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Little Children
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Unexpectedly suspenseful, but written with all the fluency and dark humor of Tom Perrotta's The Wishbones and Joe College, Little Children exposes the adult dramas unfolding amidst the swingsets and slides of an ordinary American playground.
Tom Perrotta's thirty-ish parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the internet than with the flesh and blood in his own house; and Mary Ann, who thinks she has it all figured out, down to scheduling a weekly roll in the hay with her husband, every Tuesday at 9pm.
They all raise their kids in the kind of sleepy American suburb where nothing ever seems to happen--at least until one eventful summer, when a convicted child molester moves back to town, and two restless parents begin an affair that goes further than either of them could have imagined.
Perrotta received Golden Globe and Academy Award nominations for best screenplay for the film adaptation of Little Children, which was directed by Todd Field and starred Kate Winslet and Jennifer Connelly.
- Print length368 pages
- LanguageEnglish
- Publication dateJanuary 1, 2005
- Dimensions5.5 x 0.92 x 8.15 inches
- ISBN-100312315732
- ISBN-13978-0312315733
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Editorial Reviews
From The New Yorker
Copyright © 2005 The New Yorker
Review
“Little Children offers a generous serving of laugh-out-loud moments... Perrotta is an astute student of 21st-century suburban life. He skewers--with a light touch--everything from book clubs to personal ads to mothers worried about getting their 4-year-olds into Harvard. At the same time he locates the humanity in even the most repugnant characters. Perrotta knows the white-picket fence dream is just that. Life is disappointing, sure, but a little bit of breezily sardonic humor goes a long way to ease the pain.” ―USA Today
“The voice is so key to what's so good about the book...Little Children is certainly Perrotta's most ambitious book...it marks a leap for Perrotta, a suggestion that there may be bigger books inside him. It is also that rarity, a book that understands the mature wisdom of compromise without denying any of the accompanying melancholy.” ―Charlie Taylor, salon.com
“Perrotta isn't breaking new ground when he reveals that American suburbs are petri dishes of ennui and alienation. But the he shows admirable zeal in prosecuting the case, and he comes as close as anybody to answering a not unimportant question: If the suburbs are the perfect community, the incarnation in grass and sunlight of American affluence, then how come life there is such hell?” ―Time Magazine
“In this satirical suburban novel...Perrotta's unsparing eye registers sullen teenage skateboarders, a vicious amateur football league and a women's book group discussing Madame Bovary over goat cheese and Chardonnay...readers will await the inevitable crash with horrified glee.” ―Newsweek Magazine
“The eponymous children in this satirical novel are actually adults who, chafing at the burdens of parenthood, try to re-create their unencumbered youth...The humor is sometimes cruel, but Perrotta never betrays the complexity of his characters.” ―The New Yorker
“Like the author's Election, this book tackles serious topics--like adultery and even pedophilia--with a surprisingly light tone.” ―US Weekly Magazine
“Big Important Book of the Month...Perrotta wisely refuses to condescend to the world he satirizes, and his masterful perspective provides the reader with a breezy omniscience over the character's failures in life. The book is disarmingly funny but rueful...the book's screenplay speed makes it infinitely readable. Little Children is a brave novel...engrossing, compassionate.” ―Esquire Magazine
“What a wicked joy it is to welcome Little Children, Tom Perrotta's extraordinary novel...a sterling comic contribution...raises the question of how a writer can be so entertainingly vicious and yet so full of fellow feeling. Bracingly tender moments stud Perrotta's satire...at once suspenseful, ruefully funny and ultimately generous...What is Tom Perrotta but an American Chekov whose characters even at their most ridiculous seem blessed and enobled by a luminous human aura?” ―Will Blythe, New York Times Book Review
“Little Children will be Mr. Perrotta's breakthough popular hit...poignantly funny...What distinguishes it from run-of-the-mill suburban satire is its knowing blend of slyness and compassion.” ―Janet Maslin, New York Times Review
“The cast is so real that book groups will have a blast comparing people they know to the ones in the book. Perrotta is that rare writer equally gifted at drawing people's emotional maps...and creating sidesplitting scenes. Suburban comedies don't come any sharper.” ―People Magazine
“Tom Perrotta's Little Children made me laugh so hard I had to put it down...an effervescent new work...a gentle, sparkling satire.” ―Entertainment Weekly
“With Little Children Perrotta has moved into the suburbs with a wrecking ball. He has cooked up recipes of depravity that would curl Betty Crocker's hair. If good satire can generate a corrective jolt, this may be a deadly shock.” ―Christian Science Monitor
“Darkly comic, with a mischievous eye for absurd and intimate detail...a virtuoso set.” ―Washington Post Review
“With this, his fifth book, Tom Perrotta has to be considered one of our true genius satirists. Little Children is a great book. Hilarious (I haven't laughed out loud so much over a book in years) but also deeply compassionate and, at times, terrifying. It's both an indictment of, and an elegy to, that odd sociological construct known as suburban America. I was enthralled by every page, and damn if I didn't find myself wishing I'd written it.” ―Dennis Lehane, author of Mystic River
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Little Children
By Tom PerrottaSt. Martin's Griffin
Copyright ©2005 Tom PerrottaAll right reserved.
