Category Archives: fiction

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Filed under Deconstructionalist, fiction, Modernism, ramblings of an insomniac

Among my angels & demons, dreaming

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Last night I dreamt of Salah again.
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Strange how dreams work, a small part of me slightly conscious that this is a dream, remarking that I am eighteen once again and feeling happy, like I had a chance to do it all over, though I am roughly ten years older now than Salah was then, lying within the quiet curled plastic walls of the intensive care unit, tent city hospital, somewhere in Saudi Arabia. He still has that same startled look in his wide eyes, that look before the death, that glittery-shocked gaze I became intimately familiar with in so many eyes, back then.

He was special to me, probably because when he first arrived to our makeshift hospital he was in a coma, his belly cavity split open from breast bone to pelvis, bound together by rubber hose and a miracle. They found him wandering in the desert two days after he’d been shot in the stomach. The infection had settled in by then and they couldn’t sew him back up, so that the poison could drain out of him first.

When he regained consciousness I would still go and visit him at night, after my shift was over, and he would tell me that he remembered someone stroking his head when he was under, I think because he knew it pleased me, for it was my hand upon his brow, perhaps because we both searched for meaning in all of this carnage and wanted to hang on to something to believe in, that there was a life outside of and beyond this bodily existence. Perhaps he comes and pays a visit now and then to remind me that there is something more, or that my mind wants to believe that there is and so dreams of him, of me, still caressing his head, hoping that he will wake up.

Salah was a school teacher. He taught English to children in Iraq before Saddam’s men forced him to join the army under the threat that they would kill his young wife if he didn’t, the wife he left behind who was pregnant with his first child that he never got to see or find out if it was a boy or a girl.

Who is to say that each and every war taking place on earth right now is not all of ours to contend with?

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A Little Mountain too Late

something i wrote last october…

Mokie,
when you took me
to your special spot on your rocky hill you called a mountain it seemed so big to you in the flatland deserts an invincible mountain you loved so well where you hid from the world to watch the sunset the sun setting it was unsettling that it was only several weeks before your passing that you took us there on a deceiving New Year’s eve where you lit firecrackers against the new year night they were brilliant and beautiful just like you in flight even then I noticed your wasting form and recoiled in repulsion from your immense rotting odor from my eminent impending destruction in your dying that you knew I knew was
coming for you how did you know I felt it too like how I sometimes
still feel you
Mokie,
did you know that your mountain
was really only an enormous pile of rock dirt and cement collectively decided by others in the new houses miles away that this was to be the dumping burial ground of superfluous extra material leftovers they did not need any more like your body did you really also hear how your death was knocking at your kidneys that night below your chattering teeth it was very cold but what a beautiful fleeting sight of your silhouette’s light against the backdrop drop of night do you know that I used to go there every year on your happy death day to you all by myself and climb up there to catch the dying light of the sinking sun and listen to the rattling wind in my ears I did this for years I would remember the light in your sunken eyes as I lit one up in memory of you as I knew you would always want me to do
Mokie,
when death took you
it was a beautiful day such a beautiful day to die I remember telling you that too in my head and hearing you laugh and mock my chattering teeth and you telling me not to cry did you know I never thought I would live to see you go do you know I knew which of your friends loved you the best they were the ones that tried to kiss me after your death they were the ones that dug out your grave as the rest of us stood watching the growing pile of dirt that stood so little next to your mountain that still stands far away in its place I will never forget February seven or my concern that day that the earth was too cold of a place how I worried for those first two weeks I didn’t sleep a blink how I worried for you that it was too cold to beburied in dirt that deep you were simply too young to go at twenty-eight how I raged at how I somehow knew you were going to die but never managed to tell you goodbye or give you that last kiss
you asked for in the hospital that I only heard about much
later, Mokie.

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Filed under fiction, ramblings of an insomniac

The Dancer

And she loved him. Without warning, or reason, creeping up and pouncing when she least expected, as love tends to do, unannounced, as if to say ‘I am here,’ knocking out the breath and resurfacing the fragile essence of the self that we resist in its unearthing and guard with a ferocious protectiveness.

It was not because his eyes had somehow captured the ocean, or the glitter of his energy that set him apart from the rest of the madding crowd, or that he possessed a mind that shone brighter than a dying star. It was none of these things. He was a dancer, like her, and was the most magnificent dancer she had ever seen. That was why she loved him.

She briefly met him once, early on in his career before he rocketed to stardom, when they were both auditioning for the same production. While she took a minor part and was grateful for it, he was cast in a leading role. If you could see him dance, you would know why she loved him, in spite herself. Perhaps you too would have loved him, if you did.

