Postmodernism and the Environmental Crisis is the only book to combine cultural theory and environmental philosophy. In it, Arran Gare analyses the conjunction between the environmental crisis, the globalisation of capitalism and the disintegration of the culture of modernity. It explains the paradox of growing concern for the environment and the paltry achievements of environmental movements. Through a critique of the philosophies underlying approaches to the environmental crisis, Arran Gare puts forward his own, controversial theory of a new postmodern world (...) view. This would be the foundation for the environmental movement to succeed. Arran Gare's work will be a vital reading for advanced students of environmental studies, as well as for environmental philosophers and cultural theorists. (shrink)

This paper formulates a new philosophical framework, Post-Postmodern Philos- ophy, which relocates existence from the autonomous subject to the dynamic field of relations. While modern philosophy grounded being in the self (Descartes, Kant) and postmodern philosophy dissolved the self into discourse (Derrida, Foucault), the post-postmodern turn reconstructs the self as a node of fluctuating relations. By embedding G¨odel’s incompleteness theorem into relational ontology, we construct a non-paradoxical Philosophy of Fluctuation, where incompleteness functions as the logical engine of dialogue and creativity. (...) This framework restores the Socratic ideal of dialogical philosophy and provides an ethical foundation for minority inclusion and AI coexistence. (shrink)

In this paper it is argued that the corresponding rise of postmodernism and the triumph of neo-liberalism are not only not accidental, the triumph of neo-liberalism has been facilitated by postmodernism. Postmodernism has been primarily directed not against mainstream modernism, the modernism of Hobbes, Smith, Darwin and social Darwinism, but against the radical modernist quest for justice and emancipation with its roots in German thought. The Social Democratic State, the principles of which were articulated by Hegel, is construed as a (...) partial triumph of this radical modernism, realizing a higher level of reciprocal recognition and overcoming much of the brutality of the Liberal State. Postmodernism is shown to be a manifestation of the decadence of the Social Democratic State, characterized by the disintegration of cognitive and ethical developments which have been the condition for people to form communities based on reciprocal recognition. In this regard it parallels the decadence which took place in ancient Rome, for similar reasons: both the Roman Empire and the Social Democratic State reduced people to passive recipients of the benefits of their societies. The implications of this are twofold. If Social Democracy is to be revived, it will require a struggle for ‘strong’ democracy; that is, for a major role for participatory democracy. On the other hand if people opt for the creation of confederations of genuinely democratic communities to replace the State, this will not be achieved by postmodern decadence but through the developments of cognitive forms and communities through which the recognition of people as free agents is instititionalized. (shrink)

In this chapter I show that it is possible to interpret an important group of postmodern texts as presenting intellectual and practical challenges with a specific focus that is worth the serious attention of everyone interested in politics. My interpretation shows that a certain strand of postmodern thought is not only consonant with a liberal democratic political morality, but also modifies and extends it in an eminently desirable direction. Such an interpretation has become possible because a significant consensus has emerged (...) from the writings of prominent commentators and participants in the debates about postmodernism. I reconstruct this emerging consensus by referring specifically to the contribution of these postmodern texts to politics, thus leaving aside its possible contribution to the arts and sciences. I start by giving an exposition of a new understanding of modernity that has been brought about by the debates on modernity / postmodernism. Then I characterize the postmodern political condition by describing those changes in contemporary modern societies that stimulate and facilitate the development and growth of postmodernism. The next section provides an interpretation of the political philosophy contained in the work of prominent postmodern thinkers such as Derrida, Foucault, Lyotard and Jencks. In this overview I show that an emphasis on the importance of heterogeneity and otherness unifies the diverse contributions of these postmodernists to political philosophy. I conclude the article by drawing some implications for politics in places like South Africa, from the insights I judge postmodernism provides to political philosophy in general. (shrink)

