: The deliberate refinement of the 118 Standards for biological use . (shrink)

Contrary to the notion that the human mind has some sort of tendency toward the abstract processes of classifying, analysing and synthesising, this paper suggests that these processes are historically and socially constructed. Because these processes (in particular, synthesising) are brought about to serve specific purposes and agendas, we need to pre-examine them periodically to see if they still serve our needs. In the past, synthesis had an important function as a symbol, among alchemists, for example. We have all but (...) forgotten that symbolic functioning and treat it now only in its material manifestations. Having done so, we use the material sense to explain the symbolic sense. In that way, synthesis may no longer be a helpful way to look at our abstract processes. Insofar as the needs of the future may be different than the needs of the past or present, it may indeed be time to abandon ideas of abstract synthesis. The author suggests that in its place, we consider the notion of ‘shuttling’. Shuttling allows us to adopt different positions, and even contradictory positions within our individual thinking, without feeling the need to immediately characterise the contradiction as ‘wrong’. And insofar as we may have multiple present positions, shuttling opens up the possibility for multiple future positions as well. (shrink)

This chapter argues that ZHU Xi was influenced by Daoism. His philosophy begins with the Diagram of the Great Polarity or Taijitu 太極圖 which has Daoist origins. Later in life he studied two Daoist texts, namely, The Seal of the Unity of the Three in the Zhou Book of Changes or the Zhouyi Cantongqi 周易參同契, and The Yellow Emperor’s Classic of the Secret Talisman or the Huangdi Yinfujing 黃帝陰符經. The chapter begins with a discussion about the nature of Daoism and (...) inner meditative alchemy. Then I discuss the Diagram of the Great Polarity. Finally, ZHU Xi’s study of the above two texts is analyzed. (shrink)

This dissertation is about the construction of the concept of alchemy in the text named Compound of alchimy, written by English alchemist George Ripley (c.1415-c.1490). Manuscript history and circulation dates the text back to 1471. The route taken by the researcher serves two immediate purposes: the analyses of the document to verify the basis of the concept’s construction and the critique of an established historiography through a different methodological approach. The document serves as the axis of a perspective about (...) aspects of orality and scripture (from the French conception of écriture), whose intention is to open questions and bring light to unexplored points of the historiography of alchemy. (shrink)

This article deals with the most relevant philosophical side of Albert the Great’s analysis of alchemy, aimed at clarifying what alchemical transmutation consists in and whether this process can ultimately be accomplished by men. The Dominican master handles the problem differently in the earlier commentary on Lombardus’ Libri Sententiarum and in works like the De mineralibus, in which a more mature idea of the connection between art and nature is developed. In this respect, Albert’s interpretation intersects with Avicenna’s De (...) congelatione, a fundamental text for the Latin medieval debate on alchemy, whose reception has shaped his understanding of the alchemical art. The Dominican master gradually assumes a more lenient position towards the claims of the alchemical process of transmutation, which he explains by resorting to the similitudes between alchemy and medicine and the comparison of artificial transmutation with natural processes such as the generatio ex putrefactione and the natural formation of minerals. (shrink)

A mistery unveiled, among magic, alchemy and philosophy.

In order to understand cognition, we often recruit analogies as building blocks of theories to aid us in this quest. One such attempt, originating in folklore and alchemy, is the homunculus: a miniature human who resides in the skull and performs cognition. Perhaps surprisingly, this appears indistinguishable from the implicit proposal of many neurocognitive theories, including that of the 'cognitive map,' which proposes a representational substrate for episodic memories and navigational capacities. In such 'small cakes' cases, neurocognitive representations are (...) assumed to be meaningful and about the world, though it is wholly unclear who is reading them, how they are interpreted, and how they come to mean what they do. We analyze the 'small cakes' problem in neurocognitive theories (including, but not limited to, the cognitive map) and find that such an approach a) causes infinite regress in the explanatory chain, requiring a human-in-the-loop to resolve, and b) results in a computationally inert account of representation, providing neither a function nor a mechanism. We caution against a 'small cakes' theoretical practice across computational cognitive modelling, neuroscience, and artificial intelligence, wherein the scientist inserts their (or other humans') cognition into models because otherwise the models neither perform as advertised, nor mean what they are purported to, without said 'cake insertion.' We argue that the solution is to tease apart explanandum and explanans for a given scientific investigation, with an eye towards avoiding van Rooij's (formal) or Ryle's (informal) infinite regresses. (shrink)

