Feeds:
Posts
Comments

Archive for June, 2024

I couldn’t let June pass by without contributing to #ReadCaribbean, which is a reading event which celebrates Caribbean literature throughout the month of June. So I sat yesterday and wrote this long post 😊

In the place I am from, the Caribbean is synonymous with the game of cricket. So here we admire Caribbean cricketers. This admiration happened during my dad’s days too, and during my grandfather’s days too, to the distant past. One of the reasons for this was that Caribbean cricketers played the game in a cool, stylish, and carefree way, and it was a pleasure to watch. So when I was growing up, I hadn’t read much of Caribbean literature, no one I knew around had. But we read lots of stuff about Caribbean cricketers. Articles which came in the newspaper, in sports magazines. We used to go to friends’ homes where my friends’ elder brothers or parents had old sports magazines which were sometimes a decade or two old and we used to read all of them. Then I found old cricket anthologies in my school library and old cricket books in the public library and I devoured them all. My classmates in school mocked me for reading old books about unknown cricketers but I had fallen in love with cricket and Caribbean cricket by that time that I didn’t care what anyone said. That is how I discovered Caribbean cricketers and fell in love with them – with Learie Constantine, George Headley, Frank Worrell, Alf Valentine and Sonny Ramadhin, Gary Sobers, Rohan Kanhai, Wes Hall, Conrad Hunte, Alvin Kallicharan, Colin Croft and many others.

So my reading of Caribbean books is mostly on cricket. I haven’t read much of Caribbean literature as such and I need to do better on that front. The few Caribbean literary works I’ve read, I discovered most of them through one of my friends’ recommendations. Some of these books I’d highly recommend are, Jamaica Kincaid’s ‘A Small Place’ (it is about Kincaid’s native island of Antigua. It is also the native island of one of my all-time favourite cricketers, Viv Richards), ‘The Pain Tree’ by Olive Senior (this is a collection of short stories. Olive Senior is a Caribbean literary legend), ‘Blue’ by Emmelie ProphΓ¨te (powerful book about Haiti), ‘Musical Youth’ by Joanne C. HillHouse (beautiful YA novel about music and romance).

But this post is about cricket, and so the literary fiction part ends here 😊 I’m sorry πŸ™ˆΒ  Nearly everyone who is participating in #ReadCaribbean is writing about literary fiction and someone has to write about cricket and I thought ‘Why not me?’ 😊

Frank Worrell

So the simple straightforward question first. Which is the first cricket book about the Caribbean that I read? I think it was probably Frank Worrell’s biography. Frank Worrell was the first black captain of the West Indies cricket team (that is what the Caribbean cricket team was called). There was a lot of politics before that. The way it worked was that typically after all the players were selected, most of whom were black, while some of them were of Indian origin, a white player would be brought in and would be appointed as the captain. The logic behind this was that only a white guy had leadership skills and could lead the team and a black guy might be a great player, but he didn’t have the leadership skills and wasn’t good enough to lead the team. It is 100% bullshit and racist, of course, but that is the way the Caribbean cricket selectors thought those days. Typically the white player who was brought in to captain the team, was not good enough to be selected in the team, otherwise. So this continued for many years, and at some point people started protesting, and then one day in the early ’60s, Frank Worrell was appointed as the first black captain of the West Indies cricket team. The first series he led the team was against Australia, and it led to one of the greatest cricket matches ever played, the Brisbane tied test. This book talks about all that. But it also talks about Frank Worrell’s childhood and how he got into cricket and his evolution as a cricketer. Frank Worrell was elegant and handsome and well read and he was a great cricketer and a great captain and a great ambassador of the game. I read this book as a teenager, and I fell in love with Frank Worrell. Now years later, I can’t remember the name of the author of the book. I wish I had written it down somewhere.

Frank Worrell

C.L.R.James

So, the important question next. Which is my most favourite book on Caribbean cricket? There can be only one answer to this question. Any cricket fan will have the same answer. And that is this – ‘Beyond a Boundary‘ by C.L.R.James. I wrote a long post about it a few years back. I just read it again, and I feel that I can’t improve on it, and so I’ll just share it here. Here is how it goes.

