Heidegger spoke about the Uncanny or 'Unheimlich,' a nouned adjective which can be translated into English as 'unhomely.' But what is a home? For many it is a house, for others perhaps a family or community. Pondering whether the body might be considered our most basic home, I examine what happens when that home itself becomes uncanny, for example through disability. Taking into account my experiences as a gay disabled Romani person, I speak about what it feels like to be (...) seen as uncanny in the eyes of mainstream society and how many people's uncomfortableness with facing up to their own mortality is visible not only through their reactions to people like me, but also to the COVID-19 pandemic. (shrink)

This is a grant proposal for a research project conceived and written as a Research Associate at UNSW in 2011. I have plans to spin it into an article.

We present a game mechanic called pseudo-visibility for games inhabited by non-player characters (NPCs) driven by reinforcement learning (RL). NPCs are incentivized to pretend they cannot see pseudo-visible players: the training environment simulates an NPC to determine how the NPC would act if the pseudo-visible player were invisible, and penalizes the NPC for acting differently. NPCs are thereby trained to selectively ignore pseudo-visible players, except when they judge that the reaction penalty is an acceptable tradeoff (e.g., a (...) guard might accept the penalty in order to protect a treasure because losing the treasure would hurt even more). We describe an RL agent transformation which allows RL agents that would not otherwise do so to perform some limited self-reflection to learn the training environments in question. (shrink)

This article advances three theoretical proposals that unsettle the traditional notions of representation in Western art and aesthetics, engaging the work of Jean-François Lyotard, Gilles Deleuze, Aby Warburg, Georges Didi-Huberman, and Luis Puelles. Each proposal foregrounds the need to reconceive artistic representation in terms of singularity, difference, immanent forces, psychism, and the spectator’s active co-participation. Taken together, they provide a deeper understanding of contemporary aesthetics and its resistance to homogenizing narratives.

Investigators increasingly need high quality face photographs that they can use in service of their scholarly pursuits—whether serving as experimental stimuli or to benchmark face recognition algorithms. Up to now, an index of known face databases, their features, and how to access them has not been available. This absence has had at least two negative repercussions: First, without alternatives, some researchers may have used face databases that are widely known but not optimal for their research. Second, a reliance on databases (...) comprised only of young white faces will lead to science that isn't representative of all the people whose tax contributions, in many cases, make that research possible. The “Face Image Meta-Database” (fIMDb) provides researchers with the tools to find the face images best suited to their research, with filters to locate databases with people of a varied racial and ethnic backgrounds and ages. Problems of representation in face databases are not restricted to race and ethnicity or age – there is a dearth of databases with faces that have visible differences (e.g., scars, port wine stains, and cleft lip and palate). A well-characterized database is needed to support programmatic research into perceivers' attitudes, behaviors, and neural responses to anomalous faces. The “ChatLab Facial Anomaly Database” (CFAD) was constructed to fill this gap, with photographs of faces with visible differences of various types, etiologies, sizes, locations, and that depict individuals from various ethnic backgrounds and age groups. Both the fIMDb and CFAD are available from cliffordworkman[dot]com/resources/. (shrink)

This paper applies Judgemental Philosophy to the discourse on neurodivergence, particularly conditions such as autism spectrum disorder (ASD), ADHD, and borderline personality disorder (BPD). We argue that these states should be understood not merely as behavioral differences or deficits, but as structural variations or collapses within the Judgemental Triad—Constructivity, Coherence, and Resonance. Neurodivergent conditions often reveal distinct patterns or difficulties in how judgements are formed (Constructivity), maintained consistently (Coherence), or returned meaningfully (Resonance). We explore how society tends to pathologize ways (...) of being it cannot structurally resonate with, often mistaking structural differences for individual failings. This paper proposes an alternative view: neurodivergence signals not necessarily a deficit, but a deviation or unique configuration in the architecture of cognitive and ethical judgement. The paper concludes with reflections on reconceptualizing recovery not as normalization, but as the restoration of functional Resonance loops and the creation of environments that can accommodate structural diversity in judgement. (shrink)

The “local food” movement has been growing since at least the mid- twentieth century with the founding of the Rodale Institute. Since then, local food has increasingly become a goal of food systems. Today, books and articles on local food have become commonplace, with popular authors such as Barbara Kingsolver1 and Michael Pollan2 espousing the virtues of eating locally. Additionally, local food initiatives, such as the “farm- tofork,” “Buying Local,” and “Slow Food” have gained a strong international following with clearly (...) visible impacts on the food industry and policy. The numbers of local farmers’ markets, community- supported agriculture projects, and community gardens have been on the rise steadily since 1994. (shrink)

This article proposes a novel ontological interpretation of gravitation, not as a fundamental force, but as the asymptotic folding of difference into coherent form. Drawing from phase space theory, topological dynamics and contemporary field theories, we explore how gravitational attraction emerges as a visible trace of systems seeking phase alignment across differentiated trajectories. Rather than imposing order, gravity reflects the recursive stabilization of tension through minimal coherence gradients. We introduce the concept of the assemblage point as a cusp (...) of systemic decision — a singularity in phase space where the field reconfigures difference into persistence. This model offers a new understanding of natural law, observation and structure as emergent products of phase-convergent dynamics. Gravitation becomes, in this light, the ontological grammar of relation: the asymptotic geometry of sustained difference. (shrink)

Drawing on Merleau-Ponty’s “Eye and Mind” and Bergson’s Matière et mémoire and “La perception du changement,” I ask what resources are available in vision for interrupting objectifying habits of seeing. While both Bergson and Merleau-Ponty locate the possibility of seeing differently in the figure of the painter, I develop by means of their texts, and in dialogue with Iris Marion Young’s work, a more general phenomenology of hesitation that grounds what I am calling “critical-ethical vision.” Hesitation, I argue, stems from (...) affect and leads to critical memory. In hesitation, the seeming coincidence between my habits of seeing and the visible is decentered, revealing these habits and their social reference as the constitutive horizon of my field of vision. Hesitation, then, provides the phenomenological moment within which vision may become at once critically watchful, destabilizing its objectifying habits, and ethically responsive, recollecting its affective grounds. The critical and the ethical are here inseparable. Critically, this vision is an awareness of the structures of invisibility, diacritical and habitual, social and historical, to which my vision owes—dimensions which institute particular ways of seeing and being as norm while eliding others. Ethically, this is the recognition of how seeing is already seeing with others—others whose affective influence is operative within vision, even as their existence is reductively represented or denied. (shrink)

