Posts Tagged ‘Paris

14
Aug
24

My Closing Olympics Feelings; Paris, France 2024

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Buckle up, readers. This may be a long ride…for an event that comes and goes in two weeks.

Seeing the (Summer) Olympics shift energy from Paris (2024) to L.A (2028)….California…celebrity-capital-U.S.A….I am, once more, as I seem to be after every season of Olympics, torn. I shouldn’t even watch the closing ceremony because it just tears me up. I would both love and hate to be there, love to experience the relief of being able to mingle without the previous pressure to compete, love to get another helping of host-country culture and entertainment (if there is any), love to get one more chance to seal friendships before parting ways. But, also, hate to see everything end, hate to see the flame extinguished (isn’t it just supposed to pass on to the next host nation?…not go out and then start anew?). I get so emotional when THE END approaches…and arrives. I’m the guy who doesn’t enjoy parties much because they eventually end, and the fun, the joy, goes away.

[I’m also not much of a crowd person. Too many unfamiliar faces spoils my comfort. I need to know who is around me, and not knowing enough leaves me edgy; too many unknown variables.]

Consider what I’m about to say as my catharsis for coping with the end of a “good time.”

I’m feeling more of a France fan than I’ve been all my life. This small sampling of what is France has stirred my soul. I’ve been seduced by the simplest of artistry.** I think I get France, now.

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**If I may be blunt, France is no China or Japan (when those two are not suffering from a quarantine). France tries and has lots of creative potential…but it’s not the best composition that I have seen. The elements are there…just not the interwoven story and not quite the level of quality. I saw it in the opening ceremony; I see it, again, in the closing. A little too much Circus of the Sun and Moulin Rouge; the story comes off a bit weak under the weight of random movement and elaborate costumes without distinct, apparent meaning. A knight associated with ancient Greece? A cool female knight…but still a bit confusing. The Far East knows how to lay out a scroll and retell the progression of history, and, for that, I will always respect that region, even if some historical stories run a bit long (and involve too much combat).

Perhaps, France just doesn’t have patience for telling stories. It wants to get on with business. Make things happen, rather than sit around talking about it. So, you want a show? It will be short and lackluster. France wants to get busy with purpose. France isn’t a performer, a talker nor a celebrity of any kind. It’s a quiet, unassuming muse, an elusive unicorn. It wants to evoke something in the minds of others. It blows the smoke of inspiration in your face and then says, “Be creative.” You get it? Good. Now, enough talk. Let’s make something happen. The Moulin Rouge isn’t a Hollywood or Broadway theater; it’s a quick, flashy show before you get on with, before you pursue…other stuff. Entice with an appetizer, and then let’s go. You don’t eat a big meal in France.

[And, that’s why I like Italy. I can eat. France is a butterfly. Italy is a bee.]

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I used to think, as a teenager, France was weak; France was the coward that wouldn’t stand up and fight for what mattered. It only fought when thrust into a world war. France was the kingdom of the elves from Lord of the Rings; the French didn’t get involved in the matters of other races unless provoked, unless threatened. I thought the Statue of Liberty was a highly creative yet pitiful way of handing “the torch” of leadership to the U.S.A. It was “America’s” job, now, to be the global defender and champion.

[I wouldn’t say I think of the U.S.A. as the global defender or champion of anything other than boasting, right now. The U.S.A. has boasted so much for so long that it’s starting to alienate other cultures, it’s own immigrants (at least, those who aren’t sucked in, from head to toe, by the illusion of the “American dream”). Those chasing the dream take on a different path from the average American and never let it go. The U.S.A. has to spend so much time and resources amending for how it offended various peoples, and I’m just waiting in a very long line. It’s sick. It’s kind of like having your way with a prostitute and then trying to make the memory go away by dumping more and more money on someone. How do you get that money? Any way you can; sometimes an inconceivable “swagger” does all the business.]

Just one summer season of the Olympics in France has been enough for me to think otherwise, think more, of France. It’s still not top of my destination list. But, there is something primordially creative at its core which evokes artistry. It may be the cauldron of creativity. Just walking around Paris should be enough to spark the creation of countless books, plays, movies and all sorts of physical art. Perhaps it is the home of Hephaestus and/or Athena. Could it be there summer home? [Ha.]

France isn’t so much weak as it is graceful and reluctant to fight. It’s a bit vain. But, in being that vain and reluctant to fight, it has turned its energies to fueling creativity. And, that aligns with my own creativity. Creation in the mindset of violence or conflict is driven toward weaponry and defense. Creation becomes filling the armory when threatened. We want enough armor and tools to survive and silence the enemy.

France is a swan. A swan doesn’t get its gleaming white feathers dirty or bloody with fighting; it preens and cares for itself and bestows that grace upon those who align with that mindset. When the U.S.A. proved it was a friend in pursuit of peace and had its own creative potential, France gave the Americans a present and a “handshake” of friendship; not the sort of friendship you might want if you are a hot-blooded vanguard of righteousness.

So, in short, as a couple, the U.S.A. and France are not a happy couple. France wants calm, quiet, beauty and grace. And, the U.S.A. can’t calm itself enough to sit still for too long; it has to reach out, get dirty and take chances France won’t. It’s the stay-at-home wife and the adventurous extroverted husband. The U.S.A. tells France to get off its ass and mingle/fight. France tells its American partner to settle down and take it easy; find happiness in quiet moments. The U.S.A. isn’t listening.

Which is why the Olympics coming to the U.S.A., especially the over-glamorized region of modern California, feels really wrong. I don’t have any interest in watching those games. I’ve seen enough “celebrity.” The Olympics arenas of 1984 are not what they are or will be in 2028. You see how they introduce L.A. in the Paris games. There’s nothing humble or subtle, like Paris, in that. It’s typical modern American showboating, with a little subtle hidden message-ry coming from the Red Hot Chili Peppers. If only enough people had the brains to read between the lines.

I have nothing creative to offer L.A. I don’t feel for it. I don’t aspire to reach it, other than for a flimsy hope of having the good fortune countless celebrities have claimed to get from going there. It’s like ads for Las Vegas; so much COULD happen there, if you go…but will it? I’ve been duped before.

L.A. will certainly generate money for the Olympics. But, it’s going to feel so elite, spoiled and like a high-school popularity contest…my nerves pinch at the thought.

Looking forward to 2026 and the WINTER? games, I don’t picture Italy hosting the winter of anything. I thought people who hate cold weather ran to places like that, close to the equator. I don’t imagine Italy covered in snow except, maybe, right around Christmas when it’s time for that big holiday mass. And, even then, I don’t see the snow.

Having a sort of blood tie to Italy gives me another love-hate relationship. I don’t love how the Roman Empire stole from, copied and altered the name of everything Greek. That’s now how I want to be; that’s not me. But, in my blood, I am part Italian…and I have to acknowledge the good and bad of that. I am not easy to get along with, apparently, yet many I’ve met tell me I’m great…for something. When I believe in something, I tend to fight for (or endure and retain hope for) it more than the average person (and don’t always win). I’ve fought for friendship and defending my own feelings against bullies and hecklers. I’ve defended some of my artwork when people didn’t agree with or even remotely respect/approve it. When I encounter injustice at work, I speak up. When people in positions of power misuse their authority, I also make a fuss and/or rebel. [I think I’ve earned my Phrygian hat; wouldn’t you agree?]

I already am getting ideas for Italian artwork. Unlike L.A., it’s easy and feels…good. I may not love all of Italy, but there’s enough spice and flavor there to fuel a few revolutions. If Italy gave the Olympics season its all, it could flatten France. Italy could win on sheer passion alone. In a way, Italy is Ares, the more savage Greek god of war…except it’s not a warring nation, now. It’s driven by conquest; but you don’t see Italy taking down other nations. It doesn’t need to do that, anymore. It’s a self-sustained furnace, it’s own Olympic torch for eternity. I don’t know what keeps it contained and content…but it’s a relatively quiet volcano. Maybe it’s content because it has gorged on good food. Maybe it’s Aphrodite, who some say is the goddess of beauty while others say she’s the goddess of passion. But, while there is beauty in Italy, I wouldn’t say Italy is prettier than some other nations (too many to mention). Italy is passion; it is fire. If you mess with fire, you get burned. In a strange way, I respect and crave Italy’s passion for life. It’s a sustaining, motivating fire. But, that’s also a dangerous fire if it’s not properly attended. Lust is not healthy passion. Vengeance is not often if ever healthy passion (even if we sometimes feel it’s deserved when someone severely upsets us).