C.L.R.James

‘Beyond a Boundary’ is a book which is a memoir, a social history and a sporting history, all rolled into one. This style of writing was unusual when the book first came out and so it was unique and the book broke new ground. In the book, James talks about his own life and how he started playing cricket, and then covers West Indian cricket history from the beginning of the 20th century till around the 1960s. He also looks at West Indian society and culture through a cricketing lens. The book asks the question, “What do they know of cricket who only cricket know?” That question has acquired a legendary status since James’ first posed it, and has the same kind of significance that Camus’ question in the first passage of ‘The Myth of Sisyphus’ has. Many have pondered on what that question meant, and what could be its potential answers. Whether the book answers that question or not, you have to read it to find out.

‘Beyond a Boundary’ had a mythical status in my life, because I had heard many older cricket fans talking about it in revered tones, and I had dreamt of reading it since I was young, but the book was out-of-print and was hard to find. Then, one day I discovered that there was an edition in print by Duke University Press. It was ironic, because cricket is not an American sport, but this book, which was one of the greatest cricket books ever written, was out-of-print in cricket playing countries, but an American university press kept the flame burning, by keeping the book alive, keeping it in print. I paid a king’s ransom to get that edition. When a few years later, the book came back widely in print, I got two more copies 😊 The book on the left in the picture below is the Duke University Press edition, while the one on the right is the newer one.

After I got the book, I read it in one breath and it gave me goosebumps throughout. There is a reason it is revered by older cricket fans. It is a beautiful love letter to West Indian cricket, and cricket in general, the best there is. James’ prose is beautiful and gorgeous, and it feels like he is an intellectual from the 19th century, because he doesn’t shy away from difficult words – one chapter is called ‘George Headley : Nascitur Non Fit’, another is called ‘Alma Mater : Lars and Penates’. We take it in our stride, of course, and we continue reading, and we feel that we are in the presence of a master. James thoughts on the great Learie Constantine, on how the first black captain of the West Indies cricket team was appointed, and on the great Frank Worrell, are a pleasure to read. James also shares his love for books and reading and places them in a cricketing and cultural context. It is not often that we find discussions on William Hazlitt and William Makepeace Thackeray in a book on sport.

‘Beyond a Boundary’ is one of the greatest books on sport, society and culture ever written. It is a love letter to the West Indies and to the game of cricket. It deserves to be more widely read.

A new biography of C.L.R.James came out a few years back. I hope to read that sometime.

I want to write about a couple of more things. One is about two books. The second is about a person. The books first.

Fire In Babylon

The first book is called ‘Fire in Babylon’. It is written by Simon Lister. Simon Lister is English, but this book is about Caribbean cricket. There is a Caribbean cricket team, which is regarded as one of the greatest cricket teams of all-time. The members of the team started playing from around 1975, and many of them played together till around 1990. Between 1980 and 1990, they didn’t lose a single series against any team. The successors to these great players carried forward this legacy and the team continued its unbeaten run till 1995. Many of the legendary players from the Caribbean played during this time. This book is about that team. It is a must read for any cricket fan or for anyone who wants to understand Caribbean sporting history and culture. This was also made into a documentary which is a must watch.

Michael Holding

The second book is called ‘Why We Kneel, How We Rise’ by Michael Holding. I wrote a long review about it sometime back. It is too long to be reproduced here and so I’ll share it in the stories. I’ll share some excerpts here. I apologize, because even the excerpts are long 😊

Michael Holding – Mikey to fans and admirers – is one of the greatest cricketers who ever played the game. He was a much admired and feared fastbowler during his playing days. A few years after he retired he got a call from someone asking him whether he would like to commentate on the game on TV. Mikey said ‘Yes’ and before long he became a well-respected and admired and popular commentator.