ISBN: 9780312315733
Chapter One
BAD MOMMYTHE YOUNG MOTHERS WERE TELLING EACH OTHER HOW TIREDthey were. This was one of their favorite topics, along with theeating, sleeping, and defecating habits of their offspring, the meritsof certain local nursery schools, and the difficulty of sticking to anexercise routine. Smiling politely to mask a familiar feeling of desperation,Sarah reminded herself to think like an anthropologist. I'ma researcher studying the behavior of boring suburban women. I am nota boring suburban woman myself.
"Jerry and I started watching that Jim Carrey movie the othernight?"
This was Cheryl, mother of Christian, a husky three-and-a-half-year-oldwho swaggered around the playground like a Mafia chieftain,shooting the younger children with any object that couldplausibly stand in as a gun-a straw, a half-eaten banana, even aBarbie doll that had been abandoned in the sandbox. Sarah despisedthe boy and found it hard to look his mother in the eye.
"The Pet Guy?" inquired Mary Ann, mother of Troy and Isabelle."I don't get it. Since when did passing gas become so hilarious?"
Only since there was human life on earth, Sarah thought, wishingshe had the guts to say it out loud. Mary Ann was one of thosedepressing supermoms, a tiny, elaborately made-up woman whodressed in spandex workout clothes, drove an SUV the size of a UPSvan, and listened to conservative talk radio all day. No matter howmany hints Sarah dropped to the contrary, Mary Ann refused tobelieve that any of the other mothers thought any less of RushLimbaugh or any more of Hillary Clinton than she did. Every daySarah came to the playground determined to set her straight, andevery day she chickened out.
"Not the Pet Guy," Cheryl said. "The state trooper with the splitpersonality."
Me, Myself, and Irene, Sarah thought impatiently. By the FarrellyBrothers. Why was it that the other mothers could never rememberthe titles of anything, not even movies they'd actually seen, whileshe herself retained lots of useless information about movies shewouldn't even dream of watching while imprisoned on an airplane,not that she ever got to fly anywhere?
"Oh, I saw that," said Theresa, mother of Courtney. A big,raspy-voiced woman who often alluded to having drunk too muchwine the night before, Theresa was Sarah's favorite of the group.Sometimes, if no one else was around, the two of them would sneaka cigarette, trading puffs like teenagers and making subversive commentsabout their husbands and children. When the others arrived,though, Theresa immediately turned into one of them. "I thoughtit was cute."
Of course you did, Sarah thought. There was no higher praise atthe playground than cute. It meant harmless. Easily absorbed. Posingno threat to smug suburbanites. At her old playground, someonehad actually used the c-word to describe American Beauty (not thatshe'd actually named the film; it was that thing with Kevin what's-his-name,you know, with the rose petals). That had been the last strawfor Sarah. After exploring her options for a few days, she hadswitched to the Rayburn School playground, only to find that it wasthe same wherever you went. All the young mothers were tired. Theyall watched cute movies whose titles they couldn't remember.