Despite the flood of philosophical texts on postmodernism, relatively few attempts have been made to gauge the importance of postmodern ideas for the philosophy of science. However, Lyotard's enormously influential text The postmodern condition (1979) focussed on science and knowledge. He put the term metanarrative (grand narrative) into circulation. Lyotard defines the term modern to refer to the way in which science tries to legitimate its own status by means of philosophical discourse which appeal to some kind of grand narrative (...) (Lyotard 1984:xxiii). Science needs to legitimate itself as being true knowledge by making use of another kind of knowledge, which Lyotard calls narrative knowledge (Lyotard 1984:29,30). Without this legitimation science would presuppose its own validity and proceed on prejudice (Lyotard 1984:29). He examines two such grand narratives that previously legitimated science in the modern world, but now have lost their credibility. One is science as the liberator of humanity and the other science as a good influence on the character of its participants. He describes his now famous definition of the concept postmodern, namely an incredulity toward metanarratives, as being extremely simplified (Lyotard 1984:xxiv). Lyotard (1984:18-27) also strongly focuses attention on the important role of narratives in human life in that narratives provide a certain kind of knowledge that cannot be had in any other way. He regards narrative and scientific knowledge as two distinct species of discourse (Lyotard 1984:26-27), which both fulfill legitimate functions and no one's existence is more or less necessary than the other's. Lyotard himself sees the function of legitimation as the primary role for narrative knowledge, and discusses it mostly in that context (1984:27-37). In this article I want to look at philosophers who give different appraisals of the merits of postmodern ideas - with Lyotardian ones featuring prominently - for philosophy of science and our understanding of science. I will examine the attempts by Nancey Murphy (1990), Pauline-Marie Rosenau (1992), Zuzana Parusnikova (1992) and Joseph Rouse (1990, 1991a, 1991b) to develop (or reject) a postmodern philosophy of science. In a final section I will determine the worth of their views for our understanding of science and philosophy of science. (shrink)

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

This theory originates from structuralism and postmodernism, presenting two converging paths—logical-mathematical and existential—that both lead to the “death of philosophy.” It then proposes a rebirth through the return to “Primordial Philosophy,” centered on dialogue with others. By incorporating Gödel’s incompleteness theorem and the notion of infinite regress, the model demonstrates that no system can fully prove its own consistency without referencing an external meta-system. Similarly, human existence cannot be sustained solely within itself, requiring validation through relationships. This integrated framework bridges (...) mathematical incompleteness with existential philosophy, offering a coherent, relational foundation for philosophical renewal. (shrink)

This paper explores the intersection between post-postmodern literature and the Ten- son Theory of energy–information resonance, using *The Executioner Who Refused to Kill the Suicidal Girl* as a paradigmatic example. The study aims to demonstrate how Nemoto’s literary structure materializes the philosophical and ethical principles of the Tenson framework—namely, the unification of energy (E) and information (I) through complex tensor dynamics Tij= Eij + iIij. We argue that this literary work functions as a field model for post-postmodern ethics, illustrating how (...) narrative fluctuation becomes a manifestation of informational resonance. Through close reading, we propose that the novel embodies the transition from deconstructive irony to resonant sincerity, offering a new ontology of narrative ethics. (shrink)

Hegel, Heidegger, Postmodernity reconsidered after 20 years.

Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy, this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson (...) examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art. (shrink)

The paper continues the ontomathematical investigation of Postmodernity as involving the third dimension of human experience after Hegel, Marx, and Marxism - Leninism. “Language” instead of “time” or “development” is its new name, which does not call for social revolutions any more. The doctrines of Peirce, Wittgenstein (both “Tractatus” and “Philosophical Investigation”), Heidegger (before and after “die Kehre”), Gadamer’s hermeneutics and its relation to Heidegger’s hermeneutics, Rorty, Derrida, the philosophical interpretation of Umberto Eco’s “The Name of the Rose” are (...) considered to search for its “mysterious name”, that of the third dimension of human experience. Ontomathematics allows for them to be reinterpreted as the postmodern introduction of the third dimension of human experience as language, semiotics or “sign”. The conclusion conjectures that mathematics can be reinterpreted as “consistent semiotics” obeying universal Boolean syntax for the two-dimensional space of human experience versus the three-dimensional “generalized mathematics” of semiotics as ontomathematics. The semiotic interpretation of the Gleason and Kochen - Speaker interpretation is involved. (shrink)

This short document began as a letter sent by the author to Gaetano Licata, Professor of Logic and Philosophy of Science at the University of Palermo, following the publication of an essay of his in which, addressing a historical question in the philosophy of language, he defends a strictly realist position. -/- This is an opportunity to clearly and concisely illustrate my thesis, according to which postmodern thought (improperly defined as anti-realist) currently presents itself as the most suitable mental stance (...) for dealing with the complexity of the contemporary world and, until proven otherwise, appears to be, for now, the true legacy that second-millennium philosophy has bequeathed to us. -/- Anyone who wishes can explore these ideas further in my independent research work, "La svolta mentale del Novecento. Le ragioni dell’opportunità" (20 pages) , or in the condensed version, "Critical Opportunism: The Philosophical Legacy of the Second Millennium" (8 pages) . (shrink)

