Posts Tagged ‘concert

29
Nov
21

Letter to Lady Gaga (Stefani Germanotta)

*****

Dear Lady Gaga, Stefani,

Ten years ago, Stefani, I could have written you off as street trash, as the “tramp” you’ve been singing about with classy Tony B. I witnessed your “Edge of Glory” and thought I’d seen enough of you being just a bit too bold. [Was that actually ten years ago?! Holy #^&@!] I admired your outspoken spirit and unique beauty but quickly lost interest in all of the tattoos, sexual references, meat dresses, prostitute-like antics, etc. You get the picture.

the new, more natural, classy Stefani Gaga

the former scandalous exhibitionist Lady Gaga

But, ever since you paired up with Tony, you little Aries tigress, you’ve taken on a magical glow, shed layers of mud and filth and exposed your true talent almost–not quite yet–in its purest form. Your voice; it is a potentially powerful one. [If it didn’t have any power, how would you have made such a stand-out appearance in The Simpsons? They built a whole episode around you.] After witnessing some of that power in recent performances, I’ve come to this conclusion…I need to write you a letter!

I saw the emotion in your face at what may have been your last public concert with Tony. Now, to be fair, you are someone I expect to be good at “faking” as well as shocking the pants off anyone who dares to challenge you. You certainly know how to apply makeup for effect. But, if what I saw was genuine, you were so close to having an emotional breakdown on stage; I wondered if your words were becoming garbled and confused. You seemed a bit…hokey and reminded me of Liza M., Judy G’s daughter. [All that aside, that gold curtain-like dress you had on was fabulous.]

At some point, a light grew inside my head, and a voice said, “Save the music!” Those who were sitting with me told me to shut up so they could listen to the rest of the show. [Ha.]

It wouldn’t stop hounding me; that voice. I saw potential and was dying to harness it; not like a stereotypical record producer from the 70s with tinted glasses, a gold chain and a bad mustache. But, take that “light” you currently have and extend it, expand upon it to (re)create a new flavor of music, something so refreshing and not-so-new that it would clear the air suffocating so many heads, right now. At a time when less powerful variations of the previous you and countless others are dragging the sex-drug-and-wealth mentality through the sludge year after year, you could be the golden force that cleans up the streets, the light that inspires pride in a person, for him or her self and/or their homeland. You could be a statue of liberty (or maybe an Evita telling New-Yorkers not to cry for you when you’re…ya know).

I kept thinking…what happens to you when the current phase you are in comes to an end? Surely, you feel it (coming). [Let’s not get too detailed about the realities of Tony B.] You can only sing those old songs so long before they get even older.

I’ve noticed how certain famous musicians/vocal artists put out albums of familiar songs they get the chance to “cover” when they seem to have run out of original material, just to stay afloat, to stay visible and hopefully keep making money. But, it’s like a bad smell. You can almost see the vultures circling over their heads. The end is near. Or, maybe, the career is already over, and the “remix” is just a pillow to cushion the blow, the departure from the spotlight.

Do we really need another copy of a song sung countless times, even if we like one voice better than another? [I don’t care who sings that old Happy Birthday song, even Marilyn Monroe. I’m going to eventually scream from hearing it too often.]

But, for you, surely, this isn’t the end. You’ve still got plenty of years ahead of you. I’m just concerned about what becomes of you in those coming years. [Why? I’m not sure. Let’s rewind the tape here and see if anything makes sense. Oh, yeah; the light that recently emerged.] I guess I’m concerned you might revert to your former ways and material when you no longer have your current vocal partner, your stabilizing force in the storm (which gives me this potent visual of you as a siren on a rock in the middle of a stormy sea, gleaming in golden scales with your pale hair flapping in the wind).

Rather than witness the lesser of roads taken and wait for you to either shed the glitz of “old New York” or fall hard from “glory,” I feel a need to preserve the “light” that seems to be growing or emerging from inside you, like a little seed of hope. In a world where it’s so easy to fall into bad habits and dark influences, you could change some or all of that just by maintaining your current glow.

