The Zhuangzi to this day continues to be a hermeneutical challenge in that it always calls for new and fresh interpretations. In the past thirty years, however, various scholars have argued in their studies that the Zhuangzi does not only pose a hermeneutical challenge, but also carries an implicit hermeneutics. My aim in this paper is to show that underneath its parables and rhetoric, fictional and imaginary characters, as well as its inclination towards relativism and skepticism, a Zhuangzian (...) hermeneutics comparable to the hermeneutical theories of Paul Ricoeur and Hans-Georg Gadamer in the West subtly permeates the Zhuangzi. To attain this aim, I will first present and examine the three types of words in the Zhuangzi and do a Ricoeurian reading of these words. I will consequently identify the hermeneutics of skepticism implied in the Zhuangzi and argue that it is a hermeneutical approach that is dominant in the text. I will then contend that in addition to the hermeneutics of skepticism, the Zhuangzi also contains what I call a perspectival hermeneutics with a number of elements that echo Gadamer’s hermeneutical theory. (shrink)

I examine passages from the Zhuangzi that proponents of interpreting Zhuangzian ethics as "patient moral relativism" (PMR) primarily draw on to support their view. I consider whether in these passages Zhuangzi morally evaluates agents or their actions, and if he does, whether his evaluations support ascribing to him PMR. My argument is that Zhuangzi either fails to make the required moral evaluations or he makes moral evaluations that do not accord with PMR. A PMR-friendly reading is possible (...) only if we accept contested interpretative claims about parts of the Zhuangzi that go beyond the primary textual evidence that is frequently cited in support of such a reading. (shrink)

Zhuangzi suggests that death is a transformation that we commonly and mistakenly think means the end of someone but really just marks a new phase of existence. This metaphysical thesis is presented at several points in the text as an explanation of distinctively Daoist responses to death and loss. Some take a Daoist response to death, as presented by Zhuangzi, to indicate dual perspectives on friendship and death. But I argue that the metaphysical view sketched above is consistent (...) with a unified perspective, allowing the Daoist to enjoy deep friendships without risking some potential for grief typically associated with strong attachment. However, it leaves the Daoist best suited to friendships with those who endorse the same metaphysics. Furthermore, while the grief associated with the death of a friend is somewhat mitigated, the Daoist has reason to mourn even given this thesis. (shrink)

Louis Althusser is perhaps most well-known for his concept of ‘Ideological State Apparatuses’ (ISAs). However, Althusser is not clear about what role, if any, ISAs play in a post-capitalist society. At times, Althusser talks about ISAs (and the state) withering; at other times, they are merely reformed. Sometimes, ISAs are described as having an inescapable repressive dimension; on other occasions, they are a perfectly acceptable tool for the reproduction of socialism. In this paper, I offer a way of thinking through (...) this confusion that draws on the thought of the Daoist philosopher, Zhuangzi. I argue that Zhuangzian friendship represents a kind of radical equality that is reproducible without the traditional kind of ideological interpellation of ISAs, thereby allowing Althusser explain post-capitalist ideological reproduction. It is worth noting that in this paper, I am not engaging in a textual exegesis of the Zhuangzi. My primary interest is in using the contemporary literature on the Zhuangzi to think through a problem in Althusser’s philosophical system. (shrink)

This series pairs brief “allegorical tales” (寓言) from the enigmatic ancient Chinese classic Zhuangzi (莊子; ca. 4th through 3rd century BCE) with original watercolor paintings. Through this union of word and image, we hope to create a dialogue in which each illuminates the other, offering a fresh path into these ancient stories. (NB: Sharing selected draft 'Parts' from my book manuscript, ZHUANGZI, A HAPPY FAILURE. This is a work in progress, and I welcome any comments or feedback from (...) colleagues.). (shrink)

This series pairs brief “allegorical tales” (寓言) from the enigmatic ancient Chinese classic Zhuangzi (莊子; ca. 4th through 3rd century BCE) with original watercolor paintings. Through this union of word and image, we hope to create a dialogue in which each illuminates the other, offering a fresh path into these ancient stories. (NB: Sharing selected draft 'Parts' from my book manuscript, ZHUANGZI, A HAPPY FAILURE. This is a work in progress, and I welcome any comments or feedback from (...) colleagues.). (shrink)