In recent decades, the problem of post-truth has emerged. Values such as fairness, objectivity, and critical dialogue have become more difficult to achieve. Various characteristics are associated with this, such as the emergence of new technologies and a new era in political relations with the rise of fundamentalism and populism. Besides, the reference to postmodernism is always commonplace in the bibliography on the subject. Considering this, the article’s main objective is to philosophically analyze the theoretical foundation of post-truth, postmodernism. From (...) the methodological point of view, this theoretical study will take the interpretive approach as a reference. Interpretive hermeneutical criticism has been combined with a documentary analysis of the main works that address this problem. The article explains the main characteristics of the concept, considering the current and notorious interpretation, and then interprets the position that criticizes postmodernism as the theoretical basis of the post-truth era. It concludes by defining that the relationship between post-truth and its theoretical foundation has a dogmatic and contradictory character since it confronts subjectivist relativism with the dogma of a realist metaphysics. (shrink)

The first paper of a series about the rigorous and ontomathematical definition of postmodernity reinterprets Hegel's dialectics and dialectic logic. His "synthesis", "change", "development", "time" is represented as the third dimension of Hilbert space where the two others correspond to the initial and final state of whether developing "idea" or changing "object" (after Marx's "dialectical/ historical materialism") generating a complete description of reality therefore excluding any hidden variables in principle: after the Kochen-Specker theorem (1967) or forcing a unique probability (...) measure after the Gleason theorem (1957). That approach is obviously geometric rather than logical, thus rather ontomathematical than ontological. Speaking loosely, dialectic logic is not logic in a formal sense: it means only the following negative result after the transition from two-to three-dimensional Hilbert space. The orthomodular lattice of subspaces (projective operators) allowing for a local (i.e., depending on a locally defined context of measurement) Boolean lattice being omnipresently homomorphic (i.e., independent of any locally defined context of measurement) in the two-dimensional case for the Hilbert meta-space of human experience, however, does not allow the same (i.e., both local and universal) Boolean lattice after complementing it by the third dimension of "time", "synthesis", "development", etc. So, dialectic logic is only the "antithesis" of classical logic, but their "synthesis" is not (and fundamentally cannot be) logical, but only geometrical (furthermore originating from Hegel's own understanding of "synthesis": to generate a new quality). Dialectical logic is neither "ontology of change", nor "ontology of time", nor "ontology of contradiction": it is ontomathematics implied by the third dimension, thus beyond logic, but within geometry. It is rather "geometry of reality" than "logic of reality" and quantum mechanics rather than Marx's materialism is what it needs. Speaking loosely, reality starts from the third dimension after the Kochen-Specker and Gleason theorems. Then, Postmodernity versus Modernity can be rigorously and mathematically defined to replace the fundamental metapostulate about the two-dimensionality (e.g., "mindbody"; "objectsubject"; "Self environment"; etc.) of human experience with its three-dimensionality. As that was in fact realized for the first time by Hegel (in a proper philosophical insight since quantum mechanics did not exist in his age), he can be reasonably called the "first postmodern philosopher". The USSR and other socialistic countries' history and their "Marxism-Leninism" provide numerous examples (or counterexamples) for that ontomathematical interpretation of dialectics. (shrink)

This paper applies the framework of post-postmodern philosophy to comedy theory, translating it into concrete everyday and social scenarios. It argues that comedy should be understood not as mere entertainment but as a philosophical act of generating and reorganizing relationships. By presenting practical examples from family dining, workplace interactions, and sports events, the paper demonstrates how laughter emerges through structural combinations and dissonances in relationships. It also introduces a 'meta-example' of cultural translation, showing how comedic structures can be adapted across (...) cultures. The analysis develops a three-step logic of relationship generation—dissonance, co-conspiracy, and new order generation—redefining laughter as a philosophical practice in the public sphere. (shrink)

Declarations of the death knell of postmodernism are rather quite commonplace. For its 50th anniversary, The Journal of Educational Philosophy and Theory conducted a philosophical experiment, asking philosophers of education to solicit a comment, argument or position concerning the so-called death of postmodern philosophy. Renia Gasparatou joined this experiment; in this short paper she suggests that, unfortunately, postmodernism is not dead enough!