She used to watch him practicing back then, long after everyone had left. She would sneak into the back of the theater where they rehearsed and sink in the shadows of the furthest row. Sometimes, when the mood struck, and in the comfort of thinking that he was alone, he would play his own music. This was when the magic began. Whether it was Spanish songs, the symphonies of Astor Piazzolla, or Lou Reed, he always touted a personal cd or two that he would play for his own amusement. This was when the real show began, as he slipped in and out of different personalities and poses, freeing the resonances of his soul’s range of expression and moods that all artists are compelled to capture and reflect in their art.

They were brilliant, each and every one of the personalities he would momentarily adopt for his own pleasure’s sake, sometimes pretending to be a ballerina and break out in pirouettes and arabesques. She marveled at his versatility to slip in and out of character. On occasion he would dance the most melancholy of dances, as if he were summoning the centuries of the suffering of his people, moving heavily, rising and falling, almost enacting the diaspora itself. Occasionally he would suddenly break out in the flamenco, laughing aloud many a time in self-amusement.

Oh how she would laugh with him, quietly, muffled, least he heard her, drinking him in with her eyes as he strutted across the stage with an abandonment that most never saw except in those rare flashes when his momentum was hitting that sublime note. It was during these moments that his true greatness would emerge and he would reveal himself to the awe-struck audience that sat in a stunned silence before thundering out in applause.

One time, as if he sensed that he was not alone and could feel her eyes upon him, he stopped the music and kept calling out who was there. She held her breath and sunk low in her chair until he began to feel safe again, allowing her to sneak out without being seen.

She never told him how she felt. She was content, from her safe distance, to watch him, locked in her own little inner fantasy where she allowed herself to dream, lovingly drinking him in from afar, burning with passion, throwing virtual roses onto the stage with her mind, admiring the way his hair tousled across his brow as he danced, smiling to himself, his eyes glowing, a stage light falling softly across the contours of his his face.

She stopped watching him after that night, realizing that she was intruding upon his most private moments, undertsanding that all of us, in one way or another, can be voyeurs. But every so often, over the years, she would find out where he was performing and in spite of herself she would go and watch when the urge hit her, like the desire for the taste of a piece of toffee rolling on the tongue, or that comfortable feel of a favorite strong drink the hand sometimes longs to hold while mulling over old photo albums of times come and gone.

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Filed under fiction, Life: a grand opera

Author / Book Review: Italo Svevo

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Someone bought me an old 1957 hardbound copy of Short Sentimental Journey and Other Stories by an obscure Italian writer, Italo Svevo, as a late Xmas gift. To make a long story short, I could not put it down. My favorite of the short stories were The Hoax and Nice Old Man and pretty Girl.

Svevo wrote with such a depth of human insight in a unique and beautiful style that focuses on the mundane lives and the inner worlds of characters, their thought processes and internal dialogue/inner beauty and human frailty in such a unique and refreshing way, both content and stylistically, that I was blown away. In fact, I went out and purchased two more of his books, Confessions of Zeno and This England is so Different: Italo Svevo’s London Writings, which I haven’t had the chance to read yet, but I will.

The sad thing is that Svevo was relatively unknown for most of his lifetime and went through bouts where he grew disillusioned and stopped writing consistently, even giving it up for several years to pursue other careers in order to make ends meet. It wasn’t until he befriended James Joyce (Ulysses) that he began to become known and published with the assistance of Joyce, who believed in his writing and used his connections helped him get published.

Svevo can be considered to be a part of the Modernist movement (which encompasses literature, music, poetry, psychology, still art, film, and the breaking and merging of barriers of these genres to produce works of art that broke new barriers in their respective fields. Picasso is considered to be among the Modernist painters, with his introduction of cubism, a breakthrough in the perception barrier). Many argue we are still in the Modernist period, while some claim that we are in the era of art known as post-Modernism. I think that the Americans are more post-modern, whereas the Europeans are still expanding on the principles of Modernism.

I digress. If you haven’t heard of him and want a different beautiful read, check out his work. Other books of his include A Life and As a Man Grows Older, which are in my Amazon.com shopping cart, saved for later. Obviously I’m reading him in English but have now developed this consuming desire to learn Italian, somewhat in the same way that I am half-heartedly trying to learn Spanish so I can read Neruda’s poetry in the full nuances of his mother tongue.

Go! read him if you are open for a new profound writer experience. You will fall in love with him- especially if you are a Modernist/Modernism appreciator. The last thing I will say about Svevo is that he died in a car accident at the age of sixty, just as his career as a writer had begun to take off.

Life can be tragically unfair!

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Filed under Art, Author review, fiction

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Filed under fiction, prose