The Zhuangzi rejects the use of invariant general norms to guide action, instead stressing the importance of contextual factors in determining the apt course to take in particular situations. This stance might seem to present a variety of moral particularism, the view that general norms play no fundamental role in moral thought and judgment. I argue against interpreting the Zhuangzi as committed to particularism and thus denying that dao rests on, is shaped by, or comprises general patterns or (...) norms. Instead, I contend, the text presents a combination of contextualism about the factors that determine appropriate responses to particular situations and pluralism about defeasible general norms or standards. The target of criticism is not generalism, the view that general patterns and relations play a role in determining and explaining appropriate courses of action. It is the monolithic application of fixed norms without regard for context. (shrink)

The mainstream tradition in recent Anglophone Zhuangzi interpretation treats spontaneous skillful responsiveness – similar to the spontaneous responsiveness of a skilled artisan, athlete, or musician – as a, or the, Zhuangzian ideal. However, this interpretation is poorly grounded in the Inner Chapters. On the contrary, in the Inner Chapters, this sort of skillfulness is at least as commonly criticized as celebrated. Even the famous passage about the ox-carving cook might be interpreted more as a celebration of the knife’s passivity (...) than as a celebration of the cook’s skillfulness. (shrink)

Abstract:Zhuangzi's understanding of human nature has not been extensively discussed in the English literature. The Chinese discussions of it, though many, largely tend either to be carried away into the Confucian conventional debate on the moral goodness and badness of human nature or to explain it away by overemphasizing Zhuangzi's stress on the uniqueness of the human individual. In this article, with the intention to pin down what is really meant by human nature in the Zhuangzi, it (...) will first be examined what the word xing connotes for Zhuangzi and then argued that Zhuangzi characterizes human nature in terms of the heart-mind (xin 心), understood both functionally as what animates the body and essentially as a universally significant power that enables the human being to behave in a way similar to the way that the Dao 道 acts in the universe. (shrink)

In this article, we present an account of ming 明 in the Zhuangzi's Neipian in light of the disagreements among the thinkers of the time. We suggest that ming is associated with the Daoist sage's vision: he sees through the debaters' attempts to win the debates. We propose that ming is primarily a meta-epistemological stance, that is, the sage understands the nature of the debates and does not enter the fray; therefore he does not share the thinkers' anxieties. The (...) sage takes his stance at the pivot of dao (daoshu 道樞) and, from there, responds to the different views limitlessly. (shrink)

In this dialogue Zhuangzi and Jacob discuss nothing and something and their relation with God.

This series pairs brief “allegorical tales” (寓言) from the enigmatic ancient Chinese classic Zhuangzi (莊子; ca. 4th through 3rd century BCE) with original watercolor paintings. Through this union of word and image, we hope to create a dialogue in which each illuminates the other, offering a fresh path into these ancient stories. (NB: Sharing selected draft 'Parts' from my book manuscript, ZHUANGZI, A HAPPY FAILURE. This is a work in progress, and I welcome any comments or feedback from (...) colleagues.). (shrink)

Presented at "2023 Zhuangzi beyond the Inner Chapters in Seoul," Institute of Korean Philosophy and Culture, Sungkyunkwan University, Seoul, March 14-16, 2023.

This book is the first interlinear bilingual edition of the core Inner Chapters of the book Zhuangzi, which must be counted among the most famous texts in Chinese intellectual and literary history. A special feature of this edition is that it follows the specific rhythm and rhyme of the text in the translation, making it possible to experience the particular style of this most exciting of the ancient Chinese philosophers. -/- An extensive introduction explains the history and the literary (...) nature of the text, and in particular it tells the story of how this text was appreciated and commented upon in China and translated into foreign languages through the ages. Extensive footnotes are provided to enable Western readers to read the text through the eyes of the enthusiastic Chinese commentators who have annotated the text over the centuries: traditional Chinese literary as well as philosophical commentaries are presented in detail in the original classical Chinese and in translation. -/- For the general reader this book will offer a rare opportunity to approach one of the most outrageously unconventional texts of world literature with the philosophical and philological perspectives of the greatest of its literate Chinese connoisseurs. For the student of Chinese this book will serve as a bilingual cornucopia of spirited classical Chinese discourse on a fiercely contested and always controversially discussed crucial text in the Daoist tradition of ancient China. (shrink)

