Heather > Heather's Quotes

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  • #121
    Wendy   Walker
    “I think there are two types of people. Ones who have a scream inside them and ones who don’t.”
    Wendy Walker, Emma in the Night

  • #122
    Frances de Pontes Peebles
    “If remembering tells us who we are, then forgetting keeps us sane. If we recalled every song we’d ever heard, every touch we’d ever felt, every pain no matter how small, every sadness no matter how petty, every joy no matter how selfish, we could surely lose our minds.”
    Frances de Pontes Peebles, The Air You Breathe

  • #123
    Frances de Pontes Peebles
    “It’s always easier to think that your intentions are just as important as the outcome, but this isn’t true. The outcome is everything. The outcome is what you live with.”
    Frances de Pontes Peebles, The Air You Breathe

  • #124
    Shobha   Rao
    “We girls. Afraid of the wrong things, at the wrong times. Afraid of a burned face, when outside, outside waiting for you are fires you cannot imagine. Men, holding matches up to your gasoline eyes. Flames, flames all around you, licking at your just-born breasts, your just-bled body. And infernos. Infernos as wide as the world. Waiting to impoverish you, make you ash, and even the wind, even the wind. Even the wind, my dear, she thought, watching you burn, willing it, passing over you, and through you. Scattering you, because you are a girl, and because you are ash.”
    Shobha Rao, Girls Burn Brighter

  • #125
    Terese Marie Mailhot
    “When you told me that I want too much, I considered how much you take.”
    Terese Marie Mailhot, Heart Berries

  • #126
    Kate Morton
    “Human beings are curators. Each polishes his or her own favored memories, arranging them in order to create a narrative that pleases. Some events are repaired and buffed for display; others are deemed unworthy and cast aside, shelved belowground in the overflowing storeroom of the mind. There, with any luck, they are promptly forgotten. The process is not dishonest: it is the only way that people can live with themselves and the weight of their experiences.”
    Kate Morton, The Clockmaker's Daughter

  • #127
    Ali Smith
    “There's always, there'll always be, more story. That's what story is.”
    Ali Smith, Autumn

  • #128
    Ali Smith
    “Forgetting it is important. We do it on purpose. It means we get a bit of a rest. Are you listening? We have to forget. Or we’d never sleep ever again.”
    Ali Smith, Autumn

  • #129
    Ocean Vuong
    “Too much joy, I swear, is lost in our desperation to keep it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #130
    Ocean Vuong
    “I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #131
    Ocean Vuong
    “To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #132
    Kali Fajardo-Anstine
    “As we drove home, I glanced at her worn-out face resting against the window and I felt something unknowable about Sabrina, some sadness at her core that moved between us like a sickness. Where did it come from? Or had it always been there, growing inside of her, filling her lungs with it's liquid weight. "Sabrina," I whispered, tapping her shoulder, but she was already asleep, and for the first time in my life, I missed someone sitting right beside me.”
    Kali Fajardo-Anstine, Sabrina & Corina

  • #133
    Donna Tartt
    “A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
    Donna Tartt, The Goldfinch

  • #134
    Donna Tartt
    “But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.”
    Donna Tartt, The Goldfinch

  • #135
    Donna Tartt
    “Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?”
    Donna Tartt, The Goldfinch

  • #136
    Donna Tartt
    “And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and I want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.”
    Donna Tartt, The Goldfinch

  • #137
    Donna Tartt
    “What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?”
    Donna Tartt, The Goldfinch

  • #138
    William Kent Krueger
    “Everything that’s been done to us we carry forever. Most of us do our damnedest to hold on to the good and forget the rest. But somewhere in the vault of our hearts, in a place our brains can’t or won’t touch, the worst is stored, and the only sure key to it is in our dreams.”
    William Kent Krueger, This Tender Land

  • #139
    Miranda July
    “Some people need a red carpet rolled out in front of them in order to walk forward into friendship. They can't see the tiny outstretched hands all around them, everywhere, like leaves on trees.”
    Miranda July, No One Belongs Here More Than You

  • #140
    Miranda July
    “If there were a map of the solar system, but instead of stars it showed people and their degrees of separation, my star would be the one you had to travel the most light-years from to get to his. You would die getting to him.”
    Miranda July, No One Belongs Here More Than You

  • #141
    Miranda July
    “Life is just this way, broken, and I am crazy to hope for something else.”
    Miranda July, No One Belongs Here More Than You

  • #142
    Miranda July
    “He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.”
    Miranda July, No One Belongs Here More Than You

  • #143
    Miranda July
    “I felt like I could do this forever, because nothing mattered more than anything else.”
    Miranda July, No One Belongs Here More Than You

  • #144
    Philippe Ariès
    “A single person is missing for you, and the whole world is empty.”
    Philippe Ariès

  • #145
    Joan Didion
    “We are not idealized wild things. We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all.”
    Joan Didion, The Year of Magical Thinking

  • #146
    Zadie Smith
    “Every moment happens twice: inside and outside, and they are two different histories.”
    Zadie Smith, White Teeth

  • #147
    Zadie Smith
    “It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.”
    Zadie Smith, White Teeth

  • #148
    Silvia Moreno-Garcia
    “Books, moonlight, melodrama.”
    Silvia Moreno-Garcia, Mexican Gothic

  • #149
    Kathleen Collins
    “We needed to be autodidacts; we needed to pass books from hand to hand; we needed to search, and thus be inspired by hard-won effort to create ourselves. We needed to understand that there is power in searching and finding and not having things handed to us.”
    Kathleen Collins, Whatever Happened to Interracial Love?

  • #150
    Raven Leilani
    “I think of how keenly I've been wrong. I think of all the gods I have made out of feeble men.”
    Raven Leilani, Luster



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