Posts Tagged ‘performance

26
May
23

Thank you, Tina (Turner)

She’s beyond Thunderdome, now.  

Tina Turner.  Anna Mae.  Aunty Entity.

Powerhouse of rhythmic rock and roll.  You had some of the finest legs ever known.  And, your look…s were distinct and, most, memorable.  If you set any trend, it was the driving force that gets someone on stage to sing with all of their strength and heart.  You were a powerful inspiration to many, including myself, to whom you remain a torch, a torch of courage to go on with this life.  Unlike others in your rabbit shoes, you didn’t submit to death.  You didn’t extinguish your own torch.  You fought on and lived as long as you could, mistakes and all.  You endured.  And, you will endure in loving memory.  

Elton John sings that song about Marilyn Monroe and Princess Diana living their lives like candles in the wind.  But, you, you danced like a candle in the wind.  You were a dazzling flame, a respectable Sagittarius Earth Rabbit.  

I Don’t Wanna Fight, but I would not say you were The Best, to be completely honest, if you Ask Me How I Feel.  And, I am not a Typical Male saying this.  I am a bit of a Private Dancer, so to speak, A Fool in Love with your vitality.  It’s too easy for imitators to flash their legs, wear big wigs or belt out tunes as powerfully as you did.  I can already see a few black women trying to be another you.  But, you certainly remain among the best female performers to move me.    

Looking at those imitators, you might say We Don’t Need Another Hero.  But, we do.  And, now that you are gone from this world (not gone from our hearts or in spirit), now that The Heartache Is Over, for you, now that you are no longer One of the Living, we need someone to fill those powerful shoes of yours, someone who can still do good for this world as a living person, while your spirit goes on doing what it can from wherever you may be.    

I think of what you can still do for us, for me, now that you ride the clouds with Silent Wings.  I never got to meet or spend any time with you, in person.  So, I cannot whole-heartedly say I’ll be Missing You.  But, I feel like your energy is infectious, and all it takes is to think of you with respect to feel you near me. 

Paradise Is NOT Here.  I hope it is where you are, now, with a direct line to wherever I may be, so I can always connect with you.  I’m sure you’ll say It’s Gonna Work Out Fine; I wish I could believe that.  The most I can do, right now, is hang on and keep fighting through this life.

What’s Love Got to Do With It?  I’m not sure.  But, a part of me still loves you, sister rabbit.  I cannot lie about that.  And, I don’t ask much, but you’d Better Be Good to Me.

Shine on, Tina…Anna Mae.  Shine on.  Keep on turning.  No pride required.  

 

29
Nov
21

Letter to Lady Gaga (Stefani Germanotta)

*****

Dear Lady Gaga, Stefani,

Ten years ago, Stefani, I could have written you off as street trash, as the “tramp” you’ve been singing about with classy Tony B. I witnessed your “Edge of Glory” and thought I’d seen enough of you being just a bit too bold. [Was that actually ten years ago?! Holy #^&@!] I admired your outspoken spirit and unique beauty but quickly lost interest in all of the tattoos, sexual references, meat dresses, prostitute-like antics, etc. You get the picture.

the new, more natural, classy Stefani Gaga

the former scandalous exhibitionist Lady Gaga

But, ever since you paired up with Tony, you little Aries tigress, you’ve taken on a magical glow, shed layers of mud and filth and exposed your true talent almost–not quite yet–in its purest form. Your voice; it is a potentially powerful one. [If it didn’t have any power, how would you have made such a stand-out appearance in The Simpsons? They built a whole episode around you.] After witnessing some of that power in recent performances, I’ve come to this conclusion…I need to write you a letter!

I saw the emotion in your face at what may have been your last public concert with Tony. Now, to be fair, you are someone I expect to be good at “faking” as well as shocking the pants off anyone who dares to challenge you. You certainly know how to apply makeup for effect. But, if what I saw was genuine, you were so close to having an emotional breakdown on stage; I wondered if your words were becoming garbled and confused. You seemed a bit…hokey and reminded me of Liza M., Judy G’s daughter. [All that aside, that gold curtain-like dress you had on was fabulous.]

