Jennifer > Jennifer's Quotes

“If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.”
― Sarah J. Maas, The Assassin's Blade

“Libraries were full of ideas—perhaps the most dangerous and powerful of all weapons.”
― Sarah J. Maas, Throne of Glass

“You could rattle the stars," she whispered. "You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most.”
― Sarah J. Maas, Throne of Glass

“No. I can survive well enough on my own— if given the proper reading material.”
― Sarah J. Maas, Throne of Glass

“My name is Celaena Sardothien. But it makes no difference if my name's Celaena or Lillian or Bitch, because I'd still beat you, no matter what you call me.”
― Sarah J. Maas, Throne of Glass

“Names are not important. It's what lies inside of you that matters.”
― Sarah J. Maas, Throne of Glass

“I like music," she said slowly, "because when I hear it, I . . . I lose myself within myself, if that makes any sense. I become empty and full all at once, and I can feel the whole earth roiling around me. When I play. I'm not . . . for once, I'm not destroying, I'm creating.”
― Sarah J. Maas, Throne of Glass

“She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!”
― Sarah J. Maas, Throne of Glass

“Of course." He picked up the brown bag of candy on the table. "What's your . . ." He trailed off as he weighed the bag in his hands. "Didn't I give you three pounds of candy?"
She smiled impishly.
"You ate half the bag!"
"Was I supposed to save it?"
"I would have liked some!"
"You never told me that."
"Because I didn't expect you to consume all of it before breakfast!"
She snatched the bag from him and put it on the table. "Well, that just shows poor judgement on your part, doesn't it?”
― Sarah J. Maas, Throne of Glass

“As my friend, you should either bring me along, or keep me company."
"Friend?" he asked.
She blushed. "Well, 'scowling escort' is a better description. Or 'reluctant acquaintance', if you prefer.”
― Sarah J. Maas, Throne of Glass

“I'm not married,” he said softly, “because I can't stomach the idea of marrying a woman inferior to me in mind and spirit. It would mean the death of my soul.”
― Sarah J. Maas, Throne of Glass

“We each survive in our own way.”
― Sarah J. Maas, Throne of Glass

“All it comes down to is this: I feel like shit but look great.”
― Bret Easton Ellis, American Psycho

“I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning”
― Bret Easton Ellis, American Psycho

“...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.”
― Bret Easton Ellis, American Psycho

“…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….”
― Bret Easton Ellis, American Psycho

“I have to return some videotapes”
― Bret Easton Ellis, American Psycho

“Is evil something you are? Or is it something you do?”
― Bret Easton Ellis, American Psycho

“I'm into, oh murders and executions mostly. It depends.”
― Bret Easton Ellis, American Psycho

“There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone, in fact I want my pain to be inflicted on others. I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing. ”
― Bret Easton Ellis, American Psycho

“I stare into a thin, web-like crack above the urinal's handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone. No... one... would... care. In fact some, if they noticed my absence, might feel an odd, indefinable sense of relief. This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.”
― Bret Easton Ellis, American Psycho

“I like to dissect girls. Did you know I'm utterly insane?”
― Bret Easton Ellis, American Psycho

“Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…”
― Bret Easton Ellis, American Psycho

“This is not an exit.”
― Bret Easton Ellis, American Psycho

“We buy balloons, we let them go.”
― Bret Easton Ellis, American Psycho

“Ninety percent of all problems are caused by people being assholes.”
“What causes the other ten percent?” asked Kizzy.
“Natural disasters,” said Nib.”
― Becky Chambers, The Long Way to a Small, Angry Planet

“All you can do, Rosemary – all any of us can do – is work to be something positive instead. That is a choice that every sapient must make every day of their life. The universe is what we make of it. It’s up to you to decide what part you will play.”
― Becky Chambers, The Long Way to a Small, Angry Planet

“The truth is, Rosemary, that you are capable of anything. Good or bad. You always have been, and you always will be. Given the right push, you, too, could do horrible things. That darkness exists within all of us. You think every soldier who picked up a cutter gun was a bad person? No. She was just doing what the soldier next to her was doing, who was doing what the soldier next to her was doing, and so on and so on. And I bet most of them — not all, but most — who made it through the war spent a long time after trying to understand what they’d done. Wondering how they ever could have done it in the first place. Wondering when killing became so comfortable.”
― Becky Chambers, The Long Way to a Small, Angry Planet

“Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.”
― V.E. Schwab, A Conjuring of Light

“Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.

Anoshe brought solace. And hope. And the strength to let go.”
― V.E. Schwab, A Conjuring of Light