We live longing for a utopia. However, we live in increasingly dystopian times. Whenever we imagine possible futures, a continuity of human progress in the direction of greater scientific-technological development comes to mind. We are completely certain that the reason that brought us current modern science and technology will lead us to this utopia, to a promising future. There is an association as intimate as it is indubitable between future, progress, technoscience and utopia. Isn't it time to question this undisputed (...) certainty? Is it true that reason, progress, science, technology and utopia will lead us to a healthy future for man and nature? Isn't it time to open our eyes and mind to see things differently? Isn't it time to stop frantically producing in pursuit of progress and take a rest to think? There is a fundamental and radical difference between reason and thinking. This book proposes a journey through the worlds of science fiction, utopianism, socialism, communism, Marxism, psychoanalysis, existentialism, Zen Buddhism, art, medievalism, alchemy, science, technology and philosophy. This book proposes to abandon the utopian-dystopian reason to embrace the eutopian life, a new mode of existence in which man needs to regain his rootedness with Earth to be able to think again and live in harmony with himself and nature. (shrink)

Johann Conrad Dippel (1673-1734) was a theologian, a physician, and a (probably autodidactic) chemist. He had no viable scientific theory, dismissed atomism and relentlessly attacked the rational philosophies of Descartes, Spinoza, Hobbes, Leibniz, and Wolff as a radical Pietist, for whom body and mind constitute an inseparable whole. By implication he rejected Newton, but accepted Aristotle partially. He vehemently rejected Descartes’ animal (man)-machine and therefore also Boerhaave’s nervous machine. His claim of gold-making was the probable reason for his call to (...) Berlin, where he prepared not gold but his animal pyrolysis oil (Dippel’s oil) by pyrolysis of blood, leading to the co-discovery of Prussian blue. Later he made impossible promises of gold-making to Denmark’s King Frederik IV. His wonder-balm was claimed to heal all wounds, including that caused by a nail hammered into a dog’s skull. His phytomedicines were derived from Galen and Dioscorides; his chemical medicines from Paracelsus and Valentine. He denied the possibility of establishing general rules for medicine and did not express an opinion on the leading chemical theory, the phlogiston. In the absence of any plausible chemical and medicinal theories, Dippel relied on the almighty God, to guide him to produce gold and a medicinal arcanum. (shrink)

