Category Archives: Memphis

Happy Thanksgiving

Have a ball on Turkey Day.

While I won’t be heading to the Turkey Testicle Festival, I will be traveling to dine with friends in Memphis and I’m so looking forward to sharing the community meal.

And for the musically inclined, here’s a link to a ton of food tunes you can stream while eating your turkey repast.

Happy Thanksgiving to all.

Going to the Chapel

I’m in Memphis for a wedding today. Here’s hoping for a wonderful day and many, many, many happy anniversaries for Dabney and Glen.

I understand there will be cupcakes at the reception. It has to be better than a 42-pound cheeseburger as a wedding cake.

Elvis and Mama

Is it just me or does Mama have a little bit of an Elvis snarl and some hound dog sideburns? All topped off by Priscilla’s Aqua-Netted hair-spectacular.

Ahhh, the 70s.

And if I’m not mistaken the kid in this pic fell into the chocolate river and went on to be sucked up into the Fudge Room in Willy Wonka and the Chocolate Factory. Poor Augustus Gloop.

I found this pic over at Gelmania, but if you want to see plenty more of the same ilk, don’t forget to stop by Awkward Family Photos. Oy!

Happy Birthday Elvis

January 8 is a hip wiggling, lip curling, scarf flinging sort of day.

It’s Elvis’ birthday.

He would have been 74 today if he’d laid off the deep fried foods and slowed up on the pill popping

What’s your favorite Elvis song?

It’s so hard to choose, but I’m a bit partial to Blue Moon of Kentucky. I think it’s the simplicity of the whole thing. It was on the flip side of his big debut – That’s All Right Mama – on Sun Records. Of course Bill Monroe does a pretty fair non-rockabilly version of the tune as well.

If you want another video of the King singing about the moon, click here for his rendition of Blue Moon.

Elvis is Everywhere

I’ve had some new friends traveling to Memphis to visit Graceland for the first time this week. It seems they had a wonderful visit to the Jungle Room and the TV Room and the rest of the King’s property.

In honor of them, I post this video so that they can understand that Elvis is everywhere.

And I do love Mojo Nixon in all his screaming subversiveness.

And while we are on a Mojo vibe, here’s one of his “public service announcements from MTV way back when.

I think it still applies.

Bodacious

Mystery Train takes me for a ride

“It’s cool to be in Memphis.”

That’s what Japanese teenager Jun says, and I wholeheartedly agree.

I took a trip to Memphis this morning while watching Jim Jarmusch’s “Mystery Train.” I haven’t seen this flick in years and it didn’t disappoint me after our long separation.

It’s films like this from the 1980s that turned me into a movie fan. The quirky characters, the settings that could be encountered in nearly any town if you knew which street to turn down, the actors and their performances. Throw in the ghost of Elvis and some “Lost in Space” TV trivia and you can’t go wrong.

Jarmusch mixed the music, the DJ, some moans and a gunshot to tie together a non-linear story that intersected in three arcs. One review of this movie that I read described it as “An experimental film that went ‘pulp’ before ‘fiction’.”

The melancholy, muted colors and rusted signs told the tale of an economy and relationships in decline.

Elvis’ “Blue Moon” comes across as pretty mournful playing behind all three tales. The spectral King comes across both aurally and visually.

But there is humor here as well. Watching Mitsuko spark a zippo with her feet. The lipstick smeared kiss between young lovers. The tale of Elvis’ comb and its providential delivery (although the deliveryman turned out to be a bit menacing), Sam and Dave, the complimentary towels, Screaming Jay Hawkins, Room 22.

It’s all good stuff. Roger Ebert has a solid review.

Sharpee Magic

I found this video today (hat tip to Blue Tea) and wanted to share.

Stark black on white. What will be the final result? Follow the hand, nearly disembodied, as it travels beyond the normal borders to create “the big picture”. Which, as always, is comprised of the details that sometimes get overlooked. Forest for the trees, you know.

The song is In Context by Field Music on the independent label Memphis Industries.

Cloverfield fulfills

On a quick jaunt to Memphis this week to gather with some like-minded bloggers at Drinking Liberally on Thursday night, Newscoma and I got a chance to check out the first matinee of Cloverfield before heading back to Hooterville on Friday.