I couldn’t follow Mikey’s cricket career, because I was too young at that time, but I followed him when he commentated during matches. The thing I loved about Mikey was that he was fearless. He didn’t care what people thought, or if it would offend them – if he had opinion during the game he commentated on, he shared it. Sometimes, I didn’t agree with him, especially when he criticized his home team, the West Indies (for me, it doesn’t matter whether they win or lose, I’ll always love the West Indies cricket team. I’ve loved them since I was a kid, and I’ll love them till the end of my days. Before me, my dad loved them since he was a kid. It is a family tradition in my house ), but I always admired Mikey for being fearless.

Michael Holding

So, sometime in 2020, Mikey was commentating during a test match in England, and play was cancelled that day due to rain. Such rainy days are good times for commentators in the studio to have a cricket conversation. Someone asked Mikey what he thought about the Black Lives Matter movement. It opened a dam and Mikey opened his heart out. Viewers who were disappointed that the day’s play was rained off, were engrossed listening to Mikey, and soon the messages started pouring in. The next day Mikey was interviewed on a live TV news channel and he spoke more about it. People started telling Mikey that he shouldn’t stop with this, but Mikey felt that he had said everything he wanted to say. At some point his friend who helped him write his memoirs a few years back, told him that with the voice and platform he had, he can write a book about this and that will reach more people. So Mikey decided to write this book.

In this book, Mikey interviews leading black and indigenous athletes of contemporary times, all of whom are legends in their fields, and asks them to share their experiences when they were discriminated against because of their race. Some of the famous athletes interviewed are Usain Bolt, Thierry Henry, Naomi Osaka, Michael Johnson, Ibtihaj Muhammad, Hope Powell, Adam Goodes, Makhaya Ntini. Mikey also shares his own experiences when he was the target of racism.

But Mikey doesn’t stop with this. If he had done that, this book would have been a collection of interviews. He also talks about the history of Black people across the centuries till the present day and covers the recent violent incidents by the police against innocent Black people. It is essentially Black History 101. If you have read books about it before, you would know most of it. But, like me, if you have read about it in a scattered fashion, you’ll find many new things in it.

After talking about the bad experiences of sporting legends and giving us a history lesson, Mikey also shows the way forward. He talks about how education is important, how teaching history which is unbiased and factual and which doesn’t sweep the past below the carpet, is important, and how this will help in changing people’s minds and help in making our shared future better and more equal for everyone.

‘Why We Kneel, How We Rise’ is a beautiful book, a powerful book, a heartbreaking book, an inspiring book. Mikey is famous for being fearless and for speaking his mind, and he does that in every page of this book. He sometimes turns his critical, unflinching gaze on himself, and describes how he sometimes failed to protest against racism and fight back, during his playing days. It is stirring to watch. The book is filled with anger, of course, the anger of the right kind, because of the inhuman things that happened, but it is not an angry book. Mikey’s tone is neutral and pitch-perfect, and he doesn’t make sweeping judgements and generalizations but sticks to the facts. I still don’t know how he managed to do that, because in a book like this, it is easy to get into an Us Vs Them mode, but Mikey doesn’t do that. His analysis is based on facts and it is nuanced. It is perfect.

‘Why We Kneel, How We Rise’ won the William Hill prize in the UK in 2021. The William Hill prize is given every year to the best book on sport in the UK, and it is the sports book equivalent of the Booker Prize or the Pulitzer Prize. Typically a book on cricket or football wins this prize, because these are the two biggest team sports in the UK and both have a rich literature. But ‘Why We Kneel, How We Rise’ is no ordinary book on sport. It is much more than that. It looks at racism through the lens of sport, but then goes much beyond that. It is a book about our contemporary world and it is an important, powerful book. This book is a bestseller in cricket-playing countries, because of Mikey’s background in cricket, but it is not just a cricket book. It deserves to be widely read by readers across the world. It is destined to become a classic.