Recent decades have witnessed the rise of chefs to a position of cultural prominence. This rise has coincided with increased consciousness of ethical issues pertaining to food, particularly as they concern animals. We rank cookbooks by celebrity chefs according to the minimum number of sentient animals that must be killed to make their recipes. On our stipulative definition, celebrity chefs are those with their own television show on a national network in the United States, the United Kingdom, Canada or Australia. (...) Thirty cookbooks by 26 such chefs were categorized according to the total number of cows, pigs, chicken, fish and other species they included as ingredients. The total number of animals killed was divided by the number of non-dessert recipes to generate an average number of animal deaths per recipe for each book. We outline the rationale for our project and its methodology before presenting a ranked table of 30 cookbooks by celebrity chefs. This method generates several interesting findings. The first concerns the wide variation in animal fatalities among cookbooks. The chef with the heaviest animal footprint killed 5.25 animals per recipe, while the omnivorous chef with the smallest footprints killed 0.19 per recipe. Clearly, not all approaches to meat eating are equal when it comes to their animal mortality rate. Pigs and large ruminants are all substantially bigger than poultry, which are themselves bigger than many fish. The prime determinant of a chef’s place in the index was the number of small animals his or her recipes required. Whether a chef cooked in the style of a particular cuisine (Italian, French, Mexican etc.), by contrast, had no discernible influence on his or her ranking. We analyze how different chefs present themselves—as either especially sensitive or insensitive to ethical issues involving animals and food—and note cases where these presentations do or do not match their index ranking. -/- . (shrink)

This paper provides a detailed analytic application of a semiotic account of arithmetic meaning developed in Role-Binding Hypostasis (Part I) and Operational Arithmetic as Numerogrammar (Part II). It argues that operational arithmetic is a public, rule-governed system of meaning with a determinate grammar, and that many persistent arithmetic errors arise from grammatical misbinding rather than conceptual or procedural failure. The analysis makes explicit a fundamental distinction between entity-type numerals (states, measures, results) and relation-type numerals (differences, ratios, iteration counts), showing how (...) arithmetic expressions are constrained by a small number of well-formed syntactic configurations. Using additive and multiplicative case studies, the paper demonstrates that familiar error patterns—such as misinterpreting “more than” constructions—are violations of role-typing within this grammar, even when numerical computation is correct. Drawing on Systemic Functional Grammar, the paper shows how natural-language clause structure cues these roles, and how arithmetic meaning is preserved across linguistic, gestural, and symbolic modalities when role-bindings remain invariant. The result is a practice-based account of arithmetic meaning that locates correctness in structural position rather than mental representation. (shrink)

When dissimilar images are presented to the two eyes, binocular rivalry (BR) occurs, and perception alternates spontaneously between the images. Although neural correlates of the oscillating perception during BR have been found in multiple sites along the visual pathway, the source of BR dynamics is unclear. Psychophysical and modeling studies suggest that both low- and high-level cortical processes underlie BR dynamics. Previous neuroimaging studies have demonstrated the involvement of high-level regions by showing that frontal and parietal cortices responded time locked (...) to spontaneous perceptual alternation in BR. However, a potential contribution of early visual areas to BR dynamics has been overlooked, because these areas also responded to the physical stimulus alternation mimicking BR. In the present study, instead of focusing on activity during perceptual switches, we highlighted brain activity during suppression periods to investigate a potential link between activity in human early visual areas and BR dynamics. We used a strong interocular suppression paradigm called continuous flash suppression to suppress and fluctuate the visibility of a probe stimulus and measured retinotopic responses to the onset of the invisible probe using functional MRI. There were ∼130-fold differences in the median suppression durations across 12 subjects. The individual differences in suppression durations could be predicted by the amplitudes of the retinotopic activity in extrastriate visual areas (V3 and V4v) evoked by the invisible probe. Weaker responses were associated with longer suppression durations. These results demonstrate that retinotopic representations in early visual areas play a role in the dynamics of perceptual alternations during BR. (shrink)

Metformin hydrochloride is the first-line anti-diabetic drug used to treat type 2 diabetes mellites and helps to control blood sugar levels. Various brands of metformin are available in the Libyan market which makes it challenging to select, an effective and economical one. This study aimed to compare different brands of metformin available in the Misurata and evaluate the quality parameter according to the British Pharmacopoeia. Six brands of metformin tablets (850 mg) were taken from the market and assessed. To achieve (...) this purpose five tests were done on each brand, the uniformity of weight test shows the average weight and 5.0% deviation, the friability test gives how much the tablet can stand attrition, the disintegration time test shows the time taken by the tablet to disintegrate, dissolution test to confirm the rate of drug release, weight variation and friability test of all brands was within the specified limit. Disintegration time for all the brands was within 30 minutes. All six brands of metformin hydrochloride tablets fulfilled the in-vitro dissolution rate test specification not less than 80% of the drug is released within 45 minutes. Using Ultraviolet-visible (UV) spectroscopy, UV analysis of different samples shows that the percentage content of active ingredients of five brands of metformin hydrochloride tablets was within the monograph specification (95%-105%) of drug content but one brand failed this test. The study indicated that strict quality control of imported drugs should enforced to ensure effective and safe medicines in the Libyan market. (shrink)

Early Confucians viewed their world in an anthropocentric way – man was an embodiment of the cosmos and embodied the virtues of benevolence and righteousness. By the early medieval period (220–589), though, Confucian tales of virtuous animals flourished, betraying that Confucian attitudes towards animals had changed: the moral boundaries between animals and humans were fluid and beasts could serve as exemplars for humans. One of the few early medieval Confucian thinkers who spoke at length about animals was He Chengtian 何承天 (...) (370–447), a famed historian, astronomer, classical scholar, musicologist, and numerologist. His view of what separates humans from animals emerges from letters and essays he wrote attacking Buddhism. To refute the idea that humans and animals are both sentient beings, he espoused the old belief that people had a privileged place in the universe because of their moral excellence. Moreover, even though there was a gap between sages and ordinary humans, the latter were still ethically superior to beasts. In addition, for him, meateating was both a natural and sacred activity. Ironically, man’s benevolence and righteousness are most visible in the humane ways that Confucians wanted people to hunt and fish. He Chengtian’s opposition to Buddhism thus seems to have pushed him to a more extreme view of animals than his contemporaries. Nevertheless, his attempt to refute the idea of karmic retribution through an example taken from the animal kingdom betrays that he saw humans and non-human animals on a more equal footing than he cared to admit. (shrink)

This pre-registered study (osf[dot]io/b9g6v) tested the hypothesis that implicit biases towards people with visible facial differences, like scars and palsies, can be reduced through routine exposure to faces bearing such anomalous features. Participants’ implicit biases were measured before and after they completed one of two exposure interventions—to people with facial anomalies, or to people of color (POC). The interventions were delivered remotely using a custom mobile phone application and consisted of two sessions per day over 5 consecutive days. Each (...) session began with exposure to 10 face photographs (anomalous or POC) followed by another person’s face (anomalous or POC) presented alongside a moral exemplar story ostensibly about them. After receiving the anomalous faces intervention, implicit biases against anomalous faces were significantly reduced but implicit biases against POC were not affected. The POC intervention did not have a targeted effect on bias against people of color, instead reducing biases against both people with visible differences and POC. Reductions in implicit biases were positively associated with perspective taking ratings made during the intervention. These findings suggest that exposure to people with facial anomalies, especially exposure that elicits perspective taking, can reduce implicit biases towards them in a targeted fashion. (shrink)