At some point, a light grew inside my head, and a voice said, “Save the music!” Those who were sitting with me told me to shut up so they could listen to the rest of the show. [Ha.]

It wouldn’t stop hounding me; that voice. I saw potential and was dying to harness it; not like a stereotypical record producer from the 70s with tinted glasses, a gold chain and a bad mustache. But, take that “light” you currently have and extend it, expand upon it to (re)create a new flavor of music, something so refreshing and not-so-new that it would clear the air suffocating so many heads, right now. At a time when less powerful variations of the previous you and countless others are dragging the sex-drug-and-wealth mentality through the sludge year after year, you could be the golden force that cleans up the streets, the light that inspires pride in a person, for him or her self and/or their homeland. You could be a statue of liberty (or maybe an Evita telling New-Yorkers not to cry for you when you’re…ya know).

I kept thinking…what happens to you when the current phase you are in comes to an end? Surely, you feel it (coming). [Let’s not get too detailed about the realities of Tony B.] You can only sing those old songs so long before they get even older.

I’ve noticed how certain famous musicians/vocal artists put out albums of familiar songs they get the chance to “cover” when they seem to have run out of original material, just to stay afloat, to stay visible and hopefully keep making money. But, it’s like a bad smell. You can almost see the vultures circling over their heads. The end is near. Or, maybe, the career is already over, and the “remix” is just a pillow to cushion the blow, the departure from the spotlight.

Do we really need another copy of a song sung countless times, even if we like one voice better than another? [I don’t care who sings that old Happy Birthday song, even Marilyn Monroe. I’m going to eventually scream from hearing it too often.]

But, for you, surely, this isn’t the end. You’ve still got plenty of years ahead of you. I’m just concerned about what becomes of you in those coming years. [Why? I’m not sure. Let’s rewind the tape here and see if anything makes sense. Oh, yeah; the light that recently emerged.] I guess I’m concerned you might revert to your former ways and material when you no longer have your current vocal partner, your stabilizing force in the storm (which gives me this potent visual of you as a siren on a rock in the middle of a stormy sea, gleaming in golden scales with your pale hair flapping in the wind).

Rather than witness the lesser of roads taken and wait for you to either shed the glitz of “old New York” or fall hard from “glory,” I feel a need to preserve the “light” that seems to be growing or emerging from inside you, like a little seed of hope. In a world where it’s so easy to fall into bad habits and dark influences, you could change some or all of that just by maintaining your current glow.

I guess what I’m trying to say–in probably too many words–is that you need to put out an album of new “old” music (if that makes any sense). Take what you’ve learned with Tony and write new songs of similar (but potentially better) caliber. I’d like to believe you can do it. You have the opportunity to recreate Tony’s quality of music in the present time and extend its lifetime for as long as that may last. [I’ve seen other artists try and fail; Alicia Keys if I must mention a name (no offense intended to that beautiful woman).] I know, originality is at an all-time low. Even I feel the effects and want to cry out because it pains me to admit. It’s hard to create something new, right now. But, if you could, it might crack the crust on that tired, old mess clouding so many heads. It might start a creative revolution.

Just think, you could be the new song carried in the hearts of millions when they start their day and/or when a certain holiday season approaches. You could be the voice echoed in the streets. You’d be immortalized, in a good way. And, I’d rather see you glimmering in gold than covered in spikes and raw meat. Ya know? I’d rather see you inspiring others to clean themselves up than encouraging them to get down and dirty (just because the world seems to suck and it’s easier to act out like the cast of Rent).

If you think Tony’s “shine” is old and outdated, merely something you are grateful to share for a moment because the world isn’t like that old song, think again. Do you honestly believe the world was a better place when he and those before him made those old songs famous? For all we presently know, the past generations might have had a very similar share of problems, just painted a little differently. Those old songs might have been crafted to lift soiled chins up from their misery. They might have been casting illusions, but they also energized people to get moving and make a (positive) difference. Sure; right now, the world doesn’t seem like it could get any worse. It stinks. It feels doomed and gloomy. And, it’s easy to spit on it all.