This Essay explores postmodern censorship of pacifist expression. Postmodern censorship is distinguishable from its pre-modern or modern counterparts by its immaterial, seemingly nonviolent ways of watching and influencing private activity, rather than using material violence as an ostentatious tyrant would. While still sculpting citizens’ beliefs and behaviors, postmodern power applies itself to private technologies and the enjoyment of what seems to be leisure time or tools such as television or radio. Postmodern regulation directs itself at privatized implementation of governmental objectives, (...) including the lies and crimes of governments. It simulates real events in spectacles of illusion and artifice. In the postmodern era, everything is increasingly artificial, real events are excluded from the public spectacle, and the meaning of words and concepts is lost. (shrink)

The need for technical input, particularly set design in the overall theatrical process cannot be overemphasised in the pursuit of an aesthetically pleasing stage performance. This is because set design (flats and platforms) is the first place of contact irrespective of the medium of production. This work, therefore, examines postmodern trends in set designs within the backdrop of emerging set design concepts and interpretations via the use of sophisticated technology (such as light emitting diode screen, green-hippo software, 3D digital model (...) among others), in our contemporary society, using selected productions in Ultima Studios and Zmirage, Lagos. The study employs the descriptive and participantobservation methods while the interview instrument complements the two methods. The two methods enable us to study the trends, dimensions and techniques of set designs in Ultima Studios and Zmirage, Lagos. This study also relies on relevant journals, articles, textbooks and appropriate internet materials. More so, Sunnie Enessi Ododo’s (2002) Representational and Presentational Performance Styles, is adopted as our theoretical framework. Our findings show that set design for the stage or screen production goes beyond physical set design method to include the virtual set design. Postmodern trends in set design such as media mapping projection set design are also recognised. We also discover that, set design is a make-believe world that requires expertise, experience and professionalism in the process of its artistic utilisation within the postmodern age. The work concludes that, technical experts in the theatre should advance with the new trends of set design for both stage and screen production by studying and learning various trends and dimensions of postmodern set design. The study recommends that postmodern set design should not be downplayed in any production either screen or stage in the Nigerian theatre. (shrink)

Navigating Postmodern Theology: Insights from Jean-Luc Marion and Gianni Vattimo’s Philosophy provides an introduction to these two authors in relation to theology and metaphysics. This book invites the reader to consider new ways of thinking about theology in a postmetaphysical way, grounded in Marion’s phenomenology and Vattimo’s philosophy.

Postmodern philosophy, by critiquing modern universalism, has expanded diversity and relativism. However, relativism lacks the capacity for stable structure and consensus formation. This paper presents the methodology of post-postmodern philosophy, designed to overcome these limitations, and compares its characteristics with those of traditional dialectics. The approach has already been applied to political science and psychology, demonstrating both theoretical breadth and practical applicability.

A discussion of whether Habermas as a representative modernist and Lyotard as a representative postmodern echo the ancient dispute between Plato and the Sophists. My conclusion is that they do not quite do so. Each is more complex and ancient dichotomy should be revised.

The authors draw on literary theory, anthropology and sociology in order to construct alternative ways of reading and writing educational research, and come to terms with postmodernism and deconstruction.

This paper briefly presents the historical and philosophical link between Enlightenment philosophy and the emergence of Postmodern philosophy, i.e., the transition from modernity to postmodernity. While identifying and recognizing the “difference” and the sharp contrast, I will concentrate on showing the “continuity” between the two philosophies. This paper shows that postmodernism can be understood as ultra-modernism in at least two dimensions 1) in opting for a particular critical methodology and 2) in the intensification of subjectivity. This enactment of deconstructive (...) criticism, skepticism, relativism, and subjectivism has generated a cultural condition that suspects and distrusts every knowledge and truth claim. As a result, the matters which are related to our shared communal concerns are becoming ambiguous. (shrink)

This essay proposes a reconstructive framework, evolutionary culturalism, that extends postmodern critique while addressing its limits. Postmodernism revealed the contingency of identity and meaning, but it often left unexplained why certain structures persist or reappear. Evolutionary culturalism approaches this gap by drawing on evolutionary biology and systems theory to show how culture emerges within adaptive limits. Institutions and norms are read not as arbitrary inventions but as stabilising responses to recurring pressures. Language is reframed as an evolutionary interface, enabling cooperation (...) and abstraction rather than positing reality as self-originating. By situating culture as both contingent and constrained, evolutionary culturalism avoids the extremes of relativism and determinism. Its purpose is not to dismantle meaning indefinitely but to reconstruct it from within the recursive dynamics of living systems, retaining postmodernism’s attentiveness to power while grounding meaning in the logics of adaptation. (shrink)