Italy evokes pizza and pasta. What does L.A. evoke? Spending money I don’t have? Looking at the excessively large and expensive homes of others? Listening to musicians talk of unhealthy obsessions and habits that no longer align with modern “woke” times? Wishing I was a celebrity? That’s an empty welcome to unhappiness. I will leave L.A. hungry and miss no one. The venue might be a relic surviving the passage of time, but it’s an empty theater that likely gets violated more often than it is respected. It’s a Motel 6 in a box, waiting to be used, again. L.A. and Hollywood get plenty of attention during the year, every year. Hosting an award show isn’t special. It’s just inviting bad habits and heartbreak. People call Paris the city of love, where many claim to fall in love but also where many claim to fall out of it. But, L.A.? I anticipate heartbreak there. The only love there is with wealth and flaunting it.

[I might just ignore the L.A. Summer Olympics, altogether. I don’t see the need for watching. I cannot even imagine that venue finding a respectable mascot. Just…pass.]

That brings my attention to something subtly deceptive about the Olympics. There are hints of something “rigged” in the air, all of the time. I get this feeling like something drives every Olympic event and season. And, no matter what pressure athletes put upon and endure themselves, it doesn’t impact what is already in motion.

A skateboarder gets the majority of attention in the games of Paris, right before he is welcome like a king in the next set, in L.A. It doesn’t matter what he does; he’s already golden in the eyes of the U.S.A. The same goes for certain gymnasts, who dominate broadcast TV time, along with all of the ads for AI that try to paint warm, inspiring pictures with little kids watching their stars perform, continuing the cycle of chasing the gold (not finding lasting companionship, chasing the gold), padded with images of people comforting the athletes, supporting them and tending their “wounds.” I don’t see it. I don’t have to see it. It’s decided. He’s the one. She’s the one.

If they disappoint, they were set up. Some other nation put up more money to tip the scales in their favor; that’s my suspicion. It’s all about money. The joining of nations in peace and harmony is secondary. The latter is anticipated as diversion by those working out the former.

Athletes aren’t just pieces of metal honed by their own passion and practice; they’re bought and sold and thinned to an elite group of sponsored race cars. The select get painted like movie stars on posters and other “merch.”

The current sort of Olympics is like going to McDonald’s (or Las Vegas); you are supposed to enjoy the music and setting, but be sure to put your money down on something (not entirely healthy) to ingest and try not to leave a mess before you leave. You’re not there to live in Candyland. You just need to be distracted and enticed enough to spend. Take your host-nation swag and go home; the cruise is over. Thanks for spending your earnings, if you did. Thanks for feeding the sponsors and tourism that pay for the athletes to compete to satisfy their financial support system. [‘Kind of sounds like buying a bookie to bet on race horses for us.]

You might view the Olympics as a more elaborate form of the Oscars. It definitely draws a larger crowd…to talk about awards. And, thankfully, there’s no big deal about what you’re wearing. Most likely, it wasn’t designed by a big-name fashion designer. Well, maybe the stuff from your sponsoring nation is; can you help that? Can you ignore it? Can you go without it? Nah. You have to represent; right? The evaluating entities of the Olympics hand out fewer gold prizes than the Oscars…but how does the hype and gossip compare? Which gets more talk about the prizes, the Olympics or the Oscars?

Talk buzzes around so many athletes I DO see, even though they don’t get the gold. I’ve seen some jaw-dropping and dazzling performances that didn’t get the coveted prize. I heard someone say that girl was the crowd favorite (she certainly dazzled me)…but she didn’t win anything she can hold in her hands.

[I know. I know! There are so many metaphors in my head, right now, for what she CAN hold in her heart and take with her, even if they aren’t physical objects made of metal and fabric.]

What did they accomplish by competing and risking their bodies? Shouldn’t that say something? Is one athlete really less for not winning a medal? But, how do you get so much buzz about three prizes and not slight those who were only nominated? And, if we don’t have the three prizes to chase, why do we compete?

Just having fun together doesn’t seem like something that compels people to invest, to spend. It sounds like a big, lavish party, and you might feel bad if you’re not able to come or even invited.

What do you say to people who invested in you and maybe put you in commercials…just to come home with nothing? Or, is every athlete put into commercials guaranteed some prize, in the end? Maybe they don’t get the gold, this round, but they get it in the “redemption” season. And, if that fails to work? What then? Does failure actually happen or are palms greased? I sadly really do wonder.

[I don’t think three prizes may be enough. I think other medals are deserved, as well.]

Yet, there is SO much talk about medal counts and getting the gold. It’s insanity. What a waste of time, talent and energy the Olympics becomes when we give so much to talk of the gold medals and the celebrities injecting themselves into the games. Why do athletes end up in therapy or crumble when they no longer can compete? Part of it, I imagine, comes from the separation, the filtering of what is Olympic magic/illusion and what is reality. The Olympics creates identity crises; not because it has always been that way but because of how “celebrity” it has become and how much technology has honed the attention of judges. What was probably once a more confusing and vague assessment of skills has become put under a microscope.

If we could just boil down the Olympics to its basics, its core, doesn’t it make sense that the medal chase may be the very problem that persists? The coming together of nations would still be there without the medal chase, but you’d also have less pressure to dislike people. You’d have less psychological aftermath. But, I suppose, this would be more of a world fair than a competition…wouldn’t it? If only…

I think the medals were intended to offer some measure of status, to identify who was the best in any given sport. But, I don’t think they were intended to be decided by millimeters and fractions of seconds. I don’t think they were meant to be taken away when an appeal for a better judgement of scores comes a few seconds later than stated in a document. Isn’t there a better way to hand out medals and keep athletes from self-destructing?

This might floor some people who, even like me, have become sort of hooked on the supposed intended spirit of the Olympics. But, I wonder if we even need the competition, anymore. The world is competitive enough, already. People fight for jobs like scraps of food. People lose jobs even faster over so many little (and some big) matters. Almost every day, we hear or see something that evokes competition. Even gaming cannot be as fun as it has become competitive. You hear people talk about being competitive…but do you hear them say they are fun or having fun, as much?

Of course, past Olympic athletes (at least, the former medal winners) pitch to keep the cycle going; they become commentators and/or probably get some kind of royalty pay from being connected to the games. They don’t have the same pressures put on their bodies when they felt they had to compete…but there are still pressures, thanks to their participation. When I hear a former competitor say they can’t get enough Olympics, I hear, “Keep investing money in what keeps food on my table and new clothes in my walk-in wardrobe or ample supply of luggage as I continue to circulate the globe like a tourist/celebrity.”

Hey, weren’t you…yep. Give that competitor some money. Support the Olympic troops. Is there a wounded veteran Olympian fund? You’re Joe Nameth; thy name is investor-funded civilian.

We need a global festival that brings people together. And, yes, we may need some form of activity to unleash pent-up stress. But, when that activity gets put under the microscope of advanced computer speculation, it loses some of its appeal. If I play volleyball and hear someone say I could have performed better if I just took a tenth of a step to the right when I served, I’d be annoyed. I’d lose all the fun of the game and give up, eventually.

Technology and speculation takes the fun out of everything. As does too much focus on competition and pressure to be “number one.” The saying goes around; no one remembers who came in second or third. They remember the gold winners.

I recall seeing a movie some time ago…or maybe it was Game of Thrones…when someone asked what had happened to the ancient gods. Why did the gods vanish? I think they lost interest in humankind when we could no longer give them reverence and got lost in our obsession with updating technology. [So…is Hermes or Hephaestus to blame?]

The spirit of the Olympics continues to be a flickering and waning flame. It’s not healthy. It’s not bright and full of rejuvenating life. It’s a sickly illusion of what was. It’s a good time for one IOE president to retire, as good of a guy as he seems ot have been. Retiring in the summer of Paris? How much better can one guy get? It’s a bed of roses for that guy. I don’t know what that means for the future; turning over jobs doesn’t seem to be going well in any area of existence. But, one can hope.

