Archives for posts with tag: Chapter 7
Cultural Imperialism

A Coca Cola can lying near the Pyramids

In Cosmopolitanism, Appiah refers to cultural imperialism as condescending. The term itself means the spread of one or more prominent cultures to others that are seen as demeaning or lesser known to modern, ‘civilized’ societies. He dismissed it as condescending due to the fact that even our modern cultures are constantly changing because of other culture’s influences. There’s a line between preserving one’s culture and not giving it the opportunity to take advantage of societies advances. We may refer to the westernization of the cultures in the ‘outside world’ as destructive to their traditional beliefs and practices. The cosmopolitan perspective is that the traditions of these cultures can sustain themselves even with the innovations of the modern world. Each culture can retain coherence and cultural values in the spread of multiculturalism.

The “golden rule” is “Homo sum: humani nil a me alienum puto” which translates from Latin into “I am human: nothing human is alien to me.” This relates back to the imaginary stranger, in the sense that everyone is human regardless of what they would call their culture. We are all humans and capable of what any other human would be capable of, this can be debated through evolutionary traits people pick up on based on where they live, but mostly we are capable of thinking in a way and experiencing what any other human could.

The oxymoron in cultural purity is the fact that any given culture contains many influences from other cultures. Despite culture being something thought of as traditional, a single culture had to have adapted a trait or practice from another in their past. Things such as a ritual dance, a type of food made, a story with moral values eluded to, etc. This also goes back to cultural imperialism because regardless of whether the people of one culture wants the spread of another, it’s going to happen eventually. Innovations in the world made to help the human race survive in the simplest way possible are in existence and everyone should be opportune to those advances. Some cultures are resistant to the change in the beginning because they believe it will change the culture as a whole.

Things Fall Apart

A historical fiction novel based in Nigeria during the British Colonialism

In Things Fall Apart, a story about a culture on the verge of change, there is tension about whether change should be privileged over tradition. The main character, Okonkwo, resists the new political and religious orders because he feels that he may be losing his position in his society. His sense of self-worth depends on the traditional standards that society judges him for. Many of the villagers are excited about the new opportunities and techniques that the missionaries bring. In the same light, the missionaries are also a threat of their traditional methods of farming, building, and cooking. Those traditional methods that were necessary for them to survive at one point are now pointless.

It’s understandable how it’s hard for some cultures to dismiss cultural imperialism as simply condescending when it was forced upon many. However, Appiah also references the French calling it ‘cultural imperialism’ when they watch American films or use English sites. It’s odd because they won’t quit watching them regardless of the label they give them. Depending on the way the term is used determines my perspective on the concept. I do think that tradition is a good thing but when it results in the murdering of twins I’m not sure if it’s really a problem that it’s being changed.

By definition, cultural imperialism is the practice of promoting a more powerful culture over a least known or desirable culture. This meaning that more dominant cultures have influence and power over smaller cultures. Appiah dismisses this because cultures are not made or changed over night. For cultures to change, it has to be gradual and the people who are adopting the new culture have to first accept it. Culture cannot be thrown onto someone as the need for them to accept it and change their own. It is a choice of the people whether or not to accept the change to a more dominant culture. Also their really isn’t one dominant culture that changes all other smaller cultures, but doesn’t change in itself. The culture of america, which many would agree is the “dominant culture”, was created by taking multiple aspects from many different cultures, even the smallest ones. That is what america is based off of. This is true for almost every culture. There are outside sources that influence each culture differently, and it is up to the culture as a whole whether r not to accept this influence and/or change.

Appiah’s golden rule of cosmopolitanism is “I am human: nothing human is alien to me.” Something that is “alien” is different or foreign. Since we are humans, and anything human we would be not be different to because are are human. No matter how odd or strange the the human act, or whatever it may be, is, we can somewhat relate to it since we are in fact humans and it is a human act. No human act is foreign to us because we are human and have a connection to it in that sense.

The sentence “cultural purity is an oxymoron” means that the phrase “cultural purity” is, in itself, contradictory. This is because no culture is pure. Culture is built by the differences in the people that live in that area. Culture is the diversity of people that create a unified feeling and way of living. If a culture was somehow “pure,” it wouldn’t be a culture at all.

Cultural imperialism may refer to the idea of how some cultures may shape and influence other ones, like the idea of how Western culture reaching around the world is “westernizing” other societies, exemplified in things like their adoption of western fashion and the establishment of McDonalds in other countries. However cultural “imperialism,” to some extent, holds the interaction of different people responsible for erasing the “sanctity” of “pure” cultures. Appiah points out that even some “traditional” aspects of a culture are the result of interactions between different people. For instance, Appiah states that the silk from a traditional kente cloth usually was imported from Europe and produced in Asia and raises the question of whether or not it should be rejected because it was something new, something innovative, and nontraditional. I think Appiah is not only arguing that that the identity of cultures can not only survive changes brought on by interacting with others, but are made of these kinds of changes as well as benefit from them.
The “golden rule” of cosmopolitanism is “Homo sum: humani nil a me alienum puto” or “I am human: nothing human is alien to me.” I took this to mean, in a sense, that interaction and understanding between people, no matter how different, is possible because we are, in fact, human.
Cultural purity is an “oxymoron” because chances are, whatever culture whose purity is in question usually is never “pure” to begin with because we live in a world where we are influenced by many people and places both directly and indirectly. We are exposed to new ideas, new art, films, food, materials, and so on.

Chief Nana Akyanfuo Akowuah Dateh II from Wrapped in Pride (africa.si.edu)

Chief Nana Akyanfuo Akowuah Dateh II from Wrapped in Pride (africa.si.edu)

Design a site like this with WordPress.com
Get started