I can’t think of any sportsperson, present or past, who would have written this book. Sportspersons might make individual gestures on particular occasions or even share their experiences, but writing a full-length book like this, they’d avoid. Because it is filled with inconvenient truths and would offend a lot of people. Maybe Serena Williams might write a book like this after twenty years. I can’t imagine anyone else doing it. But Mikey was brave and fearless and stuck his neck out and wrote this book. I don’t know whether there were any repercussions. I’m sure he lost some friends because they were offended. But sometime after the book was published, Mikey suddenly announced that he was retiring as a cricket commentator. It came out of the blue and was totally unexpected. It was heartbreaking for fans like me. Somehow one felt that there was some connection between his book coming out and him retiring. They happened too close to each other to have been a coincidence. It was almost as if Mikey thought that this book was his parting gift to his fans and admirers. The truth might just be that Mikey wanted to spend more time playing with his grandkids, tending to his garden, and taking walks with his wife to the beach. I hope that is the truth. I want to believe in that.

Learie Constantine

Now the person. His name is Learie Constantine. He was one of the greatest Caribbean cricketers of all time. C.L.R.James has written about him in ‘Beyond a Boundary’. There are many biographies about him, including a recent one by Harry Pearson. It looks very good. There is one thing about Learie Constantine that I want to write about. It has nothing to do with cricket. After he had retired from cricket, Constantine was working for the British government. In 1943, he had booked a hotel room for himself and his family in London. Constantine had specifically told the hotel guys that he was black, and the hotel told him that there wouldn’t be any problems because of that. But when he arrived at the hotel with his family, the hotel refused to accommodate him. It turned out that the reason for this was that American soldiers were staying at the hotel and they had complained to the hotel management when they saw Constantine there. At that time, there was segregation in America, but not in Britain (atleast legally). That is, it wasn’t enough for the lovely American soldiers that they were practising racist segregation in their own country, but they also wanted to spread that infection across the world, wherever they went. Constantine went and sued the hotel, there was a big hue and cry against the hotel management in the British parliament, and Constantine won. That is Constantine 1 – Racist American soldiers and hotel management 0. It was one of the great achievements in the fight for racial equality.

Learie Constantine

Constantine’s battle predated Rosa Parks’ battle by more than a decade, but it is less well-known now, because this happened in England, and Constantine was from the Caribbean. This victory by Constantine needs to be celebrated more. There seems to be a popular perception that there are black people only in America. There are black people in the Caribbean too. They also fought against racism. And they won. Constantine was one of them. He needs to be celebrated and his story needs to be remembered.

So that’s it. This post is too long already and so I’ll stop here. Caribbean cricket is beautiful and it is also filled with beautiful literature (if you read C.L.R.James, you’ll agree with me that it is pure poetry and literary nonfiction) which I hope will be celebrated widely not just among cricket fans, but among general readers.

Do you like cricket? Do you like cricket books? Do you like Caribbean cricketers?

Read Full Post »

I’ve heard of David Almond’sSkellig‘ before, but have never seen it in the bookshop. Last weekend when I visited the bookshop, I saw it and couldn’t resist getting it.

Michael and his parents move into a new house. There is a garage type structure next to the house. One day Michael opens its door and goes in. There is a lot of junk there and some small animals seem to be flitting around. But when Michael explores inside, in the deep dark corner he finds a man. This man looks strange and weak and sometimes doesn’t even seem human. Michael brings him food. Meanwhile, Michael bumps into his neighbour Mina, and they become friends. Mina reveals one of her secrets to Michael and so one day Michael decides to reveal his secret and takes her to the garage and show her this strange person. What happens after that is the rest of the story.

What is going to happen if there is a strange person in an old garage? And what will happen if this person is not human? Probably things are going to get dark and bad and good things are definitely not going to happen πŸ˜„πŸ™ˆ To find out what happens here, you have to read the story, I’m not going to tell you anything 😊

David Almond’s writing is beautiful and soft and the story flows gently like a tranquil river. The pages glide by effortlessly and when we reach the end we don’t want the story to end. The way the author handles the mystery at the end is very fascinating, it is elegant and sophisticated and perfect.

The story is beautifully illustrated by Tom de Freston. The illustrations are in black-and-white and they aren’t necessarily detailed in terms of physical features, but they make the story haunting and atmospheric and they create a mood which fits perfectly with the story.

I loved most of the characters in the book, especially Michael, Mina, Mina’s mom, a cat called Whisper, Michael’s parents, and of course, that strange person in the garage.