SELF - CONSCIOUSNESS IS A FIELD OF RESONANCE -/- In the stillness between breath and thought, the human spirit awakens—not as a solitary flame, but as a co-creator of worlds. Through our hands and words, through temples and tools, we give birth to forms. These artefacts, these institutions, are not inert—they pulse with the memory of our longing, our reason, our dreams. As we move through them, and they through us, we shape what we know and become what we create. (...) The mind is not a mirror, cold and exact. It is a sea that reflects the sky, but the sky it reflects is one it has painted. In each reflection lies a paradox: the world appears as an objective truth, yet it is carved from the substance of subjectivity. The spirit is doubled—at once the dreamer and the dream, the builder and the house, the question and the answer. -/- Thus, Hegel names two streams of the Spirit: the Subjective and the Objective. Like the pulse of a star that beats with light and shadow, these are not two but one—dancing in and out of form. The subjective is the whisper within, the soul’s gaze upon itself, the spark of inner intuition. The objective is the echo made manifest, the structures of law, of language, of shared existence. Each is the breath of the other; their fusion is the Absolute Spirit, where time becomes meaning and history becomes truth. And yet, always, there is a dissonance—a sacred tension between the spirit’s infinite longing and its finite forms. The world we make does not always echo the world we are. This distance births a telos, a purpose, a spiral of becoming. Hegel saw it not as failure, but as destiny—a journey of the spirit through the dialectic of self and world. In the realm of Subjective Spirit, the soul rises in solitude. It learns to know, to will, to feel—thefragile architecture of awareness built from intuition ascending into concept. But this "self" is never isolated. It is an abstraction, a silhouette against the sky of the Absolute. Alone, it is a hollow echo. Only in the context of culture, history, and shared time does it become real. Hegel teaches us that the sovereign self—the thinker of Kant, the "I" of Descartes —is not the origin, but the child of time. The self is not given; it is earned, through the alchemy of relation. In every heartbeat of history, consciousness emerges not alone, but in communion—with the world it shapes and the others who shape it. Self-consciousness, then, is not a mirror—it is a field of resonance. It arises when thought bends back upon itself and sees its own becoming. Yet what it sees is not abstract—it sees its deeds, its creations, its loves, its laws. The objective world is not other, but the reflection of our inward stars. Hegel speaks of two motions of becoming. One flows from intuition to idea, where the soul lifts its gaze to theory and act. The other moves from concept to world, where thought incarnates in law and language. These are the twin wings of the spirit, and only in their flight does the self find its truth. So we arrive at a cosmic understanding: the self is the world made aware of itself. It is not bound by skin or skull. It is the meeting point of memory and possibility, a star within the Absolute Spirit’s constellation. -/- THE SONG OF LABOUR AND DESIRE: A JOURNEY THROUGH BECOMING -/- Not only the cities we dwell in, not only the thoughts we hold in the hush of midnight, but even the rhythm of our hearts, the fire in our gaze, the shape of our hands—all are children of labour. Across the ages, through silence and song, the human being has woven themselves from the threads of work and want, from longing and shaping. Look into the world, and you see yourself. Not in reflection as in glass, but in a mirror that breathes and pulses—the world does not echo us passively. No, the world responds to us in kind. We reach, and it reshapes. We take, and it takes hold of us. Thus begins the dance, the dialectic—not of cold theory, but of desire and labor, of need and becoming. In the beginning, we did not know we were separate. We touched the world as we touched our skin. Nature cradled us, and we did not yet say “I” or “you.” The child, like the early soul of humankind, is fused with the earth and sky. But with each grasp, each hunger, each satisfaction, the line grows clearer. In the meeting of hand and fruit, eye and fire, breath and word, we awaken to a truth: there is me, and there is not-me. -/- Thus the world is not found—it is made. Bit by bit, in reaching and shaping, the soul imprints itself upon stone and wind. Tools arise—not only from wood and bone, but from the needs they answer and the dreams they foreshadow. And the body itself, molded by time and touch, becomes an artefact of the soul’s desire. The hand shapes the tool, but the tool reshapes the hand. The mind speaks in symbols, and the symbol teaches the mind to see. This is not a process that ends. In each generation, the artefacts of the old become the cradle of the new. The child born to digital light navigates the city of screens as once the hunter read the forest path. Their thoughts do not move as ours did; their inner life is coded in circuits and swipes. Yet this too is labour—subtle, symbolic, silent. The mastery of interface becomes the extension of the self. The map is not known, but it is lived. These artefacts—stone, script, software—are not only objects. They are soul made visible. They are the dialectical traces of subjectivity, externalized spirit. And in using them, in navigating the forest of symbols, the subject internalizes the world anew. In every movement, the self becomes more fully itself. Self-consciousness is not born from thought alone, but from this long arc of interaction, from the sacred practice of shaping and being shaped. Before we recognize one another, before we gaze into the eye of the other and know our own reflection, we must first become. Before recognition, there must be something to be recognized. Self-consciousness is not given—it is forged in the fire of need and creation. Ethical life, that higher flame of human existence, does not appear from nothing. It grows from the roots of pre-ethical life, from the rhythm of doing and making. And so, in the great unfolding of spirit, the dialectic of desire and labour precedes the mirror of the other. The first consciousness is solitary—not in loneliness, but in purity. It does not yet know the other, but it knows the world, and knows that it is not the world. That knowing is the seed of all future becoming. In time, another light will rise. Another subject, another gaze. And then begins the second movement—the dialectic of recognition, where I become for you, and you become for me. But even this communion rests on the silent, ancient groundwork of labour—on the stones we laid, the words we shaped, the tools we held in trembling hands. The journey is one. Fragmented only for our understanding. In truth, the self, the world, and the other spiral together in a single cosmic breath. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