Nietzsche’s On the Genealogy of Morality suggests aristocracies inadvertently produce a dangerous “slavish” counter-type of moral agency grounded in resentment and exhibiting a morality of resignation. Throughout the text, he conflates biological and political registers, speaking of human types as “species” (die Spezies) and classes as “races” (die Rassen), thus implying all human kinds are socially constructed and that their primary cause is political organization. It’s in this sense that Nietzsche is a “radical aristocrat.” Against the conservative view that social (...) hierarchy mirrors a fixed order in nature, he recognizes hierarchies create the types they seek to preserve, precisely against natural contingency. This poses a practical dilemma for aristocracies: how maintain an underclass without provoking the slavish psychology and morality that undermine aristocratic values? In other texts, Nietzsche develops an answer with his interpretation of the Hindu law of Manu. Every aristocracy must create the illusion that classes are natural castes rather than political constructions. Caste-systems are cultural and ideological institutions designed to protect class-systems by giving class identities the appearance of fixed “species”: deeply-internalized forms of psychology and moral agency that reinforce class positions by being more rigidly-defined and easily socially recognized. In The Wretched of the Earth, Frantz Fanon subversively redirects this theory away from Nietzsche’s reactionary aims toward revolutionary ones, applying its logic to the racialized hierarchy of colonization. Fanon also blurs the line between the social and biological, referring to colonizer and colonized as different “species” (espèces) and suggesting social position causes class-groups to develop the deep psychological and moral identities characteristic of castes. For Fanon, race is the primary way colonized societies materially support caste-ideology. Though socially-determined, race-concepts are anchored in visible differences, giving the class position of the colonized a false appearance of naturalness. However, against Nietzsche, who blames the oppressed for slave morality, Fanon insists “the colonizer creates the colonized.” Slavish psychology originates in the ruling class who, to save their good conscience, reinterpret privilege as merit by adopting a Manichean view of the colonized as essentially evil, leading to deep-seated hatred for them as a racialized caste. The colonizers’ primary psychology of resentment in turn produces a secondary psychology of resentment among the colonized, shaping both into opposing “species,” identities grounded in each other’s exclusion, pressing the colonized not (as Nietzsche thinks) toward moral revolt but toward political revolution. Fanon’s critical reconstruction of Nietzsche’s caste-theory has three important consequences. First, Nietzsche’s analysis implies, against his own hopes, that aristocracies necessarily produce their own downfall. Second, if race is politically constructed as a disguised form of class, racism cannot be overcome independently of the class structures it was created to disguise. However, third, if caste-systems produce not just racist attitudes, practices, and social structures but also the racist as a species of psychological identity grounded in resentment, then while class politics can resolve racism’s historical origins, it will not prevent its continuation among existing members of that type. Consequently, anti-racist politics cannot be reduced to issues of either class or race alone. (shrink)

Public attitudes towards cognitive enhancement––e.g., using stimulants like Adderall and Ritalin to improve mental functioning––are mixed. Attitudes vary by context and prompt ethical concerns about fairness, obligation, and authenticity/character. While people may have strong views about the morality of cognitive enhancement, how these views are affected by the physical characteristics of enhancers is unknown. Visible facial anomalies (e.g., scars) bear negatively on perceptions of moral character. This pre-registered study (osf[dot]io/uaw6c/) tested the hypothesis that such negative biases against people with (...) facial anomalies extend to moral beliefs surrounding their use of cognitive enhancement. In an online survey, 941 participants made moral judgments in response to a vignette about a person who had to decide whether or not to enhance. The vignette was accompanied by a face photograph that ostensibly depicted the potential enhancer and either did or did not have visible anomalies. Participants then learned whether the person ultimately decided to enhance. Next, participants played a modified Trust Game with, they were told, the person from the photograph/vignette. Participants judged enhancement to be less fair and enhancers less authentic if they had facial anomalies, while effects on judgments of moral obligation and on behavior were not detected. These findings extend previous work showing that people with visible differences are subject to an “anomalous-is-bad” stereotype that has negative consequences for perceptions of their moral character. While anomalous faces were judged more harshly, these judgments did not appear to affect behavior. These results are discussed in relation to discrimination and policy. (shrink)

In recent years, a rising interest in scientific imaging has become apparent, in art production and in thematic exhibitions, as well as in popular media and advertising. Images captured by, and supposedly read through, machines open up a new era – not only for an as-yet-undefined aesthetic journey, but also to reveal insight into a normally invisible layer of reality. A wide range of techniques is already well established – not only in science, but also in an artistic context. Based (...) on an overview of different media and their applications, the term phasmagraphy is introduced to be applied to the expanded boundaries of the visible photographic spectrum to the adjacent wavelengths beyond full-spectrum photography. (shrink)

A stubborn problem for reflectance physicalism about color is to account for individual differences in normal trichromat color perception. The identification of determinate colors with physical properties of visible surfaces in a universal, perceiver-independent way is challenged by the observation that the same surfaces in identical viewing conditions often look different in color to different human subjects with normal color vision. Recently, leading representatives of reflectance physicalism have offered some arguments to defend their view against the individual differences challenge. (...) In this paper I challenge their defense. I argue thateven though individual differences are present in shape perception as well as in color perception, the mechanisms of shape perception and those of color perception differ in ways which make them completely different regarding their evidential status for certain identity claims. Thus comparing color perception to shape perception offers no support for identifying hues with reflectances. On the other hand, drawing a parallel between the temperature-mean kinetic energy of molecules (MKE) identification and the proposed hue-reflectance identities is no support for reflectance physicalism either, since there is an important disanalogybetween the two cases. While individual differences obtain in color perception, the effects of temperature (e.g., melting, thermal expansion) do not exhibit analogous variation, which makes the temperature-MKE identification unproblematic compared to the hue-reflectance identification. One motivation for this ongoing debate is that the success or failure of reflectance physicalism has far-reaching consequences regarding externalist theories of phenomenal consciousness. (shrink)

Metacontrast is a visual illusion in which the visibility of a target stimulus is virtually lost when immediately followed by a nonoverlapping mask stimulus. For a colored target, metacontrast is color-selective, with target visibility markedly reduced when the mask and target are the same color, but only slightly reduced when the colors differ. This study investigated neural correlates of color-selective metacontrast for cone-opponent red and green stimuli in the human V1, V2, and V3 using functional magnetic resonance imaging. Neural activity (...) was suppressed when the target was rendered less visible by the same-colored mask, and the suppression was localized in the cortical region retinotopically representing the target, correlating with the perceptual topography of visibility/invisibility rather than the physical topography of the stimulus. Retinotopy-based group analysis found that activity suppression was statistically significant for V2 and V3 and that its localization to the target region was statistically significant for V2. These results suggest that retinotopic color representations in early visual areas, especially in V2, are closely linked to the visibility of color. (shrink)