I guess what I’m trying to say–in probably too many words–is that you need to put out an album of new “old” music (if that makes any sense). Take what you’ve learned with Tony and write new songs of similar (but potentially better) caliber. I’d like to believe you can do it. You have the opportunity to recreate Tony’s quality of music in the present time and extend its lifetime for as long as that may last. [I’ve seen other artists try and fail; Alicia Keys if I must mention a name (no offense intended to that beautiful woman).] I know, originality is at an all-time low. Even I feel the effects and want to cry out because it pains me to admit. It’s hard to create something new, right now. But, if you could, it might crack the crust on that tired, old mess clouding so many heads. It might start a creative revolution.

Just think, you could be the new song carried in the hearts of millions when they start their day and/or when a certain holiday season approaches. You could be the voice echoed in the streets. You’d be immortalized, in a good way. And, I’d rather see you glimmering in gold than covered in spikes and raw meat. Ya know? I’d rather see you inspiring others to clean themselves up than encouraging them to get down and dirty (just because the world seems to suck and it’s easier to act out like the cast of Rent).

If you think Tony’s “shine” is old and outdated, merely something you are grateful to share for a moment because the world isn’t like that old song, think again. Do you honestly believe the world was a better place when he and those before him made those old songs famous? For all we presently know, the past generations might have had a very similar share of problems, just painted a little differently. Those old songs might have been crafted to lift soiled chins up from their misery. They might have been casting illusions, but they also energized people to get moving and make a (positive) difference. Sure; right now, the world doesn’t seem like it could get any worse. It stinks. It feels doomed and gloomy. And, it’s easy to spit on it all.

You don’t have to go “full Broadway” (and merely be a new face on old “shtick”) or give up that rebellious spirit that first made you famous. That which put your name in lights can be the driving force that steels you against the muck and stale gloom of mediocrity (which seems inevitable when you think of how others quickly try to copy something another performer just did and turn it into a brief but blaring trend of the decade). But, rather than go on being a sexually explicit scandal hidden under a stage name, you could become a household name associated with class.

If you go back to a previous incarnation of yourself, you strip away all of the polish you’ve recently acquired/earned and make your time with Tony look like a sad joke. You make it all feel like a Polaroid moment with grandpa which is just as quickly tossed aside in a shoebox and, eventually, forgotten. You kiss an old man goodbye and hit the road to tag a few more fire hydrants. Is this just your summer vacation or the start of a positive, elating, inspiring revolution?

[By the way, at the end of that recent performance, when you said you were going to escort Tony off the stage one last time? I would have said, “Tony and I are going to take off, now. We’re going to party. Maybe we’ll see some of you, later.” ‘Rather than sound like that moment was…well…the (sad) end. But, I realize, again, you may have been so emotional that you couldn’t think of a better choice of words.]

You could outshine every other young gal donning a top hat and some skin-tight or suffocating outfit, trying to be the best eye candy out there…which seems hard for me to admit, considering how I feel about your past. [But, then again, look at how a prostitute like Mary Magdalene (if that is the correct spelling/person), sharing a first name with the guy’s own virgin mother, could win the heart of someone like Jesus.] I’m aware; there are others with tattoos, pretty faces (under all of the showy stage makeup) and similarly (but not quite the same quality) powerful voices who could steal your spotlight. You don’t have to let that happen.

If the emotion I witnessed in you during that recent concert was genuine, get a firm grip on that light within you and help it grow by working on new songs that emulate the quality of the ones you’ve been singing with Tony. [Am I repeating myself?] MMMaybe wait a few years to write the next New-York anthem; I think that effort has been beaten raw and seems risky, right now. But, let that infamous song inspire you. Kick up your legs like a Rockette in a recording studio and feel the happier music spring from your pores. The world might be looking like it’s at its lowest and as if humankind is just the worst, but you can find the gold in the rough and give even the slimiest of people hope.

[I just wish I had a set of lyrics to deliver rather than be one more badgering voice telling you to do something. If I had more resources, emotional support and a better situation/work environment, I probably would be crafting such songs. But, then again, forces that be might still hinder that development. There is the slim possibility that something outside our control is preventing new quality music from being written.]