So, it makes sense that I get so emotional. It’s not just seeing something potentially great for everyone come and go so swiftly. It’s also secretly knowing, realizing something is still wrong, lingering, and needing repair. But, how do we do that?

[Right now, we’re NOT making the Olympics better, other than finding more possible camera angles and equipment to capture every move. We’re just kind of glossing over them as we get swept away in waves of technology and “feeds.” Even Alanis Morissette, looking really good right now, is, on one hand, giving a pitch for better communication as a species, and, on the other, selling cellphones that offer apps that alter how you communicate. Ironic…I think. Come on, selling cellphones, no matter what the companies pitch, isn’t improving the problem caused by cellphones. Just as no silver-tongued pitch for world unity is going to be improved by the very AI you’re actually selling.]

The following is less about the Olympics and more of a personal purge. But, at its core, is discontent with what is supposedly representing the epitome of world harmony, a time and place we can put our anger and unhappiness aside…if only it was.

What do I do with these thoughts of improvement I continually have? I judge and I judge and I judge…and I talk to myself because no one wants to hear it. What good is that kind of thinking? I see potential in what I’m shown and want to improve upon it…to dazzle the world much the way the best athletes do in these games…and I can do nothing or not enough to please myself. I am stuck; I am handicapped.

Part of me wants to run. Like Forrest Gump, I want to hit the road and not stop until I am utterly cramped up and exhausted. Hopefully, I have the good sense to get home before I collapse, as he did in the movie. Or, I want to take up break dancing and jerk and spin myself crazy until I am a lump of bones and flesh gasping for air on the ground. I am discontent with the state of the world (and my own little part, my family and lack of friends). I see illusions of happiness, like the grass greener on the other side, but also too many ugly truths coming out…squashing the fantasies.

Is it possible the majority of information bombarding my eyes and brain is directed toward some sinister goal of shutting humanity down in the most subversive way? Is some tech giant trying to shut me and everyone else this data hits down, to let technology take that place? I wonder…because I see so few sure-footed happy paths to take in life. I hear people talk about what will get me to happiness and fulfillment…but I don’t see the path, completely. So, I could, as I’ve done in the past, venture in this direction or that, and come to a decision I cannot confidently make. I’m not much of a gambler, alone.

What remains of the Olympic flame? Hope. Hope that “tomorrow” will be better than today; that’s what I retain as I venture on, searching for whatever it is that will make my existence feel complete. Others chase medals and hope that will finance happiness, after countless hours of training, repetition and anaylsis, scrutiny and self-torture.

I live in a place that occasionally has a festival for some particular culture. There are Italian, Greek, Polish and other festivals. But, they are little more than a meeting place for single people, double-dating couples and families who are desperate for eating out (not at home). You get a hint of music, a hint of culture and a handful of vendors selling food. It’s not much of a festival. Even our “state fair,” which combines all of those other festivals into one location and short stack of days, lacks something; it’s a lot of people crowded into a heated space, late in summer, dragging their feet in search of something to satisfy their needs. The music and theater of the state fair is better than the smaller fairs, but that’s about it, and even that theater seems to disappoint some. The Olympics seems like a bit more than a big assembly of vendors. It certainly is more culturally diverse. I’m just not sure, alone, what to do with it (and have yet to be present to experience one, other than watching it unfold and vanish on TV).

Hey, France (and any other nation that chooses to hear me). How about we organize an Olympics of artistry and forget the whole physical contest and concern for things like steroids. ‘Sound good? I am sure athletes, too, would benefit from the art therapy and not end up PTSD or physical-therapy spokespeople pitching every kind of pain killer under the sun.

Other than the icon on various pieces of equipment, I didn’t see what I expected of this “Marianne” around Paris…so this is what I envisioned.  A Marianne sampler (in addition to pictures I included in a previous post).  The first image has eyes on the next Olympics destinations.

Right now, people are studying a black hole, at the center of the universe, slowly sucking in everything we now, consuming and erasing it. What kind of life is that? We’re slowly losing sight of life and analyzing impending doom. That’s not very Olympian.

I don’t look for how to put out the flame. I look for how to keep the spirit of positive union going. United states? United kingdoms? United provinces? Bah. United nations. A united planet not self-destructing and looking for other worlds to colonize, to conquer. But, looking at how so many relationships crumble, holding onto such unifying thoughts seems…senseless. [Yet, still, I won’t devote my time to studying impending death nor live on “feeds.”]

I’m shutting up, now. 😛

14
Aug
24

Raygun, I Don’t…Know…

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Oh, you super cute and silly “B-Girl” from Australia. Raygun, aka Rachael Gunn. I adore you. But, something was very wrong with your Olympics debut.

[I thought the stage name was silly, but seeing how it works with your real name…that’s pretty clever. As an artist, I can admire that. After watching you and “Logistics” (who sparked some jokes of her own in that name alone), I came up with my own B-Boy name…Spredsheat, spelled that way for reasons.]

Honestly, you’re so adorable and courageous to do what you did in Paris. [All jokes aside, I really did love your outfit. I’d wear that! And, I’m a guy. You probably had the best combo in the competition; you’d win something for that. But, dancing?…]

I know I’m not the only one to laugh. But, am I wrong to think–just a part of me thinks–you are a…ringer? You couldn’t have seriously thought you compared with half of the other girls in that competition. I won’t even discourage your age. [I’m slightly awed by that detail. Not your PHD.] I just don’t understand how you could have won…when you just kept floundering like a fish. My sister gave it a different name, and I agreed. We both cringed and laughed.

Want me to be completely honest, no teasing? I don’t think you got your lower body off the floor once the entire time you were on it! Did you do one headstand? I may have forgotten. Other dancers are tossing themselves like oak seeds in the wind, locking their legs in knots while standing on one hand, and you’re flopping like a fish. I thought, one time, you might need medical help. I thought you’d throw in “the sprinkler,” try the “running man” or start stocking shelves. After watching you, I wanted to try being the fool. I wanted that stage. Or, at least, together, you and I would have some serious fun being silly (at a wedding reception, for example). I’d enjoy you.

[Vanessa seemed like a fun and very kind gal, too. She enjoyed herself, even if she didn’t make the cut. Her smile never appeared false, and she perpetually glowed with sweetness. I’d give her the medal for being a good sport. If I would have known the judges were more interested in musicality than what you call power moves and “freezes,” I would have thought Vanessa had more of a chance to win; she just felt like someone born and bred to dance (though I’m not sure break dancing is her style). I kept wondering why she couldn’t or wouldn’t do some of the moves her friend India did; imagine that, being in an Olympic competition, a debut event, with friends from other nations. I bet she’d rock an Argentine tango or Salsa.]

If what I just found online from CNBC is true, let me adjust my statement. You’ve been made a fool…by your mate. You married a guy who is passing as your coach, who put you up to this, pushes you to take risks while you prefer to play safe. No, you did not get hurt in the Olympic competition…because you didn’t do any of the moves/poses pictures show you performing at other competitions. And, it sounds like your own family is unsure how to feel about you, after giving up other dance styles. You have students you’re trying to inspire with this. Oh, Rachael, “Raygun”…no. You even say you are best for your creativity and style. My worst English teachers would say, “What style?” [I exhibit more creativity in my sleep.]

You’re voted the best in your country…the entire continent of Australia voted and qualified you for this event? That sounds…ridiculous. Are you sure you are not the clown for your country to mock the event as Olympics-worthy? How could you win other competitions and be photographed doing various…er…complex moves…yet do none of that on the Olympic stage? I’ve seen gymnasts get heralded for signature moves, as did some of your competition. Where was your signature move? Your entrance? Your finisher? Are you trying to stand out as the fool to say other older women can get in just as easily? Are you a women’s-movement exhibitionist?

The whole thing felt a little like Mortal Kombat, and I had to laugh at that. I kept trying to figure out who was each of the infamous fighters and made references to certain ones dancing like dance-fighters instead of dancers. [I think sadly I compared you to Kano or that odd scrawny cop guy with the black cap and blue shirt who likes to throw grenades and use his gun instead of actually fighting. India was definitely Princess Katana or Jade.] My sister got bored and left before the competition was finished (on TV). I watched the whole thing but might have missed or forgotten a few things. After the event was over, I felt a crazy strong urge to start break dancing, myself, and it felt weird. I was so full of “dance energy;” it affected everything I did until the following morning.