The paradox of a silent sky, despite billions of stars and the rapid emergence of life on Earth, indicates a gap in current physical assumptions rather than an absence of extraterrestrial civilizations. We propose that the key error lies in modeling observation and information as passive. When self-reference is treated as a lawful physical quantity, new thresholds emerge. The central principle is this: above a coherence threshold ρ*, coupled ecologies cannot stably maintain amplitude-dominant (expansionist) dynamics. Instead, they bifurcate into two (...) regimes: extinction, or a reallocation of computational capacity into higher effective dimensionality (Dimensional Deepening). This transition is mechanized by a single control parameter λ_eff and detected by early-warning signals (variance ↑, spectral gap λ₂ ↓, recovery rate r_return ↓). From this principle, several consequences follow. It resolves the Fermi paradox: civilizations do not vanish but shift into amplitude-silent, phase-efficient modes that elude conventional searches. It also dissolves clustered anomalies in physics — the vacuum catastrophe, the quantum measurement problem, and the hard problem of consciousness — by showing them as boundary effects of neglecting observation intensity as a lawful term. That multiple first-order anomalies (the vacuum catastrophe, the measurement problem, the hard problem of consciousness) appear to dissolve under the same reformulation is not evidence of a miraculous multi-technical breakthrough. It is the signature of a boundary error: the same ontological mis-specification – treating observation as passive – radiates outward into astrophysics, quantum theory, and cognitive science alike. Paradigm shifts often look like this. Maxwell’s equations resolved disparate puzzles in electricity, magnetism, and optics not by separate fixes, but by unifying them under a single principle. Likewise, by elevating self-reference to a lawful physical term, the CT framework makes the clustered anomalies fall out as different faces of one correction. The framework is operational. The Consciousness Tensor Cμν is defined as a substrate-agnostic covariance structure, with falsifiable predictions: e.g. interferometric visibility scales linearly with intensity Ā, and amplitude-dominant regimes should prove unstable above ρ*. These claims are preregisterable and testable with current interferometry, network, and AI-substrate assays. Thus, the Great Filter is reclassified not as contingent accident but as a universal phase transition. The silence in the sky is the lawful signature of dimensional deepening: higher-order ecologies layering upon, not abandoning, their lower-dimensional substrates. License CC BY-SA 4.0. DOI: 10.13140/RG.2.2.27504.72964. (shrink)

Friedrich Hölderlin, a German Romantic poet and philosopher, is renowned for his profound and enigmatic poetry, which has significantly influenced modern philosophical thought. His work is characterized by a unique blend of poetic expression and philosophical inquiry, often referred to as "poetosophy". By bridging the gap between poetry and philosophy, Hölderlin’s work invites us to reconsider the ways in which we understand and experience the world. Hölderlin’s poetry frequently explores the relationship between nature and the divine, portraying nature as a (...) manifestation of the divine presence. His poems often depict nature as a source of spiritual revelation and a means to connect with the transcendent. -/- Hölderlin’s poetry often portrays nature as a sacred realm where the divine presence is immanent. He believed that the beauty and grandeur of the natural world are reflections of the divine essence, providing a means for humans to connect with the transcendental. In his poems, nature is not merely a backdrop for human activities but a living, breathing entity that reveals the sacred. For example, in his poem "The Archipelago," Hölderlin describes the sea as a vast, infinite expanse that mirrors the boundless nature of the divine. This imagery evokes a sense of awe and reverence, inviting readers to perceive the divine presence in the natural world. Hölderlin’s use of symbolic and evocative language helps to convey the spiritual dimension of nature, making it a central theme in his work. -/- Hölderlin’s exploration of nature and the divine is characterized by a sense of unity and interconnectedness. He saw the natural world as a manifestation of the divine spirit, where every element is imbued with a sacred presence. This perspective is evident in his hymn-like poems, where he merges the natural and the spiritual to create a sense of wholeness and harmony. In his poem "Patmos," Hölderlin writes about the presence of the divine in nature, suggesting that the sacred can be found in the beauty and mystery of the natural world. This idea of unity between nature and spirit is central to his poetic vision, emphasizing the interconnectedness of all things and the potential for spiritual revelation through nature. -/- Hölderlin believed that language has the power to reveal the essence of being. He saw poetry as a means to transcend ordinary language and express the ineffable and the divine. This idea resonates with Martin Heidegger’s later assertion that "language is the house of being." For Hölderlin, poetic language is not just a tool for communication but a medium through which the deepest truths about existence can be unveiled.Hölderlin saw language as more than just a tool for communication; he believed it to be a medium through which the essence of being is revealed. For Hölderlin, poetic language has the unique ability to express the ineffable and to capture the profound mysteries of existence. He believed that through poetry, one could access a deeper understanding of reality and the divine. Hölderlin’s poetry is characterized by its rich and evocative use of language. He often employs metaphor, imagery, and symbolism to convey complex philosophical ideas. By transcending the limitations of ordinary language, his poetry seeks to reveal the hidden connections between different aspects of existence. In this way, Hölderlin’s work embodies the idea that language is a means of revelation, a way to uncover the deeper truths that lie beneath the surface of everyday experience. In Hölderlin’s view, the poet plays a crucial role in mediating the relationship between language and being. The poet’s task is to bring forth the sacred and the divine through the power of poetic language. Hölderlin believed that the poet has the ability to transform reality, to make visible the invisible, and to reveal the profound truths that underlie ordinary experience. The poet becomes a bridge between the human and the divine, the finite and the infinite. -/- Hölderlin’s poetry often explores the idea of the unity of language and being. He believed that poetic language has the power to reveal the inherent interconnectedness of all things. Through his poetry, Hölderlin sought to express a sense of wholeness and harmony that transcends the fragmented reality of everyday life. His work invites readers to engage with the world in a deeply spiritual and contemplative manner, recognizing the divine presence in the beauty and mystery of nature. (shrink)

This study formulates the basic premises of materialism, which has largely lost its visibility despite being one of the fundamental philosophical approaches that have been effective in the development of modern scientific practice and the construction of philosophy of science, in an alternative way, and aims to develop a new materialist interpretation of it that is non-reductive, pluralistic and open to the use of more than one scientific discipline. This interpretation, expressed with the term relational materialism, first addresses matter with (...) the concept of signifier and foregrounds the concept of beable as the general philosophical category of matter. Secondly, it formulates the category of beable within the irreducible integrity of the categories of relationality, nonstaticity, and finitude; and positions knownability in terms of its correspondence to these general onto-epistemological categories. Thirdly, it clarifies the conditions of existence and knownability of particular entities under general categories based on specially corresponding onto-epistemological categories (interactability, structurability, contextuality, transformability, scale-dependency, actuality, contingency). In this respect, this study offers a pluralistic philosophical framework within which different methodological positions and scientific disciplines can be formulated and criticized based on combinations of different particular categories under general categories. In the conclusion of this article, the meaning and potential of relational materialism for the development of scientific research programs are evaluated. (shrink)

