Ivana > Ivana's Quotes

“And America, too, is a delusion, the grandest one of all. The white race believes--believes with all its heart--that it is their right to take the land. To kill Indians. Make war. Enslave their brothers. This nation shouldn't exist, if there is any justice in the world, for its foundations are murder, theft, and cruelty. Yet here we are.”
― Colson Whitehead, The Underground Railroad

“vi skulle bli 2pac og zlatan og jordan og tyson og elden og banksy og gründer som musk så det var ikke drømmer vi mangla men håp og derfor vi er her i dag og blir chapo”
― Oliver Lovrenski, Da vi var yngre

“They were watching, out there past men's knowing, where stars are drowning and whales ferry their vast souls through the black and seamless sea.”
― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West

“Girls love each other like animals. There is something ferocious and unself-conscious about it. We don't guard ourselves like we do with boys. No one trains us to shield our hearts from each other. With girls, it's total vulnerability from the beginning. Our skin is bare and soft. We love with claws and teeth and the blood is just proof of how much. It's feral.

And it's relentless.”
― Leah Raeder, Black Iris

“The truth is that I’ve spent all my life with my binoculars trained on the Maybe Islands, a pristine place of fantasy that is really no better than the razor-rocks of misery. Maybe if I had stayed on the farm… maybe if I hadn’t gone with Spike… maybe if I could have lived more peaceably… maybe if I’d met the right person years ago, maybe if I hadn’t done this, or that or, its cousin, the other. Maybe, baby, the promised land was there and I missed it. Look at it glittering in the light. But the truth is I am inventing the maybe. I can only make the choices I make, so why torture myself with what I might have done, when all I can handle is what I have done. The Maybe Islands are hostile to human life.”
― Jeanette Winterson, The Stone Gods

“The furies are at home
in the mirror; it is their address.
Even the clearest water,
if deep enough can drown.
Never think to surprise them.
Your face approaching ever
so friendly is the white flag
they ignore. There is no truce

with the furies. A mirror’s temperature
is always at zero. It is ice
in the veins. Its camera
is an X—ray. It is a chalice

held out to you in
silent communion, where gaspingly
you partake of a shifting
identity never your own.”
― R. S. Thomas

“Despite the mountain of gold that has been built downtown, Los Angeles remains vulnerable to the same explosive convergence of street anger, poverty, environmental crisis, and capital flight that made the early 1990s its worth crisis period since the early Depression.”
― Mike Davis, City of Quartz: Excavating the Future in Los Angeles

“At the end of the day, the best measure of the humanity of any society is the life and happiness of its children. We live in a rich society with poor children, and that should be intolerable.”
― Mike Davis, City of Quartz: Excavating the Future in Los Angeles

“The place to improve the world is first in one's own heart and head and hands, and then work outward from there.”
― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values

“The human race sleepwalked to oblivion, thinking only of the corporate logos on it's shroud.”
― J.G. Ballard, Kingdom Come

“The young man walks by himself, fast but not fast enough, far but not far enough (faces slide out of sight, talk trails into tattered scraps, footsteps tap fainter in alleys); he must catch the last subway, the streetcar, the bus, run up the gangplanks of all the steamboats, register at all the hotels, work in the cities, answer the wantads, learn the trades, take up the jobs, live in all the boardinghouses, sleep in all the beds. One bed is not enough, one job is not enough, one life is not enough. At night, head swimming with wants, he walks by himself alone.”
― John Dos Passos, The 42nd Parallel

“*MOJ GROB*

U planini mrkoj nek mi bude hum,
Nad njim urlik vuka, crnih grana šum,

Ljeti vječan vihor, zimi visok snijeg,
Mûku moje rake nedostupan bijeg.

Visoko nek stoji, ko oblak i tron,
Da ne dopre do njeg hiskog tornja zvon,

Da ne dopre do njeg pokajnički glas,
Strah obraćenika, molitve za spas.

Neka šikne travom, uz trnovit grm,
Besput da je do njeg, neprobojan, strm.

Nitko da ne dođe, do prijatelj drag, -
I kad se vrati, nek poravna trag.”
― Ivan Goran Kovačić

“Why do I know I exist if I also know I will not? Why was I given access to logical space and the mathematical structure of the world? Just to lose them when my body is destroyed? Why do I wake up in the night with the thought that I will die, why do I sit up, drenched in sweat, and scream and slap myself and try to suppress the thought that I will disappear for all eternity, that I will never be again, to the end of time? Why will the world end with me? We age: we stand quietly in line with those condemned to death. We are executed one after the other in a sinister extermination camp. We are first stripped of our beauty, youth, and hope. We are next wrapped in the penitential robe of illness, weariness, and decay. Our grandparents die, our parents are executed in front of us, and suddenly time gets short, you suddenly see your reflection in the axeblade.

And only then do you realize you are living in a slaughterhouse, that generations are butchered and swallowed by the earth, that billions are pushed down the throat of hell, that no one, absolutely no one escapes. That not one person that you see coming out of the factory gates in a Mélies film is still alive. That absolutely everyone in an eighty-year-old sepia photograph is dead. That we all come into this world from a frightening abyss without our memories, that we suffer unimaginably on a speck of dust, and that we then perish, all in a nanosecond, as though we had never lived, as though we had never been.”
― Mircea Cărtărescu, Solenoid

“Perhaps all we want from reading is to return to that age when we could hold a book and cry, to that time between childhood and adolescence, the sweetest era of our lives.”
― Mircea Cărtărescu, Solenoid

“Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings.”
― Karl Ove Knausgård, Min kamp 1

“...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”
― John Steinbeck, The Grapes of Wrath

“Nothing happened today. And if anything did, I’d rather not talk about it, because I didn’t understand it.”
― Roberto Bolaño, The Savage Detectives