Posts Tagged ‘casting

12
Apr
23

The New Mermaid Has Arrived, and I Need to Rant, Again

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So, the live-action mixed-bag-of-updates otherwise known as the “re-imagined” version of The Little Mermaid has reached its debut. And, it’s stirring up on-going feelings of resentment. I am very aware of the on-going need for more ethnic diversity in stories and still fixed on the disappointing creativity and acceptance of authors who could craft, publish and produce those desired stories. Instead of writing new film scripts for new movies that feature all of the wonderful diverse people you may find in this world–and casting people fit for those roles (not casting someone from a different ethnicity or culture to play the part of someone from an entirely different nation/race/culture)–someone is twisting stories that have already found their way into hearts to suit a different audience. It’s an utter lack of respect to someone’s previous work and to the characters included in those works, not to mention all of the actors, both voice and visual, who previously played those parts.

Just imagine deciding the Mona Lisa is wrong for whatever damn reason and deciding to paint over it or dump the old one and replace her with a new face, someone more “woke” or PC, as if the Mona Lisa is some crime against nature. Or, what if we decide a song written and sung by an artist like Shakira has become dated and offensive in terms of lyrics; so we get some young, new talent to take a rewritten version and make that famous. Now, the new talent is the big seller, the flash-in-the-pan millionaire being talked up for her latest mansion purchase, and Shakira gets to sit in a dumpster wondering why she even bothered writing that song, if the world was just going to piss on her.

Where does the crime stop? When did respecting one’s creation lose its value? Even if the artist or the creation was deemed evil or vile by a unanimous global vote, what sense does it make to remake that horror under a new face and claim it’s suitable for the new era?

You might stop producing a certain brand name of syrup or oat-laden boxed mix because what was once a socially common choice of words is now impolite. You might keep the product line going because people still enjoy the taste or some other quality; just give it a different name and/or face. Sure. That might work. It might also bother the manufacturers a little; though, considering the age of the origins of that product, I’m sure the ownership has changed hands enough times that the old name doesn’t hold as much value or importance. Again, the name is a dated term which was and is somewhat agitating. I get it. I wouldn’t want to buy Pasty White Guy Syrup or Art Geek Oats, either…unless I was friends with a fellow art geek or pasty white guy who made the product, someone I respected and trusted with food.

But, as desperate as I might ever be to recreate something, I would not stoop so low as to turn a Caucasian mermaid African (or any hyphenated variation) and keep the name and hair color the same just to appeal to a different people. It’s…amateur. It’s no better than a fan making a home movie because they’re such big fans of the story. So, let the fans make their own home movies.

Or, can I ask someone to write a White Lightning script for me?…because I like Black Lightning; I just wish he was a white guy like me, so I could look up to myself in a different body and not just wish but believe I could be that hero. Or, keep it Black Lightning but make him a white guy with blond hair and blue eyes…because I feel slighted as a pale male individual.

You don’t make up for an era of crimes to humanity by remaking beloved and otherwise valuable works just to appeal to a new audience. If anyone tried to rewrite J. D. Salinger’s works, he would surely spring from the grave and set the world on fire like Adolph Hitler. And, I would likely side with his brigade because this remake crap has gone too far.

Get a fricken imagination! Stir those creative juices. Go vacation somewhere that isn’t a gratuitous pleasure cruise paid for by your family’s or corporation’s excessive wealth. Or, if you’re a poor writer being handed the task of rewriting something by a wealthy investor who just wants to see this happen…I know it sounds crazy to turn down a paycheck, you tool, but SAY NO! You’ll die a happier person than those who commit the crimes and spend the foul profits. Or, you can live the lives of the seedy and shady characters you hear about in…well, stories that have gotten old, I imagine; stories your ancestors probably wrote that are currently forgotten or dusty, already, while you look at some colored, over-produced Disney storybook from 200X and think about turning another cash cow into something new, already, when that’s not even considered old material to someone like me, someone who’s lived a little longer than those apparently in charge of…everything.