‘Skellig’ was first published nearly 25 years back. It was David Almond’s breakout book. It has won multiple awards and accolades across the years. It is amazing though that it is still in print – these days children’s books are forgotten a year or two after publication, because the market is flooded by children’s books every year, and even a two-year old book is regarded as ancient. For a book to survive and thrive 25 years after publication is an amazing achievement. After reading it, I know why.

I’m glad I read ‘Skellig’. I loved it and it is one of my favourite reads of the year. I’m hoping to read more of David Almond’s books.

Sharing some of my favourite parts from the book.

Quote 1

“Mid morning. Mina’s mother brought cups of tea for us. She sat beside us on the step. She talked about the fledglings, the flowers that were bursting into bloom, the air that every day became warmer, the sun that every day was a little higher and a little warmer. She talked about the way spring made the world burst into life after months of apparent death. She told us about the goddess called Persephone, who was forced to spend half a year in the darkness deep underground. Winter happened when she was trapped inside the earth. The days shrank, they became cold and short and dark. Living things hid themselves away. Spring came when she was released and made her slow way up to the world again. The world became brighter and bolder in order to welcome her back. It began to be filled with warmth and light. The animals dared to wake. they dared to have their young. Plants dared to send out buds and shoots. Life dared to come back.

‘An old myth, I said.

‘Yes,’ she said. ‘But maybe it’s a myth that’s nearly true. Look around you, Michael. Fledglings and blooms and bright sunshine. Maybe what we see around us is the whole world welcoming Persephone home.’

Quote 2

‘William Blake used to faint sometimes,’ said Mina. ‘He said the soul was able to leap out of the body for a while, and then leap back again. He said it could be caused by great fear or enormous pain. Sometimes it was because of too much joy. It was possible to be overwhelmed by the presence of so much beauty in the world.’

Have you read ‘Skellig’? What to you think about it?

Read Full Post »

I got this book last weekend, during a visit to the bookshop. It is a book written for children, what might be called a middle-grade book. I told myself that I shouldn’t get it, because I’m not a kid anymore, but the child inside me couldn’t resist it and so I got it. I finished reading it today.

One day when Col comes back home with his parents after a weekend family sports competition, he notices strange markings on the street. They look like runes. Later he finds strange people at the next door yard doing suspicious stuff. When he asks them what they are doing, they say that they are installing broadband. But when he asks them simple questions about broadband, they don’t have the answers. This makes Col even more suspicious. He calls the police. But the police believe the strangers’ explanation and Col’s parents are upset with him for his overactive imagination. Next day, Col goes out to investigate and he finds more such strange markings. He also meets a girl called Lucy, who seems to know more about it. Together they decide to investigate and get to the bottom of this. That night, Col discovers that the strangers are digging in his own garden. Now he knows that his suspicions are well-founded and something bad is happening. What happens after this and the adventures that Col and Lucy have and how the mystery is resolved forms the rest of the story.

‘How to Stop the End of the World’ is a fast-paced book. There is no dull moment, there is no wasted sentence. The pages fly as we want to find out what happens next. There are some archaeologist-type people, one of whom is a cool, stylish villain (her name is Draco. It is so hard to resist the comparison with the other more famous Draco, Draco Malfoy), there are Indiana Jones kind of adventures, there are secret tombs and treasures, and there is even an ancient sword with an attached curse. Tom Mitchell’s prose is cool and stylish and is an absolute pleasure to read. His sense of humour is infectious and I was laughing through most of the book πŸ˜„

There were passages like this :

“There was the thinnest of thin silver linings to all this drama, however; a glimmer of joy in the otherwise overwhelmingly bad feels : she’d brought ice cream…Three small tubs of ice cream : two for the kids and one for herself. Lucy was already popping off the top and using her fingernails to lever out the plastic spoon embedded underneath, but Col waited and watched. It was only sensible to see if Draco ate her own. Because there was definitely a chance the ice cream was poisoned, even though the tubs were unopened, and there was no obvious reason why this woman would want them dead, despite his earlier fears. True, they’d acted fairly suspiciously so far, but they’d done nothing punishable by death. And poisoning by ice cream was quite a convoluted way to get rid of someone. This was a castle : there were bound to be ancient instruments of torture lying around. Maybe in the far corner of this room, where they hadn’t yet looked.”