There are other reasons that competition upset me.

1) It seemed like certain girls were favored from past experience/performances. Is it possible celebrity status pushed votes their way? I did not think it was fair to say one girl had a better chance of winning because she had more LIKES, YouTube viewers or some other social-media reason. Japanese folks dominated the audience (so many flags and so much face paint), which I thought might have swayed the vote.

2) I thought the rematch/bracket system sucked. Why did they pair a dancer, who just did really well, with a dancer, who failed miserably, in the next round? If you didn’t astound the judges against your first opponent, why did anyone dare to put you up against someone who did just as well if not twice as well? It made no sense.

It was like leading lambs to the slaughter, as they say. You went from the older girl who didn’t impress to the road kill for the lioness in round two. And, it went the same way for every other person who failed, instead of having the two who didn’t make the cut in round one face each other for the lesser prize, sort of like breaking down the medal picks. The two who failed to qualify for gold or silver faced off for bronze. That made sense…not the rest of it.

There is one possibility that would have made sense (if it would have been said). If you were put up against girls who had already won a round simply because they had to have more than one opponent for each competitor…or if each of you had to have a chance at every other competitor before a final four was picked, that might lessen my confusion. You didn’t face every other competitor…which, I imagine, would really have been draining. Instead, there was the initial round, in which you failed to advance/win…and then you were put up against a winner (versus a fellow loser) and maybe one other match of a similar fashion. If you had three chances to win, I missed one somewhere. But, regardless, your selection of opponents seemed unfair and sort of a waste of time and precious energy (though I don’t think you ever broke a sweat in your UPS/NASCAR jumpsuit).

India might have won a medal if she didn’t have to endure a wasted round against someone who didn’t match her skill. From the moment I first saw her and 671 dance, I said they need to face off against each other…and, eventually, they did. But, it was too late for India, who was finally spent. The way the one-day tournament was arranged was faulty.

3) I did not understand the numbers in brackets next to names. One person, who had a smaller number next to her name, moved onto the next round while, in another bracket, the girl with the bigger number advanced. I am very confused.

4) Similar to the numbers in brackets, I didn’t understand the red/blue voting system. In one round, the girl I thought was the red one got more boxes…but she still lost the showdown? The one with fewer boxes moved on because…she had won more boxes in the previous round? Is that how that worked? I’d have to watch the whole thing, again, I think. Why didn’t it make easy sense? So, when the first showdown gave a girl a majority vote, she already had the next showdown won? The lesser dancer had to perform twice as well as they previously did to win one round? The math for that seems insane, not to mention trying to imagine being a worse dancer trying to up my game that high.

5) I misjudged the requirements or expectations. I thought having more physical skill was the true test, not doing Latin dancing to randomly selected music tracks. The winners of the medals seemed more like contestants for Dancing with the Stars than skillful break dancers.

[If you had experience with other dance styles…qualifying you for the TV-show/competition “So You Think You Can Dance”…you could have, at least, tried some of that…some Latin dancing or something to show your connection with the music.]

“India” was said to be a crowd favorite, and I truly thought she deserved a medal, that little Norwegian Energizer bunny. She was awe-mazing…up until the final round when she ran out of gas. She also wasn’t an extrovert who could defend herself against taunting looks or comments; she was “all business” and there to show what she could do…in abundance. She began to weaken and crumble when some of the other dancers started flashing “signs” in her face. [671 was almost militaristic and a little scary.] She reminded me of ice skating in the winter and how some get noticed for their artistry, their emotion, while others excel in being very technical and so “perfect” that they crumble when they know or believe they missed a tenth of a point. [‘Stupid commentators and your overly fussy analysis.]

Ami’s one great skill might have been rationing her strength to have gas in the final round; I was not impressed with her dancing (though she was cute, too). [She did exhibit more moves and rhythm than you, unfortunately.]

On that note, seeing as how you are highly educated in lecturing and communications, perhaps you could sway some people responsible for hosting the Olympic competition to consider two separate events/fields of judging. I am recommending a technical showcase event called Stacked (Style) and a rhythmic event called Flow (Style).

In Stacked, you perform like India and 671; you throw every trick in the book on that dance floor and forget what the music wants. Physical endurance and prowess are key. The more skills you exhibit in the limited time allowed (even if you fail to keep everything “fresh” and repeat one or two), the better your score/odds of winning. [Maybe you throw in one of those “audience meter” gizmos to rate spectator approval and sway the vote.] So, you lack a little “musicality;” but the music still moves you to do what you can, to show off your stuff.

In Flow, it’s all about the music and improvising to wear it like a glove. Maybe even throw in points for how you dress, who has the most “swag.” If you fail to match the music with your moves, the judges deduct or vote no.

A third option could be Gas’D (which I’m just randomly choosing to write differently), in which, as I was saying above, dancers test their endurance. How many rounds can you go? Let the winner keep the stage and the losers tap out when they need to quit. And, if anyone is guilty of using drugs or something else to stay active in the race, they’re out and tagged for it. Have you got the gas to be number one and the last one dancing?

At least, that way, girls who have the stuff like India did don’t get discredited for it. If she knew the judges were looking for Flow, I doubt she would have done what she did. I’d say the debut was faulty at best.

[But, that set design was stellar! What happens to all of that when the games are over? Do they trash it? I want to revisit that arena like a basement den and use it like a karaoke bar. I’d host parties there.]

I also have one other idea I present to all who may read this (considering I see no way to send you a personalized letter). [I won’t Instagram; I’m too wordy, for one thing.] I think every host nation should feature a local-dance event, rather than something like break dancing, which isn’t exactly linked to any particular nation’s culture and is just one type of contemporary/improv’ dance, slighting other styles that have been big sources of ballroom competitions for a long time. Shouldn’t ballroom dance be an Olympic event? Well, if not, then why not host a host-nation dance competition? When in Spain, pick a Spanish dance style and have athletes/competitors be judged for their performance of that style. If you are in Germany, waltz until you drop. In Hawaii, just the sweetest tip of the USA, you hula or fire dance. In France, maybe you host a can-can competition? [I kid. But, imagine what that would look like.] This would not only add honor and respect to each host nation but would also prompt some to develop their own styles, including nations not noted for their dances. It would boost the encyclopedia of dance and probably cultivate more cosmopolitan joy.

Now that I have LECTURED you (ha), I’m going to turn off the projector, go poorly dance somewhere else and amuse myself for a bit.

08
Aug
24

Paris Artistry Saves the Summer Olympics (2024)

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On the flip side of all the negative things I’ve had to say about the Paris 2024 Olympics (most of which can be transferred to other Olympics I’ve watched), there is the bounty of artistry I’ve experienced (not just with my eyes). Not all of it is great in my personal opinion, but almost every bit of creativity I’ve seen (and heard) has sparked interest.

I don’t recall any other Olympics featuring so much stimulation, so much inspiration.

I can remember a few seasons that had one or two inspirational and/or catchy songs which stole my focus away from the actual competition (not including a particular song which seems to have invaded more than one Olympics like a weed…if you can imagine that). [I cannot adequately nor briefly explain why the song irks me; it just does. It’s like those songs people grow to hate because they remind them of a relationship that ended badly.]

I remember fawning over various female athletes. Every season, there are those women who just make me want to drift away from reality, muses of strength and elegance (those who aren’t covered in jewelry or tattoos, anyway). They are like unicorns you may see but cannot touch. The best I can do, for now, is watch them, briefly, explore what astrology has to say about them…and, maybe, draw portraits, which I’d let them have (prints of) for free, because they deserve to be drawn. [I’d hang onto the original artworks just because I don’t want to lose the memory of the moment, the feelings I had and the faces responsible for those feelings.]

I recall a few dazzling cauldrons (the final resting places of the torch relays) but forget their exact shapes and what nations had them. I remember the Sochi games using large versions of their mascots** in a very amusing and touching way, blowing out the torch at the end of that season. [I still tear up a little bit, thinking of that one.] I’ll never forget that one great passing of the torch, when an archer fired a flaming arrow from one host nation to the next; though it’s a foggy, distant memory, that was an extremely inspirational moment for me as an artist who is interested in the history of the Olympics.

