Eni Hasanaj > Eni's Quotes

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  • #1
    Andrea Gibson
    “For Jenn

    At 12 years old I started bleeding with the moon
    and beating up boys who dreamed of becoming astronauts.
    I fought with my knuckles white as stars,
    and left bruises the shape of Salem.
    There are things we know by heart,
    and things we don't.

    At 13 my friend Jen tried to teach me how to blow rings of smoke.
    I'd watch the nicotine rising from her lips like halos,
    but I could never make dying beautiful.
    The sky didn't fill with colors the night I convinced myself
    veins are kite strings you can only cut free.
    I suppose I love this life,

    in spite of my clenched fist.

    I open my palm and my lifelines look like branches from an Aspen tree,
    and there are songbirds perched on the tips of my fingers,
    and I wonder if Beethoven held his breath
    the first time his fingers touched the keys
    the same way a soldier holds his breath
    the first time his finger clicks the trigger.
    We all have different reasons for forgetting to breathe.

    But my lungs remember
    the day my mother took my hand and placed it on her belly
    and told me the symphony beneath was my baby sister's heartbeat.
    And I knew life would tremble
    like the first tear on a prison guard's hardened cheek,
    like a prayer on a dying man's lips,
    like a vet holding a full bottle of whisky like an empty gun in a war zone…
    just take me just take me

    Sometimes the scales themselves weigh far too much,
    the heaviness of forever balancing blue sky with red blood.
    We were all born on days when too many people died in terrible ways,
    but you still have to call it a birthday.
    You still have to fall for the prettiest girl on the playground at recess
    and hope she knows you can hit a baseball
    further than any boy in the whole third grade

    and I've been running for home
    through the windpipe of a man who sings
    while his hands playing washboard with a spoon
    on a street corner in New Orleans
    where every boarded up window is still painted with the words
    We're Coming Back
    like a promise to the ocean
    that we will always keep moving towards the music,
    the way Basquait slept in a cardboard box to be closer to the rain.

    Beauty, catch me on your tongue.
    Thunder, clap us open.
    The pupils in our eyes were not born to hide beneath their desks.
    Tonight lay us down to rest in the Arizona desert,
    then wake us washing the feet of pregnant women
    who climbed across the border with their bellies aimed towards the sun.
    I know a thousand things louder than a soldier's gun.
    I know the heartbeat of his mother.

    Don't cover your ears, Love.
    Don't cover your ears, Life.
    There is a boy writing poems in Central Park
    and as he writes he moves
    and his bones become the bars of Mandela's jail cell stretching apart,
    and there are men playing chess in the December cold
    who can't tell if the breath rising from the board
    is their opponents or their own,
    and there's a woman on the stairwell of the subway
    swearing she can hear Niagara Falls from her rooftop in Brooklyn,
    and I'm remembering how Niagara Falls is a city overrun
    with strip malls and traffic and vendors
    and one incredibly brave river that makes it all worth it.

    Ya'll, I know this world is far from perfect.
    I am not the type to mistake a streetlight for the moon.
    I know our wounds are deep as the Atlantic.
    But every ocean has a shoreline
    and every shoreline has a tide
    that is constantly returning
    to wake the songbirds in our hands,
    to wake the music in our bones,
    to place one fearless kiss on the mouth of that brave river
    that has to run through the center of our hearts
    to find its way home.”
    Andrea Gibson

  • #2
    Sarah Kane
    “And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your

    and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.”
    Sarah Kane, Crave

  • #3
    Maggie Stiefvater
    “When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers.
    Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks.
    The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint.
    It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay.
    Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived.
    Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.”
    Maggie Stiefvater, The Raven Boys

  • #4
    Neil Gaiman
    “They were kissing. Put like that, and you could be forgiven for presuming that this was a normal kiss, all lips and skin and possibly even a little tongue. You'd miss how he smiled, how his eyes glowed. And then, after the kiss was done, how he stood, like a man who had just discovered the art of standing and had figured out how to do it better than anyone else who would ever come along.”
    Neil Gaiman, Anansi Boys

  • #5
    Wendy Higgins
    “I tried to warn you,

    But girls never listen.