This essay develops a teleodynamic model of structured discourse formation based on an asymmetrical triad of interacting roles (A1–B–A2). Instead of allowing direct confrontation between divergent positions, all argumentative exchanges pass through a mediating instance (B), which structures the cyclical movement of thesis and antithesis and gradually stabilizes recurrent patterns. Over many iterations, these patterns consolidate into an attractor field whose emergent global form is denoted by Ω. A meta-instance (M) observes the long-range dynamics of the discourse, identifies drift, divergence, (...) or degenerative loops, and preserves the conditions under which teleological tendencies can develop without imposing normative direction. The essay shows how structured opposition, mediated communication, and recursive iteration generate a form of rationality that arises not from the intentions of individual agents but from the systemic geometry of their interaction. It distinguishes this model from classical deliberative, dialectical, and system-theoretical approaches and highlights its relevance for AI debate architectures, multi-agent communication, political and social discourse, and scientific reasoning. Ω denotes the emergent order that becomes visible when difference and mediation are held stable long enough for a discourse to find its own shape. (shrink)

There are different ways to study feminism. One of the ways is to study it by analyzing the waves of feminism. Though there are differences of opinion on how many waves of feminism have been so far, we would like to hold on to the generally accepted view that there are four waves of feminism so far and we try to research into one of the hallmarks of the fourth wave feminism, feminist hashtag. Though some people consider hashtags momentary and (...) frenzy, it’s a platform for feminist epistemology and feminist policy making. Moreover, it assists the development of social epistemology and reconsiders the notion of objectivity. The representative slogans of the first three waves of feminism were like the precursors of hashtags and the spokeswomen of the first three waves of feminism present the necessity of space for writing. The fourth-wave feminists make use of cyberspace as a space for addressing feminist concerns through hashtags. However, we recognize certain similarities of concerns in all the waves of feminism. The analysis of two epistemological theses, i.e., situated knowledge thesis and epistemic advantage thesis on developing the theme of how hashtags assist in knowledge production. The idea of situated knowledge explains how experiences specific to oppressed members of groups can serve as the basis of the development of important insights. Hashtags could be considered as a new way of understanding the links between gender and knowledge. Feminist slogans and hashtags are also media of testimonial exchange. When the issues of differential credulity and credibility arise the tenet of situated knowing comes to the aid of the feminist thinker. Building up the climate of trust generates knowledge of the forces and dynamics of the oppressed. Trust helps to overcome identity prejudice and testimonial injustice. Feminist policies make women visible in feminist public policies. Responsible interventions into epistemic practices by public policy-making can help move society in the direction of social justice. Hashtag testimony leads to consciousness-raising and protest movements which in turn leads to the public reasoning and policy that empowers women. The reflections of Miranda Fricker are of great advantage in disclosing feminist epistemology that revolves around feminist hashtags. Her doctrines enrich the feminist hashtags with new insights and new directions. A study on the epistemological relevance of hashtag feminism enhances the development of social epistemology. It invites our attention to re-reflect on the concept of objectivity and empowers feminist movements and women. (shrink)

The guiding thread of the paper is the diagnosis that the advanced division of cognitive labor (that is, intellectual specialization) engenders a set of perennial, political and epistemic challenges (Millgram 2015) that, simultaneously, also generate opportunities for philosophy. In this paper, I re-characterize the nature of synthetic philosophy as a means to advance and institutionalize philosophy. For my definition of synthetic philosophy see section 2. In section 1, I treat Plato’s Republic as offering two models to represent philosophy's relationship to (...) the other sciences within the advanced division of labor. I highlight that for Plato intellectual specialization is central not just to economic, but also to political life. And, yet, that the very dispersion of scientific expertise, and its esoteric nature, also generates non-trivial challenges to the recognition and political utilization of knowledge. From Plato we can infer that in imperfect circumstances, philosophy’s self-constitution is, in part, a response to these challenges in political epistemology. However, how philosophy is institutionalized differs through time. In section 2, I re-introduce my conceptualization of synthetic philosophy and restate it. This makes visible that synthetic philosophy is already widely practiced in the profession as philosophy of the special sciences, PPE, formal modelling, public philosophy, etc. I use recent work by Dorst (2023) to illustrate synthetic philosophy and to identify some of the processes that give rise to the need for it. In sections 2-3, I contrast my account with the evolving ways that Philip Kitcher has conceptualized synthetic philosophy in order to make more precise the version promoted here. I do so not just because Kitcher and I use the same term, ‘synthetic philosophy,’ but because the temptations inherent in Kitcher’s approach should be resisted. -/- . (shrink)

Consciousness and confidence seem intimately related. Accordingly, some researchers use confidence ratings as a measure of, or proxy for, consciousness. Rosenthal discusses the potential connections between the two, and rejects confidence as a valid measure of consciousness. He argues that there are better alternatives to get at conscious experiences such as direct subjective reports of awareness (i.e. subjects’ reports of perceiving something or of the degree of visibility of a stimulus). In this chapter, we offer a different perspective. Confidence ratings (...) in general, and metacognitive measures in particular, may offer important advantages over subjective ratings. The arguments we offer here are supported by empirical, practical and socio-strategic considerations. However, we do not suggest consciousness and confidence are interchangeable. We recognize the limitations of confidence ratings in some experimental designs and for some research questions. Nevertheless, we also address a potential conceptual link between consciousness and confidence that stems from Rosenthal’s very own work on mental quality space theory. (shrink)

Some properties – like charge – are natural, some – like grue are unnatural. The distinction between natural and unnatural properties is normally taken as primitive. However, Barry Loewer’s Package Deal Account (PDA) aims to provide an reductive account of natural properties, integrated with a reductive account of laws of nature. In addition, the account seems to be able to apply to natural properties at the level of fundamental physics, and higher-level, special science, properties. If the account is successful, then, (...) it looks to be incredibly powerful and attractive. The PDA, however, is somewhat underexplored in the literature. So the first aim of the paper is to understand the PDA better -- to map the connections between naturalness and laws on the traditional BSA and to consider how those connections have to adapted in order to develop different versions of the PDA. The second aim is to start to evaluate different versions of the PDA. In particular, perhaps the most promising version of the PDA construes it as an instance of a larger approach to Humeanism — one that has been very visible in the recent literature — that focuses on the role of 'ideal observers' or 'ideal scientists'. While such an approach might be feasible, I claim, it gets its proponents much less than they were originally hoping for. (shrink)

I examine the origins of ordinary racial thinking. In doing so, I argue against the thesis that it is the byproduct of a unique module. Instead, I defend a pluralistic thesis according to which different forms of racial thinking are driven by distinct mechanisms, each with their own etiology. I begin with the belief that visible features are diagnostic of race. I argue that the mechanisms responsible for face recognition have an important, albeit delimited, role to play in sustaining (...) this belief. I then argue that essentialist beliefs about race are driven by some of the mechanisms responsible for “entitativity perception”: the tendency to perceive some aggregates of people as more genuine groups than others. Finally, I argue that coalitional thinking about race is driven by a distinctive form of entitativity perception. However, I suggest that more data is needed to determine the prevalence of this form of racial thinking. (shrink)