[For me, the torch relay is a big thing; as is any recreation of the Olympic rings. It’s like hosting a birthday party. If something goes wrong, it sours my mood for the rest of the event. You could say Celine Dion, returning to singing after a tough fight against a crippling illness, was worth the trip. But, I could not fully appreciate her performance, as emotion-stirring as it was, if those other elements I just mentioned failed to impress me.]

But, the only really memorable bounty of artistry I can recall is the opening ceremony of Beijing 2008. [Those footprints made with fireworks! And, what followed inspired other nations to follow suit.] I don’t remember getting enough culture from the Beijing games. I think I just drifted from the opening to the closing ceremony, hoping to get more of the former in the latter.

I also was rather disappointed with the more recent Tokyo (2020…technically 2021) games and still remain upset with the whole quarantine situation. I will not forgive the fools who started that hot mess. Tokyo saved itself from being a total disappointment by making a very amusing use of pictograms. That segment was nearly perfect and oh so inspirational.

And, Paris…

I’m not your biggest fan; I’m not one of those hopeless romantics who can’t stop talking about the Eiffel Tower, butter and baguettes. The opening ceremony had so many great elements but not the best composition. The metal horse looked so skeletal instead of regal. The passing of the flag was a confusing disappointment. The torch relay, as a whole, could have been better, though the outdoor views of Paris, as the sun set, were sublime. The floating cauldron was great (and gave me ideas for what you may do in the closing ceremony, if you’re clever enough.] Placing the beach volleyball venue in view of the Eiffel Tower…brilliant and such a blessing to all who played there. Unfortunately, timing for the opening ceremony and some of the events has been so poor, with so much rain. [I’d say the (Greek) gods are not pleased in some way.]

But, Paris, you have lit a fire in me at a crucial, tiresome time. When my creativity has been at a sad low, your artistry has stirred the phoenix in my soul. [I’m not sure if the phoenix is a male or female. I typically refer to my muse as female.] And, while the fire is crackling, I’ve been busy with Olympic (and other) art of my own; not as much as you’ve put out, but enough to make me feel like part of the artistic crowd. I saw a commercial, a few weeks ago, and, suddenly, thinking of the Paris Olympics, I was motivated to craft a series of posters with my own “Marianne.” I could hear the French accordion music playing in my head. I could see the streets of Nice lined with patio tables and pigeons.

If I was in Paris, right now, I’d be exploding on the sidewalk (or some cobblestone street). I’d be at risk of being trampled as I leak all over the pavement. I’m not sure what I’d be leaking, but I know art (and beauty) is to blame. ‘Not all the famous faces roaming your facilities. ‘Not the numerous athletes. Well…maybe the prettier ones could be guilty of stalling me. [Perhaps, beautiful women could be considered art, as well.]

[Back in 2008, when I was falling in love with Beijing (not for the first time), I don’t recall working on much artwork, which is strange. I was infatuated but not very creative. Maybe I was so infatuated with some of the women of Beijing that I couldn’t use my hands. It is in those moments when I question my need to be an artist. I occasionally imagine exploding from too many pretty faces (if I ever visited China or Japan). I remember seeing just one really pretty face in Santorini, Greece, hidden behind sunglasses, and, as much as I wanted to capture her in a drawing, I couldn’t muster the strength nor motivation to fetch my sketchbook; it was as if she refused to grant me that freedom. There was one elegantly dressed blonde woman who passed me in Eze, France; I never saw her face but heard the gentle sweetness of her voice (as she casually said, “Bon jour”) and admired her graceful lines, wishing I had the time and tools to craft a portrait…and the opportunity to learn more about her. I can still see her (rear view) sitting on that bench overlooking the sea. Yet, any attempt to recreate that image, now, would fail to capture her true assets. I’ve learned, with time, to appreciate photographs as both references and art.]

[I started working on art for the Tokyo Olympics back in 2016, after the amusing preview in Rio. But, I could not craft as much as I have for the Paris/2024 Olympics. Maybe in some prophetic way I knew the 2020 games would be a disappointment. Or, as with Beijing, perhaps my visions of beautiful Japanese women diminished my ability. But, I still had hopes and created a cool cauldron-lighting sequence that incorporated the red “rising sun” of the Japanese flag and a sort of decal that could have been the token pin/sticker of the season; it featured the silhouette of a woman dressed in a kimono. In one version, she held a torch; in another, a flaming bowl of rice. I recreated it in each of the colors from the Olympic rings.]

As I previously said, there have been rare songs that capture my interest. I remember David Bowie’s “Heroes” being a sort of anthem for one of the winter Olympics; it was the last thing I heard as I watched the end credits during the final broadcast. I remember “Home” by Phillip Phillips dominating a recent summer Olympics, particularly the (always excessive) gymnastics portion. But, I’m not finding that special song in the Paris 2024 games; instead, I’m enjoying the little musical touches, the stroking of the ear by short pieces that transition viewers from event to commercial (when commercials don’t just cut into events, which is annoying). I’m not sure how to feel about the Taylor-Swift accents, suspecting they are subtle injections of sales pitch or subliminal messages for her infamous tour, a way to rally her fan club and increase the Olympics audience (as she supposedly increased the NFL audience). A simple Parisian accordion melody is enough for me. That seemingly simple little piece of music, used during the “late shift” portion of USA broadcasts…is so satisfying (though I wouldn’t call it particularly French). It makes me feel stylish, as if I’m enjoying an evening stroll through your infamous city, gazing upon the light show provided by the Eiffel Tower and other illuminated structures.

I’ve always thought of myself as more of a Far-East lover; I often imagine walking historical paths, among pagodas, temples and those distinctly red bridges and archways, basking in cherry-blossom trees, looking for koi ponds. I dream of exploring the area with a beautiful kimono-clad woman, admiring her long black hair (like Sakura, the mystic/nurse from an old anime called Urusei Yatsura), toting one of those bamboo-and-paper parasols. But, seeing little scenes with Paris street vendors, by day and by night, has been such a delight. It shouldn’t be so impressive, but it is. [And, now, I’m craving croissants.]

I loooove the short animations for the various events, especially the beach volleyball one. I cannot find more words to express how they bring me joy. They just do.

I am intrigued by those argyle-like icons/symbols for each sport/event.

So, thank you, Paris, for your buffet of artistry. Merci beaucoup. You may not top my list for the cities I want to explore. But, you’ve certainly worked your way up to a more favorable slot. Any woman who wants to visit you with me at her side…is welcome to offer the chance. [That includes winter Olympian Lindsey Vonn, Yaroslava Mahuchikh, the Ukrainian high jumper, and Nina Brunner (Betschart), the beach-volleyball player from Switzerland.] I’d appreciate the company. I challenge you to woo me with your chocolates. [I cannot imagine getting excited about butter.] I don’t think Paris is the place to venture alone, unless you hope to get lost. [I’ve already faced the misfortune of getting lost in Nice and did not get any help from the mounted police.]

I don’t think that’s the best way to finish an artistic composition. And, if you agree, maybe you feel how I felt after your opening ceremony.

======================

**There is one matter I want to address with the Paris 2024 games; I’m not seeing enough of the mascots.

I read somewhere that Marianne would appear all over Paris. I didn’t think that meant just in print; I thought some women would sport the flame-like hairstyle and make appearances in stylish French fashions. I thought it would be like a Where’s-Waldo thing, finding these models as you tour Paris. I appreciate seeing the clever flame-face image in many places…but it could be so much more than just a stamp. In fact, Paris, you could have dazzled the opening ceremony with a Carmen-Sandiego-like woman of mystery, sporting the Marianne hairstyle while running with the torch, instead of that masked “thief.”

I almost jump out of my seat when I finally see someone wearing one of the Phrygian hats. You’d think such a unique and fashionable–though silly and somewhat confusing with faces–concept would motivate more people in attendance (and abroad) to buy up the merchandise. Stuffed animals draw a certain crowd, and I’m okay with a few. But, I’m sort of a hat guy; so, when I see one as the feature symbol of an Olympics season, I’m inclined to pursue it. I want to see others enjoying it (so I don’t feel foolish sporting one). If the majority opinion is that Paris failed with the hat mascots, that’s…sad.