"I was enjoying it," Cheryl said. "But fifteen minutes later,Jimmy and I were both fast asleep."
"You think that's bad?" Theresa laughed. "Mike and I werehaving sex the other night, and I drifted off right in the middle ofit."
"Oh, well." Cheryl chuckled sympathetically. "It happens." "I guess," said Theresa. "But when I woke up and apologized,Mike said he hadn't even noticed."
"You know what you should do?" Mary Ann suggested. "Setaside a specific block of time for making love. That's what Lewisand I do. Every Tuesday night at nine."
Whether you want to or not, Sarah thought, her eyes straying overto the play structure. Her daughter was standing near the top of theslide, sucking on the back of her hand as Christian pummeled Troyand Courtney showed Isabelle her Little Mermaid underpants. Evenat the playground, Lucy didn't interact much with the other kids.She preferred to hang back, observing the action, as if trying tolocate a seam that would permit her to enter the social world. A lotlike her mother, Sarah thought, feeling both sorry for her daughterand perversely proud of their connection.
"What about you?" It took Sarah a moment to realize thatCheryl was talking to her.
"Me?" A surprisingly bitter laugh escaped from her mouth."Richard and I haven't touched each other for months."
The other mothers traded uncomfortable looks, and Sarah realizedthat she must have misunderstood. Theresa reached across thepicnic table and patted her hand.
"She didn't mean that, honey. She was just asking if you wereas tired as the rest of us."
"Oh," said Sarah, wondering why she always had so much troublefollowing the thread of a conversation. "I doubt it. I've neverneeded very much sleep."
Morning snack time was ten-thirty on the dot, a regimen establishedand maintained by Mary Ann, who believed that rigid adherence toa timetable was the key to effective parenting. She had placed glow-in-the-darkdigital clocks in her children's rooms, and had instructedthem not to leave their beds in the morning until the first numberhad changed to seven. She also bragged of strictly enforcing a 7 P.M.bedtime with no resistance from the kids, a claim that filled Sarahwith both envy and suspicion. She had never identified with authorityfigures, and couldn't help sensing a sort of whip-crackingfascist glee behind Mary Ann's ability to make the trains run ontime.
Still, as skeptical as she was of fanatical punctuality in general,Sarah had to admit that the kids seemed to find it reassuring. Noneof them complained about waiting or being hungry, and they neverasked what time it was. They just went about the business of theirmorning play, confident that they'd be notified when the propermoment arrived. Lucy seemed especially grateful for this small giftof predictability in her life. Sarah could see the pleasure in her eyeswhen she came running over to the picnic table with the others,part of the pack for the first time all day.
"Mommy, Mommy!" she cried. "Snack time!"
Of course, no system is foolproof, Sarah thought, rummagingthrough the diaper bag for the rice cakes she could have sworn she'dpacked before they left the house. But maybe that was yesterday? Itwasn't that easy to tell one weekday from the next anymore; theyall just melted together like a bag of crayons left out in the sun.
"Mommy?" An anxious note seeped into Lucy's voice. All theother kids had opened Ziploc bags and single-serving Tupperwarecontainers, and were busy shoveling handfuls of Cheerios and Goldfishcrackers into their mouths. "Where my snack?"
"I'm sure it's in here somewhere," Sarah told her.
Long after she had come to the conclusion that the rice cakesweren't there, Sarah kept digging through the diaper bag, pretendingto search for them. It was a lot easier to keep staring into that darkjumble of objects than to look up and tell Lucy the truth. In thebackground she heard someone slurping the dregs of a juice box.
"Where it went?" the hard little voice demanded. "Where mysnack?"
It took an act of will for Sarah to look up and meet her daughter'seyes.
"Im sorry, honey." She let out a long, defeated sigh. "Mommy can't find it."
Lucy didn't argue. She just scrunched up her pale face, clenchedher fists, and began to hyperventilate, gathering strength for the nextphase of the operation. Sarah turned apologetically to the othermothers, who were watching the proceedings with interest.