As I was clashing with my fellow viewers of your (duet) performance, they actually made a decent suggestion. You could be like Tony and find an “apprentice” to help “carry the torch.” Rather than go on alone when…ya know…you could pick a new partner to be that support/balance and carry on with the same quality of music you now praise when even you have to…ya know. Just imagine…an on-going legacy of quality music that keeps a torch of hope and cheer burning in countless hearts. It’s a prospect bigger than solo fame, bigger than being a legend known by his or her name.

It’s ultimately up to you, new…er, you. New Yooou! Newww Yooooou! Yeah!

Sincerely,

Writingbolt, a rather passionate and morally-conscious artist

P.S. And, if I am completely wrong, if you have no intention of reverting to your former scandalous behavior, if that was just a breakout phase and you’ve matured beyond my comprehension, then I will just button my lip and fade away.

P.S.S. I look forward to your performance in the Gucci movie. But, why didn’t you want to meet with the woman you portray?

18
May
20

Watching a Tay in Paris; a Capital One Performance

***

So, I see an ad for a rare televised concert with the lovely Tay Swift and try my lousy best to remind myself when it airs. [I don’t follow her religiously on cable/pay-per-view/internet TV; so I’m surely missing several previous concerts and wondering why the local TV station felt it was time to broadcast one…maybe just to work a deal with Capital One and fill otherwise dead air time? I am fairly sure this Paris Lover concert aired previously on some other platform.]

I miss the first fifteen minutes while struggling to keep up with a mad movie I should have just skipped (but there really wasn’t anything great to watch, anyway). Then a light went off in my head, while dabbling with something creative, and I ran to see if it was still on. It was…and I felt self-conscious within a matter of minutes. [And, I tell myself, “At least, it’s not a teeny-bopper concert.”] Apparently, it was only an hour long?

My first impression…

I see several cameras taking shots of young women, mostly teenage girls, in the audience. And, everyone seems to be wearing some kind of light-up wristband…which reminds me of a picture I made of/for Tay with light streaming off a bracelet. I don’t exactly see any MEN cheering for or even ogling her. Maybe the guys are afraid of being targeted by the typically oppositional feminine energy. [So, I guess this is just a young meeting of the women’s movement, and I’m the lone thin-haired guy in the audience at The View.]

Also, Tay…looks a bit rough. She’s wearing a hot mess of black fabric and glitter. [Anyone cued up to do as her songs say is probably itching to fire flaming amazon arrows at me, right now, just for saying anything remotely critical.] She looks made up yet like she got caught in the rain and had to tie her clothes in knots to keep them from falling off. [Did I miss the rain delay? Did I forget someone mentioning she performed despite the rain? I thought I had heard something, once, about her performing on a rainy day.] But, it’s okay. I kinda like her this way. Aside from the glittery bits, which are a distraction, she looks raw, natural, down-to-earth, vulnerable…well, as vulnerable as she can until you get a good look at the usual red lips and heavy eye makeup.

[I’ve been looking over and for Tay photos, recently, to expand and improve my “artistic interpretations.” And, I’ve noticed Tay going through so many changes, so many different looks and hairstyles. Even in her Paris concert photos, she exhibits a few different looks, like she colors her hair every day (or wears wigs?). Even her “rival,” Katy Perry doesn’t seem to vary her looks that often; at least, not lately; nor Lady Gaga who, a few years ago, you’d see popping up in some crazy costume nearly every week (it seemed). And, I begin to wonder if she isn’t perpetually in some sort of identity crisis, not quite sure who to be and how to protect herself from the media shit storm, even when it’s not focused on her.

I get this feeling like she’s a delicate yet bold and brave flower tossing in a hurricane, torn between following some trend and being true to herself. Or, she just has the good genes (genes that don’t cause hair to fall out when you color it, for example) and ability to change her appearance like a superheroine or shapeshifter. And, some of the outfits she ends up wearing…they’re like “disaster relief” instead of “superstar glam.” I feel slightly motivated to play fashion coordinator for her…and slightly afraid someone would bite my fingers off just for trying.]