This work proposes that time is not a fundamental cause but an emergent consequence of matter’s self-organization. At the deepest level, matter and spacetime possess complete temporal symmetry, allowing bidirectional time. As matter becomes increasingly complex — from particles to macroscopic structures and living systems — this symmetry progressively breaks. The breaking of temporal symmetry gives rise to irreversibility, memory, decoherence, the arrow of time, and the emergence of classical reality. Within this framework, classical matter represents only a tiny, chiral, (...) asymmetrical fraction of a deeper racemic quantum domain existing in dual time. The visible universe arises as a projection — a “shadow” — of this temporally symmetric metastructure. From this perspective, relativity may be interpreted as a special, effectively classical case of quantum mechanics, emerging from higher-order organizational processes. Temporal self-organization thus provides a unified conceptual pathway linking quantum mechanics, relativity, matter–antimatter asymmetry, and the cosmological constant. Although this work does not claim to provide a complete unified theory, it offers a conceptual reorientation: a shift that replaces numerous disconnected explanatory “epicycles” with a simpler underlying principle based on temporal self-organization. Within this perspective, several seemingly independent phenomena — including the arrow of time, matter–antimatter asymmetry, decoherence, and the small positive cosmological constant — may be understood as different manifestations of a single fundamental process: the breaking of an underlying bidirectional temporal symmetry. (shrink)

My thesis is that social constructionists should embrace minimalist race. By this I mean they should accept the minimalist concept of race and the existence of minimalist races. They are likely to reject this suggestion because they are antirealists about biological race. But their antirealism about biological race is based on their identification of the biological concept of race with the racialist concept of race. The minimalist concept of race is free of the invidious features that make the racialist concept (...) objectionable. It represents race as ancestry marked by patterns of visible physical differences. The reasons social constructionists have to reject the racialist concept of race do not extend to the minimalist concept of race. Social constructionists should accept that minimalist races exist, because it is overwhelmingly plausible that such races exist. Furthermore, they need minimalist races to account for the biological correlate of social race and to secure the biological materials the project of social construction requires. (shrink)

This paper will seek firstly to understand Deleuze’s main challenges to phenomenology, particularly as they are expressed in The Logic of Sense and What is Philosophy?, although reference will also be made to Pure Immanence and Difference and Repetition. We will then turn to a discussion of one of the few passages in which Deleuze directly engages with Merleau-Ponty, which occurs in the chapter on art in What is Philosophy? In this text, he and Guattari offer a critique of (...) what they call the “final avatar” of phenomenology – that is, the “fleshism” that Merleau-Ponty proposes in his unfinished but justly famous work, The Visible and the Invisible. It will be argued that both Deleuze’s basic criticisms of phenomenology, as well as he and Guattari’s problems with the concept of the flesh, do not adequately come to grips with Merleau-Ponty’s later philosophy. Merleau-Ponty is not obviously partisan to what Deleuze finds problematic in this tradition, despite continuing to identify himself as a phenomenologist, and is working within a surprisingly similar framework in certain key respects. In fact, in the more positive part of this paper, we will compare Merleau-Ponty’s notion of flesh, and Deleuze’s equally infamous univocity of being, as a means to consider the broader question of the ways in which the two philosophers consider ontological thought, its meaning and its conditions. It is our belief that through properly understanding both positions, a rapprochement, or at least the foundation for one, can be established between these two important thinkers. (shrink)

Galaxy dynamics present a cascade of puzzles: flat rotation curves requiring invisible mass; the extraordinarily tight Baryonic Tully-Fisher Relation (V⁴ ∝ M_baryon) with minimal scatter; the Radial Acceleration Relation showing universal correlation between observed and baryonic gravitational acceleration; thousands of predicted dark matter subhalos that don't exist (missing satellites); and wild diversity in dwarf galaxy dark matter content despite similar visible mass. ΛCDM explains each poorly or requires fine-tuning, while MOND fits the relations beautifully but fails for clusters and (...) lacks theoretical grounding. This work resolves all puzzles through one principle: "dark matter" is not particulate but the gravitational shadow of coherence—the Mθ attractor structure generated by baryonic organization itself. A galaxy's Mθ contribution is not independent of its baryonic content but caused by it; the depth and shape of the Mθ well depend on the system's integrated history, stability, and recursive self-reference (spectral concentration κ). This immediately explains the tight BTFR (baryonic mass and "dark matter" correlate perfectly because one generates the other, with no scatter from independent halo variation), the RAR universality (the same κ-generating baryonic physics operates everywhere), missing satellites (empty halos don't exist because halos require baryonic structure to generate them), and dwarf diversity (different formation histories produce different κ). The framework derives the MOND acceleration scale a₀ ≈ 1.2 × 10⁻¹⁰ m/s² from first principles as the holographic horizon limit: a₀ = cH₀/2π, where the Unruh thermal wavelength equals the cosmic horizon—not a fitted parameter but an emergent property of the universe's causal structure. Critically, the framework explains why high-redshift galaxies appear baryon-dominated: young, turbulent, merger-active systems haven't accumulated sufficient κ; they're "naked baryons" that haven't built their shadow yet. Dark matter content is a function of dynamical age (quiescence), not just mass—distinguishing this framework from both ΛCDM and standard MOND. Predictions include dark matter profiles tracking coherence metrics (age, stability) not just mass; tidal dwarf galaxies following BTFR despite lacking primordial halos; continued non-detection of dark matter particles; and systematic differences between settled disks and merger remnants at equal mass and redshift. (shrink)

After the Event Horizon Telescope Collaboration released in April 2019 the first empirical images of a black hole, an astrophysical object previously thought “unseeable,” much of the public discourse has approached these images as straightforward visual depictions of a black hole. This article challenges this view by showing that the first images of a black hole went beyond merely making an invisible cosmic object visible and that the images published in April 2019 were just the first in a series (...) of black hole images the researchers continue producing. Drawing primarily on Sybille Krämer’s concept of the cartographic impulse, the article demonstrates that the Event Horizon Telescope images are, first and foremost, epistemic tools. These epistemic tools enable researchers to actively explore various physical aspects and dynamic properties of a black hole’s immediate environment and test theoretical predictions about it, thus making this elusive environment empirically knowable. To demonstrate this, the article analyses the mapping operations that combined automated algorithmic procedures with expert human judgment and through which these images were produced, read, and interpreted. It also examines how the different Event Horizon Telescope images relate to one another, which particular epistemic functions they fulfil in the research context, under which conditions, and with which limitations, thus tracing how these images facilitate the production of new scientific knowledge about black holes. (shrink)

Structural Omission is a framework for realist painting developed for the post-certainty era of generative AI, when images can be produced at scale with a surface of total certainty. This essay argues that realism remains viable only by abandoning completion as its premise. Traditional realism, even at its best, carried an old promise: that completion was available in principle, and that the artist could deliver wholeness if they chose. Generative AI systems now manufacture that kind of closure faster, cheaper, and (...) more convincingly than any human hand. Structural Omission rebuilds realism on a different ground rooted in perception itself: perceptual limits are not an error in representation. They are the condition of representation. The framework formalizes planned, load-bearing incompleteness through three criteria—Ground (perceptual limits), Structure (structural incompleteness), and Consequence (narrative without resolution). Completion-biased image systems can imitate the look of omissions, but they usually treat gaps as a visual effect rather than structural absence. Rather than competing with algorithmic finish, Structural Omission treats partial visibility as the architecture holding the painting together. The result is realism that is accountable to human perception. (shrink)