"I forgot the rice cakes," Sarah explained. "I must have left themon the counter."
"Poor thing," said Cheryl.
"That's the second time this week," Mary Ann pointed out.
You hateful bitch, Sarah thought.
"It's hard to keep track of everything," observed Theresa, whohad supplied Courtney with a tube of Go-gurt and a box of raisins.
Sarah turned to Lucy, who was emitting a series of whimpersthat were slowly increasing in volume.
"Just calm down," Sarah pleaded.
"No!" Lucy shouted. "No calm down!"
"That'll be enough of that, young lady."
"Bad mommy! I want snack!"
"It's not here," Sarah said, handing her daughter the diaper bag."See for yourself."
Fixing her mother with an evil glare, Lucy promptly turned thebag upside down, releasing a cascade of Pampers, baby wipes, loosechange, balled-up Kleenex, books, and toys onto the wood-chip-coveredground.
"Sweetie." Sarah spoke calmly, pointing at the mess. "Clean thatup, please."
"I ... want ... my ... snack!" Lucy gasped.
With that, the dam broke, and she burst into piteous tears, adesolate animal wailing that even made the other kids turn and look,as if realizing they were in the presence of a virtuoso and might beable to pick up a few pointers.
"Poor thing," Cheryl said again.
Other mothers know what to do at moments like this, Sarah thought.They'd all read the same book or something. Were you supposed toignore a tantrum and let the kid "cry herself out"? Or were yousupposed to pick her up and remind her that she was safe and wellloved? It seemed to Sarah that she'd heard both recommendationsat one time or another. In any case, she knew that a good parentwould take some sort of clearheaded action. A good parent wouldn'tjust stand there feeling clueless and guilty while her child howled atthe sky.
"Wait." It was Mary Ann who spoke, her voice radiating suchundeniable adult authority that Lucy immediately broke off crying,willing to hear her out. "Troy, honey? Give Lucy your Goldfish."
Troy was understandably offended by this suggestion. "No," he said, turning so that his body formed a barrier betweenLucy and his snack.
"Troy Jonathan." Mary Ann held out her hand. "Give me thoseGoldfish."
"But Mama," he whimpered. "It's mine."
"No backtalk. You can share with your sister."
Reluctantly, but without another word of protest, Troy surrenderedthe bag. Mary Ann immediately bestowed it upon Lucy, whoseface broke into a slightly hysterical smile.
"Thank you," Sarah told Mary Ann. "You're a lifesaver."
"It's nothing," Mary Ann replied. "I just hate to see her sufferlike that."
Not that they would, but if any of the other mothers had askedhow it was that Sarah, of all people, had ended up married, livingin the suburbs, and caring full-time for a small child, she would haveblamed it all on a moment of weakness. At least that was how shedescribed it to herself, though the explanation always seemed a bitthreadbare. After all, what was adult life but one moment of weaknesspiled on top of another? Most people just fell in line like obedientlittle children, doing exactly what society expected of them atany given moment, all the while pretending that they'd actuallymade some sort of choice.
But the thing was, Sarah considered herself an exception. Shehad discovered feminism her sophomore year in college-this wasback in the early nineties, when a lot of undergraduate women weremoving in the opposite direction-and the encounter had left herprofoundly transformed. After just a few weeks of Intro to Women'sStudies, Sarah felt like she'd been given the key to understanding somany things that were wrong with her life-her mother's persistentdepression, her own difficulty making and keeping female friends,the alienation she sometimes felt from her own body. Sarah embracedCritical Gender Studies with the fervor of a convert, takingfrom it the kind of comfort other women in her dorm seemed toderive from shopping or step aerobics.
She enlisted at the Women's Center and spent the second halfof her college career in the thick of a purposeful, socially aware,politically active community of women. She volunteered at the RapeCrisis Hotline, marched in Take Back the Night rallies, learned todistinguish between French and Anglo-American feminism(s). By senioryear, she had cut her hair short, stopped shaving her legs, andbegun attending Gay, Lesbian, and Bisexual dances and social events.Two months before graduation, she dove headlong into a passionateaffair with a Korean-American woman named Amelia, who washeaded for med school in New York City in the fall. It was a thrillingtime for Sarah, the perfect culmination to her undergraduate voyageof self-discovery.