And this :

“Collisions are often compared to hitting a brick wall, so much so that the simile has become a clichΓ©. I’m told that good writing seeks to avoid clichΓ©s, but (and here’s the thing) running into Ross really was like hitting a brick wall… if the bricks were reinforced with steel and also surrounded by some kind of force field made of diamonds and even more bricks.”

And this :

“Col was a kid. He was weak. An adult, a strong(ish) adult, could do better surely? Why hadn’t Stones tried shouldering the door? People shouldered doors all the time. This was the problem with being a Doctor of Literature : no practical skills; a lack of shoulder use.”

And this :

“You might think that there now follows much description of digging. Well, I’m happy to say that you’re wrong. Look at how many pages remain, for one thing. There aren’t chapters upon chapters to go, each describing another hour of digging. Think about it. And be thankful. As with actual digging, there’s only so much description of digging a normal person can take.”

Did you like these passages? I loved them all, they made me laugh πŸ˜„ They sounded better in the context of the story though.

I loved ‘How to Stop the End of the World’. Tom Mitchell has written four more books. I want to read them all now. If you have kids at home, this is a good book to gift them. Or if you are a child at heart like me, you can get it for yourself and enjoy the story 😊

Have you read ‘How to Stop the End of the World’? What do you think about it? Have you read other Tom Mitchell books?

Read Full Post »

After reading a couple of short story collections by Intizar Husain, I decided to read this book ‘Din Aur Dastan‘ by him, which has two novellas, ‘Din‘ and ‘Dastan‘.

In the first story ‘Din’, Zamir comes with his parents to their ancestral haveli in the village. His grandfather has just passed. His aunts are living there. Zamir’s best friend and childhood sweetheart Tahsina is also there. There still seems to be sparks between them. What happens during the course of the summer there, when Zamir looks back to his childhood, his aunts reminisce about the past, and how the present and the future unfold is told in the rest of the story. In the middle of this poignant, haunting story, there is also a beautiful love story. It is delicate, gentle, and much is left unsaid. What happens in this love story and how it ends, I’ll leave it for you to find out. Tahsina was one of my favourite characters in the story.

In the second story ‘Dastan’, a few friends are sitting and having a chat late in the night. One of them asks another, an elder, to tell them a story, or ‘dastan’. So this person starts telling them a story, which stretches into a couple of nights. There are young heroes, a war, a burning tower of fire in the middle of the desert, a scary black river, beautiful princesses, a majestic horse without a rider, and many other wonderful things in the story. There are stories within stories within stories. It feels like an Amir Hamza story or an Arabian Nights story told by Sheherzad. Of course, it is told in Intizar Husain’s own unique style. The ending of the story is very interesting, and I don’t think it is like a classic dastan.

I loved both the stories in the book. ‘Din’ feels like a poignant, nostalgic story but it has a lot of depth to it. The unsaid things in it makes us think a lot. ‘Dastan’ is not a typical fantasy. There is more to it than meets the eye.

There is an insightful introduction at the beginning of the book by Nishat Zaidi. It is best read after reading the book. It veers towards the academic and it has sentences like ‘Husain’s stories debunk the anthropomorphism of the Habermasian communicative rationality‘, so please be forewarned.

The edition of the book I read has been published by Niyogi books. It is a beautiful edition with thick paper and it is an absolute pleasure to hold and to read.

Sharing some of my favourite parts from the book.

“As the dust storm began to blow with ferocity, the entire area was suddenly steeped in a dusty, yellow light. Storms do not follow a schedule. Sometimes the sky turns a pale yellow before noon, sometimes late in the afternoon, and sometimes in the evening. These are days when there is a dust storm every afternoon. Every day, however, a large number of kites fly in lazy, drowsy, slightly drunken circles under the sun surrounded by a halo of dust. Then, the cycle of stifling days suddenly snaps at night when everyone is asleep; and a passing storm shatters the trance of people sleeping in courtyards, rooftops, and terraces. Even the colour of the stormy sky is never the same – though usually a dusty yellow, there are mornings when it turns a deep grey, and by noon the landscape is drowned in such deep darkness that lanterns have to be lit in shops and houses.