If this doesn’t get better, I fear every artist on this planet will dry up and die in misery because there will be no respect for the works of the deceased or the living. All creative work will be subject to the insecurity and threat of remake fever. All original thoughts will be at risk of erasure by popular vote.

Now, I was just about to say artists are generally not popular people when they’re alive…because, for the longest time, I’ve been hearing people say countless works are given ridiculously high prices/values after the artist dies. Most notably, Vincent Van Gogh struggled as a poor, lonely artist, a reject of his parents who obsessed about the son they already had and lost; his surviving brother (not the still-born one that the parents couldn’t let go in memory) tried to help him by selling some works and could do nothing to save the artist from going mad with a lousy roommate. And, years later, Van Gogh paintings are sought-after treasures tossed around like limited-edition trading cards or the possessions of the crucified Jesus Christ.

But, there are other artists who rose to high fame and some measure of wealth while they were alive…Norman Rockwell, for one. Now, there was an artist who found a niche, developed respect and a fan base which brought potential models to his doorstep, seeking immortality in one of his paintings.

Are there any artists like him around…now?

I hear crickets. I guess not. The closest I can come to a comparison might be the infamous “Banksy” who avoids public awareness in one way while achieving fame in another.

So, perhaps, with a lack of popular graphic artists and only some literary “talents” occupying the spotlight, the world is rather dry and dead, in terms of creativity.

But, that is still no excuse for what is happening with these recreations.

I’m just one lonely artistic voice in this big, messed up world. And, because I don’t shovel money into this blog space, my voice is even more muted. But, I state this here and now for whoever may happen to find it.

…..

Actually, I’m not even sure what to say because I have no idea or guarantee it will amount to anything or be respected.

How does one such as myself go on living with a sense of value or purpose? While the “popular” “trending” world is trying so hard to kiss the feet of those previously mistreated beyond repair and those not previously permitted into certain “Hollywood” circles, it is pissing all over those creative minds and bodies that came before them, disrespecting ancestors and de-valuing countless previous works just because you who have the power to produce for the public–to put things out there where the world can see them–cannot find an ounce of originality or let some other talent in to publicize their original works in a way that other giants, like Disney, have already done with their time in the sun.

This world is criminal. And, all the “amazing” talk that keeps getting pitched year after year after year by all of the famous faces who cannot look at anyone straight in the eye as they speak…is stomach-turning garbage. Television and movies are corrupting everything created, down to the basic value of the spoken and written languages. Pretty soon, nothing you can say or write will mean a thing…because someone will just as quickly alter your words, your intention and turn your own desires against you, simply because certain people have “sway” you do not possess.

If I am ever guilty of any crime in a court of law, I won’t likely sweat a drop of guilt or concern, anymore, because the atmosphere is already so vile that any crime I could ever commit doesn’t seem to matter. I’m still going to be small potatoes compared to the next person who does something far worse. There won’t be any fame in what I commit unless I blow up the whole planet and wipe out humankind. But, then, no one would be around to evaluate what I did. So, what would be the point? I don’t expect rave reviews from the cockroaches.

Respect the artists and drum up your own damn creativity.

Don’t rewrite history just to please your instant-gratifying impulses and excuse every damn foolish thing you dare to try.

And, if you absolutely must remake something, have the damn decency to leave the previous/original work as it was made. She could be some other mermaid in the same damn sea who didn’t have red hair but shared Triton as her father. But, if Mr. Banks was some woman’s precious father who didn’t have facial hair, don’t change the face that woman valued to fill a casual whim and your pockets with riches while selling her on a song. ‘Just plain wrong.