You don’t have to go “full Broadway” (and merely be a new face on old “shtick”) or give up that rebellious spirit that first made you famous. That which put your name in lights can be the driving force that steels you against the muck and stale gloom of mediocrity (which seems inevitable when you think of how others quickly try to copy something another performer just did and turn it into a brief but blaring trend of the decade). But, rather than go on being a sexually explicit scandal hidden under a stage name, you could become a household name associated with class.

If you go back to a previous incarnation of yourself, you strip away all of the polish you’ve recently acquired/earned and make your time with Tony look like a sad joke. You make it all feel like a Polaroid moment with grandpa which is just as quickly tossed aside in a shoebox and, eventually, forgotten. You kiss an old man goodbye and hit the road to tag a few more fire hydrants. Is this just your summer vacation or the start of a positive, elating, inspiring revolution?

[By the way, at the end of that recent performance, when you said you were going to escort Tony off the stage one last time? I would have said, “Tony and I are going to take off, now. We’re going to party. Maybe we’ll see some of you, later.” ‘Rather than sound like that moment was…well…the (sad) end. But, I realize, again, you may have been so emotional that you couldn’t think of a better choice of words.]

You could outshine every other young gal donning a top hat and some skin-tight or suffocating outfit, trying to be the best eye candy out there…which seems hard for me to admit, considering how I feel about your past. [But, then again, look at how a prostitute like Mary Magdalene (if that is the correct spelling/person), sharing a first name with the guy’s own virgin mother, could win the heart of someone like Jesus.] I’m aware; there are others with tattoos, pretty faces (under all of the showy stage makeup) and similarly (but not quite the same quality) powerful voices who could steal your spotlight. You don’t have to let that happen.

If the emotion I witnessed in you during that recent concert was genuine, get a firm grip on that light within you and help it grow by working on new songs that emulate the quality of the ones you’ve been singing with Tony. [Am I repeating myself?] MMMaybe wait a few years to write the next New-York anthem; I think that effort has been beaten raw and seems risky, right now. But, let that infamous song inspire you. Kick up your legs like a Rockette in a recording studio and feel the happier music spring from your pores. The world might be looking like it’s at its lowest and as if humankind is just the worst, but you can find the gold in the rough and give even the slimiest of people hope.

[I just wish I had a set of lyrics to deliver rather than be one more badgering voice telling you to do something. If I had more resources, emotional support and a better situation/work environment, I probably would be crafting such songs. But, then again, forces that be might still hinder that development. There is the slim possibility that something outside our control is preventing new quality music from being written.]

As I was clashing with my fellow viewers of your (duet) performance, they actually made a decent suggestion. You could be like Tony and find an “apprentice” to help “carry the torch.” Rather than go on alone when…ya know…you could pick a new partner to be that support/balance and carry on with the same quality of music you now praise when even you have to…ya know. Just imagine…an on-going legacy of quality music that keeps a torch of hope and cheer burning in countless hearts. It’s a prospect bigger than solo fame, bigger than being a legend known by his or her name.

It’s ultimately up to you, new…er, you. New Yooou! Newww Yooooou! Yeah!

Sincerely,

Writingbolt, a rather passionate and morally-conscious artist

P.S. And, if I am completely wrong, if you have no intention of reverting to your former scandalous behavior, if that was just a breakout phase and you’ve matured beyond my comprehension, then I will just button my lip and fade away.

P.S.S. I look forward to your performance in the Gucci movie. But, why didn’t you want to meet with the woman you portray?

17
Apr
19

Who Makes a Better Jerrica Benton?

***

Who makes a better Jerrica Benton, from the 1980s Jem cartoon, if she was converted into a better live-action movie figure than the poor attempt made a few years ago? Taylor Swift or her “bad blood” rival Katy Perry?

Isn’t it ironic those two would even suggest such a thing as bad blood between them? Which only emphasizes my question and thoughts on the matter.

Now, you take Tay Swift. She’s got the height. She’s got the grace. She’s got blonde hair, even if it’s not that pale, buttery blonde Jerrica sports. But, if I had to pick a singer to match up with Jerrica Benton, in terms of behavior and appearance, I’d favor Taylor Swift. Jerrica’s wardrobe/style suits Tay. And, you see how Tay likes to fly around the world doing good deeds, sort of like Jerrica always looking for some charity to support. [While Katy is better known for kissing just about every guy you’d think was unworthy of her.]