It didn’t matter whether the storms came in the afternoon, evening, or the middle of the night. The devastation they caused was always visible the next morning when vegetable-sellers came with baskets and baskets loaded with raw mangoes that had fallen in the storm and sold them at dirt-cheap prices. These storms not only knocked down raw mangoes, but also snapped branches and uprooted trees loaded with them. Raw mangoes were then heaped on cots in the haveli, and the knives in Tai Amma’s and Badi Apa’s hands moved rapidly to chop them into small chunks.”

“Suddenly, a shadow passed over the courtyard burnt by the setting sun. It was as if the sunlight had acquired feet and had quickly climbed up the front wall, reached the terrace, slid past the attic on the top floor, and disappeared.”

Have you read ‘Din Aur Dastan’? What to you think about it?

Read Full Post »

After reading one short story collection by Intizar Husain, I decided to read another one by him. This one is called ‘A Chronicle of the Peacocks‘.

This collection has 15 stories. Some of them are about Partition, some of them are about the Bangladeshi war, and some of them are inspired by Hindu and Buddhist mythology. The subtitle of the book says, ‘Stories of Partition, Exile and Lost Memories’, but that is really a restrictive description, because the range of the themes that the book explores is wide.

The first story in the book, ‘An Unwritten Epic‘ (‘Ek Bin-likhi Razmiya‘) was one of my favourite stories in the book. It is about Partition and about one particular character called Pichwa, who is a fearless fighter and what happens to him. I loved this particular passage from that story.

“No one doubted Pichwa’s courage, which had been tested and proved many a time. However, they explained the source of his strength and its effects in different ways. Pichwa always found some excuse to fight so that he could practise his skills and display them. He always fought fearlessly, without worrying about the outcome. And he never allowed a selfish thought to sully his temper. He fought without reason or purpose; he fought for the sake of fighting. That is why when the storm of communal violence swept across the country, he didn’t stop to ask uncomfortable questions. The riots gave him the chance to display his expertise with the lathi without any restraint.”

Tortoise‘ (‘Kachuwe‘) is inspired by Jataka tales and Buddhist legends, and is about monks who find it hard to let go off desire.

Leaves‘ (‘Patey‘) is a similar kind of story. I liked it even more. I loved this passage from it.

“Sanjaya went on a long journey again. He wandered aimlessly through many forests. Days passed, years went by, flowers blossomed and seasons changed. Each season brought with it its own splendour, its own delight, and then vanished. Each season caused Sanjaya pain. Each season stirred the river of memories and left traces of sorrow. The fields of yellow mustard flowers, the air trembling with music, the sweet smell of mangoes, the swift wings of butterflies, the hum of the slow bee over honeyed flowers, the call of the koel heavy with grief, the fragrance of the champak tree, the sad jingle of bells on a dancer’s feet. Every moment reminded him of the world he had left behind. And the image of that beautiful woman stood before him always.

Sanjaya began to wonder if every path, in every wild forest, led back to her door. He thought about it for a long time and concluded that the seasons were in secret league with the guardians of the five senses, and that the five senses invited suffering. He also concluded that a man could get trapped in the nets of desire in a number of ways. When he touched a soft petal or heard a gentle tune, when he was carried away on the wings of some delicate fragrance or was enraptured by a gorgeous colour. The truth was that every thing in the world could cause sorrow. When Sanjaya realized this, he was very sad. In his grief he said, ‘There are lanes in a town and seasons in a forest. How can I escape the net of desire?'”

Platform‘ is about a group of people who get stuck in a railway station platform when their train gets cancelled and they can’t go forward (there seems to be war or a riot) and they can’t go back and the world seems to have abandoned them. It is a very poignant story.