Getting back to the concert and the music…

With all of the commercial breaks–including plenty of Capital One ads–and a few behind-the-scenes bits, I’m not seeing much performance. I think I saw her sing four songs before the show ended. And, two of those were songs I had heard on the radio. But…something wasn’t quite right.

I put the captions (CC) on to see the lyrics (just because I wanted a bit of a karaoke experience and know how folks can poorly hear the real words when they are sung in a swirling sea of music). And, the words I saw on the screen did not match what Tay was singing. At least…they didn’t match what I was hearing. And, apparently, the audience was singing some second part whispered in the background of the track, because Tay sang one line, and the captions displayed another while the cameras cut to the audience (who I couldn’t hear singing anything).

Doing my best to calm down (eh) and not be too loud (me? standing on pins and needles with my index finger precariously pressed to my lips as I watch?), I also noticed, during that particular song, Tay had assistance from dancers who looked less drag-ish than her video counterparts. [And, thank gawd, there wasn’t an appearance by a bothersome poser-painter.] I did enjoy the big-screen graphical assistance and the overall energy of the performance…though the audience getting vocal over Tay’s…dancing was excessive.

[Just in case anyone is bothered and concerned I may be purely critical, here, I want to ensure I was just happy to see Tay perform on TV…I wanted to see her…not to judge her…but hoping every song wasn’t a coded message to some past relationship she had, like numerous other albums. On that note, when she says things like “twenty-year sleep,” I’m thinking…she has been deceived by boyfriends since she was ten? And, now that’s over?]

So, after a few typical tourist-y photos of Paris and slightly odd backstage clippings, we get to the end of the concert and the part where the performer tells the audience she’s never had this much fun. [UUUUGH! Yes, a grown man just turned into a groaning teenager. I know it’s something performers do, but I thought…I thought she was more…”real”…and that such sentiments could never be genuine. Do you say such things just to be nice? I mean…surely, she gets around and has had similar experiences.]

And, finally, during the end credits, I see the words “worship,” “love” and “false god” appear on the screen. So, I turn up the volume and listen (closer)… Is that what she’s singing? Worship love even if it’s a false god? What does that mean? That bit stuck with me the rest of the night like a bad taste in the mouth. Darn coded messages! [And, I feel so clueless, which really sucks when you pride yourself on being a metaphor man.] What was she trying to say in that song?

Help me out, dear and enduring (because I write so much in this space and am probably testing your peepers) readers. Was it…

A) She is a false god, some evil being posing as a sort of “messiah” and deceiving us all in her sway?

B) She is not the goddess people claim her to be; she wants people to know she’s just a down-to-earth gal so she stays humble and isn’t transformed in some vile way by the forces steering her career?

C) She sees past relationships (loves) as deceptive hopes put on high pedestals and repeats this mantra to herself to acknowledge her mistakes…in a way that isn’t her previous I’m-going-to-lace-my-present-hatred-of-you-after-I-dated-you-in-a-song mentality?

D) She has lost her lofty view of true love and now thinks in a more non-spiritual, earthy way, like so many others I’ve met, those who’ve been stripped of their souls by routine sexual pursuits?

Now then…I got all that out of my system and feel I can get on with my day. It’s probably best I don’t dwell much more on the subject. But, I’ll be “chuffed” if I see some responses to my question. [I used that word correctly; yes?]

06
Sep
19

What’s Left to Write About? The Fate of Creativity

****

It’s all been done…said the Bare Naked Ladies long before the Big Bang.  They weren’t kidding.

I feel that periodic urge to pose like that Thinker statue, right now.   Deep Thoughts…by Jack Writingbolt.

I am not a man of few words, yet, even now, I am finding it hard to put into words the panic, dread and frustration I feel at the thought of lacking originality and creativity in this world.  As a creative spirit myself, I feel like a dryad about to lose his tree/forest and evaporate into nothingness…but the world won’t let me.  I’m still here, whether it’s to watch the world decay around me and slowly turn me toward the dark side…or to make some impacting, positive change yet to rock the world (at a time when the average person who rocks the world seems to be a guy under 30 with a huge chip on his shoulder that is never quite explained before he is “dealt with”).

