Paperback 439: The Dark Tunnel / Kenneth Millar (Lion Books 48)

Paperback 439: Lion Books 48 (1st ptg, 1950)

Title: The Dark Tunnel
Author: Kenneth Millar (Ross Macdonald)
Cover artist: E. Walter

Yours for: $28


Best things about this cover:

• It's like we've caught her midway through morphing into a snake.
• Why is she looking at us? Her potential killer is ... there. Over there. To your left, lady. Stop looking at me, Serpentina!
• Of all the gay taglines I've seen, this one of the weakest. Tells me nothing about what happens. No sense of story. No sense of action. Tagline doesn't clearly go with picture. Yuck.
• "Dark Tunnel" is a not-very-subtle title for a novel pre-occupied with homosexuality.

Best things about this back cover:

• The dark tunnel is all of a sudden a bright doorway.
• Lion deals with male homosexuality on its covers more frequently and earlier than most other publishers. It's truly remarkable how obsessed the cover copy is with the gender/sexuality of this spy—which is not even an important issue in this book until the end, and even then seems more tacked-on than essential (if I'm remembering correctly—I could be conflating it with "I, the Jury").

Page 123~

I went into this inner room to look up 'taillour.' My throat was constricted with excitement. For the first and last time in my life, I knew how philologists must feel when they're on the track of an old word used in a new way.

And this immediately becomes the nerdiest thriller of all time. Sidenote: This scene takes place at the Middle English Dictionary, housed at University of Michigan, where both Kenneth Millar and I earned Ph.D.s in English (50+ years apart). The Dark Tunnel was his first novel (orig. pub'd 1944).

~RP

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Paperback 357: Night Train / Kenneth Millar (Ross Macdonald) (Lion Library LL40)

Paperback 357: Lion Library LL40 (2nd ptg / 1st thus, 1955)

Title: Night Train
Author: Kenneth Millar
Cover artist: Samson Pollen

Yours for: $22


Best things about this cover:

• I think there is a single scene in this book that is set in a jazz club. Why they have completely de-crime-fictionized this cover, I don't know ("A Bold Story of Fierce Desire"??), but I'm glad they did—the painting is fantastic: vibrant and chaotic. You rarely see a black woman in the position of sexy dame on these covers—very nice.
• I like the guy right behind her—the guy you are very likely to miss if you're sucked into either the playing/dancing or the steamy glance between Ms. Bar Lady and Mr. Ne'er-Do-Well. The guy behind her—he's the one I want to know. He's either tailing that guy, or he's just thinking "Really? That guy? She must be working some angle..."
• Love the guy in the foreground with the cigar! He is sooo happy to have that cigar!
• What is up with the letter spacing on the tagline? Letters get closer together as title moves left to right. It's like a 3rd grader wrote it by hand and ran out of room as she approached the right margin
  

Best things about this back cover:

• This is (pretty much) the cover of the original Lion edition of this book (which I own ... hey, wait, I've already blogged it—it's here! Check out the art parallels)
• Ross Macdonald was (understandably) saddled with the "Chandler/Hammett" mantle early on in his career, and despite a period of phenomenal fame (peaking around 1970), he just wasn't the artist either Hammett or Chandler was, and hasn't had their longevity. I know I am in the minority here, but I'm not a big Macdonald fan; I especially don't care for the Lew Archer stuff. Archer's just a smarmy, dull, self-righteous Marlowe. A Not-Marlowe. A Marl-faux. Sadly, he's also the model for virtually every P.I. that came after him.
• There is more than a "trace" of Freud in Macdonald's work; when reading Macdonald, I often feel like I'm reading a novel whose sole purpose is to illustrate some concept from Psychology 101. If I remember correctly, though, this pre-Lew Archer stuff is pretty tight and entertaining.

Page 123~

Mrs. Tessinger was extraordinarily vivacious. Her bosom seemed higher than ever, and her waist tighter.

That's a nice, lecherous eye the narrator has there.

~RP

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Paperback 353: Blue City / Kenneth Millar (Ross Macdonald) (Dell 363)

Paperback 353: Dell 363 (1st, 1947)

Title: Blue City
Author: Kenneth Millar
Cover artist: Uncredited (a shame)

Yours for: $23


Best things about this cover:

• I'm not sure there is a cover out there that better expresses the idea of "noir." The grimy fatalism of the urban jungle perfectly expressed by that pollution/hand working all the lowlifes like marionettes. That woman's right boob is freaking me out a little, and the gangster's proportions are all wrong, but all the classic vices are on display, and that hand is going to give me nightmares. The skin on the knuckles, my god ...

Best things about this back cover:

• Mapback!
• Whoever designed that city Really liked right angles.
• Nice detail on the buildings [/sarcasm]
• This book is in a plastic slipcase. I would have taken it out, but I feared I might harm the book in doing so, so parts of the back remain obscured somewhat by the thick plastic strip down the middle. And the ID tag.

Page 123~

"You won't sing," Kerch said, "if what we do to you shuts you up for good. Come along, Floraine. You'll need a coat."

"You'll need a coat" makes me laugh. Cold-blooded hitman worries you might get chilly.

~RP

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Paperback 83: Trouble Follows Me / Kenneth Millar (Lion Books 47)

Paperback 83: Lion Books 47 (1st ptg, 1950)

Title: Trouble Follows Me
Author: Kenneth Millar (aka Ross Macdonald)
Cover artist: unknown

Yours for: $14


Best things about this cover:

• "Gimme a 'D'! Gimme an 'E'! Gimme an 'A'! Oh hell, just give me a kiss, big boy!"
• "I demand to know how why you aren't wearing an American flag on this lapel, you bastard!"
• "Honey, you know I love caressing your elbows, but people are starting to stare ..."
• I admire this man's ability to check out the smoking man behind him despite the fact that the laws of nature forbid it - how is he able to see through his own left shoulder? Maybe he's checking him out in a mirror just off-screen...
• If you changed the text on the cover, you could easily turn this picture into a cover for a Kinsey-era "My secret gay life" and / or "Do I like boys or girls?" novel (an actual subgenre of which I own a few examples). The smoking man could be stalking our hero, but he could just as easily be checking out his ass.

Best things about this back cover:

• "Death tracked him." So the smoking man is ... Death. That's deep. Allegorical.
• "Moslem attitude of prayer" ???
• Sam Drake - sounds nothing like Sam Spade. How dare you suggest it's a pathetic rip-off.
• Kenneth Millar became one of the best-selling and best-reviewed crime fiction writers of the 20th century under the name Ross Macdonald. He is, more than anyone, responsible for the general shape, tenor, feel, idiom, etc. of the modern detective novel. This is not, IMOO, a good thing. Watered down, moralistic P.I.-ness ... hero is flawed but ultimately unequivocally Good. Give me Chandler's Philip Marlowe Any Day of the Week.
• This particular book is sun-faded like crazy, and has clearly been read multiple times (once by me). It's encased in a plastic slip cover (the way I found it). Still, it's tight and complete and a great, great reading copy.
• It's #47! (Meaningless to you unless you graduated from the same college as I did)

RP