[If Mexico hosted the Olympics, I’d want a special sombrero. If I could have been in Beijing in 2008 or Tokyo in 2020/2021 (for their Olympics), I’d rush to get one of those conical straw hats (with or without the Olympic rings on it somewhere). I always thought Paris was the beret city and didn’t want to wear one, until now.]

[I also look for torches (not pins) I can collect, in whatever size or form they may be available for purchase (but the Paris 2024 torch is not one of them). I was in Athens, after the 2004 Summer Olympics, and disappointed with the availability of merchandise…not to mention the absolute evaporation of everything related to the summer games (not even a trace of confetti, a street sign or a burnt-up firecracker from the closing ceremony). But, maybe that’s okay because the world is already rather cluttered…yet a silver torch or owl (or a hat embroidered with a torch or owl) would have been a great souvenir. Oh! Or, a laurel wreath…but, I suppose, those are reserved for athletes who compete in the games.]

If the Phrygian hat is the same worn by the Smurfs, why haven’t the Smurfs made appearances in Paris, instead of the Minions? The Smurfs were minions before the Minions. [Boom. You just got served. Croissant dropped.]

08
Aug
24

Sometimes…Olympics Commentators Suck

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I’m going to come right out and say it. Most of the commentators for the Paris 2024 Summer Olympics (and probably every other Olympics I have seen) suck. I’m speaking specifically about the “American” commentators, including those foreign accents who have found comfy seats among the American-English-speaking folks. [If you watch the Olympics in some other country and dislike your commentators, I’d be interested in hearing your story.] It doesn’t matter how velvety-smooth your voice is (I’m looking squarely at the stout, brown-skinned, bald man with glasses who is…everywhere…like a VISA credit card); you people cannot restrain yourselves enough to give your American athletes, your celebrities of choice, the very people you have to interview, more respect when they are in poor condition to respond.

Key words: in poor condition…and have to interview. We know you have to interview them because they’ve been advertised and sponsored better than cars in a NASCAR race or horses in the Kentucky Derby. But, interviewing someone when they are out of breath and probably don’t have enough oxygen in the brain to sensibly respond? That’s just dumb…and rude.

[And, flashing a pretty face while laughing does not excuse you, either, Miss Maria Taylor, miss late-night, golden-brown goddess, miss supermom. The laughter feels a little forced, canned, at times. But, you seem to have better luck with interviews, maybe because you get the night shift and “next day” moments and are not typically seen with athletes right after their events.]

If you DID have respect, you’d ask different questions and wait with them until the athletes can breathe easier. But, no, every damn interview has to include “What does this medal you just won mean to you and to your country?” [But, more importantly, your country.] And, you cannot wait to ask these stupid, repeating questions, as if someone is holding a gun to your head. [And, it’s not a starter pistol.]

The nerve you highly polished morons have to mistreat these fragile souls who risk their lives to get a medal for their countries. I’d like to put all of you through the paces and then jab a microphone and fifty cameras in YOUR faces. See how YOU feel in the hot seat.

In your haste, all you accomplish is getting the worst from your interviews. Sure, you probably curb some negativity, because the athletes are depleted. But, that’s also lucky and risky thinking. If I was in one of those interviews, gasping for air, dripping with sweat, I just might let a few words fly that wouldn’t sit well with broadcast TV. I might end up a news feed scandal for what I said. And, I’d have you careless jerks, with your pressed suits and bleached smiles, to thank for my scarring slip.

I have to wonder…do the athletes have the opportunity to refuse? Can they bypass the microphones and cameras waiting just a short distance from whatever they call a finish line in their event? Can they shake their heads and walk away, giving themselves time to regain strength and, maybe, tidy themselves before answering stupid, repetitive questions? If not, shame on the rules and/or customs of this venue. And, if the athletes repeatedly fall prey to the microphones, hoping they will be asked/told something reassuring just to hear the same tiresome, annoying dialogue they hear after every other “run” they take, that’s also very sad.

If you must talk to someone when they’re out of breath, try asking how good it feels to be done with the event. Ask something that helps relieve the athlete of their current exhaustion and/or distress. Offer some encouragement; say they are okay, now that the trial is over. Tell them to have some fun if they’re not required to compete again. Don’t give them some patriotic BS or expect them to wave the nation’s flag for you. And, give them a towel or water bottle!

Now, you might point out the interviews that take place some vague time after the events, when the athletes have had time to don fresh, dry, sometimes stylish clothes and groom their hair (if they have any). In those instances, sure, there is more respect. But, there is still the chance stupid questions will be asked. I think there is some dumb writer behind all of this who preps a carbon-copy list of questions some lousy high-school teacher would give his or her class. Every year, every group, the same questions get used.

The athletes seems more interested in how the medals contain bits of the Eiffel Tower, but you’d rather ask about patriotism. What do you THINK the medal means for their country?! It means a digit gets added to the damn medal count you can’t stop discussing!…as if medal counts mean everything or more than the bonding of nations. Good grief! The athletes offer you opportunities for unique discussions, and you throw recycled formal letters in their faces.

[‘No wonder interviews produce bile in throats, making those interviewed shift uneasily in their tiny, uncomfortable seats and roll their eyes. Yes, I said bile.]

I’m also extremely sick of the commentators who feel the need to judge every little move an athlete makes, down to the tenth of a point and the hundredth of a second. Let’s just say gymnastics is really, REALLY annoying to watch, in that way. I get excited watching a swimming relay; and then some technical jerk says the last swimmer for the team I favored lost by a hundredth of a second. I don’t want to hear that! What’s next? Losing by one thousandth of a second? Spare me. Spare the world that PTSD.

Imagine failing to get a good grade in school or get the approval of your boss at work because you were a hundredth of a second late with your work. It’s no wonder athletes become edgy, paranoid, egostical. I’d have a breakdown, too, if I heard three or more people moan about me missing out on a medal by such a small margin. Give them a break!

She came in fourth! Okay? That’s all you have to say. You can kiss the precision of your modern metering technology or make detailed notes in your meticulous journals when the microphones are off.

Then there’s the tendency for commentators to become drunk with crowd noise and fumble their way through commentary. Words spurt from their lips in the heat of the moment, skewing reality, not always making sense. I’d be the same way if I had to talk about gameplay while playing any game. Maybe that’s a sign; maybe we don’t need comments on every single move athletes make. We don’t need to talk about how that female athlete’s legs bend or how her lead would look even more impressive if you took away the hurdles…in a hurdle-leaping race. [What sense does that make?] If you take away the hurdles, it would certainly alter the results. You don’t need to make the leader of the race sound like a goddess. She’s still human. Egos get shattered every day in athletics. Occasionally, environmental factors interfere.

[Hey, why don’t you ask the AI you keep pitching and supporting to comment for you? Oops. There go your jobs, struck down by the Salesforce. ‘Not impressive. ‘Most non-triumphant.]

So, I’m telling all of you commentators to back off and “slow your roll.” I don’t care what financial pressure is on your back. You tell your bosses to back off, too. Show these laboring athletes more respect. Because, if you don’t, you can dig out your fat wallets and purses and pay the medical bills of the people you hurt with your impatience and carelessness…and those annoying repetitive questions! Athletes shouldn’t have to invest in bug repellant to get rid of mosquitoes like you. Lindsey Vonn shouldn’t be in commercials for sleep aids. [She should be soaking up the sun at some beach with me! Ha. The Password is…companionship.]

What about Colin Jost you say? Well, in short, I’m not a fan. I personally think he’s very self-centered and privileged. He won a lottery to sit (and stand) in Tahiti, where he makes light of everything and continues to seek the pity of women (and gay men), young and old, for his…mishaps. Sure, what he has to say is better than the repetitive and meticulous stuff other “pros” are saying, but that’s more sad than good. Give me a microphone, baggy shorts and some sandals; I’ll serve you similarly slick and more witty lines with a less polished image (I confess) and less focus on myself. I might know even less about events like surfing and do less research while humbly soaking up as much culture as I can. I’ll ask athletes questions that open up their hearts, make them laugh and dry their tears.