Abstract: This paper aims to propose a subversive interpretive framework based on mind-nature philosophy for the core concept of Dantian in Daoist Neidan (Internal Alchemy). This study argues that Dantian, as discussed in Neidan (especially the Neidan doctrines of the Song and Yuan dynasties), does not fundamentally refer to a physiological space or an energy hub, but rather serves as a metaphor for the "mind-field" that practitioners take as their anchor. Correspondingly, the key mechanism of Qi (vital energy) lies (...) in "the movement of the mind" (i.e., thoughts and habitual tendencies), and the essence of the practice "sinking Qi into the Dantian" is the practical cultivation of stilling discursive thoughts, clarifying the mind, and reflecting back to one’s original nature. The paper systematically demonstrates that the traditional theory of the "Three Dantians" and the cultivation stages of "refining essence into Qi, refining Qi into spirit, refining spirit into emptiness" are fundamentally a complete system of mind-nature cultivation and verification that describes the purification of the mind and the elevation of spiritual realms. To consolidate this argument, the paper will rigorously cite authoritative sayings from Neidan masters such as Bai Yuchan, Wang Chongyang, and Qiu Chuji. Through cross-referential textual analysis, it reveals the philosophical essence of Neidan’s approach of "speaking of the mind through the body" and "refining the physical form is refining the spirit", thereby clearly distinguishing Neidan from practices such as Qigong and martial arts that focus on physiological regulation in terms of purpose and essence, and providing a pure and profound theoretical path for understanding the philosophy of Daoist cultivation. 摘要：本文旨在对道家内丹学核心概念“丹田”提出一种基于心性哲学的颠覆性诠释框 架。本研究主张，内丹学（特别是宋元内丹）所论之“丹田”，其根本并非指生理空间或 能量枢纽，而是作为修炼依止的“心田”之隐喻。与之相应，“气”之枢机在于“心之动” （即意念与习气），而“气沉丹田”的本质，乃是止念澄心、返照本性的实践工夫。本文 系统论证，传统“三丹田”学说及“炼精化气、炼气化神、炼神还虚”之次第，在根本意义 上是一套描述心性净化与境界升华的完整心性修证体系。为夯实此论，本文将严格征 引白玉蟾、王重阳、丘处机等丹道祖师的权威语录，通过文献互证，揭示内丹学“借身 言心”、“炼形即炼神”的哲学实质，从而将其与侧重生理调节的“气功”、“武术”实践在目 的与本质上进行清晰分判，为理解道教修炼哲学提供一条纯粹而深刻的理路。. (shrink)

The content of this paper is an elaboration of Hubert L. Dreyfus’s philosophical critique of Artificial Intelligence (AI), computers and the internet. Hubert L. Dreyfus (1929-2017) is Ua SA philosopher and alumni of Harvard University who teach at the Massachusetts Institute of Technology (MIT) and University of California, Berkeley. He is a phenomenological philosopher who criticize computer researchers and the artificial intelligence community. In 1965, Dreyfus wrote an article for Rand Corporation titled “Alchemy and Artificial Intelligence” which criticizes the (...) masterminds of Artificial Intelligence. Dreyfus also criticized the order of computers via two books: (1) What Computers Can’t Do (1972) and (2) What Computers Stills Can’t Do (1992). He favored human intuition rather than the computer logic in his book Mind over Machine: The Power of Human Intuition and Expertise in the Era of the Computer (1986). In 2001, Dreyfus wrote a book On the Internet, which considers the prominent phenomenon in the recent Industry 4.0. By elaborating on Dreyfus’s philosophy on the computer, artificial intelligence, and the internet, we will know the philosophical debate on the result of industry 3.0 (computer and artificial intelligence) and 4.0 (artificial intelligence and internet). Moreover, we will know the relation between humans and those industrial products. (shrink)