[Disney, you’re the biggest creative force on the planet, right now, the wealthiest and still growing the monopoly, consuming every archive of talent any other famous creator can no longer sustain, and you couldn’t look or be more pathetic. You’re the biggest pool of talent and also the biggest threat to creativity. You’re a glutton who can’t say no. You could have turned Stan Lee down and told him to hand the reins of Marvel to someone else. Why? Because you didn’t need Marvel. You don’t need the Muppets, Studio Ghibli or any other franchise, either. You don’t deserve the works of those talents because you don’t respect them, at all. You lead people to think you do because your real talent is in painting whimsical, musical advertising that seduces lazy viewers like the ancient sirens. You just take talents like some kids’ toys sold at a rummage sale and play with them as you will. You’re an excessively wealthy investor in prostitution and corrupt plastic surgery. And, because you’re so apparent and wealthy, others will fall in line with your ways, only making matters worse. No one can compete with you; so they bow and hands you their works, rather than waste all of their energy trying to get even a fraction of your spotlight. You are a troublesome trendsetter. A King Midas dealing in fools’ gold, seducing minds young and too old to care anymore. But, I’m a creative mind who still cares; and I think you are dangerous…greedy, careless and foul.]

06
Oct
22

The LGBTQ Game of Risk

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If you were wondering…is the “Risk” in the title in reference to the old board game? Yes. Yes, it is…but there’s usually more to my titles than meets the eye.

If you are familiar with the game, players compete to take over the world, one piece and one battle over borders at a time, moving and amassing armies from one nation to another, provided their plays/battles are successful. And, that seems to be what is happening with the LGBTQ movement and characters that have become special to me, as well as countless other fans. The LGBTQ is taking away those treasures of my youth, piece by piece, and loving every minute of it because they feel less lonely in the world.

I’ve said this before; what is stopping anyone from coming up with new characters and new stories that honor, respect, glorify and whatever else you feel the need to do with yourself and your choices? Nothing, anymore. You might face some opposition, but the battle is essentially won. So, you don’t need to take what was and what should remain cherished figures from anyone else. Just as you would not want me to turn a well-known gay character into a womanizing or otherwise sexually abusive jerk.

Today, it’s Velma, from Scooby-Doo finally being “cemented” as a lesbian. I heard she sort of had a relationship with Shaggy; and that made sense, considering Fred has Daphne. They are two young couples traveling the USA (and other places, when they finally get out of that van) together. Sure, rumors start flying…and Velma COULD be a lesbian. But, does she have to be?

Does She-Ra or Korra (from their own cartoons) have to be a lesbian?

[At least Korra was an original story, not an alteration of a previous incarnation…who had strong feelings for a STRAIGHT (not flamboyantly gay) pirate named Seahawk. When Korra showed interest in another female character, it was less of a shock/upset…but still a bit annoying and apparent (considering what’s in current events). Years from now, fans of the Korra story will look back on that relationship, just as I look back on the relationships in cartoons of MY youth. But, no one will have to dig up two versions of the story to get the “straight” and the “gay” sides, which will likely just create an undying divide, anyway, like the whole stupid advertised quarrel over which half of a candy bar is better. No one should have to get upset if someone puts out a “straight” Korra reincarnation, a story in which Korra pairs up with the young fire-bending rebel/cop…but they will.]

Do Bert and Ernie have to be gay to make the LGBTQ feel better? [Sure. There were those rumors, again. And, sure, the LGBTQ need their own Muppets/puppets, like everyone else. But, do we have to change or cement the sexuality of beloved characters who previously existed without a label?]

Who’s next? Kermit the Frog? He resists Miss Piggy (unless you count the one movie in which they get married). Maybe HE is in denial of being gay or a she-frog in a male frog body. Wanna label him, too?

If someone starts labeling Transformers characters as gay or transgender (because…why not…they have “trans” in the title), I’m going to riot! ‘Plain and simple. Anyone dares to slap some gay nightclub attire on Optimus Prime or Bumblebee, and I will go to war over this. I was content to include the occasional gay character in some new projects (not remakes of old projects); but if you continue to alter happy childhood history just to put your already troubled minds at ease, I will turn on your cause and omit all LGBTQ from my creations. I will scrap all of my lesbian and bisexual character designs. [I’d have other types, but I don’t feel comfortable drawing/writing about them.]