What about Snoop Dogg you say? Well, he sure got the golden ticket, the all-access pass. And, sure, he comes off as a nice, humble guy…in a way. But, the commentary that comes out of his mouth is sort of like the babbling you do when you’re in a dream. It doesn’t always make sense; so I can’t classify it as an interview or satisfying. It’s like watching a cook sample food someone else made during their cooking TV show; they can’t quite speak clearly with their mouth full of delight (if they aren’t lying through their wet lips). He just keeps vocalizing some sort of feeling about everything he has been so blessed to experience. The visuals he shares (with the cameras) are more pleasing than what he has to say. I’m honestly a little envious…until I see all of the other celebrities in attendance, and then I start to wonder exactly how much access has been given to wealthy and otherwise famous faces.

I feel like the 2024 Paris Olympics is a lavish party I failed to attend, and, even if I did attend, I wouldn’t be comfortable around so much wealth and fame. I’m not exactly the sort who gets excited about acquiring autographs and photos with people who don’t know me and don’t likely give a crap. This event is bigger than any Oscars or Emmys night, with more than one large building full of “big names.” I’ll just keep admiring the view of the Eiffel Tower from the beach-volleyball setting and forget what was bothering me for a while.

I’m Writingbolt. This isn’t my job. It’s a sort of habit.

Okay, judges. What’s my score? A 4.95 out of a possible 5? And, yet, I missed the podium by one hundredth of a point? I don’t get a medal? Well, @*$&* you. I didn’t really need a score or medal, anyway. If anyone’s looking for me, I’ll be at some Nice beachside cafe, listening to the surf and dousing my irritation in something saucy and sweet.

08
Aug
24

When Did the Olympics Become the AI Takeover?

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In the summer of 2024, that’s when…when the AI revolution began to become frightfully apparent, when this human, hearing about employment hardships in his own family…and stock-market concerns…seeing countless commercials for various AI providers, as if any of that is reassuring to anyone with a brain…started to tremble with panic for this world’s future, for the future of humankind.

[Yes, that was a horrible run-on sentence. But, it comes with the weight of something seriously souring the Paris 2024 Summer Olympics.  Someone call Sarah Connors and/or her son John.  The machines are coming.  The machines are coming!]

I recall, not long ago, seeing ads for Salesforce and thinking Matt M. was a well-spoken cheerleader for world peace and unity, even if I was unaware of what Salesforce really was and unsure if I should be concerned. Now, I’m seeing even more ads with him and various characters, a lot of Western references, and I am starting to get a bigger picture that is frightful and growing at an alarming rate. All that talk about coming together and getting to work was balderdash to coax people into siding with a company working on AI. Matt’s the menace he played in that Dark Tower movie. A dark cloud is forming over the sky like a blanket of doom. If the world is being handed over to AI, and humans are being convinced they are as smart as Einstein for submitting, doom isn’t a strong enough word to explain our inevitable and quickly approaching demise.

I cannot scream it loud enough; my teachers would be boiling in their skins at the thought of turning over thought processes and “work” to some computerized brain. The real Albert Einstein would be both honored and disgusted to have an AI in his name, honored to be given added popularity but disgusted to see countless others think of themselves as being anything like him when they’re not using their brains for more than handing over a task and/or question to a computer designed by someone other than Albert Einstein.

Who’s the real Einstein behind the AI? Shouldn’t their name be on the computer brain? What does their hair and face look like? Make a filter for that and leave Albert Einstein to his relativity.

If only we could give up the conveniences and unhealthy fads thrust upon us, ignore the TV and other sources of media, kick those “feeds” to the cyber-curb and look at our world through organic eyes, really see life as it is and not how it’s sold or pitched as a number, a rating, a sales score. Maybe we’d salvage our health and not lose our hair or teeth in the chase for an economy which may very soon be sucked up one last drain pipe, leaving only the select few who orchestrated the AI takeover in a position to dole out or hoard resources. Your life, your legacy may very well be falling into the hands of an elite few. And, I wonder what we ever had a chance to do to stop this.

I feel like some ancient slave doomed to be grinded under the stones which are about to build the next pyramid; a big, sky-blue pyramid topped with the face of a phony pharaoh, a marketing master who seduced humankind into its own demise, who found a way to get rid of every possible threat to his emotional and mental well-being, who out-Nazi-ed Adolph Hitler, who took Darwin’s pitch on “survival of the fittest” and made it his own (expletive). Checkmate, humanity.

What motivates me to get up every morning and find any comfort, any purpose and value to my time, energy, heart and talents? Certainly not slaving away at some job that temporarily pretends to be helpful to a shipping monopoly, turning my tasks over to AI and wondering if I’ll have a job or the resources to afford my life once I do.

If all this AI spared every human the need to work to finance their lives and not pay taxes or health-care costs, that would be amazing. But, I highly doubt that’s where this is headed. If that were true, if everyone was going to be cared for as they should, companies wouldn’t be sending their staff home without more than a small sum and a cold hand while the company merges with another and turns into a monopoly so large that it seems impossible to topple. Someone, anyone, reassure me. Would you? Tell me the future is better than whatever version of Star Trek these tech moguls are trying to create.

Look at all of the advertising for the Paris Olympics. And, how much of that is NOT including AI? Not much.

Hey, guess what. I wrote all of the above with my own mind, my own heart and feelings. I may have used a computer to type, but I didn’t use a CoPilot or some phony Einstein to think for me or alter my abilities. I did my own proofreading and edits. I didn’t need a thesaurus or dictionary or calculator of any damned kind. I used my God-given assets and limitations. I embrace my old teachers, real people with hearts and minds of their own, who told me to use my brain. Deal with that, you cyber freaks. I will not submit to your machines. You want to live forever as a hard drive? Build your own damn cyber-coffin and live in a CPU. Don’t reduce the rest of humankind to dust in your pursuit. Key word search: humanity has more value than costly technology.

***

But, I will make one small concession. I saw an ad for an AI translation feature on a dual-screen phone, allowing diners to converse with foreign restaurant staff without difficulty. I am not sure why AI is a factor when translation services have been on computers for some time, just not readily available, maybe, for dining at restaurants. I’d sure like to ease talks with foreigners (and skip the years of classes to master all of the other languages). But, do I trust the computer or AI to properly translate the spoken word? [I’ve been communicating with some foreigners online, and, when I translate emails, sometimes, the lines don’t make sense. I then have to wonder what was lost in translation. I think slang will forever be a problem for any AI, never knowing when someone is using an alternate meaning or sarcasm.]

08
Aug
24

Is a High Jumper Just a High Jumper?

****

So, I’m watching a Track-and-Field segment of the Paris 2024 Olympics, and I see some nice-looking women taking high-jump runs…when a thought crosses my mind. Is this all these women will do in the Olympics? Is the high jump their only event? Their sport?

Imagine that. You train however long you do, back home, and then come to Paris to focus solely on jumping high (and then retreating to your green sleeping bag, which does what?). [Is that supposed to keep your legs warm? Is it actually cold in a French stadium when so many others are suffering from the heat?]

[On that note, who is this tall, lean, attractive woman, with bold, bright eyes and braided hair, from the Ukraine? Yaroslava Mahuchikh…hmm. She is interesting. Hopefully that mouthful of a name, which sounds a little like something unpleasant, means something pretty because she sure is. Can I call you Yara? But, why did she blow her last jump?…why not go out looking as stellar as you started? Was that a distracted slip or intentional (a fail just to breathe a sigh of relief and kick expectation in its face)?]

I’d be a little distressed and probably mentally fractured if all I had to do in the Olympics was the high jump (or any of the other Track events). If I’m not taking a shot at running, shot put, archery…something other than just jumping high…maybe a long jump?…I’d lose my mind. Unless…unless I spent a ton of free time enjoying France when I’m not jumping. If the high jump was just a small portion of my time spent in Paris…and it was like partaking in an interview or relieving myself in a restroom…then I might not get so upset. If doing the high jump is like a voice-actor role you just do, walking into a sound studio for a short time, because you have so few lines to read, maybe I could balance my life.

But, if I’m treated like a gymnast or race horse, bred for that one event, submitting myself to years of training and preliminary competitions for one singular skill which lasts less than fifteen seconds……that’s insane. [And, seeing one gal repeatedly make notes in a journal after every jump?…looks a little crazy sauce. I bet she was a social outcast in high school; her classmates just walked past her and put up with her perpetual optimism mask.] That’s not American-Ninja-Moron competition, which is also a crazy fad seemingly brainwashing countless young individuals into treating themselves like military mice in a varying maze. That’s committing your lifetime to breaking a board with one hand.