This paper distinguishes three major themes in the philosophy of death of the Zhuangzi. It shows that, while these themes are often intertwined in the text, they offer different outlooks on the nature of death and, correspondingly, different arguments about the significance of death and strategies for coping with death. The first sees death as a natural and inevitable part of the process of cosmic transformation that we have to accept or embrace. The second emphasizes the unity, continuity and (...) interdependence of life and death, and advises us to appreciate death from this holistic perspective. The last strand of thought challenges our ability to know about death's nature and value. In addition, the paper reviews a few competing interpretations of the Zhuangzi in recent Anglophone literature and suggests that, first, they can be seen as attempts to articulate and develop different themes in the text, and second, they fail to offer a strong rational ground for the Zhuangist attitudes toward death, in part because they all rely on critical assumptions that are questionable or at least insufficiently defended. (shrink)

In the Inner Chapters, arguments for a variety of different philosophical positions are present, including skepticism, relativism, particularism, and objectivism. Given that these are not all mutually consistent, we are left with the problem of reconciling the tensions among them. The various positions are described and passages from the Inner Chapters are presented illustrating each. A detailed commentary is offered on the opening of the Inner Chapters, arguing that it is best understood in an objectivist fashion. An interpretation is presented (...) of Zhuangzi's view of sagehood that reconciles the various arguments in the text. (shrink)

Multispecies thinking articulates a core tension: the attempt to imagine the world in terms of other species’ needs and behaviours; and the unavoidability of perspectival anthropocentrism; the fact that we cannot live, perceive and think except from within our human body and cognitive system. This paper explores how Zhuangzi (Taoism) navigates this tension by analysing three selected stories: the centipede and the snake, the mirror and Mr. Tai. First, the idea of perspectival anthropocentrism constitutes an unavoidable epistemological ground. Second, (...) considering multispecies needs and agency leads to three practical pathways: (a) letting go of our judgments and desires; (b) engaging in dynamic embodied practices; (c) accepting not to know and letting things be. To conclude, the epistemological and ethical insights inspired by Zhuangzi can, combined with the observations gathered through sciences, pave the way to develop further ethical and methodological tools to bring us closer to multispecies sustainability. (shrink)

Books 8-10 and sections of books 11-16 of the Zhuangzi anthology represent an important and underappreciated contribution to Warring States ethical and political philosophy, known as “primitivism.” This article offers a general introduction to Zhuangist primitivism. It focuses on primitivism’s exploration and development of a normative conception of human nature, particularly xing 性, as well as primitivism’s subsequent rejection of the elaborate moral, social, political, and cultural artifices championed by their philosophical opponents, chiefly the Ruists and the Mohists. After (...) a brief introduction to Zhuangist primitivism and the limited scholarship on them, I divide this discussion into three parts pertaining to the primitivists’ three distinct approaches to and uses of human nature, which in turn serve as the basis for primitivist ethics and political thought. (shrink)

To advance our understanding of both the Book of Zhuāngzǐ 莊子 (c. fourth to third century BCE) and Qián Mù 錢穆 (1895–1990)’s Zhuāngzǐ studies 莊學, I aim to squarely face one of the more obscure passages in the former with recourse to an explanation from the latter. The passage in question is that from the second chapter beginning with the claim ‘there is a beginning’ (有始也者) and culminating with the claim that ‘there has not yet begun to be a “there (...) has not yet begun to be nothing”’ (有未始有夫未始有無也者). I hope to show that Qián offers a compelling and novel interpretation of this difficult passage worthy of our consideration. (shrink)