Don’t you see? You could have earned and maintained my support by creating new and loveable LGBTQ characters. Instead, you turn what I and others have grown to admire into…your kind. You would feel just as bad if it went the other way, if an LGBTQ was twisted into a typical hazardous “straight” type. Even Sesame Street has made SOME effort by introducing new characters to represent various…conditions of humanity. There’s an autistic girl, now. They didn’t grab one of the other already visible characters and peg her or him as autistic.

[On that note, readers, which is better? To acknowledge someone already known is of a particular nature/condition? Or, to create a new character with a particular and not-so-commonly-known nature/condition? Does the upheaval from the change of the former outweigh the awkwardness or shock of having to create new faces pegged with a particular label? Is making a new “gay” character the equivalent of the “token black character?”]

So, part of me is thinking anyone who dresses or looks like Velma is now going to be stereotyped as lesbian. And, it’s going to form a long crack in psychological states around the world. Kids will poke fingers and throw around inappropriate names/labels at girls who look like Velma (and “Coco” or however the new girl’s name is spelled).

So what? So who cares about Velma? She’s just one character from an outdated but undying cartoon concept.

But, keep adding up all of these characters being “flipped” to represent the LGBTQ, and, soon…well, you’ve pretty much made me want to throw my whole childhood-crush collection in the toilet. I cannot love a lesbian. She doesn’t want my kind. So, for me to still cherish or fawn over a character that is no longer a logical partner option is even more silly than me getting upset over any of this (as I am sure some “mature” people will be saying as they read this).

It’s just a cartoon. Get over it.

Clearly, those responsible for the copyright protection of all of these characters have given up their claims and concerns. [You want to make Scrooge McDuck a transgender woman who likes to shower with money? Have at ’em. You want Eddie and Jake, from Filmation’s Ghostbusters, to be a gay couple, because they couldn’t make things work with the lovely Jessica and Futura? Why not; get on that. Who cares if a boy thought of himself as Jake and thought he could win the heart of Futura. Slash those dreams. Get rid of them.]

Fine. And, before long, all the cartoons, whatever is left, will be LGBTQ-pride-fest messes no non-LGBTQ person will want to touch. The entertainment industry will be full-on “gay,” and all of us “straight” people will be reduced to stern laborers void of emotion like some Vulcan from Star Trek. We will have lost all interest in anything remotely imaginative.

You know what makes cartoons and childhood blissful? Not having to give them so much detail that they lose their innocent charms. Part of what helps a kid foster a healthy imagination is leaving room to decide for him or herself, how elements of a story should exist and proceed. The less we know about a character, sometimes, the easier we can like them and craft our own fan art.

[Of course, if a character is too vague, having no clear relationships with any other characters, they become mindless pictures. But, I’d like to think there is a safe area between “no relationships” and “everyone has a sexual identity.”]

Hey. Did you know Fisto, from He-Man, was an alcoholic? Yeah. He’s called Fisto because he likes to chug beers with both fists and then punch women in their private areas while drunk. [Did you really need that information? No way.]

When I was a kid, watching the original She-Ra cartoons, I was a bit uncomfortable seeing Adora discussing relationships with her female friends and Seahawk. I wanted Adora for myself. [Who wouldn’t? She was delightful.] I didn’t question her “sexual identity.” It wasn’t so obvious. And, that was okay, in a show where women were not disregarded as weak or stupid, even though Adora’s brother existed in a whole other branch of the universe where over-sized men were considered “normal” and no one seemed to discuss interest in female characters beyond the roles of a sister, friend, mentor or parent. [Well, except, maybe Orko, when he took an interest in that odd vain cousin and Dree-Elle. I think Orko was the most openly romantic character in the series, a little floating blue elf-creature, not a human.]

