mehmet > mehmet's Quotes

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  • #181
    Max Porter
    “Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.”
    Max Porter, Grief Is the Thing with Feathers

  • #182
    Max Porter
    “Again. I beg everything again.”
    Max Porter, Grief Is the Thing with Feathers

  • #183
    Max Porter
    “[Grief] is everything. It is the fabric of selfhood, and beautifully chaotic. It shares mathematical characteristics with many natural forms.”
    Max Porter, Grief Is the Thing with Feathers

  • #184
    Garth Greenwell
    “I fell back from him then, I lay next to him thinking, as I had had cause to think before, of how helpless desire is outside its little theater of heat, how ridiculous it becomes the moment it isn't welcomed, even if that welcome is contrived.”
    Garth Greenwell, What Belongs to You

  • #185
    Garth Greenwell
    “As we joined the line of people getting off at the last stop before Sofia, I looked once more at the little boy, whom I felt I would never forget, though maybe it wasn't exactly him I would remember, I thought, but the use I would make of him. I had my notes, I knew I would write a poem about him, and then it would be the poem I remembered, which would be both true and false at once, the image I made replacing the real image. Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn't what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn't really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it.”
    Garth Greenwell, What Belongs to You

  • #186
    Bill Hayes
    “O: 'The most we can do is to write - intelligently, creatively, critically, evocatively - about what it is like living in the world at this time”
    Bill Hayes, Insomniac City: New York, Oliver, and Me

  • #187
    Gail Honeyman
    “If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #188
    Gail Honeyman
    “Sometimes you simply needed someone kind to sit with you while you dealt with things.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #189
    Gail Honeyman
    “I’m not sure I’d like to be burned. I think I might like to be fed to zoo animals. It would be both environmentally friendly and a lovely treat for the larger carnivores. Could you request that?”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #190
    Rebecca Schiff
    “We used to call it the World Wide Web, but at some point the world had dropped out. The wide was gone. It was a narrow web connecting us to those who would never love us back.”
    Rebecca Schiff, The Bed Moved

  • #191
    James Baldwin
    “Perhaps home is not a place but simply an irrevocable condition.”
    James Baldwin, Giovanni’s Room

  • #192
    James Baldwin
    “You don’t have a home until you leave it and then, when you have left it, you never can go back.”
    James Baldwin, Giovanni’s Room
    tags: home

  • #193
    Ben Okri
    “The law is simple. Every experience is repeated or suffered till you experience it properly and fully the first time.”
    Ben Okri, Astonishing the Gods

  • #194
    Ben Okri
    “I love your silence. It is so wise. It listens. It invites warmth. I love your loneliness. It is brave. It makes the universe want to protect you. You have the loneliness that all true heroes have, a loneliness that is a deep sea, within which the fishes of mystery dwell. I love your quest. It is noble. It has greatness in it. Only one who is born under a blessed star would set sail across the billowing waves and the wild squalls, because of a dream. I love your dream. It is magical. Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the world, and it is dreams that create history. People like you are unknowing transformers of thing, protected by your own fairy-tale, by love.”
    Ben Okri, Astonishing the Gods

  • #195
    Chris Kraus
    “According to Charles Olsen, the best poetry is a kind of schizophrenia. The poem does not "express" the poet's thoughts or feelings. It is "a transfer of energy between the poet and the reader".”
    Chris Kraus, I Love Dick

  • #196
    Chris Kraus
    “Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.”
    Chris Kraus, I Love Dick

  • #197
    Chris Kraus
    “She hardly slept or ate, she forgot to comb her hair. The more she studied, the harder it became to speak or know anything with certainty. People were afraid of her; she forgot how to teach her classes. She became that word that people use to render difficult or driven women weightless: Gabi Teisch was "quirky.”
    Chris Kraus, I Love Dick

  • #198
    Chris Kraus
    “Oh Dick, you eroticise what you're not, secretly hoping that the other person knows what you're performing and that they're performing too.”
    Chris Kraus, I Love Dick

  • #199
    Chris Kraus
    “How could I make you understand the letters were the realest thing I’d ever done? By calling it a game you were negating all my feelings. Even if this love for you could never be returned I wanted recognition. And so I started ranting on about Guatemala. The femme seduction trip seemed so corrupt and I was clueless how to do it. The only way I knew of reaching you apart from fucking was through ideas and words.”
    Chris Kraus, I Love Dick

  • #200
    Chris Kraus
    “Dear Dick, I always thought that both of us became political for the same reason. Reading constantly and wanting something else so fiercely that you want it for the world.”
    Chris Kraus, I Love Dick

  • #201
    Anna North
    “Maybe that was how you had to live, eventually—just let things be and never ask yourself if they were what you really wanted.”
    Anna North, The Life and Death of Sophie Stark

  • #202
    Anna North
    “It’s hard for me to talk about love,' she said. 'I think movies are the way I do that.”
    Anna North, The Life and Death of Sophie Stark

  • #203
    Anna North
    “I thought making movies would make me more like other people,” said Sophie. “But sometimes I think it just makes me even more like me.”
    Anna North, The Life and Death of Sophie Stark

  • #204
    Nicole Krauss
    “In the months after the relationship ends, a person can seem to grow at a lightning rate, like in a nature documentary where weeks of footage is run at high speed to show a plant unfurling in seconds, but in reality the person has been growing all along, under the surface, and it is only in their new freedom, in their hair-raising aloneness, that the person can allow for these underground things to break through and unfurl themselves in the light.”
    Nicole Krauss, Forest Dark

  • #205
    Nicole Krauss
    “But then a foreboding thought cast a shadow over the rest, blunt and unadorned, and it was simply this: that for most of my life i had been emulating the thoughts and actions of other people. That so much I had done or said had been a mirror of what was said and done around me. And that if i continued in this manner, whatever glimmers of brilliant life still burned in me would soon go out. When i was very young it had been otherwise, but I could hardly recall that time, it was buried so far below. I was only certain that a period had existed in which i looked at the things of the world without needing to subordinate them to order. I simply saw, with whatever originality I was born with, the whole of things, without needing to give them a human translation. I would never again be able to see like that, I knew that, and yet, lying there, it seemed to me that I'd failed to fulfill the promise of that vision I once had, before i began to slowly learn to look at everything the way others looked, and to copy the things they said and did, and to shape my life after theirs, as if no other range of being had occurred to me.”
    Nicole Krauss, Forest Dark

  • #206
    Nicole Krauss
    “But we didn’t invent the idea of a single God; we only wrote a story of our struggle to remain true to Him and in doing so we invented ourselves. We gave ourselves a past and inscribed ourselves into the future.”
    Nicole Krauss, Forest Dark

  • #207
    Nicole Krauss
    “This is why the rabbis tell us that a broken heart is more full than one that is content: because a broken heart has a vacancy, and the vacancy has the potential to be filled with the infinite.”
    Nicole Krauss, Forest Dark

  • #208
    Elif Batuman
    “I kept thinking about the uneven quality of time--the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. But then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back.”
    Elif Batuman, The Idiot
    tags: time

  • #209
    Ocean Vuong
    “& remember, loneliness is still time spent with the world.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #210
    Ocean Vuong
    “The most beautiful part of your body
    is where it’s headed.”
    Ocean Vuong, Night Sky with Exit Wounds



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