In recent years, the international commons movement has increasingly joined forces with the global movement of municipalities, putting common ideas on the political agenda in many western countries. Commons have been widely discussed in literature. Broadly understood, commons refers to the practices for collective development, ownership, management, and fair access to resources and artifacts (social, cultural, economic, political, environmental, and technological). However, the concept remains vague, complex, and unclear, especially when it comes to different contexts in which new definitions are (...) needed to better understand the societal and cultural dimensions of urban commons. Decolonizing the notion of urban commons brings into visibility the unseen cultures, infrastructural systems, and communities showing where de-growth and separation can take place. Therefore, this analysis can provide new insights, opportunities, and the need for new theoretical, methodological, and shared approaches. There is a gap in transnational research and cultural understanding within the field of urban commons. This research opens new lines of inquiry relating to the definitions of commons in non-European countries. This may include longitudinal research on the decolonization and potential fragmenting of the commons and in particular 'commoning' mindset, more detailed empirical evidence of the cultural and communal concepts, and how these cultural diversities and new interpretations can be implemented in collaborative governance in a wider variety of non-western contexts. By challenging existing frameworks, this study facilitates the emergence of differentiated, dynamic, and non-linear forms of social and political subjectivity within various sociospatial domains. (shrink)

This paper distinguishes between five different approaches to social discount rates in climate change economics, criticizes two of these, and explains how the other three are to some degree mutually compatible. It aims to shed some new light on a longstanding debate in climate change economics between so-called “descriptivists” and “prescriptivists” about social discounting. The ultimate goal is to offer a sketch of the conceptual landscape that makes visible some important facets of the debate that very often go unacknowledged.

This essay challenges the expectation that painting should provide catharsis or narrative closure. It argues that resolution does not guarantee truth and that representational art can hold its power without offering emotional payoff or moral clarity. Structural Omission is a framework I originated that structures representational painting around omissions as compositional architecture — load-bearing absences that reveal the limits of perception, narrative, and knowing. Drawing on Lauren Berlant’s idea of cruel optimism and Jacques Rancière’s view of art as a reconfiguration (...) of the visible and the sayable, I position painting as an active structure that makes limits visible rather than compensating for them. In a culture fatigued by spectacle and meaning overload, this approach resists false wholeness and builds a different kind of stability: form without resolution. (shrink)

Human vision briefly retains a trace of a stimulus after it disappears. This trace—iconic memory—is often believed to be a surrogate for the original stimulus, a representational structure that can be used as if the original stimulus were still present. To investigate its nature, a flicker-search paradigm was developed that relied upon a full scan (rather than partial report) of its contents. Results show that for visual search it can indeed act as a surrogate, with little cost for alternating between (...) visible and iconic representations. However, the duration over which it can be used depends on the type of task: some tasks can use iconic memory for at least 240 ms, others for only about 190 ms, while others for no more than about 120 ms. The existence of these different limits suggests that iconic memory may have multiple layers, each corresponding to a particular level of the visual hierarchy. In this view, the inability to use a layer of iconic memory may reflect an inability to maintain feedback connections to the corresponding representation. (shrink)

Background: Biomedical research nowadays is increasingly carried out in multinational and multicenter settings. Due to disparate national regulations on various ethical aspects, such as informed consent, there is the risk of ethical compromises when involving human subjects in research. Although the Declaration of Helsinki is the point of reference for ethical conduct of research on humans, national normative requirements may diverge from its provisions. The aim of this research is to examine requirements on informed consent in biomedical research in Germany, (...) Poland, and Russia to determine how each national regulatory framework relates to the provisions of the Declaration of Helsinki. Methods: For this analysis, we conducted a search of the legal databases “Gesetze im Internet” for Germany, “Internetowy System Aktow Prawnych” for Poland, and “ГAPAHT – Garant” for Russia. The search was complemented by a review of secondary literature contained in the databases Google Scholar, PubMed, Polish National Library, and eLibrary ru. We have identified 21 normative regulations containing provisions on informed consent in clinical research in all three countries. The content of these documents was systematically categorized and analyzed. Results: The normative framework in all three countries shows a strong commitment towards the core ethical principles of research envisaged in the Declaration of Helsinki. Nevertheless, provisions on informed consent vary between these three countries. The differences range from the method and language in which information should be provided, through the amount of information required to be disclosed, to the form of documenting consent or withdrawal. In the case of research on vulnerable groups, these differences are particularly visible. Conclusions: The identified differences can negatively impact the ethical conduct of international clinical studies. Attention needs to be paid that flexibilities within national regulations are not misused to undermine the protection of research subjects. Achieving global or regional legislative harmonization might prove impossible. Such lack of legal consensus reinforces the significance of the international ethical agreements. (shrink)

The occurrence of social comprehension difficulties when people living with autism, henceforth: autistics, interact with neurotypicals motivates the re-emergence of key questions about the mind and its interaction with other minds; what are minds and how do they relate to the world and others? The disruption of smooth social interaction brings forth the question of how is a mind able to socially interact and this question motivates one to tacitly provide a definition of what a mind is. This is (...) class='Hi'>visible in Simon-Baron Cohen’s exposition of the theory of mind theory, henceforth: ToM, in his book Mindblindness. In this book, Baron Cohen states that autistics have at least a degree of mindblindess and that mindreading is the means through which the mind relates to other minds. His tacit descriptions of ontological properties of the mind, henceforth: ontological descriptions or assertions, are utterly different from those provided by enactivists and by those who contribute to the 20th century tradition of phenomenology, henceforth: phenomenologists. The tension between the ontological descriptions of ToM Theory and those provided by enactivists and phenomenologists has led to a thriving battle ground. This article’s key aim is to provide descriptions that facilitate enactivist or phenomenological analyses that engage with the double empathy problem hypothesis. To bring its aim to fruition, I follow three steps. Firstly, I define the approaches and concepts I use: phenomenology, enactivism, and the double empathy problem. Secondly, I argue in favor of using phenomenology and enactivism for explaining social difficulties in autism by presenting two, at least prima facie, disadvantages of Baron Cohen’s articulation of ToM theory; one disadvantage stems from the ethical implications of his ontological assertions and the other stems from his ontological assertions. Thirdly, I describe autistic-neurotypical social interactions in a non-pathologizing manner by performing an enactivist analysis of the double-empathy problem surrounding autistic-neurotypical social interactions. (shrink)

MuFSEL (Multiframe Filtered Search for Extraterrestrial Life) proposes a frame-based model for SETI rooted in Intelligence Frame Theory (IFT). Traditional SETI approaches have privileged anthropocentric assumptions—radio leakage, planetary colonization, or artifact construction—yet such signatures are likely transient. IFT conceptualizes intelligence as recursive interactions of three Universal Intelligence Operators (UIOs)—Information Transfer, Competition & Collaboration, and Finding Limits—guided by a Selector (Eureka). These operators manifest differently across substrates, producing successive frames: Cosmic, Biological, Cognitive, and Generative. MuFSEL applies this framework to hypothesize when (...) and how intelligences become observable, why their visibility windows are vanishingly brief, and how multi-factor selectors determine survival or silence. This reorients SETI toward detecting selector imprints and frame artifacts rather than expecting dialogical communication. (shrink)