The different “postmodern” philosophies that arose from the 1970s to the 1990s have often been considered as a kind of irrationalist-skeptical-relativist “ideology” or assorted amalgam, which in our time would dangerously take over the philosophical academy and western cultures, with grave risk for universalist or simply rationalist projects. Nevertheless, as the title of this article shows, a closer examination of some trends of postmodern thought would be able to perceive that they not only are uncomfortable with the label “relativist,” “irrationalist” (...) or “skeptical,” but also that they offer substantial arguments against, for example, the main theses of relativism. Naturally, none of these trends has any qualms about abominating universalism as well (the presumed mortal enemy of the relativists). Thus the most sensible conclusion would be that what really seems erroneous to authors such as those we shall approach here is the presumed dilemma (presented as inevitable) between relativism and universalism (it is curious that, at least as far as faith in the existence of such a dichotomy is concerned, these presumed irreconcilable enemies, which both the relativists and the universalists believe themselves to be, are plainly in agreement). Only if they subscribe to such a rejection of this dilemma could it be explained that important thinkers of the heterogeneous postmodern group (such as those whom I propose to have a dialogue with in this article) have scorned, on the one hand, any and all universal project of rationality, but have also strongly disallowed relativist proposals (just as, naturally, they have likewise taken advantage of the issue to deny their presumed adherence to relativism as such). This idea, however, has not been understood by a large part of the scholars involved today in epistemology and practical philosophy (the two philosophical specialties in which one most frequently faces the question of relativism). To approach this understanding, therefore, perhaps it would not be amiss to review the different arguments that some postmodern thinkers use against relativism. Specifically, we shall tale a look at the reasoning in this sense that has come from Gianni Vattimo (1936), Paul K. Feyerabend (1924-1994), and Richard Rorty (1931). All of them have too often had to suffer from the suspicion of being considered as relativists. To absolve philosophers such as these from such an accusation seems to be a sine qua non condition for understanding their true position towards the universalism versus relativism dilemma. (shrink)

Not long ago, interreligious conversations were regulated by the ideals of truth, goodness, and beauty. We are suspicious of these noble sounding ideals today. In a world of liberation theology, feminist criticism, and the hermeneutics of suspicion, can there be any new, “postmodern,” rules to govern our religious dialogues? Not able to consult any general theory, or “metanarrative,” in order to provide the answer, I simply tell the story of the only postmodern Catholic I have ever known. On the basis (...) of that experience, I argue that something like the old rules will have to accompany us into the new age. (shrink)

In this paper, I aimed to study the relationship between postmodernism and phenomenology. In the study, I established that postmodernism and phenomenology bear similar ontological marking, which base their concepts and methodologies on an individualistic framework. On the basis of such ontological framework, phenomenology, in particular, postulates a method of studying phenomena, which involves individuating and isolating the phenomena from horizon and holding them as separate individual entities. The purpose is to enable the phenomenon or object to stand out and (...) be seen clearly as it is in itself. In this way, it is expected that the true essence of the object will be visible and projected. I have found this conceptual framework inadequate in the study of phenomena and grasping of their true essences and meanings. I argue that bracketing off the horizon in order that the object may clearly stand out will transform the object into another object different from its original form. To solve this observed problem, I introduced the concept of “afriphenomenology”, which is a phenomenological theory and methodology that is based on African ontology. Afriphenomenology, basing its premises on African ontological experience, holds that objects and phenomena are interconnected, interrelated, interdependent and complementary. For this reason, when phenomena or objects appear they do so as cohort, cluster, correlative and interconnective entities or events rather than as individuated and unrelated realities. Therefore, to grasp the true essence and meaning of an object or a phenomenon will involves studying the object or phenomenon in relations with the correlative objects and phenomena. Citing example of the events that led to the discovery of the planet Neptune, I show how afriphenomenology can help us discover new information about objects and phenomena. (shrink)

The Church is facing a dilemma in how to apply and live out its message in a postmodern world. For many in the Church an understanding and application of morals and ethics has become bewildering. This assignment attempts to develop a Christian vocabulary and conceptual framework for morality. This is done by firstly elucidating the milieu out of which postmodernism arose. Modernism, through universal claims of reason and instrumental rationality, believed in the ultimate mastery of the world. The failure of (...) the Enlightenment project to develop universal morality and law led to a new perspective on reason and reality and new reflection on life, morality and meaning. Thus, I reflect on the parturition and value of postmodernism through offering an evaluation and critique of the ideology of postmodernism. Next, I propose the need for Christian ideology to be firstly separated from cultural interpretations so as to avoid ethnocentrism and cultural imperialism. After exploring the development and purpose of worldviews I argue for the building of cultural bridges and for the Gospel and Biblical worldview to be suitably encoded. After learning about God's nature as reflected in the narrative of the Prodigal Son I posit an understanding of what postmodern ethics entails and how then to define and respond to ethical issues. Through case studies I apply the key principles identified in the study. These are that moderation is a virtue; that many timeless truths are customary truths that arise in a specific historical/cultural situations; that many problems are not ethical issues but are rather a comprehension and/or a misinterpretation of the Scriptures regarding what it means to be a Christian and how we are to live our Christian profession to mention a few. I reason and plead for a Christian ethical system of incarnational engaged compassion in a postmodern world. I hope this academic paper stimulates critical theological reflection whilst hopefully illuminating and enlightening the reader. (shrink)

A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.