[I suppose you could say the same for the “reincarnations” of the old cartoons; the lesbian factor isn’t advertised or noted in every episode. Yet, once you DO know, it alters your feelings about certain characters. In the “new” She-Ra series, Adora doesn’t seem to have any male characters to favor in a romantic way; so why WOULDN’T she feel…gay? She’s got Bow as a “friend” who (seems a tad gay and) favors Glimmer. Seahawk, her “old flame,” is just wacky without any particular interest in her. What other male characters are there in the story? Bad guys? Could she have paired up with Leech or Hordak? Wait; was Leech even in the new series? I forget.]

Of course, I’m potentially blowing all of this out of proportion, as it is in my astrological nature. But, I am seriously concerned. And, like I said, it’s like the game of Risk. Piece by piece, the treasures get taken away, instead of creating something new and just as valued.

Turn one “classic” Disney princess into a lesbian, and you pretty much ruin countless daydreams, not to mention form cracks in the whole prince-and-princess dynamic that runs through the whole history of fairy tales. How many “straight” girls who would just love to be Cinderella now have to forfeit their ball gowns because Cindy is gay or transgender? Who would Cinderella be without her Prince Charming?

[I’m not saying she’s “nobody;” she’s a struggling orphan and slave to her stepmother until she miraculously is visited by some magical figure who helps her hook up with the prince. But, the original story would be lost if the prince didn’t come looking for her with the shoe. Sure, things don’t work out with the prince, so Cindy pairs up with a lesbian or transgender woman-man-woman. Why not. No. It just isn’t right to twist these stories just to please all of these emotionally, identity-starved people.]

Cripes. Let’s just change history while we are at it. Julius Caesar was gay. Da Vinci was gay. [Well, there may be some truth to that one, if rumors are true.] Abe Lincoln was gay and had the hots for a black man. John F. Kennedy was gay; he had no interest in Jackie Onassis, and that’s why a straight rebel shot him. Who else do you want to turn?

You know what this whole LGBTQ business is becoming? An on-going war on cooties. The age-old struggle of my own youth, in which you could be labeled for life if you touched something, dressed a certain way or spoke in favor of someone else already given a bad reputation…is now the front-lines battle over sexual identity. I don’t want to be labeled as gay or “not quite a man,” but I DO face those scenes. I HAVE been pegged as gay and an assortment of names I’d rather not have (because I’m none of those). [And, like I said, it’s Risk. It’s a game of Risk, and the “straight” forces are losing ground.]

E-NOUGH! Kapeesh?

I want my childhood favorites preserved. I also don’t want more “token” characters forced into new forms of entertainment like some psychological band-aids. Are you a band-aid or token character in your world? Write YOUR story. If you are the only LGBTQ person in your neighborhood, write that solo adventure. If you live among a group of LGBTQ people, write about them. You don’t have to have a gay or non-New-York-based Peter Parker to love Spiderman. You just create another, new Spider-person. [There seems to be an endless supply of those, now.]

[If someone COULD make historical alterations, I would gladly go back to the 1950s-1970s and give characters like Jeanie (from I Dream of Jeanie) and Wonder Woman less stereotypical relationships with other characters. Despite what some say about that old Wonder-Woman show being a force for the feminist movement, it had plenty of awkward male-dominating moments to plaster it in a past era of that behavior. It’s a dated show. And, that one doesn’t need to be…because Wonder Woman lives on. She existed before and after that TV series. I’m not saying you take away Steve Trevor or turn Diana into a lesbian or transgender person. But, we could make the cast of characters less…er…unsettling. And, what better place than Diana’s home island to include a variety of nationalities, because there’s a seemingly endless array of “amazons” on that island. They could look and act like just about anyone ever known. It’s like My-Little-Pony land; there’s no end to the possibilities (“in the name of merchandising”).]

You want more LGBTQ characters? You’ll have to use your own damn colorful imaginations and craft some. No one is stopping you from using your own damn minds. Stop trying to change straight or un-determined characters into people they don’t need to be. [And, how is that so easy to do instead of creating an LGBTQ entertainment industry/company that would permit countless new characters and stories to be produced? Are there no legal guardians, anymore, to protect the identities of past creations?]

