Lindsea > Lindsea's Quotes

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  • #272
    Mona van Duyn
    “The world's perverse, but it could be worse.”
    Mona Van Duyn

  • #273
    Armistead Maupin
    “Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool!”
    Armistead Maupin, More Tales of the City

  • #274
    “Do your thing and don't care if they like it.”
    Tina Fey, Bossypants

  • #275
    Lorraine Hansberry
    “The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.”
    Lorraine Hansberry

  • #276
    Kurt Vonnegut Jr.
    “Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.”
    Kurt Vonnegut, A Man Without a Country

  • #277
    Michael Chabon
    “Drunk, Jane spoke as though she were Nancy Drew. I was a fool for a girl with a dainty lexicon.”
    Michael Chabon, The Mysteries of Pittsburgh

  • #278
    Christopher Marlowe
    “Make me immortal with a kiss.”
    Christopher Marlowe, Doctor Faustus and Other Plays

  • #279
    Chuck Klosterman
    “Art and love are the same thing: It’s the process of seeing yourself in things that are not you.”
    Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

  • #280
    Benjamin Franklin
    “Either write something worth reading or do something worth writing.”
    Benjamin Franklin

  • #281
    Winston S. Churchill
    “Nothing in life is so exhilarating as to be shot at without result.”
    Winston Churchill

  • #282
    Josephine Winslow Johnson
    “The earth was overwhelmed with beauty and indifferent to it, and I went with a heart ready to crack for its unbearable loveliness.”
    Josephine Winslow Johnson, Now in November

  • #283
    Anna Akhmatova
    “You will hear thunder and remember me,
    and think: she wanted storms...”
    Anna Akhmatova

  • #284
    Johann Wolfgang von Goethe
    “I bid the chords sweet music make,
    And all must follow in my wake.”
    Johann Wolfgang von Goethe

  • #285
    Walt Whitman
    “I am large, I contain multitudes”
    Walt Whitman, Leaves of Grass

  • #286
    Elizabeth Gilbert
    “This is a good sign, having a broken heart. It means we have tried for something.”
    Elizabeth Gilbert, Eat, Pray, Love

  • #287
    Kiran Desai
    “The present changes the past. Looking back you do not find what you left behind.”
    Kiran Desai, The Inheritance of Loss

  • #288
    Charles Lamb
    “Of all sound of all bells... most solemn and touching is the peal which rings out the Old Year.”
    Charles Lamb

  • #289
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #290
    Gillian Flynn
    “People love talking, and I have never been a huge talker. I carry on an inner monologue, but the words often don't reach my lips.”
    Gillian Flynn, Gone Girl

  • #291
    Gillian Flynn
    “She’s easy to like. I’ve never understood why that’s considered a compliment - that just anyone could like you.”
    Gillian Flynn, Gone Girl

  • #292
    Gillian Flynn
    “I waited patiently - years - for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we'd say, Yeah, he's a Cool Guy.”
    Gillian Flynn, Gone Girl

  • #293
    Gillian Flynn
    “I felt a queasy mixture of relief and horror: when you finally stop an itch and realize it’s because you’ve ripped a hole in your skin.”
    Gillian Flynn, Gone Girl

  • #294
    Gillian Flynn
    “It is a do-it-yourself era: health care, real estate, police investigation. Go online and f*ing figure it out for yourself because everyone’s overworked and understaffed.”
    Gillian Flynn, Gone Girl

  • #295
    Warsan Shire
    “My alone feels so good, I'll only have you if you're sweeter than my solitude.”
    Warsan Shire

  • #296
    Warsan Shire
    “you are a horse running alone
    and he tries to tame you
    compares you to an impossible highway
    to a burning house
    says you are blinding him
    that he could never leave you
    forget you
    want anything but you
    you dizzy him, you are unbearable
    every woman before or after you
    is doused in your name
    you fill his mouth
    his teeth ache with memory of taste
    his body just a long shadow seeking yours
    but you are always too intense
    frightening in the way you want him
    unashamed and sacrificial
    he tells you that no man can live up to the one who
    lives in your head
    and you tried to change didn't you?
    closed your mouth more
    tried to be softer
    prettier
    less volatile, less awake
    but even when sleeping you could feel
    him travelling away from you in his dreams
    so what did you want to do love
    split his head open?
    you can't make homes out of human beings
    someone should have already told you that
    and if he wants to leave
    then let him leave
    you are terrifying
    and strange and beautiful
    something not everyone knows how to love.”
    Warsan Shire

  • #297
    Warsan Shire
    “two people who were once very close can
    without blame
    or grand betrayal
    become strangers.
    perhaps this is the saddest thing in the world.”
    Warsan Shire

  • #298
    Warsan Shire
    “how far have you walked for men who’ve never held your feet in their laps?
    how often have you bartered with bone, only to sell yourself short?
    why do you find the unavailable so alluring?
    where did it begin? what went wrong? and who made you feel so worthless?
    if they wanted you, wouldn’t they have chosen you?
    all this time, you were begging for love silently, thinking they couldn’t hear you, but they smelt it on you, you must have known that they could taste the desperate on your skin?
    and what about the others that would do anything for you, why did you make them love you until you could not stand it?
    how are you both of these women, both flighty and needful?
    where did you learn this, to want what does not want you?
    where did you learn this, to leave those that want to stay?”
    Warsan Shire



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