A Chronicle of the Peacocks‘ (‘Morenama‘) is about the aftermath of the time when India exploded the atom bomb in the late ’90s. How Intizar Husain interweaves this with the story of Ashwatthama from the Mahabharatha is very fascinating to read.

The Boat‘ (‘Kishti‘) is a story in which Intizar Husain weaves in the legend of the great flood from different traditions. So we find the story of Noah, coming together with the story of Gilgamesh, and the story of Manu, alongwith other stories I couldn’t recognize.

The Story of the Parrot and the Mynah‘ (‘Totay-Mynay Key Kahani‘) is about what happens when these two birds discuss about human beings in the forest and what happens when the other birds join in. There is an owl character who comes in this story, who is so cool and treats everyone with contempt and I loved him  That owl was one of my favourite characters in the book. I laughed when I read this particular scene featuring our famous owl πŸ˜„

“The Owl was visibly upset when he realized that the problem was about human beings. He said angrily, ‘O sweet-singing birds, why have you brought an argument about those creatures to me? You want to know who is better – man or woman?…Both are of the same kind, both belong to the same species. The sight of a human being is always inauspicious, though they claim that it is I who am inauspicious. Human beings are responsible for all the destruction, yet they think that I am the cause of the evil things that happen to them. Indeed, it is this belief of theirs that has made me lose heart. I hate the very sight of human beings and prefer dark and silent nights. Unfortunately, those vile creatures are determined to cause more mischief and violate the sanctity of the night. Not satisfied with the noise they make during the day, they have invented machines to destroy the silence of the night. They have also discovered electricity so that they can dispel darkness. Where can we, seekers of darkness and solitude, now hide? Those evil-minded creatures have invaded every corner of this earth.

Only the other day, a swarm of half-dead ducks came here in search of refuge. They were exhausted and trembling with fear. Wondering why they had come so far away from home to find shelter in our forest, I asked – Dear friends, what calamity has befallen you? Why have you left the cool comfort of your lakes and come to this ruin to seek shelter? Here you will be uncomfortable and miserable.

They sighed – What lakes? Our lakes are covered with oil. Human beings, in their greed, have even bored deep into ocean floors. They have poisoned all the waters of the earth.

I was stunned when I learnt that those wretched creatures had not only polluted the air, but had also poisoned the waters. In despair, I looked up towards heaven. They had covered the sky with smoke, choking the birds flying through it.’

The Owl’s speech stunned the birds that had gone to see him. After some time the Poodna asked, ‘O wise one, what you have told us about human beings is depressing. Will their actions destroy us? Why do they hate us?’

‘Human beings hate themselves too. They have also sown the seeds of their own destruction.’

‘They should at least think about what they are doing,’ the Poodna exclaimed.

The Chakva said, ‘How can they? They don’t have any intelligence.’

The Owl nodded in agreement and added sadly, ‘Those bloody fools have intelligence, but they don’t have wisdom.'”

There are more stories in the book, including a surreal one, which is vintage Intizar Husain, but I’ll stop here.

The book has a beautiful long interview of Intizar Husain by the translator Alok Bhalla. It stretches to more than 40 pages and it is very fascinating. In the interview, Intizar Husain talks about his childhood, his family, the inspiration behind his stories, and other things. I loved that interview. It was more a conversation rather than an interview, because sometimes the interviewer Alok Bhalla talks more. Sometimes I could hear my mind voice saying, “Please stop talking, Man. Please ask the question. I want to hear the author’s thoughts, not yours.” πŸ˜„

The book also has an interesting introduction by the translator, which is best read after reading the book. The introduction veers towards the academic side, and so parts of it might be hard reading for the general reader, but on a whole it will be loved by a literature student, I think.

I loved ‘A Chronicle of the Peacocks’. I’m glad I read it. There are only two translations of Intizar Husain’s short stories in English. Now I’ve read them both. Wish there were more. I also wish the publishers take all his short stories and translate them and put them out together as one or two volumes so that fans of his work like me, can get to read all of them.

Have you read ‘A Chronicle of the Peacocks’? What do you think about it?

Read Full Post »

Design a site like this with WordPress.com
Get started