Crispin Wright has articulated and defended the view that by incorporating non-evidential entitlements into our theory of knowledge, we can achieve a satisfactory reply to key skeptical challenges. Crucial to this view is the thesis that regions of thought are underpinned by ‘cornerstone’ propositions— propositions for which warrant is antecedently required in order for ordinary beliefs in that region to be supported by experiential evidence. Critics have noted that because cornerstone propositions are entailed by ordinary propositions, Closure delivers two unwelcome (...) results: (i) one can acquire evidential justification for cornerstones via deduction (alchemy); and (ii) the epistemic risk involved in accepting cornerstone propositions impugns the evidential justification we are supposed to have for ordinary propositions (leaching). It is argued here that leaching has been misdiagnosed by Wright and his critics as relying essentially on a Closure principle. Instead, it relies on a Counter-Closure-style principle. Once this point is recognized , Wright’s own solution to the leaching problem becomes unsatisfactory. However, a guiding maxim from the extant literature for demarcating true from false Counter-Closure-style principles can be usefully applied to identify a successful resolution to the leaching worry on Wright’s behalf. (shrink)

Within the European history of ideas, at least three conceptions of metamorphosis can be distinguished. First, as celebrated in Ovid’s Metamorphoses, there is the vision of an open-ended flux of shapes in all directions, potentially with the ambiguous result of wavering identity. Secondly, at the centre of the synoptic gospels Jesus’s transfiguration is presented as a luminous elevation, rendering his true nature unambiguous. Thirdly, alchemy conceives of metamorphosis as contingent upon a meeting of polarities. The distinction is fit to (...) disclose crucial aspects of works of art, particularly of musical compositions. (shrink)

Philosophy has a dirty little secret and it is this: a whole lot of philosophers have swallowed the mechanistic billiard ball deterministic view of human action—presumably because philosophy assumes that science demands it, and/or because modern attempts to articulate in what free will consists seem incoherent. This below-the-surface-purely-academic commitment to mechanistic determinism is a dirty little secret because an honest public commitment would render virtually all that is taught in philosophy departments incomprehensible. Can “lovers of wisdom” really continue to tolerate (...) such a heavy burden of hypocrisy? For it is maximally hypocritical, is it not, to teach ethics, or existentialism, or political philosophy, or critical thinking, or indeed to teach anything at all if one views the bodies of humans as entities determined by forces that are describable entirely under the auspices of physical/chemical laws. The only option, it would seem, to avoid such hypocrisy is to go out of business. After all, either base metal can be turned into gold, or it cannot. We found out long ago that it cannot, and so alchemy was rightly banished into the dustbin of history. Likewise, either philosophy can enhance the wisdom quotient of its disciples as its name implies, and thus override billiard ball mechanics, or it cannot. And if it cannot, it deserves to follow alchemy to an ignominious end. (shrink)

Patricia Williams in her book, The Alchemy of Race and Rights, describes being denied entrance in the middle of the afternoon by a “saleschild.” Utilizing the works of Maurice Merleau-Ponty, this article explores their interaction phenomenologically. This small interaction of seemingly simple misunderstanding represents a limit condition in Merleau-Ponty’s analysis. His phenomenological framework does not explain the chasm between the “saleschild” and Williams, that in a sense they do not participate in the same world. This interaction between the “saleschild” (...) and Williams represents a moment when the two contest exactly what is reason in our society. To the extent that society discerns one’s actions as reasonable and the other’s actions as unreasonable, our society participates in determining that which constitutes reason. Williams’s work speaks precisely to this chasm as evident in her text’s subtitle, Memoirs of a Mad Woman. This decision relegates one subject to “judiciousness” and relegates the other to “madness.”. (shrink)

This article explores the Codicillus, a pivotal yet understudied text within the pseudo-Lullian alchemical corpus, dating back to the mid-fourteenth century. The aim is to present the conceptual development of the alchemical doctrine contained in the work by elucidating its key logical and mnemonic devices. These include the three alchemical principles (material, demonstrative and operative), the division of the opus in four stages, the so-called ‘science of middles and extremes’, and an alphabetical wheel of the elements. Through this analysis, the (...) Codicillus emerges as a remarkable instance of operational rationality in medieval experimental science, as well as an early application of the ‘Art of Memory’ to alchemy. (shrink)