And then-suddenly and with astonishing finality-college wasover. Amelia moved back to Westchester to spend the summer withher family. Sarah stayed in Boston, taking a job at Starbucks to paythe rent while she figured out what to do next. They visited eachother twice that summer, but for some reason couldn't recapturewhat had so recently been an effortless rhythm of togetherness. Onthe day before Sarah was supposed to visit her in her new dorm,Amelia called and said maybe it would be best if they didn't seeeach other anymore. Medical school was overwhelming; she didn'thave the space in her life for a relationship.
Sarah had nothing in her life but space, but she didn't get involvedwith anyone else for almost a year, and when she did it waswith a man, a charismatic barista who did stand-up comedy and saidhe liked everything about her but her hairy legs. So Sarah startedshaving again, got fitted for a diaphragm, and spent a lot of time incomedy clubs, listening to tired jokes about the difference betweenmen (they won't ask for directions!) and women (they want to talkafter sex!). When she tried to explain her objections to humor basedon sexist stereotypes, Ryan suggested that she extract the metal rodfrom her ass and lighten up a little.
Along with dumping Ryan, applying to graduate school seemedlike the perfect solution for escaping the rut she was in-a way torecapture the excitement of college while also making a transitioninto a recognizable version of adulthood. She cultivated an image ofherself as a young professor, a feminist film critic, perhaps. Shewould be a mentor and an inspiration to girls like herself, the quietones who'd sleepwalked their way through high school, knowingnothing except that they couldn't possibly be happy with any of thechoices the world seemed to be offering them.
Within a couple of weeks of starting the Ph.D. program,though, she discovered that she'd booked passage on a sinking ship.There aren't any jobs, the other students informed her; the profession'sglutted with tenured old men who won't step aside for thenext generation.
Continues...
Excerpted from Little Childrenby Tom Perrotta Copyright ©2005 by Tom Perrotta. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : St. Martin's Griffin
- Publication date : January 1, 2005
- Edition : First Edition
- Language : English
- Print length : 368 pages
- ISBN-10 : 0312315732
- ISBN-13 : 978-0312315733
- Item Weight : 14.4 ounces
- Dimensions : 5.5 x 0.92 x 8.15 inches
- Best Sellers Rank: #324,473 in Books (See Top 100 in Books)
- #713 in Contemporary Literature & Fiction
- #4,886 in Literary Fiction (Books)
- #7,218 in American Literature (Books)
- Customer Reviews:
About the author

Thomas R. Perrotta (born August 13, 1961) is an American novelist and screenwriter best known for his novels Election (1998) and Little Children (2004), both of which were made into critically acclaimed, Academy Award-nominated films. Perrotta co-wrote the screenplay for the 2006 film version of Little Children with Todd Field, for which he received an Academy Award nomination for Best Adapted Screenplay. He is also known for his novel The Leftovers (2011), which has been adapted into a TV series on HBO.
Bio from Wikipedia, the free encyclopedia.