The Zhuangzi, a 4th century BCE Chinese text, is optimistic about life unrestrained by entrenched values. This paper contributes to existing debates on Zhuangzian freedom in three ways. First, it reflects on how it is possible to enjoy the freedom envisaged in the Zhuangzi. Many discussions welcome the Zhuangzi’s picture of release from life shaped by canonical visions, without also giving thought to life without these driving visions. Consider this scenario: in a world with limitless possibilities, would (...) it not be fraught, not knowing how to interpret situations? I suggest that freedom in the Zhuangzi is possible only if one succeeds in reorienting herself to the new ‘normal’. Second, I introduce and develop the idea of working with constraints. This focuses on an agent's maximizing the fit between relevant conditions, on the one hand, and their capabilities, on the other. Finally, I propose that self-directed practice, an important expression of agency, is required for building capabilities that enable such freedom. I examine the idea of risk involved in these firsthand experiences, articulating an account of agency that sits at the heart of hard-won Zhuangzian freedom. (shrink)

This paper offers an interpretation of the theories of aesthetic value and agency in the Zhuangzi 莊子. The first section outlines two claims that articulate an aesthetics that can be found in the Analects: (1) there is a single ideal of aesthetic value, and (2) ideal aesthetic agents are those with the competence to access that ideal. The Zhuangzi rejects both claims. The second section argues, contra (1), that the Zhuangzi embraces a variety of pluralism about aesthetic (...) value. This pluralism is rooted in some of the text’s broader metaphysical commitments. The third section argues, contra (2), that the Zhuangzi portrays ideal aesthetic agents as those with the competence to access what it calls “utmost beauty” (zhimei 至美), the plurality of aesthetic values. As this ideal of aesthetic agency is beyond the reach of ordinary human beings, the concluding section of the paper argues that the Zhuangzi additionally recommends a modified ideal of aesthetic agency that is within our reach. (shrink)

The main aim of this paper is to illustrate human–nature relations from a comparative study of the contexts of later Merleau-Ponty and the Zhuangzi. I argue that the Zhuangzi has its own phenomenology of the natural world, which is worth comparing to Merleau-Pontian later phenomenology. To compare the arguments on human–nature relations in the contexts of later Merleau-Ponty and the Zhuangzi in detail, first, I briefly compare the cultural philosophies of nature in ancient Greece and China and (...) their possible influences on our contemporary understanding of nature. Second, I compare the concept of “flesh” of Merleau-Ponty with the concept of “vital energy” in the Zhuangzi and point out the main roles of these concepts in their respective theories of the natural world. Third, I use the “reversibility thesis” created by Merleau-Ponty to analyze the ontological significance of illness in the arguments of Merleau-Ponty and the Zhuangzi. Fourth, inspired by Merleau-Pontian and Zhuangzian ideas about language and expression, I expound on a view of illness as a primordial language of nature and its possible role in mediating human–nature relations. Ultimately, I conclude that the comparative study of thoughts on human–nature relations in the literatures of later Merleau-Ponty and the Zhuangzi can help us reconsider and readjust our main attitudes toward nature, illness and nonhuman beings in the contemporary postpandemic era. (shrink)

The article explores similarities between the philosophies of Zhuangzi and Aristippus, focusing in particular on play and eudaimonism. The main thesis is that both authors encourage the cultivation of a playful mindset, defined in the paper as the “ludic self”, which operates as a strategy for leading a flourishing life. By shaping a fluid, unstructured identity, the ludic self promotes negative subtraction from the structuring power of social nexus and proactive adaptation to shifting circumstances. Furthermore, some aspects of these (...) philosophies present an inter-disciplinary convergence with scientific findings from the psycho-biology of play, concerned with the mobilization of cathected energies and the prevention, or resolution, of addictive states. These promising connections with the fields of psychology and biology also represent an original contribution in respect to the existing debates within Zhuangzi studies, and scholarship on the Cyrenaics. From a methodological point of view, the article pursues what Rorty defines as a “rational reconstruction”, which involves a re-interpretation of past philosophies in light of present debates, ideas and vocabularies with the aim of engaging a trans-cultural, trans-historical dialogue. The value of this operation relies upon the universality of human experience, which always allows re-interpretation and re-actualization of past philosophies as a dialogical exercise of questioning otherness within a hermeneutic framework. (shrink)