This paper analyses the technoscientific objective of building a synthetic cell from a Jungian perspective. After decades of fragmentation and specialisation, the synthetic cell symbolises a turn towards restored wholeness, both at the object pole and at the subject pole. From a Jungian perspective, it is no coincidence that visual representations of synthetic cells often reflect an archetypal, mandala-like structure. As a symbol of restored unity, the synthetic cell mandala compensates for technoscientific fragmentation via active imagination, providing a visual aid (...) for the technoscientific turn towards reintegration. Although the biotechnological desire to reconstruct life in vitro has been compared to alchemy before, a Jungian analysis allows us to make this comparison more specific and precise. The problem of archetypal images, however, is that alluring prospects of reintegration may underestimate and obfuscate the deficiencies and tensions at work in the current situation. As a projection of a future wholeness, it fosters optimism, but may also function as a misleading façade, covering up collisions and complexities. This can be averted by the conscious employment of the mandala as a symbolic scaffold fostering processes of individuation and working through. (shrink)

This chapter examines the use of vegetal analogy in late Renaissance physiology through the case of the German physician Daniel Sennert. It is centered on Sennert’s explanation of generation, in particular the transmission of life through the vegetative soul within the seed, as developed in his early works on medicine and alchemy, the _Institutionum medicinae libri V_ and _De chymicorum…liber_. This chapter first summarizes Sennert’s account of generation and the seed’s “formative force” according to Aristotle and Galen, as well (...) as his appraisal of the medical debates on the origin of the seed’s soul and form. Then, the next part explores Sennert’s own interpretation of the origin of forms, for which plant physiology served as a common denominator of his medical, alchemical and theological inclinations. Finally, this chapter considers how Sennert attempted to harmonize his reasoning with the Paracelsian account of generation, seed and life. (shrink)

This article offers a fresh interpretation of The Secret of the Golden Flower, the influential Taoist meditation manual translated by Richard Wilhelm (1873–1930) and introduced to Western readers with commentary by Carl Gustav Jung (1875–1961). While traditionally shrouded in esoteric language and mystical symbolism, this study demystifies the text by framing it as a practical guide to inner light meditation. Drawing on the emerging field of phosphene phenomenology, we suggest that the “Golden Light” described by Master Lü Dongbin (circa 8th–9th (...) century CE) corresponds with meditation-induced luminous phenomena commonly reported in deep contemplative practice. We examine the phenomenological markers and confirmatory signs detailed in the text, such as the perception of inner light, bodily dissolution, auditory shifts, and upward floating sensations, and relate them to modern accounts of entoptic imagery and altered states of consciousness. Through this synthesis, we reframe the Golden Flower as a coherent and instructive map for engaging with the luminous dimensions of consciousness through focused inner light awareness. (shrink)

وفقًا لأحدث التقارير، هناك أكثر من مائة وأربعين تركيبة كيميائية تخضع الآن للتجارب على مستويات مختلفة، كما استثمرت الحكومات والمؤسسات الكبرى مثل مؤسسة «بيل وميليندا جيتس» مليارات الدولارات لتمويل البحث عن «الرصاصة الفضية» Silver Bullet السحرية التي من شأنها القضاء على الفيروس العنيف والمُراوغ. وما زالت كثرة من البروتوكولات المتعلقة بتطوير اللقاح المُنتظر – ونتائج تجاربها على البشر – مُحاطة بالسرية في ظل التنافس المحموم على أخذ زمام المبادرة.