17
Apr
19

Who Makes a Better Jerrica Benton?

***

Who makes a better Jerrica Benton, from the 1980s Jem cartoon, if she was converted into a better live-action movie figure than the poor attempt made a few years ago? Taylor Swift or her “bad blood” rival Katy Perry?

Isn’t it ironic those two would even suggest such a thing as bad blood between them? Which only emphasizes my question and thoughts on the matter.

Now, you take Tay Swift. She’s got the height. She’s got the grace. She’s got blonde hair, even if it’s not that pale, buttery blonde Jerrica sports. But, if I had to pick a singer to match up with Jerrica Benton, in terms of behavior and appearance, I’d favor Taylor Swift. Jerrica’s wardrobe/style suits Tay. And, you see how Tay likes to fly around the world doing good deeds, sort of like Jerrica always looking for some charity to support. [While Katy is better known for kissing just about every guy you’d think was unworthy of her.]

…Then you listen to some of Katy Perry’s songs on One of the Boys album. And, I kid you not; she sounds like Jem’s singing voice (which, if you didn’t know, was not the same voice used for Jem/Jerrica dialogue). Not to mention, some of the songs would rock a Jem movie soundtrack. I get little glimpses of the Jem cartoon opening blended with a sort of music video when I listen to Katy sing. And, if you look at the piece of photo-manipulation I recently made, you can see how Katy’s face matches up with the Jerrica doll box art; I didn’t have to do much to make a photo fit. [With a rare photo of Taylor Swift that was lit well enough to fit the cartoon image on the right, I still had to do some airbrushing and blending to make the two work together.] But…Katy is a bit moody and reckless, at times, which reminds me of Pizzazz from the Misfits. [Jerrica would never pierce her nose. But, Pizzazz might…and Katy has worn a–bleh.]

So, what I am thinking…is maybe Tay plays Jerrica/Jem, and Katy plays Pizzazz. Tay has the natural beauty, grace and gentle demeanor. But…Katy has the right vocals for Jem’s singing voice, can probably rock any makeup combo a Jem character requires and morph her whole appearance to match…

Urgh. What do you think?whomakesabetterjerrricabenton-taylorswift-or-katyperry-looks-versus-vocals_jem-photo-fusion-ap-CSPP-1

03
Apr
17

White or Right, My Views on “Whitewashing”

*****
So, there’s this bad odor going around called “whitewashing.” If you are oblivious to the concept, it basically refers to…well, it has a few uses, already. One being Caucasian people being cast in roles originally set for other nationalities. And, that is what tops my peeve list at the moment. Namely, a certain typically blonde actress being cast to play a raven-haired and distinctly Asian character from a “popular” anime about a female cyborg cop.

[Note I have omitted names and titles lest giving them more specific attention only add to the theory that bad press still adds to ticket sales. For the purposes of this editorial and my own amusement, I will refer to the cast actress as “Red Role-playing Hood” and the movie as “Robocop 4: Turning Japanese.”]

Some say “Red Role-playing Hood” sells movie tickets and that this is enough justification to cast her. Others plain and simple object to her being cast in this particular role, regardless of justification.

According to an article I read, one of the artists behind the original story says the character has lost her original human name and identity, thus she could be just about anybody of any race.

If that is the case, I’d have made a different film. I’d have designed the film as a spinoff of the original story, having “Red Role-playing Hood” play a similar cyborg who looks different. Heck, the protagonist could have any body or hair color she wants if she’s not the original character. The story could have remained the same or similar with some minor changes. There’s a whole series of Resident Evil movies out there now that aren’t exactly about the original game cast, focusing on some lab creation, instead.

Another article states the actress has said she would not take a role she felt would be viewed as offensive…buuuut she IS taking the role; and some find her choice offensive, or, at least, infuriating. Myself included.