This article investigates a central yet perplexing term yiming in the ‘Qiwulun’ chapter of the Zhuangzi. Yiming describes a crucial way to detach from epistemic distinctions and debates. This term is often explained as ‘using ming’ or contradictorily as ‘stopping ming’. Yet neither of the two explanations can provide a full understanding of how yiming is adopted. I take three steps to explain yiming. First, taking an etymological approach, I argue that ming can be formulated as ‘X shining on (...) Y’. Second, I use the formula of ‘X shining on Y’ to account for yiming and argue that this term refers specifically to ‘using tian to shine on everything’. Third, I unpack a cluster of tian-associated metaphors, which provides a deep understanding of yiming as an ideal way to mental tranquility. (shrink)

I argue that it is only on the condition of a preconceptual understanding that Zhuangzi's metaphors can be cognitive. Kim-chong Chong holds that the choice between metaphors as noncognitive and cognitive is a choice between Allinson and Davidson. Chong's view of metaphors possessing multivalence is reducible to Davidson's choice, because there is no built-in parameter between multivalence and limitless valence. If Zhuangzi's metaphors were multivalent, the text would be subject to infinite interpretive viewpoints and the logical consequence of (...) relativism. It is only if metaphors are cognitive that the text of the Zhuangzi can convey the message of transcendent freedom. (shrink)

In this paper I consider two different perspectives on aesthetic experience. On the one hand, there is the tradition of Plato that proposes a metaphysical representation of the world in which sensible and over-sensible are rigidly separated. On the other hand, the early Chinese tradition of Daoism suggests an undivided experience of the world in which the aesthetic engagement with the myriad things (wanwu 萬物) makes actions effective. In particular, I consider how the Zhuangzi, one of the main books (...) of philosophical Daoism, offers an excellent opportunity to rethink the aesthetic experience of the world not as subordinated to epistemology or to the supersensible but as a possibility to adapt oneself to changing circumstances. (shrink)

An annotated anthology of translations of traditional Chinese commentaries on the Daoist Classics Zhuangzi. (In Czech) -/- Kniha předkládá výbor a komentovaný překlad čtyř tradičních komentářů k vybraným pasážím významného díla klasického taoismu z období Válčících států (ca 4.-3. stol. př. n. l.). Komentáře pocházejí ze čtyř různých období čínských dějin od raného středověku až po poslední dynastii císařské Číny. Cílem práce je představit komentáře jako texty, které zasluhují bližší pozornost jednak proto, že nechávají nahlédnout do různorodých dějinných kontextů, (...) jednak proto, že jde o svébytné a filosoficky originální interpretace jednoho z nejvýznačnějších textů čínského myšlení. Komentáře nesou neklamnou pečeť historických období, ve kterých vznikly, zároveň se však vztahují k témuž textu, jsou součástí jedné interpretační tradice a v jistém smyslu se svou různorodostí doplňují. Publikace je určena jak sinologům či studentům sinologie, tak i filosofům či zájemcům o čínské myšlení bez znalosti klasické čínštiny. (shrink)

The ancient Chinese text theZhuangziraises a mix of epistemological, psychological, and conceptual challenges against the value and usefulness of philosophical disputation. But instead of advocating the elimination of philosophy, it implicitly embraces a broader conception of philosophy, the goal of which is to engage us to reflect on our limitations, question things we take for granted, and better appreciate alternative perspectives and possibilities. Philosophy thus understood is compatible with a variety of methods and approaches: fictions, jokes, paradoxes, spiritual exercises, argument, (...) disputation, and so on. Philosophical practices, on this view, also pave the way for an open‐minded, adaptive and flexible way of living that is at the core of the Zhuangist good life. (shrink)

