Monthly Archives: April 2012

Domino (2005)

Awful!

The truly and terrifyingly terrible nature of ‘Domino’ is largely due to how much effort has actually gone into making it, when everyone involved could have been doing something productive, like cobbling shoes. Every minute has on average (and I counted) about 28,000 different shots, as if every scene is being devoured by thousands of camera-eyed piranhas.

“What’s it about then?”

They’re all bounty hunters or something, and Keira Knightley is one too, then a room full of Hispanic gangstas point their guns at them, so she asks:

“Would you like a lapdance?”

then gets down to business, while you stare into the soulless abyss of her eyes, and wonder if Tony Scott thought that his technical proficiency elevated this film above the wank encrusted ‘Babes and Guns’ poster that it clearly is.

It’s the rock-fusion of film:

Lots of notes – no song

Pissing testosterone like a busted dick.

Domino . 2005 . Tony Scott

Reviewed by Willis Shafthauer

Melancholia (2011)

I wasn’t expecting a film about depression to be entertaining. And I suppose I shouldn’t have hoped for sophisticated dialog, as the script was written in English by a Dane.

I’d read good reviews. And I liked the apocalyptic blue planet metaphor. So I was surprised to discover how really, really dull this movie is.

It’s like watching robots interact in slow motion. I suppose it’s meant to depict how the world looks when depressed. And the shaky camerawork during the intimate conversations must be demonstrating how things can go wobbly when a depressed person talks. It made me seasick.

The film does contain some stunning images. If it was pared down to twenty or thirty minutes, it would make a fantastic short.

I’d advise skipping the first half. Following the introduction, go straight to the part called Claire. And watch it in fast forward mode. And think happy thoughts.

Melancholia . 2011 . Lars von Trier

Reviewed by John Andrew Hutchison

The Cabin in the Woods (2012)

Whedonesque. It’s a term that will be familiar to a lot of people. A term with a number of definitions, metafiction, comedy, geekery, high concept scares, strong female leads and a gleeful sense of mythology. The Cabin in the Woods is the pinnacle of all that. It’s Joss Whedon at his peak. What starts as a typical Evil Dead, Texas Chainsaw Massacre horror in backwater America, quickly turns into an epic high concept commentary on the horror genre. Knowing much more about it than, a bunch of teenage clichés spend a weekend at a cabin in the woods and there’s a lot of screaming, would ruin all the surprises and it’s clear that writer Whedon and director Drew Goddard (co-creator of Angel) know that. Heck, even the title is generic, boring and almost entirely misleading.  A stunning film, one of the first surprises of 2012, this one comes highly recommended.

The Cabin in the Woods . 2012 . Drew Goddard

Reviewed by Dan Carpenter

Senna (2010)

Far more than a film to excite Jeremy Clarkson, this fantastic documentary is gripping, expertly presented, and a fitting homage to its subject matter, as well as an astounding feat of editing and construction. All told through footage of races, home videos and news media stock, with no cut-aways to talking heads, the viewer becomes a passenger along the twisting journey of the spectacular and tragic narrative, totally connected to the hero the whole way. We swoon to the irresistible charm and humour that made Senna such an icon and national saviour and catch the glimmers of his destructive ambition, his tragic hunger to be the best and stay the best. It helps to have a working knowledge of F1 detail, but it is by no means necessary. The story is as old as the hills; the heroes, the villains, their triumphs, their downfalls, the tragedy of fame and success.

Senna .2010 . Asif Kapadia

Reviewed by Screen150