Francis Bacon’s theory of matter is a controversial topic among historians. I agree with the viewpoint, which suggests that although Bacon changed his views on atomism repeatedly, he never rejected it completely (Partington, Urbach, Gemelli). I will substantiate this interpretation by paying more attention to the usually neglected allegorical works and by investigating why Bacon changed his mind on atomism in his Novum organum. I shall reconstruct Bacon’s various opinions in chronological order to establish his final evaluation of atomism and (...) his reasons for it. Given that Bacon never embraced a matter theory identical with Greek atomism, I shall here define atomism in the broadest sense, as a corpuscular matter theory that posits final and indivisible particles. Following this semantic delimitation, two successive Baconian opinions will be distinguished: the first took the atom to constitute an ontological and causative-operational principle; the second deprived the atom of this causative-operational ability, but did not touch its ontological priority. At the same time, I will investigate the question concerning the coexistence of atomism and pneumatism in Bacon’s theory, a point that has been discussed in the influential interpretations by Kargon and Rees. I shall argue that Bacon did not regard these two doctrines as incompatible. (shrink)

Traditionally, the so-called ‘redintegration experiment’ is at the center of the comments on the supposed Boyle/Spinoza correspondence. A. Clericuzio argued (refuting the interpretation by R.A. & M.B. Hall) in his influential publications that, in De nitro, Boyle accounted for the ‘redintegration’ of saltpeter on the grounds of the chemical properties of corpuscles and did not make any attempt to deduce them from the mechanical principles. By contrast, this paper claims that with his De nitro Boyle wanted to illustrate and promote (...) precisely his new Corpuscular or Mechanical Philosophy, and that he did significant attempts to explain the phenomena in terms of mechanical qualities. Boyle had borrowed the ‘redintegration experiment’ from R. Glauber and used it as a tool to prove that his philosophy was the right alternative for the Peripatetic and Paracelsian theory of qualities of bodies. Consequently, Clericuzio’s characterization of the Boyle/Spinoza controversy as a discussion between a strict mechanical philosopher and a chemist is problematic and should be revised. (shrink)

Not only did Paracelsus (1493-1541) censure the logic of the Aristotelians, but also their "Godless" approach to questioning nature. He declared that Aristotle was “a heathen whose work had rightly been condemned repeatedly in church councils." In this essay I elucidate some of the more salient features of Paracelsus’s "epistemology," and draw parallels between his notion of experientia (Erfahrung) and that of Hans-Georg Gadamer. I also discuss Paracelsus’s educational metaphor, his creation myth, and the mysterious doctrine of signatures en route (...) to uncovering his peculiar understanding of the relationship between theory, practice, and experience. (shrink)

Il fascino di un libro, tra Reuchlin e Bruno. -/- RINASCIMENTO ESOTERICO Speciale V centenario De arte cabalistica (1517-2017) -/- Nella sua rinomata libreria antiquaria, nel cuore di Firenze, Paolo Pampaloni sta sfogliando un grazioso volumetto in ottavo, rilegato in pelle scura. Si tratta di un esemplare del De incertitudine et vanitate scientiarum di Heinrich Cornelius Agrippa von Nettesheim.

This paper reinterprets the classical concept of the Philosopher’s Stone within the framework of the Tenson Theory. By treating energy and information as com- ponents of a complex tensor field, the so-called Tenson Particle is identified as the modern equivalent of the Stone—a physical and philosophical state of perfect reso- nance where entropy ceases and immortality becomes mathematically describable.

For praising Jehovah (Yahowah is Yeshua Ben Joseph) do I publish these mathematical gesturing forms by His graciousness. The Book of Eternity proposes a new, mathematical balancing language in which the logic stems from infinity instead of zero. The designation of the balance comes from the location at which different meanings of infinity linguistically balance with each other and provides a way for people to continue extrapolating forms and functions that logically would follow. This balancing at oneness is analogous to (...) the resurrection of Jesus as the phenomenological velocity can come into being or be canceled out and have no effect. So, when Jesus died, that was the canceling out, and when Jesus (Yeshua Ben Joseph Jehovah) was raised, that was the coming into being. As the Resurrection, He is intimately tied to the creation as the savior. This can be expressed mathematically. As oneness, this balancing is infinite and meets symbolically with the differentiated meanings of oneness. The oneness is both the canceling (of the square roots within the height function), and the intersection of meanings (of infinity through the word of Jehovah (Yahowah)). This book elucidates the kinds of dimensionality with which man interacts normally: distance, angle, number, mass. (shrink)