This article is a reflective case-study presenting and analysing the findings of ‘Thinking Is Seeing’, a practice-led research project we conducted between March and April 2017 under the Tate Exchange platform. The project focused on Tate Liverpool’s _Constellations_, the pioneering way of exhibiting works from the Tate collection motivated by thematic, chronological, or interpretative links identified through extended curatorial research. -/- The philosophical background informing our research is the role that perception apportions to thought: a _constellation_, literally a collection of (...) celestial objects, or more widely a set of any other things, events, (art)works, and experiences signifies a process of identifying connections, categorising meanings, drawing inferences. In other words, it signifies _thinking_. As Norman Maclean puts it: ‘All there is to thinking […] is seeing something noticeable which makes you see something you weren’t noticing which makes you see something that isn’t even visible.’ (_A River Runs through It and Other Stories_. Chicago: The University of Chicago Press, 2017 (=1976), pp. 105–106.) This organic relation between thinking and seeing, where the one is but a prerequisite for the other, also echoes Theodor W. Adorno’s notion of a ‘constellation’: ‘Becoming aware of the constellation in which a thing stands is tantamount to deciphering the constellation which, having come to be, it bears within it.’ (_Negative Dialectics_, translated by E. B. Ashton. London: Routledge and Kegan Paul, 1973 (=1966), p. 163.) -/- Against this background and given that the aim of the _Constellations_ is —to quote Francesco Manacorda— ‘to empower people to come and make their own thinking inside these rooms’, we investigated the ways in which _Constellations_ work as an exchange between art, curatorial gesture, and public engagement. What difference does it make to one’s appreciation of, say, Barnett Newman’s _Untitled Etching #1_ when one attends to those features of the work that make it part of a given curatorial narrative (like a _Constellation_)? Do members of the public feel empowered to challenge the perspective of the curator in recognising affinities within a _Constellation_ and construct new narratives? -/- In order to tackle these research questions, we deployed participatory research during three public interactive workshops, which incorporated philosophical inquiry through structured discussion, reflective questioning, and shared criticism. This article shows how the practice of philosophical inquiry within the community, helps us understand that _seeing_ art happens through _understanding_ art and _vice versa_, while empowering participants to articulate exciting new interpretations. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

“A Phenomenology of Seeing and Affect in a Polarized Climate,” focuses on the polarized political climate that reflects racial and class differences in the wake of the Trump election. She explores how to see differently about those with whom one disagrees—that is in this specific scenario for Lee, the Trump supporters, including Asian American members of her own family. Understanding Maurice Merleau-Ponty’s exploration of the interstice between the visible and the invisible, if human beings are to see otherwise, we (...) need to disrupt the ready association between the visible and the invisible. Here, she explores the function of affect for the possibility of this break. The phenomenological understanding of emotion does not necessarily empower emotion with any sort of superlative force, especially over reason. But a subject’s emotion chiasmatically reflects the world and vice versa. The caustic and strong emotions felt by people about this presidency reflects the entrenched political climate in our society and chiasmatically the entrenched political climate embroils people in strong emotions that make it difficult to see those with whom we disagree as people we can trust and consider reasonable. To break out of this standoff, to see differently about Trump supporters, one needs to feel differently about them as well. (shrink)

The COVID-19 pandemic has made it especially visible that mortality data are a key component of epidemiological models, being a single indicator that provides information about various health aspects, such as disease prevalence and effectiveness of interventions, and thus enabling predictions on many fronts. In this paper we illustrate the interrelation between facts and values in death statistics, by analyzing the rules for death certification issued by the World Health Organization. We show how the notion of the underlying cause (...) of death can change in view of public health goals. This brings us to a general point about how non-epistemic factors, such as values and goals, are reflected in the choice of different measures in epidemiological models. We finally argue that this analysis is not only relevant from a theoretical point of view but also has important practical consequences. (shrink)

Augustine is considered one of the originators of the metaphor of the book of nature, but what did he say about it? This article examines all the metaphors with which Augustine seems to refer to the visible world as a divine book. It is found that four of the often-cited passages have a different meaning, but two of them refer to sensible nature as a book. The article further explores how the idea of God’s two books – nature and (...) Scripture – influences Augustine’s literal interpretation of Genesis and his trinitarian theology. Finally, it argues that the ultimate foundation for the Augustinian book of nature should be sought in his theology of the Word. (shrink)

The Covid-19 pandemic presented numerous ethical challenges, highlighting the critical role of bioethicists in public spaces and policymaking. Bioethicists acted as guardians against systemic injustices, critics of health policy decisions, and contributors to public debate. This text draws on our experiences as North American academic bioethicists to explore the different roles that bioethicists took during the pandemic, notably through media engagement, participation in policy-making, and in research and education. The pandemic underscored the importance of bioethics in the healthcare system and (...) in research governance, the need for interdisciplinary collaboration, the importance of applying various ethics frameworks, and the need for effective communication to ensure practical ethical decision-making. It also demonstrated the distinct yet complementary roles of academic and professional bioethicists, with the former often serving as visible public critics, due to their academic liberty and independence, while the latter worked within their institutions to support clinicians and decision-makers, and to effect policy change. But these roles could also lead to tensions between academic and professional bioethicists, due to their different mandates, and both also experienced frustrations with the continued lack of understanding by some professionals and policy-makers regarding the pertinence and utility of bioethics to support ethically-informed decision-making. Ultimately, the pandemic was a pivotal time for bioethicists to influence public debate and policy, showcasing the field’s relevance and adaptability in addressing complex ethical issues. (shrink)

If ‘the transcendental’ refers to the a priori conditions for the possibility of experience, it must be radically dissimilar to what is found within experience. Can we understand this difference in metaphysical and/or ontological terms? Should transcendental conditions – in Fichte’s case, understood primarily as activity and/or actions – be considered to be real? Early in the Jena period – most visibly, early in the Grundlage der gesammten Wissenschaftslehre – Fichte appears to articulate a decisively metaphysical idealism that depicts (...) the transcendental (and specifically the absolute I) not only as being real, but even as what is most real or even all that is real. Later in the Grundlage and early in the Novo Methodo, however, Fichte appears to move toward an opposite view, such that only that which is empirical in a strict sense can be called ‘real’. Then, partway through the Novo Methodo, Fichte seems to entertain the possibility that both domains are real in differing respects – at other times, the difference between them seems practically eliminated. At the end of the Nova Methodo, he seems to revert toward a position that asserts both the reality and the priority of the transcendental (and especially pure will). This study traces this development and concludes with a brief analysis of some of Fichte’s reflections on the ‘constructed’ nature of the Wissenschaftslehre and the limits of human reason, which may explain some of the metaphysical ambiguity of the Jena Wissenschaftslehren. (shrink)