…Then you listen to some of Katy Perry’s songs on One of the Boys album. And, I kid you not; she sounds like Jem’s singing voice (which, if you didn’t know, was not the same voice used for Jem/Jerrica dialogue). Not to mention, some of the songs would rock a Jem movie soundtrack. I get little glimpses of the Jem cartoon opening blended with a sort of music video when I listen to Katy sing. And, if you look at the piece of photo-manipulation I recently made, you can see how Katy’s face matches up with the Jerrica doll box art; I didn’t have to do much to make a photo fit. [With a rare photo of Taylor Swift that was lit well enough to fit the cartoon image on the right, I still had to do some airbrushing and blending to make the two work together.] But…Katy is a bit moody and reckless, at times, which reminds me of Pizzazz from the Misfits. [Jerrica would never pierce her nose. But, Pizzazz might…and Katy has worn a–bleh.]

So, what I am thinking…is maybe Tay plays Jerrica/Jem, and Katy plays Pizzazz. Tay has the natural beauty, grace and gentle demeanor. But…Katy has the right vocals for Jem’s singing voice, can probably rock any makeup combo a Jem character requires and morph her whole appearance to match…

Urgh. What do you think?whomakesabetterjerrricabenton-taylorswift-or-katyperry-looks-versus-vocals_jem-photo-fusion-ap-CSPP-1

25
Jan
19

Applaud AFTER the Performance, Talk-Show Morons

****

Have I mentioned how stupid talk shows (and a certain “celebrity dancing” show) can be…when they interrupt musical performances with injected “audience participation?”

Particularly “late night” talk shows that terribly interview a dwindling number of guests before featuring some musical performance which rarely gets the respect it deserves. And, that’s saying something when you see a very…unique band perform on a show hosted by a guy in a suit and tie, giving the *impression* that the show is “straight-laced.” [In other words, a screeching rock or rap group makes a white guy turn blinding-ly white in less than two minutes, and that’s not a good thing.]

But, what I am particularly bothered by at this moment is how a singer or band performs…with lousy accoustics…only to be blind-sided by a blast of applause and/or cheering, as if the staff of the show are flashing their APPLAUSE signs during the performances. If that’s what is really going on, I cannot get mad or nauseous enough to express my feelings. That is just insanely stupid. That’s like making-a-naked-dash-into-fire or shouting-in-a-library-while-standing-beside-a-sign-that-requests-silence…stupid.

Have you ever seen a musical and heard people applaud WHILE someone is singing? I could understand if it was a Whitney Houston moment and the performer hit some particular high or long note to show off. But, during some un-exceptional portion of the song?…just out-of-the-blue applause? Ridiculous.

If some holiday carolers came to my front door and started singing Silent Night, I don’t want a mob of spectators suddenly applauding during the chorus. I want to hear the performers sing.

I’m looking at you, Jimmy Corden, with your improvisational pot-baked band and excessively “touchy” interaction with guests. I’ve stopped watching most musical performances because of this problem.  [Hiii, Hagar.  🙂  You’re still okay in my book.]

I first noticed the problem with Dancing with the Stars, the modern replacement for that 1980s fad, Circus of the Stars (and its “battle” cousins), a poor attempt to put lesser-and-lesser known faces in the spotlight (until it’s no longer the stars but everyday people looking to learn how to dance on the show, like a televised dance class, if they got a fair chance to learn instead of boasting a grueling schedule littered with injuries/sickness and “drama” before leaving way too soon to make any decent lesson stick) from the ABC branch of the Disney Empire/Monopoly, a show that deserves an award for its lighting effects more than any other contribution.

Whether its during a 2-minute (or less) dance or some guest singer’s performance, there will be some oddly timed reaction from the audience. AND, IT’S SO ANNOYING!

So, if you are so fortunate to get some “free” tickets to any of these glitzy, Disney spare-no-expense (Jurassic Park reference) shows…and you see some flashing sign or feel a cattle prod under your seat pushing you to applaud or cheer, check yourself. And, if it’s not even you making the noise…if that’s some recording playing over the performance…feel sorry for yourselves.