The commercials have been enticing me for months with their mystery monster and terror in the streets.

Personally, I thoroughly enjoyed the movie. I liked the claustrophia of the handheld camera point of view and the fact they maintained it throughout. I heard a reviewer on NPR Friday say that he felt they should have just used it occasionally. I disagree. The whole conceit of the film necessitates that POV.

I loved that they never really reveal the source/home of the monster.

I’m glad they didn’t use big-name actors. It allowed me to just absorb their efforts without the distraction of a familiar face. The anonymity of the performers allowed you to put aside judgement of their individual performances until later outside the theater. Of course, when you are reflecting back on the flick, you do find a few plot holes, but that’s always the case with movies like this.

I loved the way they played Peekaboo with the monster initially to increase the tension, just giving viewers a flash here or there as it moved between buildings. I liked the way the movie reminded me of the hysteria and fear permeating the streets of NY after 9/11.

I’ve actually thought about going to see it a second time and I don’t ever do that. If you buy a ticket, I hope you enjoy it as much as I did. I think you will.

Under the stars

squirrel director

IFC is bringing its Free Film Fest to Memphis this week, one of only 10 stops this summer. They started the event with a showing of one of my favorite movies – Raising Arizona. If I’d been able to be in about three places at once last night, I would have sitting out watching the adventures of H.I. and Nathan Arizona myself. It didn’t work out that way.

Tonight’s showing is Princess Bride and tomorrow night will feature Napolean Dynamite. IFC will also have its Media Lab set up to show short independent films. And they’re giving away an HD camera to some lucky soul.

It’s all at the Pink Palace with gates opening at 6 p.m. for folks to picnic on the grounds with the movies beginning at sunset. It’s not quite a drive-in, but it should be fun all the same.

I’ll leave you with one of my favorite movie lines of all time. From Raising Arizona H.I. said:

“Ed’s womb was a rocky place where my seed could find no purchase.”

Bye bye Bat Boy

The Squirrel Queen is in mourning this week.

I found out the horrible news from Newscoma who heard the word from Cuppa Joe. Drastic news of this sort travels fast, leaving many tears to be shed and cloth to be ripped.

The Weekly World News is shutting down.

A staple of my life for more than two decades, my source for news about Bat Boy, Bigfoot, Alien invasions, the Loch Ness Monster and so much more will no longer ease my passage through the checkout lines in stores. It won’t be there to comfort me as my cheeks adjust to the chill of the cold porcelain. How will I go on?

My love for the rag began so long ago. Working alone late at night at a radio station, I not only read WWN, but I also perused every page of the Memphis Commercial Appeal looking for odd A.P. stories for the radio station’s morning show team to use. There, tucked away at the bottom of a column many pages deep inside the traditional Appeal, I’d find tales of dogs walking hundreds of miles back to their original owners after getting lost during a family vacation or stories of singing birds alerting their owners to a blaze within the home in time to save lives or the odd story about what was recovered from the gastric areas of humans in emergency surgeries just in time to keep them upright and on planet Earth.

Then a few weeks later, I would find many of these same stories inside the WWN acting again as filler between the brilliant Dear Dotty and Ed Anger columns. I would alert people to the veracity of many of the stories inside the grocery store tabloid and would often be scoffed at. But I kept those clippings from the Commercial Appeal and showed the doubters the A.P. evidence. It rarely did much to convince the naysayers.

I even used WWN to decorate my first apartment. It was in an old home that had been split into a duplex, thus we had a long hallway on our side that went basically nowhere. I used headlines and cover art to create a WWN wallpaper, covering the cheap wood paneling with ink about Bigfoot and Bat Boy art all the way up to the molding just below the 10-foot ceiling. It truly was a decorating masterpiece. Martha would have been very proud.

I still have a WWN cover from a few years ago when Bat Boy hunted down Osama Bin Laden. I taped that one to the wall of my office just across from my desk. Whenever I needed writing inspiration, all I had to do was glance up and make eye contact with Bat Boy and the ideas flowed from my fingertips to the keyboard. Magic.

Unlike Newscoma, I never sent in a resume, but it certainly would have been a “dream” job to dream up news of that sort.

Farewell my black-and-white-and-read-all-over friend.