So, what do YOU do, attractive string bean I am meeting on a first date? Oh, you jump high. That’s what you do. [Awkward silence and maybe a few crickets chirping.] Nice…legs. [That’s all I’ve got to say. Or, is it? Maybe I start thinking of all the creative, silly things someone with good legs could do.]

18
May
20

Watching a Tay in Paris; a Capital One Performance

***

So, I see an ad for a rare televised concert with the lovely Tay Swift and try my lousy best to remind myself when it airs. [I don’t follow her religiously on cable/pay-per-view/internet TV; so I’m surely missing several previous concerts and wondering why the local TV station felt it was time to broadcast one…maybe just to work a deal with Capital One and fill otherwise dead air time? I am fairly sure this Paris Lover concert aired previously on some other platform.]

I miss the first fifteen minutes while struggling to keep up with a mad movie I should have just skipped (but there really wasn’t anything great to watch, anyway). Then a light went off in my head, while dabbling with something creative, and I ran to see if it was still on. It was…and I felt self-conscious within a matter of minutes. [And, I tell myself, “At least, it’s not a teeny-bopper concert.”] Apparently, it was only an hour long?

My first impression…

I see several cameras taking shots of young women, mostly teenage girls, in the audience. And, everyone seems to be wearing some kind of light-up wristband…which reminds me of a picture I made of/for Tay with light streaming off a bracelet. I don’t exactly see any MEN cheering for or even ogling her. Maybe the guys are afraid of being targeted by the typically oppositional feminine energy. [So, I guess this is just a young meeting of the women’s movement, and I’m the lone thin-haired guy in the audience at The View.]

Also, Tay…looks a bit rough. She’s wearing a hot mess of black fabric and glitter. [Anyone cued up to do as her songs say is probably itching to fire flaming amazon arrows at me, right now, just for saying anything remotely critical.] She looks made up yet like she got caught in the rain and had to tie her clothes in knots to keep them from falling off. [Did I miss the rain delay? Did I forget someone mentioning she performed despite the rain? I thought I had heard something, once, about her performing on a rainy day.] But, it’s okay. I kinda like her this way. Aside from the glittery bits, which are a distraction, she looks raw, natural, down-to-earth, vulnerable…well, as vulnerable as she can until you get a good look at the usual red lips and heavy eye makeup.

[I’ve been looking over and for Tay photos, recently, to expand and improve my “artistic interpretations.” And, I’ve noticed Tay going through so many changes, so many different looks and hairstyles. Even in her Paris concert photos, she exhibits a few different looks, like she colors her hair every day (or wears wigs?). Even her “rival,” Katy Perry doesn’t seem to vary her looks that often; at least, not lately; nor Lady Gaga who, a few years ago, you’d see popping up in some crazy costume nearly every week (it seemed). And, I begin to wonder if she isn’t perpetually in some sort of identity crisis, not quite sure who to be and how to protect herself from the media shit storm, even when it’s not focused on her.

I get this feeling like she’s a delicate yet bold and brave flower tossing in a hurricane, torn between following some trend and being true to herself. Or, she just has the good genes (genes that don’t cause hair to fall out when you color it, for example) and ability to change her appearance like a superheroine or shapeshifter. And, some of the outfits she ends up wearing…they’re like “disaster relief” instead of “superstar glam.” I feel slightly motivated to play fashion coordinator for her…and slightly afraid someone would bite my fingers off just for trying.]

Getting back to the concert and the music…

With all of the commercial breaks–including plenty of Capital One ads–and a few behind-the-scenes bits, I’m not seeing much performance. I think I saw her sing four songs before the show ended. And, two of those were songs I had heard on the radio. But…something wasn’t quite right.

I put the captions (CC) on to see the lyrics (just because I wanted a bit of a karaoke experience and know how folks can poorly hear the real words when they are sung in a swirling sea of music). And, the words I saw on the screen did not match what Tay was singing. At least…they didn’t match what I was hearing. And, apparently, the audience was singing some second part whispered in the background of the track, because Tay sang one line, and the captions displayed another while the cameras cut to the audience (who I couldn’t hear singing anything).

Doing my best to calm down (eh) and not be too loud (me? standing on pins and needles with my index finger precariously pressed to my lips as I watch?), I also noticed, during that particular song, Tay had assistance from dancers who looked less drag-ish than her video counterparts. [And, thank gawd, there wasn’t an appearance by a bothersome poser-painter.] I did enjoy the big-screen graphical assistance and the overall energy of the performance…though the audience getting vocal over Tay’s…dancing was excessive.

[Just in case anyone is bothered and concerned I may be purely critical, here, I want to ensure I was just happy to see Tay perform on TV…I wanted to see her…not to judge her…but hoping every song wasn’t a coded message to some past relationship she had, like numerous other albums. On that note, when she says things like “twenty-year sleep,” I’m thinking…she has been deceived by boyfriends since she was ten? And, now that’s over?]

So, after a few typical tourist-y photos of Paris and slightly odd backstage clippings, we get to the end of the concert and the part where the performer tells the audience she’s never had this much fun. [UUUUGH! Yes, a grown man just turned into a groaning teenager. I know it’s something performers do, but I thought…I thought she was more…”real”…and that such sentiments could never be genuine. Do you say such things just to be nice? I mean…surely, she gets around and has had similar experiences.]

And, finally, during the end credits, I see the words “worship,” “love” and “false god” appear on the screen. So, I turn up the volume and listen (closer)… Is that what she’s singing? Worship love even if it’s a false god? What does that mean? That bit stuck with me the rest of the night like a bad taste in the mouth. Darn coded messages! [And, I feel so clueless, which really sucks when you pride yourself on being a metaphor man.] What was she trying to say in that song?

Help me out, dear and enduring (because I write so much in this space and am probably testing your peepers) readers. Was it…

A) She is a false god, some evil being posing as a sort of “messiah” and deceiving us all in her sway?

B) She is not the goddess people claim her to be; she wants people to know she’s just a down-to-earth gal so she stays humble and isn’t transformed in some vile way by the forces steering her career?

C) She sees past relationships (loves) as deceptive hopes put on high pedestals and repeats this mantra to herself to acknowledge her mistakes…in a way that isn’t her previous I’m-going-to-lace-my-present-hatred-of-you-after-I-dated-you-in-a-song mentality?

D) She has lost her lofty view of true love and now thinks in a more non-spiritual, earthy way, like so many others I’ve met, those who’ve been stripped of their souls by routine sexual pursuits?

Now then…I got all that out of my system and feel I can get on with my day. It’s probably best I don’t dwell much more on the subject. But, I’ll be “chuffed” if I see some responses to my question. [I used that word correctly; yes?]

13
Jan
15

Violence Over Free Speech, You Say? Here’s My Response

As the TV peppers me with echoes of what’s been happening in Paris, France, I found this rhyme forming in my brain.  You may have heard it somewhere.

THIS IS MY RIFLE!

my-rifle-mouth_male-portrait-looksabitlikeme_silhouette-60prcnt-1J my-rifle-mouth_male-portrait-looksabitlikeme_silhouette-60prcnt-3JTHESE ARE MY GUNS!

my-guns-fist-n-footprint_440-fist-up-left-angle-pump_silhouette-1JTHESE ARE FOR FIGHTING!

these-R-4-fighting-fst-ft-n-mouth_440-fist-up-left-angle-pump_silhouette-1JTHESE ARE FOR FUN!

teamwritingbolt_business-people-silhouette-our-team_50percent-international-group-8J

Now, all you maggots creating such a stir over free speech, you take responsibility for what you say and realize when a choice of words might stir a hornet’s nest.  This Paris incident isn’t about creativity repressed by the artists’ own nation.  No.  It’s about foreigners not approving what they find in the local media/newspapers.  You wouldn’t want someone making crude or cruel jokes about your family, nationality or religion.  Would you?  So, why is it this one incident makes people rally in support of those who didn’t take the first warning to knock it off?  No, lethal violence wasn’t necessary.  But, how often does the boy have to cry wolf before the wolf goes postal?  There’s no Tootsie roll at the center of this dilemma, kids.




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