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- 5 out of 5 stars
No Moral Compass in Land of Suburban Children
Reviewed in the United States on April 24, 2004What made the 1999 film Election, based on Tom Perrotta's novel of the same name, was the way we saw suburban, middle-class characters suffering the disparity between their grand aspirations and their unfulfilled longings as they languished in their miserable marriages, their hellish sense of loneliness, and their personal frustration as they never lived up to whatever excitement, career success, and romance they believed they deserved in their lives. Now comes Perrotta's novel The Little Children, which in many ways is even more ambitious and relevant social commentary than his entertaining novel Election. Like the stories of John Cheever, Perrotta's novel shows that there is no suburban Eden. It is rather a place seething with infantile lusts, narcissism, arrested emotional development, and all kinds of tomfoolery that keep the novel from taking itself too seriously. For all the serious subject matter, this novel departs from Cheever in terms of tone. Whereas Cheever deals with suburban ennui with somberness and subtle irony, Perrotta prefers the comic romp. We see Todd, unhappily married to a wife who dotes on her child at the expense of giving her husband any attention, leaving him sexually starved. We see Sarah, from another marriage, who, failing as a professor of women's studies and working in a Starbuck's, marries for reasons of financial security and convenience and ends up having an affair with Todd whom she meets at the park playground where many adults take their kids to play. Perhaps the most grotesque character who comes close to being a cartoon figure is busy-body Larry, a macho retired cop who, bored with his early retirement, intrudes on the life of a released sex criminal, becoming in many ways more of a nuisance than the pariah who infests the neighborhood. The scenes where Larry pressures the namby-pamby Todd to play hardcore park football with Larry's Marine buddies is hilarious and gives the novel, which is so full of many sobering themes about dysfunctional suburbia, great comic relief. As many have said, The Little Children is about adults who wear a mask of bravado and assuredness to conceal that behind all their middle-class trappings and domestic comforts, they are little more than frightened children who, without a moral compass, have lost their way.
14 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 4 out of 5 stars
An Interesting Perspective
Reviewed in the United States on March 24, 2005The lesson I gathered from LITTLE CHILDREN is that from the perspective of author, Tom Perrotta, most people are hitchhikers with no destination; they accept rides from strangers and go wherever that ride takes them for good or for ill. More specifically, most people only pretend to know what they're doing, pretend they've made choices. All that these people have really chosen, Perrotta seems to be saying, is misery and confusion. It's a story about seeing versus blindness. Beauty can blind us to faults and imperfections. And an unattractive exterior can likewise obscure the human sameness of one person to another. We can choose not to see the truth about others. Just as easily, we can hide who we truly are even from ourselves.
In LITTLE CHILDREN, Perrotta puts the housemother story on its head with handsome housedad, Todd. Todd takes his 3-year old son, Aaron to the park, plays with him, sings Raffi songs with him and actually likes it! When Sarah, mother of 3-year old, Lucy tells him that the other mothers call him the `Prom King,' he is as pleased as Sarah would be if someone were to call her a `suburban woman.'
Where you may find a problem calling Todd and Sarah a hero or heroine, is probably at the same crossroads in the story that I began to feel a little conflicted (which a-c-t-u-a-l-l-y takes place pretty early on in the story). It may be that where you come out on the moral conflict presented by the relationship between Todd and Sarah will decide whether you like LITTLE CHILDREN. I hope not, because I think it has independent value notwithstanding that.
When the story begins, Todd is supposed to be preparing to take the bar exam...for the third time. His gorgeous wife, Kathy is an up-and-coming director ready to have Todd become "a successful lawyer, making enough money to support the family in the style she believed they deserved to live, while at the same time freeing her to have more children (and more child care), and to work only when she wanted, and only on projects she believed in." She doesn't care that Todd doesn't want to be a lawyer (and never really did)...or that in lieu of passing the bar he's really learned how to grill a mean salmon fillet.
Meanwhile, Sarah is living a life that she blames on one "moment of weakness." There is no other way for Sarah to explain how she ended up married to a man with questionable sexual habits/fetishes. And though she tries to fit into the cookie-cutter suburban lifestyle, Sarah's tendency to forget to pack her daughter's snack every once and awhile as well as the fact that she has not perfected the art of being tired and complaining about it like the other mothers, makes it unlikely that she will ever be anything but an outcast among this exclusive set.
The questions I had to ask myself were: (1) Is Sarah an adulterous, immoral fool or a courageous heroine, brave enough to search for love-to want more for herself (your answer may change a couple times between the beginning and the ending); and (2) Is Todd just an immoral jerk looking for someone who will validate him, someone with lower standards, or his he lost...finding that he is not what anyone would have expected him to be?
Perrotta has obviously come to some very wise understandings about the world. He sees that lots of people do not make choices, but act like children and go wherever the wind blows. Perrotta also describes those mundane, smaller details of human behavior and interactions with a realism and attention to detail that makes you wonder if he's been spying on you: while you chatted with your mother, when you failed the bar or when you've spent all day at home with the kids, daddy (in this case, mommy) walks in and they forget all about you....
