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  • #151
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #152
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #153
    Donna Tartt
    “I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”
    Donna Tartt, The Secret History

  • #154
    Donna Tartt
    “There is nothing wrong with the love of Beauty. But Beauty - unless she is wed to something more meaningful - is always superficial.”
    Donna Tartt, The Secret History

  • #155
    Donna Tartt
    “Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
    Donna Tartt, The Secret History

  • #156
    John Steinbeck
    “A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more.”
    John Steinbeck, East of Eden

  • #157
    John Steinbeck
    “It would be absurd if we did not understand both angels and devils, since we invented them.”
    John Steinbeck, East of Eden

  • #158
    Taylor Jenkins Reid
    “They can’t make us go away just
    because they are done with us”
    Taylor Jenkins Reid, Carrie Soto Is Back

  • #159
    Taylor Jenkins Reid
    “My heart hurts when you hurt because you are my heart.”
    Taylor Jenkins Reid, Carrie Soto Is Back

  • #160
    Taylor Jenkins Reid
    “My older self knows that you must stop—in the middle of the chaos—to take in the world around you. To breathe in deeply, smell the sunscreen and the rubber of the ball, let the breeze blow across your neck, feel the warmth of the sun on your skin. In this respect, I love the way the world has aged me.”
    Taylor Jenkins Reid, Carrie Soto Is Back

  • #161
    Taylor Jenkins Reid
    “If she knew how often I was thinking about her, she wouldn't feel lonely.”
    Taylor Jenkins Reid, Daisy Jones & The Six

  • #162
    Octavia E. Butler
    “I'm trying to speak--to write-the truth. I"m trying to be clear. I'm not interested in being fancy, or even original. Clarity and truth will be plenty, if I can only achieve them.”
    Octavia E. Butler, Parable of the Sower

  • #163
    Clarissa Pinkola Estés
    “It is worse to stay where one does not belong at all than to wander about lost for a while and looking for the psychic and soulful kinship one requires”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #164
    Kaveh Akbar
    “The performance of certainty seemed to be at the root of so much grief. Everyone in America seemed to be afraid and hurting and angry, starving for a fight they could win. And more than that even, they seemed certain their natural state was to be happy, contented, and rich. The genesis of everyone’s pain had to be external, such was their certainty. And so legislators legislated, building border walls, barring citizens of there from entering here. “The pain we feel comes from them, not ourselves,” said the banners, and people cheered, certain of all the certainty. But the next day they’d wake up and find that what had hurt in them still hurt.”
    Kaveh Akbar, Martyr!

  • #165
    James Baldwin
    “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.”
    James Baldwin

  • #166
    James Baldwin
    “I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
    James Baldwin, The Fire Next Time

  • #167
    James Baldwin
    “I love America more than any other country in the world and, exactly for this reason, I insist on the right to criticize her perpetually.”
    James Baldwin

  • #168
    James Baldwin
    “I can't believe what you say, because I see what you do.”
    James Baldwin

  • #169
    Kaveh Akbar
    “He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.”
    Kaveh Akbar, Martyr!

  • #170
    Gabrielle Zevin
    “She unlocked the door, and they walked through to the small backyard. It was fall, and two of their three fruit trees were in season: a Fuyu persimmon tree and a guava tree. “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit.” Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. “Can you believe our luck?” Marx said. “We bought a house with a tree that has my actual favorite fruit.” Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. “Shouldn’t you wash that?” Sadie asked. “It’s our tree. Nothing’s touched it except my grimy hand,” Marx said. “What about the birds?” “I don’t fear the birds, Sadie. But you should have one of these.” Marx stood, and he picked another fruit for himself and one for her. He walked over to the hose at the side of the house, and he rinsed the persimmon. He held out the fruit to her. “Eat up, my love. Fuyus only yield every other year.” Sadie took a bite of the fruit. It was mildly sweet, its flesh somewhere between a peach and a cantaloupe. Maybe it was her favorite fruit, too?”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow



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