    Got your innocence insured?

    ’Cause it’s ’bout to be stolen

    Right out from under your nose.

    Prepare to curl your toes.

    I’ve got a one-track mind.

    You’ve got a nice behind.

    Chorus:

    I had a good thing goin’

    All numb in my shell,

    Then you took me by surprise

    And now I’m scared as hell.

    I don’t wanna feel for you,

    I don’t wanna feel.

    If feeling means hurting,

    Then I don’t wanna be real.

    You crank up my lust, girl,

    You tame down my rage.

    You let your inner vixen

    Roam out of her cage.

    The moment our lips met

    I saw it in your eyes,

    But you were seeing me,

    too, I now realize.

    Chorus

    What do I want from you?

    I want everything.

    And I’m not gonna share—

    This ain’t a casual fling.

    You can be my bad girl,

    I’ll even be your good boy.

    How’d the tables get turned?

    F*** it, I’ll be your love toy.”
    Wendy Higgins, Sweet Peril

  • #6
    Stephanie Perkins
    “I slide my hand between our mouths, just in time. His lips
    are soft against my palm. I slowly, slowly remove it. “No, I
    don’t love Max anymore. But I don’t want to give you this
    broken, empty me. I want you to have me when I’m full,
    when I can give something back to you. I don’t have much to
    give right now.”
    Cricket’s limbs are still, but his chest is pounding hard
    against my own. “But you’ll want me someday? That feeling
    you once had for me … that hasn’t left either?”
    Our hearts beat the same wild rhythm. They’re playing the
    same song.
    “It never left,” I say.”
    Stephanie Perkins, Lola and the Boy Next Door

  • #7
    Shel Silverstein
    “The Voice

    There is a voice inside of you
    That whispers all day long,
    "I feel this is right for me,
    I know that this is wrong."
    No teacher, preacher, parent, friend
    Or wise man can decide
    What's right for you--just listen to
    The voice that speaks inside.”
    Shel Silverstein

  • #8
    Maggie Stiefvater
    “You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?”
    Sam let go of my hands to get his wallet and took out some bills. “Six years.”
    I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species.
    Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age."
    Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
    I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.”
    The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.”
    Maggie Stiefvater, Shiver

  • #9
    Lisa Kleypas
    “I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.”
    Lisa Kleypas, Again the Magic

  • #10
    Gabriel García Márquez
    “He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #11
    F. Scott Fitzgerald
    “I'm not sentimental--I'm as romantic as you are. The idea, you know,
    is that the sentimental person thinks things will last--the romantic
    person has a desperate confidence that they won't.”
    F. Scott Fitzgerald, This Side of Paradise

  • #12
    Hunter S. Thompson
    “Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.”
    Hunter S. Thompson

  • #13
    John  Green
    “One swing set, well worn but structurally sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It's all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may also learn the most important lesson of all: No matter how hard you kick, no matter how high you get, you can't go all the way around.”
    John Green, The Fault in Our Stars

  • #14
    Charles Bukowski
    “I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together”
    Charles Bukowski, Women

  • #15
    Libba Bray
    “Do you ever feel that way?"
    "Lonely?"
    I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it."
    He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have.
    "Do you know what I think?" Kartik says at last.
    "What?"
    "Sometimes, I think you can glimpse it in another.”
    Libba Bray, The Sweet Far Thing

  • #16
    Charles Bukowski
    “I drive around the streets
    an inch away from weeping,
    ashamed of my sentimentality and
    possible love.”
    Charles Bukowski, Love Is a Dog from Hell

  • #17
    Karen Marie Moning
    “Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plain and simple. Game over. End of pain...Try living for someone. Through it all-good, bad, thick, thin, joy, suffering. That's the hard thing.”
    Karen Marie Moning, Shadowfever

  • #18
    “Prayer of an Anonymous Abbess:

    Lord, thou knowest better than myself that I am growing older and will soon be old. Keep me from becoming too talkative, and especially from the unfortunate habit of thinking that I must say something on every subject and at every opportunity.