I loved some things about LITTLE CHILDREN: (1) partly because Todd (gender and a few other things aside) is living my life, and Perrotta told the story so realistically; (2) because of the surprising way that Perrotta has of putting a thing: you've felt that way before but have never had it expressed so clearly; and (3) because of the way that I was made to feel a connection to each character. Even if their existence in the story was simply to serve as a contrast/foil or to say something that Perrotta wanted to say, none of them were wasted. The ending however, felt incomplete. Maybe it was supposed to leave the reader with an unsatisfied, unfinished feeling, as this entire book seems to be a reminder that life isn't full of perfect fairytale endings. Even so I give LITTLE CHILDREN four stars instead of five because of an ending that felt too easy and a little discordant.
Will Really Make You Think.
18 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 3 out of 5 stars
The Book Didn't Hold Together For Me
Reviewed in the United States on November 4, 2013I picked up "Little Children" having read a number of Tom Perrotta's newer books and although the story was pretty decent and moved along quickly, I found that some elements didn't really hold together super well and made the book somewhat jerky to read. The book itself is about a collection of eclectic individuals who live in a typical suburban setting and somehow get together, sleep with each other's spouses, and pretty much ruin their families. Sarah is my mind is the most interesting and character. She is a granola-like feminist who isn't happy with her job or her husband who watches porn all day on his computer. She gets together with Todd who is a stay at home dad known as the Prom King as they meet every day at the pool and then spend more and more time together at home while their kids sleep. The most controversial character is Ronnie who is back from prison after committing acts of pedophilia. The question you end up asking yourself for most of the book is "for how long does someone have to pay for that sort of sin." We learn more about Ronnie as the book leads to its explosive end thanks to a vigilante neighbor of Ronnie's. Again, this was a pretty decent book but it could have been much tighter. I do recommend it for fans of Tom Perrotta as it is very much like his other books.
3 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
This is the "Seinfeld" of books: a novel about nothing
Reviewed in the United States on August 27, 2017This is my second Perrotta novel - in a row. I picked it to see if my impression of the first was right. It was. The characters are well portrayed as so ordinary they could be my neighbors. There is no foreign intrigue, no government agents, no crime, no unusual jobs, no hidden secrets, no special powers, no guns, threats or whatever. Just people living their lives in middle class, suburban housing developments. Yet there is drama in our lives and boy does Perrotta describe it, in a way that keeps us focused and wanting to see how it all turns out. His word pictures are so vivid that I felt like a voyeur. There's no big ending/reveal to the story. It just plays itself out and stops. Like an episode of "Seinfeld."
23 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 4 out of 5 stars
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Reviewed in the United States on April 16, 2025It’s interesting. I’ve read it a number of times over the years. It’s also memorable to me because of one weird detail (not a spoiler). A main character in this story buys exactly ONE (1) swimsuit (it’s described in detail as well as the entire process of picking it out and ordering the swimsuit) and proceeds to wear that ONE (1) swimsuit every day for basically the entire story. Not multiple suits with the same design- that exact swimsuit, every single day. It’s akin to wearing the same underwear every day for months. Is she washing it by hand every night? Does no one find it odd that she is clearly wearing this exact suit for months? We know specifically that she can afford to buy more. A literary mystery.
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Losers of the Junior League and their Lost Husbands
Reviewed in the United States on May 1, 2004What a wonderful and restrained depiction of suburban hypocrisy, self-delusion, and maddening frustration. The characters are comical, tragic, pathetic, and as close as you and me. This book reads like an intimate peek inside the empty heads of all those fellow suburbanites we see at the park, all those folks we really don't want to get to know because they are no one's heroes or role models. The GAP-clad dads and aerobic&yoga moms crowd may be an easy target, but Perrotta has his sights set on them with a joyous, and nearly sadistic, piercing eye. He revels in their petty problems and he views them with an embarrassingly self-observant perspective. By turns funny and disturbing, this absorbing tale has us fascinated because it gives us so much insight into our friends and neighbors, and dare I say it, ourselves. If Rick Moody captured the deluded 70s suburb parents with his classic Ice Storm (don't miss the movie), Perrotta does it in spades with his sad, understated tale of our current friends at the playground and preschool.
