I haven’t always cared for
poetry. In fact, a handful of years ago, those of you who have known me for a bit
probably had the displeasure of reading my rants about how much I hated poetry (and how Shakespeare was very
likely a frilly ruff-wearing sadist). Then
illness (and the
fact that the idea of not writing on a regular basis was rather painful) not-so-gently nudged me to give poetry writing a try. That’s
how I stumbled into the Imaginary Garden with Real Toads, how I ended up
falling in love with Kerry O’Connor’s poetry (and with the delight of poetry writing).
So, for my last prompt, before
our Garden closes its active doors, I wish you to celebrate
Kerry’s poetry with me. Joining the celebration is easy, just select 1 of the 13
lines below (which I
harvested out of 13 of Kerry’s poems),
and write a new poem. The words in your chosen line must remain exactly as they
are—consecutive and unaltered (other than capitalization)—and you must use every word in the line you choose. Line
breaks are fine. For example, if you choose the first line, “A nightmare is mere fodder” can be line 1, as long as “for poetry” is (or starts)line 2.
13 poetic bits of Kerry, for
today’s prompt (somewhere in your post, maybe at the end, show us the Kerry
Bit you chose and give Kerry credit. And if you are feeling extra giving, also
let us know why you chose that particular line):
My sweetest Kerry, thank you so
much for letting me offer your poetry as inspiration, and for allowing me some
growing space in the Imaginary Garden. You rocketh very mucho… and you are sooo
loved.
Dear Toads, add the direct link to your new poem to Mr. Linky. Do
visit other pond dwellers. As always, share your thoughts on the ink-flowers
blooming in their Imaginary Garden. And please, please, please… be kind.
Welcome to the Weekend Mini Challengewith
Kim from Writing in North Norfolk.
I can't believe this is my last prompt as a Toad! I'm going to miss the Imaginary Garden and all who write in it. I'm so glad we have a while until we say goodbye - but we will undoubtedly see each other in the blogosphere.
At the last school where I was an English teacher, we had an annual festival, to which we invited writers, poets, rappers and artists
to perform and host workshops. One year we included something for the adults:
we invited the poet Wendy Cope for a reading. I had the pleasure of drinking coffee and
chatting with her prior to the performance, as well as overseeing an interview
by two students who worked with me on the school magazine.
I recently read one of her poems again and thought it was an
excellent model for a weekend mini challenge. The poem is ‘The Uncertainty of the Poet’, which was written in response to a 1913 painting by Giorgio de Chirico.
Image found on tate.org.uk
I would like you to read the poem via the link above, study the structure and word patterns, and then write a similar poem, choosing your own
words to noodle around with, restricting yourself to those words and trying
them out in different combinations in couplets. It’s a good idea to choose
words that you like the sound of, but not all to do with the same thing. This
is a challenge with which you can have a lot of fun!
Join in by clicking on Mister Linky and filling in your name
and url – not forgetting to tick the small ‘data’ box. And please remember to
read and comment on other toads’ poems.
By Jean-Jacques MILAN 00:27, 16 Nov 2004 (UTC) - Own work, CC BY-SA 3.0,
https://commons.wikimedia.org/w/index.php?curid=14364
On the mountain tonight the full moon
faces the full sun. Now could be the moment
when we fall apart or we become whole.
Our time seems to be up—I think I even hear it stopping.
Then why have we kept up the singing for so long?
Because that’s the sort of determined creature we are.
Before us, our first task is to astonish,
and then, harder by far, to be astonished.
- from the poem “Astonishment”,by Galway Kinnell
“There are only two ways to live your
life. One is as though nothing is a miracle. The other is as though everything
is a miracle.”
In Galway Kinnell’s wonderful poem, Astonishment,time slows as we grasp the concept of
how - big! - this life really is. For me, it is not hard at
all to be astonished – I am constantly amazed by the wonders of nature.
There isn’t a day when I am not astonished by something large or small.
Every day reminds us of the goodness of humans. We
are bathed in sunrises and sunsets beautiful enough to break your heart. How
trees hold hands under the forest floor, that male seahorses give birth, how
many colourful starfish cling to the rocky cliffs at the shore – the fact that
we wake up in the morning, able to see, to stand, to walk – all of it is an
amazement to me. Life’s beauty can bring me to my knees, with the ache of how
transient and fleeting it all is, this beautiful life.
For our challenge, let’s contemplate these topics :
awe, amazement, astonishment, wonder.
Give us a moment, small or large, full of
wonder. Employ whatever form you wish, and use as many or few lines as you need to take
us there.
Welcome to the Weekend Mini Challengewith
Kim from Writing in North Norfolk.
Often when I'm reading, I come across a word that I would
love to use in a poem and make a note of it for future reference. I recently
wrote down ‘maladroit’, a word I have seen before, but this was the first time
it made an impression on me - it may have been the context or my mood on the
day I wrote it down.
The Cambridge English Dictionary defines ‘maladroit’ as an
adjective meaning awkward in movement or unskilled in behaviour or action (clumsy)
with the following example sentence:
‘She can be a little maladroit in social situations.’
Image found on theguardian.com
Like many of the more interesting words in the English
language, ‘maladroit’ comes from Old and Middle French: ‘mal’ meaning bad and ‘a
droit’ meaning right, direct, straight or properly.
This weekend, I would like you to write a new poem with the
title ’Maladroit’ which conveys clumsiness, awkwardness and anything associated
with that condition or feeling.
Here's a song from the Maladroit album by Weezer:
Join in by clicking on Mister Linky and filling in your name
and url – not forgetting to tick the small ‘data’ box. And please remember to
read and comment on other toads’ poems.