    Release me from the idea that I must straighten out other peoples' affairs. With my immense treasure of experience and wisdom, it seems a pity not to let everybody partake of it. But thou knowest, Lord, that in the end I will need a few friends.

    Keep me from the recital of endless details; give me wings to get to the point.

    Grant me the patience to listen to the complaints of others; help me to endure them with charity. But seal my lips on my own aches and pains -- they increase with the increasing years and my inclination to recount them is also increasing.

    I will not ask thee for improved memory, only for a little more humility and less self-assurance when my own memory doesn't agree with that of others. Teach me the glorious lesson that occasionally I may be wrong.

    Keep me reasonably gentle. I do not have the ambition to become a saint -- it is so hard to live with some of them -- but a harsh old person is one of the devil's masterpieces.

    Make me sympathetic without being sentimental, helpful but not bossy. Let me discover merits where I had not expected them, and talents in people whom I had not thought to possess any. And, Lord, give me the grace to tell them so.

    Amen”
    Anonymous

  • #19
    Milan Kundera
    “The only relationship that can make both partners happy is one in which sentimentality has no place and neither partner makes any claim on the life and freedom of the other.”
    Milan Kundera, The Unbearable Lightness of Being

  • #20
    John Grogan
    “Animal lovers are a special breed of humans, generous of spirit, full of empathy, perhaps a little prone to sentimentality, and with hearts as big as a cloudless sky”
    John Grogan, Marley & Me: Life and Love with the World's Worst Dog

  • #21
    Gustave Flaubert
    “It’s hard to communicate anything exactly and that’s why perfect relationships between people are difficult to find.”
    Gustave Flaubert, Sentimental Education

  • #22
    Victor Hugo
    “Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.”
    Victor Hugo, Les Miserables

  • #23
    Naguib Mahfouz
    “It's a most distressing affliction to have a sentimental heart and a skeptical mind.”
    Naguib Mahfouz, Sugar Street

  • #24
    Alan Moore
    “MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ...

    THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO...

    ...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN.

    MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA.

    BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF!

    ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY!

    THERE IS NO SANITY CLAUSE!

    SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS.

    MADNESS IS THE EMERGENCY EXIT...

    YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY...

    FOREVER.”
    Alan Moore, Batman: The Killing Joke

  • #25
    Kobayashi Issa
    “Never forget:
    we walk on hell,
    gazing at flowers.”
    Kobayashi Issa

  • #26
    Margaret Atwood
    “All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.

    All of them?

    Sure, he says. Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.”
    Margaret Atwood

  • #27
    Clementine von Radics
    “I know
    you and I
    are not about poems or
    other sentimental bullshit
    but I have to tell you
    even the way
    you drink your coffee
    knocks me the fuck out.”
    Clementine von Radics

  • #28
    Magenta Periwinkle
    “Could a scar be like the rings of a tree, reopened with each emotional season?”
    Magenta Periwinkle, Cutting Class

  • #29
    Georgette Heyer
    “There is nothing so mortifying as to fall in love with someone who does not share one's sentiments.”
    Georgette Heyer, Venetia

  • #30
    Coco J. Ginger
    “I remember when your name was just another name that rolled without thought off my tongue.

    Now, I can’t look at your name without an abundance of sentiment attached to each letter.

    Your name, which I played with so carelessly, so easily, has somehow become sacred to my lips.

    A name I won’t throw around lightheartedly or repeat without deep thought.

    And if ever I speak of you, I use the English language to describe who you were to me. You are nameless, because those letters grouped together in that familiar form….. carries too much meaning for my capricious heart.”
    Jamie Weise



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