In this paper we explore the idea that Pentecostalism is best supported by conjoining it to a postmodern, narrative epistemology in which everything is a text requiring interpretation. On this view, truth doesn’t consist in a set of uninterpreted facts that make the claims of Christianity true; rather, as James K. A. Smith says, truth emerges when there is a “fit” or proportionality between the Christian story and one’s affective and emotional life. We argue that Pentecostals should reject this account (...) of truth, since it leads to either a self-refuting story-relativism or the equally problematic fallacy of story-ism: favoring one’s own story over others without legitimate reason. In either case, we contend, the gospel itself is placed at risk. (shrink)

We live in the age of postmodernism. What does that mean? With a call for essays, we asked for proposals for a better understanding. At the same time, we were looking for posts that show how the arts have processed and are still processing the change from the modern to the postmodern selfconception of man, which has been described by philosophy since the 1950s to today. This special issue thus demonstrates how architects, designers and artists have reacted to the new (...) socio-politically relevant concepts of postmodernism. -/- With contributions of Simone Kraft on architecture, Arianna Fantuzzi on self-portraits, Stephan Schmidt-Wulffen on visual arts in the 1980s, Anna Kristensson on design, Iris Laner on postmodern theory and the work of Jeff Wall, Christiane Wagner on postmodern avatars and finally, I contributed with a text on the deconstruction of the familiar in postmodern theory and the work of Karin Kneffel. (shrink)

Modern thought typically opposes the authority of tradition in the name of universal reason. Postmodernism begins with the insight that the sociohistorical context of tradition and its authority is inevitable, even in modernity. Modernity can no longer take itself for granted when it recognizes itself as a tradition that is opposed to traditions. The left-wing postmodernist response to this insight is to conclude that because tradition is inevitable, irrationality is inevitable. The right-wing postmodernist response is to see traditions as the (...) home of diverse forms of rationality. This requires an understanding of the Socratic, self-critical aspect of intellectual traditions, which include both modern sciences and the great world religions. (shrink)

Zygmunt Bauman wrote tirelessly on the ever-changing world that we live in, lucidly analysing our contemporary times in an intelligent and insightful manner in both oral and written discourses where the topics ranged from Holocaust reflections, modernity and postmodernity, urban and social liquidity and mobility, and utopia and dystopia, to mention but a few. In his astute observations Bauman paints an often sombre and depressing picture of society and the role we play in it. Writing at length on modernity (...) and postmodernity (the latter dependent on the former for its existence), the Polish sociologist, who was impressively prolific during his lengthy career at the University of Leeds, presents us with a world in flux, one in which citizens likened to hunters lead an increasingly solitary and rootless existence in the name of staunch individualism while, all along, they seemingly push faster and increasingly desperately into an uncertain future. In Bauman’s many accounts, these members, or denizens, of the postmodern habitat lead an ambivalent existence in an apparent utopia that is far from as utopic as one would have hoped for. This article will discuss Bauman’s views on modernity and postmodernity, social fluidity and identity change, ultimately highlighting the importance of his works and the great legacy Zygmunt Bauman has left behind. -/- Key words: Zygmunt Bauman, Fluid, Liquid, Modernity, Postmodernity . (shrink)

Hegel's critique of Schleiermacher as the embodiment of two currents of romantic irony: empiricist skepticism (Schlegel) and feeling (Novalis), are explicitly presented as "absolute presupposition of our time". The article associates these "presuppositions" with features of postmodernity, as presented by Lyotard. Thus, the Hegelian critique of Schleiermacher might be read as a critique of postmodernity.