And, shame on you, networks, for airing that crap, for contributing to the pollution of performers just trying to get some exposure. You are one Impractical Joker away from pooping in public and getting some of that crap on your own faces. You are worse than a flatulant rubber balloon or an electronic fart simulator.

Now, excuse me while I go wash the filth from my mouth. I feel like a disgusting James Brown without my cape. I feel…not good.

25
Jan
19

Perform Yourself! Background Dancers Suck.

****

Have I mentioned how background dancers annoy me? I’m quite sure this isn’t the first time I’ve felt the need to spout off about them. Cool as they may try to be, pretty as some may be, what sense do they make? And, when did this become a contageous problem? What ever happened to performers having to stop their show to get extra people off the stage?

If someone I genuinely like to hear sing has background dancers, I am inclined to turn away. I just can’t stand them nor can I understand the point of them.

If I want to watch people dance, I’ll go to a ballroom or buy a ticket to some bigger production with sole focus on dancing to music.

If someone giving a speech had a bunch of people shaking their butts next to the podium, would that make you like the orator more? Would you even hear most of what he or she says? And, what would the dancers be “saying” to enhance the speech?

I can just see a priest giving his Sunday sermon with a “choir” of dancers moving around him. I am so sure people coming to pray and hear “the good word” would appreciate that performance. I am also sure more people would be talking about the dancers than the sermon itself…which is so wrong.

I am not a fan of rap. And, if a rapper–who tries to recite a novel in a matter of minutes–has background dancers, I am not going to grasp an ounce of the “gold” they are supposedly spewing. And, I am certainly not going to buy their albums…because no magic is going to reproduce the dancing balloon butts that stole my focus…unless we’re talking about holograms. But, then, am I buying a hologram projection of pop-o-matic butt action or music I care to hear in the background of my life?

A half-dozen or more Magic-Mike-and-Ike extras are not an improvement to anyone’s performance…with the small exception of being a sports star with his or her own entourage of cheerleaders. And, even that would be distracting.

In fact, if you are dictionary-challenged, the definition of “distraction” includes a stage and a performer outnumbered by people doing something other than what the performer is doing.

[It’s like playing a video game with cheerleaders or spectators choosing to walk in front of the TV screen. How am I supposed to see what I am doing? How am I supposed to concentrate while you think you are boosting my morale? I don’t even like people talking while I am focusing on a video game; it’s very distracting. And, I only get more stressed out and upset when I lose while distracted versus losing from my own lack of skill. I cannot talk and play. So, don’t talk while I am playing…unless we’re both playing and it’s a silly game meant to be fun.

I really miss the old Atari days of two people sitting to play a simple game for points. The games never demanded more than maybe ten minutes apiece, even if you played more than a dozen games and burned through a few hours. No codes or other devices were required. And, the games were nowhere near as violent as too many modern street-crime and warfront simulators are. The concern for warping minds was nothing compared to what it is now. But, I am drifting off the subject.]

**If background dancers need to share the stage, how about having them introduce an act or follow a performance like an intermission? That would actually enhance a performer’s appeal. Make the background a foreground or aftershock to keep the good vibes going. Don’t overlap talents…if that can even be called a talent.**

Back in the day of the sequin-gloved superstar known as Michael Jackson, before things got really sad and weird with him, turning that high-voiced little black boy into a pale, disfigured scapegoat, if he had other dancers with him on stage, they moved like a unit. Or, it was more like a musical with various people doing different things on one stage. But, I cannot recall ever feeling as distracted and annoyed as I am now. I remember watching Lionel Ritchie videos, with so many colorful people moving around him, and not feeling nearly as bothered as I am, today.

[However, I was never a fan of collaborations like Run DMC and Aerosmith. It was fun for lip-synching at talent shows. But, I did not enjoy listening to that noise as much as I favored Billy Joel or Huey Lewis and the News.]

There is just something different about this modern plague of background dancers that makes me want to scream.

If you’re the main attraction on a stage, own it. Don’t share it (unless it’s a duet/group performance). And, let the “sideshow” lead the parade or cover your exit.




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