This chapter explores how Guo Xiang’s views emerge from his approach to the metaphysics of dao 道 (way) and the place of human activity and agency in dao. Once we understand his views on these points, we can see that he holds a distinctive conception of the self and agency—and, accordingly, normatively appropriate action—on which self-fulfillment and easy, aimless freedom are consistent with his doctrine of non-mindedness, which in fact presents a precondition for attaining them. As I will show, GUO (...) Xiang uses key terms such as zi 自 (self), xin (heart-mind), zhi 知 (know), and xing (inherent character) in distinctive, specialized ways that diverge both from common uses of these words in Chinese and from familiar categories in contemporary philosophical psychology yet are coherent, intelligible, and defensible. The normative conception of agency and the well-lived life that emerges from his Zhuangzi commentary can at first sight seem puzzling and counterintuitive. But I will contend that it is plausible and presents a fascinating, profound, and potentially correct view of the nature of human agency and the sources of normativity. (shrink)

Chinese, European and Indian ancient philosophy all saw movements of skepticism. However, the philosophical proximity in which these three movements stand is often not appreciated. In this article, I provide a comparison of the three most important figures of these movements: Zhuangzi, Sextus Empiricus and Nāgārjuna. I show a broad range of similarities with respect to the arguments they provide for their skeptical views, but also with respect to the way they conceptualize skepticism. I argue that in light of (...) these similarities, we should regard ancient skepticism as a global phenomenon, rather than one confined to one tradition. I also argue that while there are differences in tonality, Zhuangzi and Nāgārjuna are properly classified as skeptics, contrary to their treatment by Matthew Bagger. (shrink)

One critique of the early Daoist texts associated with Laozi and Zhuangzi is that they neglect the human and lack a proper sense of ethical personhood in maintaining the primacy of an impersonal dehumanizing “way.” This article offers a reconsideration of the appropriateness of such negative evaluations by exploring whether and to what extent the ethical sensibility unfolded in the Zhuangzi is aporetic, naturalistic, and/or religious. As an ethos of cultivating life and free and easy wandering by performatively (...) enacting openness and responsiveness to things in an immanent this-worldly context, the Zhuangzi is oriented toward the relational attunement of disposition and practice rather than toward metaphysics or religion in a transcendent sense. It consequently suggests an immanent anarchic ethics without principles while neither forgetting nor reifying the sacred and the mundane in its playful illumination of the biospiritual dynamics of cultivating life. (shrink)

I argue that the main theme of the Zhuangzi is that of spiritual transformation. If there is no such theme in the Zhuangzi, it becomes an obscure text with relativistic viewpoints contradicting statements and stories designed to lead the reader to a state of spiritual transformation. I propose to reveal the coherence of the deep structure of the text by clearly dividing relativistic statements designed to break down fixed viewpoints from statements, anecdotes, paradoxes and metaphors designed to lead (...) the reader to a state of spiritual transformation. Without such an analysis, its profound stories such as the butterfly dream and the Great Sage dream will blatantly contradict each other and leave us bereft of the wisdom they presage. Unlike the great works of poetic and philosophic wisdom such as the Dao de Jing and the Symposium, the Zhuangzi will be reduced to a virtually unintelligible, lengthy, disjointed literary ditty, a potpourri of paradoxical puzzles, puns and parables, obscure philosophical conundrums, monstrous interlocutors and historical personages used as mouthpieces authoritatively arguing on behalf of viewpoints humorously opposite to what they historically held. (shrink)

Although being widely considered as only a Western tradition, individualism is not absent in traditional Chinese philosophy and culture. In some of the classic Chinese philosophic works such as Zhuangzi, we can clearly identify some elements which can be appropriately attributed to “individualism”, such as the awareness of individual “self” as an independent and unique existence, advocating individual freedom and liberty, emphasizing on the value and dignity of individual life, favoring individuals’ autonomy and privacy, pursuing unconstrained development in personality (...) and spirituality. However, due to its particular pre-Qin social cultural background and its unique Daoist philosophic origin, this kind of individualism in Zhuangzi has its own unique characteristics, which has made it distinguishable from the variety of other individualist thoughts emerged in different times and places in the West. Zhuangzi has a dynamic and open view on individual or “self”, he does not consider individuals as fixed and interchangeable “atoms” but as dynamic, changing and unique beings, he set the unlimited and indefinable Dao as the only and ultimate source for individuals to conform to, thus to release individual mind into an realm of infinite openness and freedom. Zhuangzian individualism is “inward” rather than “outward”, which means while concentrating on individuals’ freedom of spirit and innate nature, it cares less about individuals’ outside material interests and rights in social reality, and does not encourage competition and rivalry among individuals. The special type of individualism in Zhuangzi has a profound influence on Chinese culture, providing a spiritual space for the development of individuality and personality in ancient China. It also provides an alternative understanding of individual as an existence. (shrink)