For your weekend mini-challenge, re-visit your
grandmother’s kitchen. Was it your safe place? Is there one item that stands
out for you, when you remember being in that warm, bright room?
Tell us about it, any form, any length. Take us back
there. Make us see it. How did you feel, as a child, back then, in your
grandmother’s kitchen?
The world is full of wonder and amazement. I am sure many of you have heard about Masaru Emoto, who, in 1994, froze drops of water from various sources, then examined them through a microscope. He noted that there were no good results from tap water, or water sources near cities. But he saw beautiful crystals, each one different, from pristine living water sources. Investigating further, he noted changes in the crystals depending on what words, pictures, music or energy was directed at it. The crystals responded in beautiful designs when he showed them words such as "Thank You", "kindness", and "love". They reacted with disgust and disfigurement when shown negative angry words or images.
Right now, we are bombarded by negative angry energy and discord every time we turn on the news. We see how rhetoric spreads like dark clouds. I can't help but wonder what would happen if several billion of us projected light, positivity, kindness and appreciation out into the world? Surely, we would shift the global consciousness?
For this weekend's art collaboration, I am introducing an illustrator in mixed media ink, Quincy Washington, from Portland, Oregon, USA. He has kindly given permission for us to use his gold-embellished, 'Emperor of the Dawn', for our poetic inspiration. This picture is part of a his Zodiac Series: Royal Talens Collection - Leo.
Feel free to pay him a visit on Instagram, where more of his Dark Art pieces are to be viewed, but not used for this prompt.
If you post your poem on Instagram, using Quincy's image, please tag @albanusdesign and mention him as the collaborating artist in your post.
There are no restrictions placed on this challenge: Let the image speak to you and respond in a poetic or prose form of your choosing: Literal! Figurative! Reflective! Narrative! Symbolic!
As an alternative, you may write a Flash 55 inspired by the art, or on a subject of your choice, in memory of Galen, who first imagined this challenge.
I wish to remind all participants that this linky does not expire and the post remains open and at the top of the page all weekend. If you link early, please return to read other poems linked up after your own.
Welcome to the Weekend Mini Challengewith
Kim from Writing in North Norfolk.
I own a copy of the Norton Anthology of Poetic Forms,
entitled The Making of a Poem, to which I sometimes refer. In the third
section, it devotes a chapter to the elegy, the pastoral and the ode, each with an overview and a great range of examples. I was flicking
through to find a poem that would spark a prompt and came across a beautiful poem
in the pastoral section.
The pastoral became popular in the sixteenth century. “On
the surface, it appeared to be about an ornamental and sometimes fictional view
of the rural and bucolic life. But huge questions lurked below that clear
surface. In the pastoral mode poets could experiment with these questions.Was
man made for nature or nature for man? Was the natural world to enter the poem
as a realistic object or as a fictive projection of inner feelings?”
The pastoral poem developed from “shepherdesses and tidy
rural constructs… both an escape and an idea” through the unrest of the
Industrial Revolution into the “wounded pastoral”, which became a place to “mourn
for and celebrate rural life”.In the
twentieth century, it lamented urban intrusion, celebrated urban hubris, speculated
the future and developed into eco-poetry.
What I love about this poem is that, on the surface, it is
indeed a pastoral poem with imagery taken from a typical rural scene: the light
in the barn, the cricket, the fox and the woman getting ready to knit, all moving
towards evening and then night, gently and quietly. But when you discover that
the poem alludes to the creeping cancer that took the life of the poet’s friend,
and find out also that the poet was bipolar, it takes on new meanings.
Image found on Shutterstock
This weekend, I would like you to write a new pastoral poem
about evening, the shift from late afternoon through twilight to the black shed
of night, following the format of Jane Kenyon’s poem, but no more than six
tercets.
N.B. All quotations in this prompt come from The Making
of a Poem.
Join in by clicking on Mister Linky and filling in your name
and url – not forgetting to tick the small ‘data’ box. And please remember to
read and comment on other toads’ poems.
If
you’ve read me once or thrice, you probably already know that I love merging
prompts and writing very short poetry. So, when the time came for me to say
goodbye to my Imaginary Garden with Real Toads hosting days (for now, at least *cough*), a last prompt that merges two prompts to create a very
short poem feels just right.
Keeping
that wee bit in mind… for today’s prompt,
I invite everyone to take two prompts, any prompts, and merge the two topics to
create a newsenryū, or elfchen, or cherita
poem. Your chosen prompts can come from anywhere or any-when, just make sure to
include the link to both prompts. Only one poem per poet.
Senryū: “three lines with 17 morae (or “on”,
often translated as syllables…). Senryū tend to
be about human foibles… and are often cynical or darkly humorous.” ~ Wikipedia
Elfchen: “a short poem with a given
pattern. It contains eleven words which are arranged in a specified order over
five rows. Each row has a requirement that can vary: 1stline
(1 word), a thought, an object, a color, a smell or the like; 2nd
line (2 words) what does the word from the first row do? 3rd
line (3 words) where or how is the word of row 1? 4th line (4
words) what do you mean? 5th line (1 word)conclusion: What results from all this? What is the
outcome?” ~
Wikipedia
Cherita: “the Malay word for story or
tale… consists of a single stanza of a one-line verse, followed by a two-line
verse, and then finishing with a three-line verse.” ~ CHERITA [1--2--3]
There
you have it, dear Toads. Choose 2 prompts, any prompts! and birth a new poem
out of them (a senryū, or elfchen, or cherita). Add the direct link to your new poem to Mr. Linky.
Visit other poets.
Thanks a million for letting me host poetry prompts these
last few years