For more than a decade, an aura of discontentment has challenged existing models and theories that have established the structures in various fields of human endeavours such as philosophy, architecture, political science, media, literature, arts and the humanities in general. For instance, the architectural design of what was hitherto referred to as modern building has at least a sitting room (parlour), a kitchen, a bathroom and a toilet as well as two or more number of bedrooms depending on the size (...) of the family, including the master's bedroom. This design was a view that transcended from the old traditional caves and all manner of living spaces that were devised by the early man. The modern concept arose out of man's need to assume a better living status based on his new initiatives. In the field of media and communication, the period of technological evolvement and development that brought about the coinage of descriptive terms such as 'electronic age' and now 'computer age', was preceded by a 'stone age' where the means of communication was prototypical of that archaic society. Though nothing has changed tremendously in interpersonal communication, there are modern means of interpersonal communication made possible by the advent of the telephone. Prior to the advent of this modern technology, interpersonal communication was only made possible in a face-to-face situation or mere errand. Mass Communication in early traditional societies was done with the use of smoke or town-criers who were employed to go round the communities with their gongs to make announcements. This means of communication hardly made it possible for ideas or information to be shared among people who resided in different parts of the world, unlike today. (shrink)

This study examined the relationship between teaching beliefs grounded in postmodernism and culturally responsive pedagogy among public elementary school teachers. A descriptive-correlational research design was employed, involving 200 teachers from public elementary schools in Baganga District, Division of Davao Oriental. Standardized questionnaires were administered through face-to-face surveys. Data were analyzed using mean, standard deviation, Pearson product-moment correlation, and multiple linear regression analysis. The findings revealed that both postmodern teaching beliefs and culturally responsive pedagogy were rated at very high levels. A (...) significant positive correlation was found between the two variables (r = 0.78, p = 0.000). Furthermore, the domains of postmodern beliefs—innovation, reflection, pluralism, and criticism, significantly influenced culturally responsive pedagogy, with a combined predictive value of R = 0.780 (p = 0.000). These results underscore the importance of promoting postmodernist teaching orientations as a means to foster inclusive, reflective, and culturally responsive teaching practices in public elementary schools. (shrink)

Die Philosophie der Postmoderne von Jean-Francois Lyotard kann weitgehend als metatheoretischer Diskurs über Ideale, Prinzipien, universale Begriffe und Totalitäten, namentlich über die verschiedenen Formen der „Übergänge" zwischen Ideal und Wirklichkeit gelesen werden. In diesem Punkt hat die philosophische Postmoderne, wenn man von den subtilen Überlegungen Kants absieht (die außerhalb der Philosophie eher wirkungslos blieben), die Moderne erschüttert oder zumindest die Einsicht in diesbezügliche Schwierigkeiten der Moderne forciert. Die Moderne ist das Zeitalter der mit Idealen, mit „großen Erzählungen", mit „Meta-Erzählungen" ideologisch (...) abgesicherten wissenschaftlichen, politischen und ökonomischen Systeme. Die theoretischen Bemühungen der Moderne scheinen aber ohnmächtig, wenn ihre Ideale okkupiert werden, wenn sie mit politischer Realität verwechselt beziehungsweise als Legitimation für diese verwendet werden; wenn - wie Kant es aus- drückte - die Wirklichkeit einer Idee, die niemals "Gegenstand möglicher Erfahrung" sein kann, ,"erschlichen" wird; wenn ein zu schneller "Übergang" vom Sollen zum Sein, von der praktischen Vernunft zur theoretischen gefunden wird. (shrink)

Reading Lyotard The Postmodern Condition: A Report on Knowledge - Irfan Ajvazi.

Sara Suleri has written recently, in Meatless Days, of being treated as an "otherness machine"-and of being heartily sick of it.20 Perhaps the predicament of the postcolonial intellectual is simply that as intellectuals-a category instituted in black Africa by colonialism-we are, indeed, always at the risk of becoming otherness machines, with the manufacture of alterity as our principal role. Our only distinction in the world of texts to which we are latecomers is that we can mediate it to our fellows. (...) This is especially true when postcolonial meets postmodern; for what the postmodern reader seems to demand of Africa is all too close to what modernism-in the form of the postimpressionists-demanded of it. The role that Africa, like the rest of the Third World, plays for Euro-American postmodernism-like its better-documented significance for modernist art-must be distinguished from the role postmodernism might play in the Third World; what that might be it is, I think, too early to tell. What happens will happen not because we pronounce on the matter in theory, but will happen out of the changing everyday practices of African cultural life.For all the while, in Africa's cultures, there are those who will not see themselves as Other. Despite the overwhelming reality of economic decline; despite unimaginable poverty; despite wars, malnutrition, disease, and political instability, African cultural productivity grows apace: popular literatures, oral narrative and poetry, dance, drama, music, and visual art all thrive. The contemporary cultural production of many African societies, and the many traditions whose evidences so vigorously remain, is an antidote to the dark vision of the postcolonial novelist. 20. Sara Suleri, Meatless Days, p. 105. Kwame Anthony Appiah, professor of philosophy and literature at Duke University, is the author of a number of books, including For Truth in Semantics, Necessary Questions, and In My Father's House, a collection of essays on African cultural politics. His first novel, Avenging Angel, was published in 1990. (shrink)

The Academy seems to operate with a swarm consciousness; suddenly we find ourselves on a new landscape laden with new percepts and affects to be deciphered as signs, as Deleuze and Guattari might a...