This chapter focuses on Daoist praxeology and language in order to build something of a moral realist position (the contours of which may differ from most western versions insofar as it need not commit to moral cognitivism) that hinges on the seemingly paradoxical notions of ineffable moral truths and non-transferable moral skill.

This essay will examine scholarly attempts at distilling a proto-ethical philosophy from the Daoist classic known as the Zhuangzi. In opposition to interpretations of the text which characterize it as amoralistic, I will identify elements of a natural normativity in the Zhuangzi. My examination features passages from the Zhuangzi – commonly known as the “knack” passages – which are often interpreted through some sort of linguistic, skeptical, or relativistic lens. Contra such readings, I believe the Zhuangzi (...) prescribes an art of living – or shù [術] – which incorporates a few motifs familiar to certain threads of philosophical naturalism. Building on existing scholarship which treats of the praxeology of the text, I argue that the naturalist themes present in the Zhuangzi support an unusual, but robust, view of moral expertise. (shrink)

Discussions of human partiality—anthropocentrism—in the literature in environmental ethics have sought to locate reasons for unnecessary and thoughtless degradation of the earth’s environment. Many of the debates have focused on metaethical issues, attempting to set out the values appropriate for an environmental ethic not constrained within an anthropocentric framework. In this essay, I propose that the fundamental problem with anthropocentrism arises when it is assumed that that is the only meaningful evaluative perspective. I draw on ideas in the Zhuangzi, (...) a classical Chinese philosophical text of the Daoist tradition. The Zhuangzi scrutinises the debates of its day, focusing on the attitudes of the thinkers who sought to trump others in the debates. Through many images expressed in stories, the Zhuangzi asserts the irreducibility of individual perspectives, challenging its readers to examine the insularity of their own views. I suggest that the epistemological awareness in the Zhuangzi helps in our understanding of anthropocentrism. (shrink)

The concept of anticipation, on the one hand, has received a considerable treatment in classical phenomenology, particularly in Husserl. The Zhuangzi, on the other hand, has not been explored with the help of Husserl’s concept of anticipation. Broadly construed, anticipation, due to its association with robust proclivity to seeing and conjuring up possibilities issuing from a phenomenon, shall have no place in the Zhuangzi. Against such backdrop, I argue that—albeit the Zhuangzi does not develop an explicit discourse (...) on anticipation—a delimited form of anticipation (‘d-anticipation’), that is, one which is inspired by Husserl’s concept of anticipation evident in his genetic phenomenology, can work in concert with the thoughts articulated in the Zhuangzi. I demonstrate this via examining death, desire, and freedom evident in the Zhuangzi. That ‘d-anticipation’ can work in concert with the thoughts articulated in the Zhuangzi can be apprehended in a variety of ways. Firstly, it can be seen in our natural response to death and the way in which we handle desires. Secondly, it points to Zhuangzi’s reductionistic manner of appreciating the richness of reality. Thirdly, it offers a way in which we can live life according to our nature. Fourthly, it points to an exercise of freedom which opens up the possibility of transcending conventional standards. Fifthly, it is inherently constitutive of the process of comportment with the Dao. Finally, it is in essence constitutive of a phenomenon or circumstance. In setting out to demonstrate these contentions, I seek to show that ‘d-anticipation’ can fill in a lacuna brought about by the negative appraisal of anticipation in the Zhuangzi and can assume a pivotal role in one’s comportment with the Dao. (shrink)