4 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 4 out of 5 stars
Pretty good picture of suburban america
Reviewed in the United States on February 22, 2008I really enjoyed Little Children. It does a good job of capturing some of the desperation and apathy that hides under the squeaky clean surface of middle class suburban America. Perrotta does a good job of capturing his various characters, from a suburban housewife to a child molester, and the story is complex yet simple enough that any reader knows a similar tale.
I will say that all of the characters in the novel are archetypes, but the author seems to know this, by referring to characters by their stereotypes.
One person found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 3 out of 5 stars
A Contemporary John Updike?
Reviewed in the United States on August 18, 2017This book was good enough that I just ordered Tom Perrota Mrs. Fletcher. Perceptive and enjoyable writing, some fun similes, and I thought the portrayal of the suburbs and the characters were well drawn (except, okay, we get that Todd is handsome, enough already). However, some of the scenes were not believable, for example, the kiss between strangers in front of their kids and friends, particularly in a suburban gossip-hothouse environment, where that news would have travelled like greased lightning to their spouses. Plus having an affair openly in the community with kids who are of talking age. Plus the open harassment that didn't garner a restraining order. Another drawback for me was the seemingly never-ending football play-by-play, since I'm not a fan. I could understand a scene or two where he gets crunched or has a great play, but it got tedious. And the ending... all kinds of set-up and great potential for multiple resolutions but the finish is dull with loose ends, such as what happened to Todd's letter? I wasn't sure if it was delivered as planned, or not.
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Top reviews from other countries
pulpfiction5 out of 5 starsModern Classic
Reviewed in India on June 4, 2018My first Tom Perrota novel has beaten expectations. I might even predict this is Nobel prize quality.
The author has woven an engaging story in a small white American town living in times of endless hedonistic possibilities yet imprisoned by the ever-present norms of Puritanism. In the end one is left with a deep sadness for nearly all the characters who somehow seem to be only little children looking grown-up. I congratulate the author on his brilliant restraint.
Saying more would give away the plot.
Happy reading!
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Kindle Customer5 out of 5 starsGreat stuff.
Reviewed in the United Kingdom on May 9, 2016I watched the film at least a year ago but always feel more loyal to the book. In this case, despite very different endings I'd say they're both worth the time.
As a mother of young children and wife there were moments and thoughts and situations that brought a wry smile to my face while reading.
I like Sarah, I think we could be friends (if she were real!)
I struggled a bit with the American football as I'm not familiar with the terminology but it was written well enough to get me through.
Perrotta is a high quality but utterly readable novelist dealing with weighty issues with a deft hand. Humour, tragedy, the whole shebang is in Little Children.
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Maria J5 out of 5 starsGreat value! Thanks
Reviewed in Canada on February 13, 2015Condition of item as described... Great value! Thanks!
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Ronaldo García4 out of 5 starsCompelling history
Reviewed in Mexico on April 24, 2026What a ride!
Even thought these type of stories have been written so many times, Perrotta shows a different side and he gives his characters so many nuances that you discover yourself immerse in their daily problems and dilemmas.
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rmt.nicoleg4 out of 5 starsPretty good....
Reviewed in Canada on December 29, 2012This one was actually pretty good. I got it on sale and was a little skeptical as to whether or not I would like it (the synopsis didn't sound THAT good), but I did! :)
I loved the realness of the characters- the cattiness & bitchiness of the "park moms," the way Sarah felt towards her husband, the way Todd felt about his life.... All of it, all of the details and the conflicts (both, between different people and the internal conflicts of certain characters) seemed entirely plausible and real. I even loved the ending, although it's not what I was rooting for (as I'm sure most people feel about it).
I would definitely recommend this book- it's a fairly quick read and great for a rainy night, curled up by the fire! (A little too 'dark' for a beach-read, in my opinion.)
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