I think she, like many, will take just about any role she can get. So, if someone handed “Red Role-playing Hood” the script, I doubt she would have turned it down, considering she is open to expanding her options and likes to play odd roles that may not suit her, roles other actresses would more likely turn down to avoid being judged “weird” or being asked to play more roles like this one instead of roles in other genres they prefer. Months or years from now, one of those actresses that passed on the film will speak out at some interview for another project and admit they passed on the role while subtly praising “Red Role-playing Hood” for being an “amazing” person with whom she worked or met at an awards show.

I say the whole notion of “Red Role-playing Hood” making better ticket sales than an actual Asian, or more specifically Japanese, actress–possibly a “nobody”–is hogwash. Even if “Red Role-playing Hood” draws a certain crowd, it’s as likely the crowd comes to see HER, not the character she portrays. And, considering she looks like a clown in some green-screen body suit and wig, I feel she should NOT be playing this part.

[I am asking would-be film makers.] Would a character written as an African woman be cast/rewritten as a white woman in disguise, as well? And, if the character did not look one bit like Thandie N., would you still cast Thandie N. to play the part because she’s the only dark-skinned actress you could get to take the part? Or, would you go out of your way to find a more perfect match for the character? Is it really so important to put a movie out before all the pieces properly fit? Or, are you so lustful for profits and jumping at any dog that barks that you’ll rush to blow a budget on a lesser prize?

Why was the Thing shorter than the rest of the Fantastic Four in the first films, featuring Jessica A. as the Invisible Woman? Was Michael C. cast because of ticket sales, because he fit the role…or maybe because no one else wanted the role and/or the costume designers couldn’t make him appear bigger…even if they have the technology to fake such things?

I didn’t care for Charlize T. playing Aeon Flux, either. Some people you just get used to seeing with a certain hair color and look. And, throwing them into some character that is completely different without proper blending of appearance just makes the whole image a joke. I don’t want to see a parody of the original story. Thus, I don’t want to boost ticket sales for this film. I’ll give it a try another way, as the modern world provides. And, all ticket sale crap can just fly out the window. It’s bullshit that can be skewed, anyway. [And, I throw all the award show nonsense into the same pot. Such a waste of time and resources with little regard for the source material.] It boils down to what you choose to believe.

[On the flip side, Hugh J. was so compelling as Wolverine, I put up with him being taller than most other X-Men, even though the character was fairly short in the comics.  He also wasn’t a “clown” in a costume.  He was authentically crass, fierce and embittered.]

I believe this instance is a form of “whitewashing.” And, an Asian “nobody” would have befitted the role better, regardless of popularity or anticipated profits. I would pay to see better casting, to see an Asian beauty play this part. And, ever since I started watching films like “The Curse of the Golden Flower” and even “Rush Hour 2,” I think Hollywood can find a few. Or, maybe, such films should be made by people closer to the source material; and, if Americans are so lucky, the film will be dubbed into English, and they will learn to like it.

A “blockbuster” can never smell as sweet as it would with the right cast. Why do you think certain “franchises” got “reboots” so fast? If casting didn’t matter, why was there a reboot, anyway?

Years from now, people won’t look back and, when thinking of this blonde in a black Asian wig, say, “Gosh, she was so perfect for that role.” They WILL say, “Gosh, she sure made lots of movies.” The actress will be regarded like a Marilyn Monroe. And, only fans who concede to give up their cultural roots–including all Asian folks who try to look “American”–will not care who played what part and just be happy a film about that cartoon was made.

It doesn’t matter who is turning what characters into their own nationality. It’s Caucasian Americans and British folks, today. Tomorrow, it could be Mexicans or dark-skinned Africans altering Caucasian characters.

Some if not most movie makers are just too concerned with budget and ticket sales to consider the impact and value of proper casting (and story writing). I may be surprised to see a film pitched poorly play well. But, I will not be steered into accepting poor casting.




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