How does skill relate to dào 道, the ethically apt path and its performance? Two early Chinese ‘masters’ anthologies that make prominent use of craft metaphors imply profoundly contrasting answers to this question. For the Mòzǐ 墨子, a key to following dào is to set forth explicit models or standards for guiding and checking performance. By learning to consistently apply the right standards, we can develop the skill needed to follow the dào of the sage-kings reliably, just as a carpenter (...) uses a set square to produce square corners or a wheelwright uses a wing compass to fashion round wheels. Following dào—and thus the ethical life—is strongly analogous to the performance of skills. Like an artisan’s craft, dào has a fixed end that can be explicitly articulated. A sharply contrasting stance is implied by the renowned skill exemplar Páo Dīng the butcher in the Zhuāngzǐ 莊子. Praised for how his every movement in carving up cattle is perfectly attuned, yielding a display of skill matching that of an exquisite dance or musical performance, the butcher responds that what he actually cares about is dào, which is ‘advanced beyond skill’. Intriguingly, most of what Páo Dīng says in explaining this point pertains to how he developed his craft, performs his work, and overcomes new challenges. The implication is that the process of acquiring, performing, and extending skills exemplifies dào, yet there is something more to dào than skill. What is this something more? A skill is the ability to competently perform a task with a specified end. In the Zhuāngzǐ, a key difference between skill and dào, I will suggest, is that dào is unlike skill in having no fixed, predetermined ends. Dào is a general, open-ended process, one that is continually shifting and transforming. We can never fully master dào, nor even know exactly where it will lead, as the nature of dào is such that we must regularly find creative ways of extending it as we proceed along it. (shrink)

In this essay, I inquire into the attitudes and conduct toward other agents that go hand in hand with the admirable individual life, as depicted in the Zhuāngzǐ. How do agents adept in a Zhuangist approach to dào handle interpersonal relations? I suggest that on a broadly Zhuangist understanding, interpersonal ethics is simply a special case of competence or adroitness in applying dé (power, agency) and following dào (ways). The general ideal of exemplary activity is to employ our dé to (...) find a fitting, free-flowing dào by which to navigate through contingent, changing circumstances. Interpersonal ethics is an application of this ideal to cases in which other agents and our relations with them are prominent features of our circumstances. The ethics of interacting with others is thus not a distinct subject area in Zhuangist discourse but one application of more general views about dào, dé, and exemplary activity. Instead of wandering the way on our own, interactions with others present us with situations in which we must find our way together. An important consequence of the Zhuangist approach is that discussions of our conduct toward others are not framed in terms of doing what is morally right or permissible. Instead, judgments as to whether some course of action is morally right or wrong are supplanted by judgments about the quality of our activity as a performance of dào—whether it is adept or clumsy, free-flowing or obstructed, in accordance with the situation or at odds with it. This signal feature of Zhuangist ethical discourse makes it challenging to situate it with respect to more familiar ethical views. Although I will suggest the Zhuangist approach overlaps in certain respects with recent moral particularism, I argue that most likely it is distinct from, and amounts to a rejection of, nearly all familiar normative ethical theories, including consequentialism, deontology, virtue ethics, and contractualism. (shrink)

在当代中国知识分子中，傅佩荣是一位颇具代表性的哲学讲者。他在学术与公众讲座中，既推崇孔子的礼治思想，也赞美庄子的逍遥智慧。然而，若从思想逻辑与哲学立场的严谨性审视，这种“孔庄兼爱”的态度实际上是一种根 本性的矛盾。更深层次地，它折射出中国知识分子在传统与现代价值、社会规范与心性自由之间的心理妥协与虚伪人性。本文从哲学本体、思想史、文化心理与人性批判四个维度进行分析。 -/- Among contemporary Chinese intellectuals, Fu Peirong is a highly representative philosophical lecturer. In his academic works and public lectures, he both praises Confucius’ philosophy of ritual governance and admires Zhuangzi’s teachings on freedom and spontaneity. However, from the standpoint of logical consistency and philosophical rigor, this “dual admiration” is fundamentally contradictory. On a deeper level, it reflects the psychological compromise and hypocritical tendencies of Chinese intellectuals caught between traditional and modern values, societal norms, and personal freedom. This (...) paper analyzes the phenomenon from four dimensions: philosophical ontology, intellectual history, cultural psychology, and human nature critique. (shrink)