Just the other day, a thought came to me…and this isn’t about one particular gorgeous songstress I admire.  What would song writers write about if they didn’t write about past or current relationships of some kind?  If they didn’t write about how a boss or partner/spouse wronged them or “did them right,” what would fill a CD?  It’s as if the air is so thick with lust and disgust that we can’t think any other way.  I, myself, have heard more than enough talk of sex and material ambitions that mean little to me; I can’t tune out enough…I can’t tune into anything better and am quickly losing my ability to be a good listener/therapist.  [Though, my back massages remain legendary.]

When I think of all the CDs I’ve sampled, I realize, too, what few songs make it to radio and how many more seemed doomed to only be heard by diehard fans.  Is it intentional to disregard the majority of an artist’s work to either sell CDs (and disappoint later) or discourage creativity?

Imagine being an artist hired to fill a gallery with your work.  But, when you present your year’s work, the owner of the gallery says “no” to two thirds or three fourths of it, forcing you to take back some pieces you thought were better than the ones given the “okay.”  How would you feel, after thinking you were free to fill the space with whatever you could do?  Now, imagine how that might affect your output over time.  Would you still make as much?  Change the type of output?  Scrap your whole portfolio and never go to art college?

Now, imagine being a songwriter and putting all of your energy into releasing a new album in time for some not-so-important-but-crucial release date only to milk crap from your teats…and one “hit” song.   [By the way, non-related note, I “love” how Spell Check just checked “teets” and offered “tweets” but nothing closer to teats.]  Tell me I am wrong.  [I’m not wrong.]  You fill the CD with songs about passing fancies with B- and C- list famous names; maybe you get a thrill from flirting with emotional danger.  Maybe it fuels your creativity (because nothing else in this smog-clouded world will).

Then you go about performing these songs at concerts to promote that recent album…and let fans know you still remember every song you ever wrote, just in case one or more wants to hear that song which is personal to you but meant something else to them at a time in their life.  “Oh, sing that song you sang about person A because that was playing when I had sex with boyfriend C last winter.”

Or, tell me concert goers, do these performers NOT sing these songs about past relations years later?   Are they eventually forgotten?  I say this because I know certain groups, like the Rolling Stones and Linkin Park, would perform a wide selection of their work, from start to…well, ultimate finish, in some cases.  I would like to think a performer could just forget some of the work they put out, even if it was made for therapy or just to fill an album.  But, can they?  I mean…it’s out there, in abundance.  It really makes you think about what some say about the internet.  When you put it out there…here…it’s never going away.

So, then I think…

Do these songwriters enjoy reliving every good and bad moment they had in life through their songs?  Or, are they chugging back bottles of acid relief to keep themselves from puking misery every time an unpleasant time replays with the song in their minds?

And then I think…

Imagine getting into a relationship with a musician and having to relive all those past relationships in song and public functions because your “date” is a walking billboard, YouTube channel or “Alexa” for a long list of steamy and heart-break-turned-bitter-revenge creations, like ugly, mean-spirited kids they are forced to tote around in the process of a painful divorce.  It’s like the thought of pairing up with a single parent or “separated” individual.  I’m sorry if I sound cold when I say the oxygen suddenly leaves my body, and I want to pound a table for more air just to breathe, again.  I’m just not that guy who wants to dish about past relations (unless it’s the topic on the table for an inevitable date discussion) or step in as the dad to someone’s kids.  I like to think I am stronger…

And, breathe.  No mas.  ‘Kay?  [‘Sorry if I don’t “hyper-link” that to a previous post of mine so you can read over a string of past thoughts that somehow connect through my blog.  You’ll just have to read backward and be amazed when something connects…or try key word searches.]

Food for thought.  And, on that note (which is quickly becoming my regular phrase and should go on a T-shirt), I have a post about food and how it plays with our minds, coming soon, if I don’t second guess it.




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