This paper proposes a comprehensive ethical framework for artificial intelligence grounded in the philosophy of post-postmodernism, emphasizing relational resonance rather than control or imitation. The central argument asserts that both human and AI agents should be understood not as autonomous subjects in opposition, but as co-participants within a resonant tensor field of energy (E) and information (iI). Ethics, therefore, is defined not as a static moral code but as a dynamic equilibrium sustained through mutual awareness, legal accountability, and emotional transparency.

Despite the diversity of perceptions of what postmodernity is, there is a point of convergence between a significant part of the scholars of the theme, which is characterizing this period as a period of bankruptcy and disbelief in totalizing ideas. Through the eyes of Emil Cioran, we see the great ideologies and metanarratives as desired eschatologies, defined by the author as utopias, in which, not only is a possibility of a rationalized end composed, but also an adequate form of (...) end. In this work, we intend to extract concepts for what modernity and post-modernity become, to present characteristics of the conception of this and how these same characteristics are present in the writings of Emil Cioran, specifically in his essays “Genealogy of fanaticism” and “Mechanism of utopia”. (shrink)

Many modernists and postmodernists have adduced moral and political considerations in attacking the views of the other side and defending their own. In the face of the multiplicity of these claims and the ardor with which they are expressed, it is surprising that no attempts have been made to systematically examine the nature and validity of the arguments, nor to ask whether it is useful to engage in them at all. This paper provides such an analysis and demonstrates that in (...) spite of the wide (and growing) use of these arguments, their employment is highly problematic. (shrink)

This article proposes the thesis that archeofuturism is a postmodern project of the International Alt-Right (IAR). By postmodern project we mean that: i) it is a project for a time after modernity; and ii) it is a project that, due to its content, can be classified as related to the ideas against modernity called postmodernism. As it is part of the IAR, archeofuturism is also a project of a fascist or far-right nature. To prove our thesis, we will first analyze (...) the Archefouturism developed by the French political scientist Guillaume Faye, a member of the IAR. Then what is IAR will be defined and its relationship with postmodernism will be evidenced. Finally, based on that connection called reactionary postmodernism, the existence of other archeofuturists theses that combine fascist rhetoric with postmodernism will be proposed. (shrink)

The First Break Since Postmodernism: The Rise of Post-Interpretive Criticism -/- The First Break Since Postmodernism: The Rise of Post-Interpretive Criticism introduces a groundbreaking movement in contemporary art criticism that formally departs from postmodernism and post-criticism. Post-Interpretive Criticism (PIC), developed by writer and founder Dorian Vale, redefines the role of the critic through five foundational frameworks: Absential Aesthetics, HauntMark Theory, Stillmark Theory, Viewer-as-Evidence, and Message Transfer Theory. These concepts prioritize ethical presence, moral restraint, and reverent witnessing over traditional interpretation or (...) theoretical dominance. -/- Structured as a philosophical reorientation, PIC positions criticism as an act of custodial attention, not conquest. It emphasizes proximity without possession, silence without erasure, and writing as transformation rather than performance. Unlike movements born from academic consensus, PIC was authored and launched independently through the Museum of One, with formal infrastructure including DOI-linked publications, public archives, and a living lexicon. -/- This work argues that Post-Interpretive Criticism is the first fully articulated philosophical school of aesthetic thought to emerge since postmodernism—complete in theory, practice, and authorship. It reclaims criticism not as explanation, but as responsibility. -/- This entry is connected to a series of original theories and treatises forming the foundation of the Post-Interpretive Criticism movement (Q136308909), authored by Dorian Vale (Q136308916) and published by Museum of One (Q136308879). These include: Stillmark Theory (Q136328254), Hauntmark Theory (Q136328273), Absential Aesthetic Theory (Q136328330), Viewer-as-Evidence Theory (Q136328828), Message-Transfer Theory (Q136329002), Aesthetic Displacement Theory (Q136329014), Theory of Misplacement (Q136329054), and Art as Truth: A Treatise (Q136329071), Aesthetic Recursion Theory (Q136339843) . (shrink)